I SPENT four years working on my debut book Bear Markets and Beyond and so it’s definitely now imprinted on me the importance of financial literacy. I teamed up with illustrator Dominic Bailey to try to create a fun business guide for people of all ages and experiences, especially children. We’ve all heard of bear markets, but how many actually know that it means the stocks are heading downwards? And unicorns – what makes Facebook one? Who would have thought that business and finance would involve a safari? This little book has beautiful illustrations and is a fun guide to make business less scary. And in a post Covid-19 world, it’s important to be financially literate, so here are my top 10 financial terms from Bear Markets and Beyond: A bestiary of business terms,” said Dhruti Shah.
Bear and bull markets: These are common phrases, but not everybody outside financial circles will understand. A bear market happens when there is a fall of 20 per cent or a long-term decline of stocks for more than two months. A bull market is the opposite. It’s when things are on the up. Anything that’s traded (bonds, real estates, currencies, commodities) can be described as a bull market if the trend is upwards. Think of how bulls and bears attack. Bears swat down with their paws while a bull will thrust upwards.
Vomiting camel: This is a perfect representation of fake news. Technical analysts spend a lot of their time looking at charts and coming up with chart formations to figure out which way the markets are heading. A vomiting camel is a completely made-up chart formation. It means nothing. It first turned up on Twitter several years ago and then FT journalist Katie Martin ran with what was always a joke. But some people think it’s real. It’s not. You might as well be looking at a mirage.
Maneki-neko: The Maneki-neko is the name of the lucky cat that you see in shops and in people’s homes. This beckoning cat (which is what the name translates to) is a lucky charm believed to bring success and prosperity. Many people think that it’s Chinese in origin, but it’s actually Japanese. Cats with the left paw raised brings in more customers while the right paw raised attracts more money.
Catfish: Catfishing goes way beyond the dating world. You never want to be the victim of a catfish. This is someone who pretends to be something they are not – a scammer. They might even create a false online identity to defraud others. If you’re aware of the existence of a catfish, you might take extra precautions to steer clear of them.
Gorilla: A gorilla company is one with the biggest market share of its industry. But it doesn’t necessarily have a monopoly. But the size of its share means it can take a lot more risks. Who’d have thought King Kong would have made his way over to the world of business? The thing is that this beast has a lot of influence in the markets it operates in and when a gorilla company starts beating its chest, the others start being a lot more innovative in terms of how they operate.
Hamsterkauf: When the supermarket shelves started being stripped of pasta and toilet rolls as people stockpiled for pandemic lockdowns, hamsterkauf emerged as the perfect German phrase for our times. Literally meaning ‘hamster purchase’, it is a warning about panic buying. Hamsters might love hoarding food in their cheeks, but this emergency stockpiling meant that not everybody could get what they needed in terms of day-to-day supplies.
Lobster shift: If you’ve ever had to work night shifts, then you’ll also appreciate the fact there’s an animal related word to cover the anti-social beat. The lobster shift was given to those who had to work overnights on newspapers although the phrase started slipping into other industries. The name referred to the time the fish markets would see a fresh catch of lobsters hauled in.
Piggy bank: The piggy bank, which we almost all have had access to growing up, has a fascinating history. The word goes back to at least 1450. Before there were banks, people would stash their money at home in an earthenware pot called a ‘pygg’. And then when potters started fashioning these containers into something more fun, they would take inspiration from the farmyard animal. Oink!
Skunkworks: A skunkworks project is something that’s very experimental – something being worked on by a breakaway group. Those involved are operating in a radical, rather unorthodox way in a bid to create something original and game changing. The name originated in World War 2 with Lockheed Martin, but now many organisations have their own experimental groups.
Wolves: I absolutely love wolves and there are certainly these sharp-toothed creatures in business. As well as the wolves running ruthlessly through Wall Street in a bid to earn, earn, earn, you have Mongolia positioning itself as a wolf economy. The wolf is revered in Mongolia and plays a significant role in the culture. Mongolia wants to be as well-known as the tiger economies.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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