Contrary to popular belief, Twenty20 cricket rewards brains as well as brawn with the smartest spinners able to find a way to nullify the most explosive batsmen, according to wily Indian Premier League (IPL) veteran Amit Mishra.
Mishra's 124 wickets rank second only to Sri Lankan paceman Lasith Malinga's 143 in the history of lucrative tournament and the Delhi Daredevils player said spinners were not merely cannon-fodder in the shortest form of the sport.
"You must have variation if you are to succeed at this level," Mishra told reporters on Wednesday, the opening day of the new IPL season, joined on stage by his Delhi spin colleagues Jayant Yadav, Shahbaz Nadeem and Murugan Ashwin.
"When to bowl slow, when to go faster, it's important to get the maximum out of your variations. Sometimes it may not work, but if you are a quality bowler, you have more chances to succeed," added the 34-year-old, who has 22 test caps for India.
In a format dismissed by the purists as mindless slogging, Mishra explained the futility of merely trying to contain and stressed on the need to relentlessly pressure the batsmen.
"The spinner's role is very crucial in the first 10 overs. My effort has always been to take a wicket or two, while stopping the boundaries," said Mishra, whose three hat-tricks are the most by an IPL bowler.
Off-spinner Jayant concurred, saying slow bowlers would have to think on their feet to prevail in the battle of wits against the big hitters.
"To stop power-hitting, you have to be really aware of everything -- the batsman, the conditions and the situation in the game," he said.
"You have to read it really fast. Every ball in Twenty20 can win you a match. You just have to be aware of the situation and what the batsman is trying to do to outthink and outsmart him."
Left-arm spinner Nadeem said he would put his trust in flighted deliveries.
"Spinners must find the right line and length and deceive the batsmen in air," the 27-year-old said.
"Normally, batsmen try to score against you, so if you can deceive him in the air, you always have a chance to get him out," he added.
"If the batsmen have come up with new shots in the tournament, spinners have responded with new deliveries.
"You see the carrom ball and then so many are bowling the doosra, which has been around for a while.
"If the batsmen have innovated, the spinners too have worked really hard on their craft."
Champions Sunrisers Hyderabad host Royal Challengers Bangalore in the first match of this year's tournament later on Wednesday. Delhi start their campaign in Bengaluru on Saturday.
Urooj Ashfaq is quickly becoming one of the most exciting voices in stand-up comedy – not just in India, but on the international stage. After years of building a loyal following with her sharp, playful humour and refreshingly honest storytelling, she made a major mark at the 2023 Edinburgh Fringe, winning the prestigious Best Newcomer Award. It was a breakthrough moment that catapulted her from popular Indian comic to a global name to watch.
Since then, she’s been touring internationally, selling out shows in India, the UK and beyond, and earning rave reviews for her mix of relatable comedy, bold observations and joyful absurdity. Now, she’s returning to London and Edinburgh with her latest show How To Be A Baddie, previewing at Soho Theatre in July before another much-anticipated run at the Fringe.
Ahead of her 2025 summer UK shows, Urooj shares her Top 10 Comedy Moments – from viral sketches and food deliveries to unexpected dance parties, shoutouts from comedy legends and her hopes for the Fringe this year.
Urooj shares her Top 10 Comedy MomentsInstagram/uroojashfaq
Participating in Queens of Comedy:
It was India’s first all-female comedy competition! We did formats of comedy in every round. It pushed me to create well on a timeline, and it taught me a lot about being on sets and shoots. More importantly, all the girls had a great time just giggling and crying through the whole thing together. It is lovely to have made the friendships I did on the show.
The Ahmedabad audience having a dance party at the end of my show in February 2025:
I was touring with my new show How To Be A Baddie in February, which I am previewing at Soho Theatre in London in July and bringing to the Fringe Festival in August. I was on my period that day and was lying face down in the green room in pain before the show. I have a section in my show where I read One Direction erotica – and a song by One Direction plays at the very end of my show! I think the audience that day was lovely. The show went so well – there was so much joy in the room, the audience had a giant dance party at the end and I couldn’t feel my cramps anymore.
Meeting Phoebe Waller-Bridge:
In 2023 at the Fringe Festival, I met Phoebe Waller-Bridge. She came to watch my show and hung out with us later. It was so kind of her, and we had the best time chatting with her. It’s a core Fringe memory for me forever.
Daniel Sloss gave me a shoutout after watching my show:
Another memory from the 2023 festival was when Daniel Sloss came to watch my show and liked it enough to recommend it to people to come watch, it was surreal! I was overjoyed by his warmth – and it helped my sales so much. Phew!
