Who would have thought that a daughter of a rickshaw driver would one day become Miss India 2020 runner-up? But, Manya Singh proved that for her sky is the limit.
The 19-year-old was crowned VLCC Femina Miss India 2020 runner-up in a ceremony last week.
Recently, while talking to PTI, Singh opened about her journey from a village to a beauty pageant. She told the news agency, "I realised that there's this platform called Miss India where I can voice my stand and beliefs. Be the voice of those women who are told they don't have the right to speak, who are confined. Especially in villages, where they don't even have the freedom to choose what they wear, what to study. I realised long back I have to make it to Miss India, so all my hardships, all my steps were towards just this.”
Her parents are really proud of her but there was a time when they didn’t believe in their daughter’s dream to become a Miss India. Manya stated, "My parents were gobsmacked and felt I had gone crazy. 'People like us don't even dream, and you're thinking of Miss India crown?' they said. My father would always tell me, there are more heels in my bag than books. Somewhere they were scared because I didn't even have a Plan B."
Coming from a village, she also faced gender discrimination and people in society would feel sorry for her parents as their first child was not a boy. "It would pain me a lot. I decided to let my parents feel that their daughter is more capable than anyone else. I was quite determined to rise above."
At the age of 14, Manya came to Mumbai and started staying in a suburban area called Kandivali. As she didn’t have enough money, she started working in a pizza outlet so she can manage fees for her college.
She said, "I would mop the floor, do the dishes, and sleep in the store room. On the job, I observed how people carried themselves, how they'd dress up, and talk to each other. It was a massive learning for me for the entire year that I worked there."
She later started working in a call center while taking education at Thakur College of Science and Commerce, Mumbai. Singh revealed, "There I polished my language, worked on my diction and voice. I started work to support my education but even that led to shaping up my personality, preparing myself for Miss India."
It wasn’t even easy for her to enter the beauty pageant and she had several failed attempts at it. "I would calm myself down, remind that I've seen a lot of struggle, so this too shall pass. I somehow had this incredible faith that I will go far and wide. There were people who came like angels in my life, especially during the pageant journey, and helped me at every step," she said.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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