Winning Best Newcomer at the Fringe in 2023:
That was a very big year for me.
Doing food deliveries after starring in a viral comedy sketch by the comedy group AIB:
I starred in a sketch called If Apps Were People by AIB, a legendary Indian comedy group, back in 2016. The video did really well and I was a delivery girl for my sister’s breakfast and brunch service Eggcetra at the time. I would show up outside their rooms with the breakfast for students at a nearby fashion institute and they would open the door at 8 am bleary-eyed, looking like they had seen me before and they just couldn’t tell where. One time, a man recognised me and asked me, “Do you still take tips?” I said, “Yes sir, I’m pursuing a career in comedy, please tip me!”
Releasing my first YouTube video:
It is a big day in the life of an Indian comedian when we release our first YouTube video. It is our debut into the online world of comedy, and it really helps build our audience. My first video really helped me build that and be able to tour. It was a very important moment for me.
Playing Tara on Pushpavalli:
Pushpavalli is an iconic Indian comedy‐drama series on Amazon Prime created by Sumukhi Suresh. I played Tara in the duo Tara and Srishti, who are the Siamese twins of evil. Srishti was played (both were largely written) by the hilarious Sumaira Shaikh, who is my college mate and we started doing stand-up comedy together. It was so fun to be on set and shoot this series. The characters were so mean and evil and funny, we had the best time playing them.
Being a question on the Indian version of Who Wants To Be A Millionaire hosted by Bollywood legend Amitabh Bachchan:
On Season 15, Episode 31 (I’m really casual about it), this specific question was asked: “Which Indian comic won the Best Newcomer award at the prestigious performing arts festival, Edinburgh Fringe?” The guest on the show that day was a legend in the Indian comedy scene, Zakir Khan. My entire family watches this show and they were stoked to see my name pop up, everybody called my parents and they expressed some pride about me. It was really sweet.
I’m saving this spot for something magical at Fringe 2025:
Maybe One Direction will come to my show and applaud my erotica reading, maybe I will be the first person in history to receive a 15-star review – “We had to increase the number of stars for her! She was just so good!!” Or maybe, just maybe, I will have a Fringe with zero cries in the meadows.
Urooj Ashfaq: How To Be A Baddie At Soho Theatre in central London from July 21-26. Then Monkey Barrel 4 at Monkey Barrel Comedy, 9-12 Blair Street, Edinburgh EH1 1QR from July 30 – August 24.
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The Eternaut’s VFX scene was completed with generative AI at record speed
Netflix confirms first use of generative AI in visual effects for Argentine sci-fi series The Eternaut.
AI helped complete a key building collapse scene 10 times faster than traditional methods.
Co-CEO Ted Sarandos says AI is a tool to enhance creativity, not replace artists.
Move comes amid ongoing debate in the industry over AI’s role and job implications.
Netflix has confirmed using artificial intelligence to generate final visual effects footage for the first time in one of its original shows. The streaming giant revealed that generative AI was used to create a dramatic building collapse in the upcoming Argentine sci-fi series The Eternaut, enabling the scene to be completed significantly faster and more cost-effectively than with traditional VFX tools.
The Eternaut brings Argentina’s legendary sci-fi comic to life using new AI toolsInstagram/theeternaut.netflix
Why did Netflix use AI for The Eternaut?
Netflix turned to generative AI to tackle budget limitations while producing the ambitious sci-fi series The Eternaut, which follows survivors of a toxic snowfall in Buenos Aires. According to Netflix co-CEO Ted Sarandos, the AI-powered tools enabled the VFX team to complete a complex building collapse sequence at a fraction of the usual time and cost.
Speaking during the company’s second-quarter earnings call, Sarandos said the scene was finished “10 times faster than it could have been completed with traditional workflows.” He added, “The cost just wouldn’t have been feasible for a show in that budget.” Netflix collaborated with Eyeline Studios, its in-house production team, to deliver the final footage.
The use of AI in The Eternaut marks a pivotal shift in how streaming platforms may approach content creation. While AI has already been used in pre-visualisation and shot planning, this is the first instance where Netflix deployed it for final VFX output in a show.
Sarandos described the AI tools as an “incredible opportunity to help creators make films and series better, not just cheaper.” He emphasised that real people were still behind the work, using AI to enhance, not replace their craft. “This is real people doing real work with better tools,” he said.
The successful integration of generative AI could open doors for smaller productions to achieve high-end visuals without blockbuster budgets, levelling the playing field in an increasingly competitive market.
Netflix’s announcement comes amid ongoing industry concerns about the role of AI in filmmaking. In 2023, both Hollywood writers and actors went on strike, with AI being a central issue. Unions demanded protections to ensure that AI would not be used to replace human talent or exploit existing creative works without consent.
While Netflix presents its use of AI as a creative aid, many in the industry remain sceptical. Critics argue that relying on AI could devalue craftsmanship and threaten jobs in areas like screenwriting, visual effects, and animation.
The backlash has already had real-world effects. Filmmaker Tyler Perry famously paused a £634 million (₹6,700 crore) studio expansion due to uncertainty over AI’s long-term impact on jobs and creative processes.
Beyond production, Netflix is exploring how AI can improve the user experience. Co-CEO Greg Peters hinted at future developments, suggesting that AI could enhance content discovery through more natural, conversational search queries. For instance, users could soon find shows by describing mood, genre, or era.
Additionally, Peters mentioned that generative AI could be used to streamline ad creation, potentially reducing costs for advertisers while maintaining relevance for viewers.
Netflix’s decision to embrace AI in production, particularly in a high-visibility series like The Eternaut, signals that the technology is here to stay. But as the platform moves forward, it faces growing pressure to balance innovation with ethical responsibility.
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Tourist Family beat Chhaava to become India’s most profitable film of 2025
Made on a modest £665,000 (₹7 crore) budget, Tourist Family earned £9.3 million (₹98 crore) worldwide.
Directed by Abishan Jeevinth, the Tamil comedy-drama gained traction through strong word-of-mouth.
The film achieved a 1200% return on investment, the highest in Indian cinema for 2025.
Bollywood biggies like Chhaava and Sitaare Zameen Par recorded lower profit margins despite larger grosses.
A small Tamil film with no big promotions has quietly taken over 2025’s box office success story, not by being the highest grosser, but by delivering the highest profit. Tourist Family, a slice-of-life comedy directed by Abishan Jeevinth, became India’s most profitable film of the year with an unprecedented 1200% return on investment.
Released on 29 April 2025, Tourist Family was made on a modest budget of £665,000 (₹7 crore). With strong reviews and positive audience feedback, it surpassed all expectations, earning £9.3 million (₹98 crore) globally, £6.4 million (₹67 crore) of which came from domestic collections. In contrast, the year’s top-grossing film Chhaava, starring Vicky Kaushal, managed an 800% profit on a £8.5 million (₹89.6 crore) budget.
Regional films like Tourist Family outpacing big-budget Bollywood in profitsInstagram/millionoffl
How did Tourist Family achieve such high profitability?
Unlike typical commercial hits, Tourist Family relied on a grassroots-level build-up. The film earned £2.38 million (₹25 crore) in its first week, a respectable figure for a film with minimal marketing and no major stars. However, the second week saw an even stronger showing with £3 million (₹31.6 crore) added to its tally, fuelled purely by word-of-mouth.
Critics praised its grounded humour, family-centric storytelling, and authentic performances from leads M. Sasikumar, Simran, Mithun Jai Sankar, and Kamalesh Jagan. The film’s appeal to Tamil-speaking families and audiences looking for relatable, light-hearted content ensured sustained theatre footfalls.
What made Tourist Family more profitable than Chhaava and other blockbusters?
While Chhaava topped the box office in terms of total earnings with £83.4 million (₹885 crore) worldwide, its high production cost of £8.5 million (₹89.6 crore) meant its profit margin was lower. Akshay Kumar’s Housefull 5, despite earning £30.9 million (₹328 crore), struggled to break even due to a bloated budget. Similarly, Sikandar starring Salman Khan failed to deliver a strong profit.
Even Aamir Khan’s Sitaare Zameen Par, a mid-budget film made for £6 million (₹63 crore), clocked only a 300% profit despite a £26.8 million (₹284 crore) gross. In comparison, Tourist Family’s lean budget and sustained collections allowed it to quietly beat these high-profile films in sheer profitability.
How did regional films perform at the Indian box office in 2025?
If Tourist Family proved one thing, it’s that regional cinema, especially Tamil and Malayalam films, dominated profitability charts in 2025. Malayalam superstar Mohanlal’s Thudarum recorded a 720% profit margin. Tamil fantasy-action flick Dragon and Telugu crowd-pleaser Sankranthiki Vasthunam each secured around 300% profit.
These films, with modest budgets and focused storytelling, appealed to regional audiences and performed steadily without the pressure of pan-India expectations. Their success underscores the growing strength of non-Hindi cinema in India’s entertainment landscape.
Tourist Family’s success is not just a one-off anomaly; it signals a shift in what audiences value: content, relatability, and honesty over star power and spectacle. With changing viewing habits and increasing cinema literacy among the public, low-budget films with strong emotional cores are increasingly holding their own against Bollywood’s big-budget behemoths.
The 2025 box office has shown that profitability doesn’t always follow the loudest buzz or the biggest names. Sometimes, all it takes is a good story, smart budgeting, and genuine audience connection.
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A logo is pictured outside a Jaguar Land Rover new car show room in Tonbridge, south east England.
JAGUAR LAND ROVER (JLR) has delayed the launch of its new electric Range Rover and electric Jaguar models, citing the need for further testing and to allow market demand to grow.
Customers waiting for the Range Rover Electric have been informed that deliveries will now begin next year, instead of the previously planned late 2025. Two sources told The Guardian that the launches of two Jaguar electric models may also be delayed by several months.
JLR recently reported a 15.1 per cent drop in quarterly sales after a pause in exports to the US due to Donald Trump’s tariffs. A voluntary redundancy scheme for up to 500 managers has also been introduced to cut costs.
Despite this, JLR has recorded 10 consecutive quarters of profit and expects a sales boost following a UK-US trade deal that reduced tariffs on the first 100,000 exports to 10 per cent.
JLR, owned by Tata, had been under pressure to meet UK electric vehicle targets, but that eased after the government weakened the zero emission vehicle mandate.
A JLR spokesperson said: “By 2030 JLR will sell electric versions of all its luxury brands... we will launch our new models at the right time for our clients, our business and individual markets.”
Sources told The Guardian the delays stem from extended testing of models being directly built by JLR for the first time. The first rebranded electric Jaguar, the Type 00, is set for production in August 2026, with a second model likely in December 2027. The Range Rover Velar EV could begin production in April 2026, and an electric Defender sub-brand model in early 2027.
Tata’s Agratas battery factory in Somerset is now expected to begin production in late 2027, a year later than originally planned.
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Kate Beckinsale shared a heartfelt tribute to her late mother Judy Loe on Instagram
British actress Kate Beckinsale confirmed the death of her mother Judy Loe, aged 78, on 15 July.
Judy Loe had been diagnosed with stage 4 cancer in July 2024.
Beckinsale shared an emotional tribute on Instagram, revealing her mother passed away in her arms.
Judy Loe was a well-known British television actress with roles in General Hospital, Edward the Seventh, and Monty Python’s The Meaning of Life.
Kate Beckinsale has announced the death of her mother, British actress Judy Loe, who passed away on the night of 15 July after a year-long struggle with stage 4 cancer. The Underworld star confirmed the heartbreaking news through an emotional Instagram post on 17 July, revealing that her 78-year-old mother died in her arms.
In the deeply personal post, Beckinsale explained that she had to register her mother’s death certificate, prompting her to share the news publicly. She described Loe as her “guiding star” and “soulmate,” and expressed the devastation of losing both her parents—her father, actor Richard Beckinsale, died when she was just five.
Judy Loe passed away at 78 after a year-long battle with stage 4 cancerInstagram/katebeckinsale
What did Kate Beckinsale say in her tribute to Judy Loe?
Beckinsale’s Instagram post included several photos and videos of her late mother, though she admitted she couldn’t bring herself to go through her full camera roll yet. She apologised to Loe’s friends who might have learned the news through the press, saying she was “paralysed” with grief and unable to go through her mother’s phone to inform people personally.
“Jude was the compass of my life, the love of my life, and my dearest friend,” she wrote. “She died after immeasurable suffering. This has been my greatest fear since finding my father dead at five, and now I’m here. Oh my mum… I’m so sorry.”
Her tribute highlighted Judy’s kindness, strength, and unshakable belief in the good in others. Kate also thanked her mother’s lifelong friends for their love and support, revealing that Judy remained deeply connected to her childhood friendships throughout her life.
Judy Loe had a distinguished career in British television that spanned decades. She starred as Dr Helen Sanders in the final two series of General Hospital and played Princess May in Edward the Seventh. She also made memorable guest appearances in several TV series, including The Chief and Singles.
Loe also had roles in films like Monty Python’s The Meaning of Life and appeared in the cult-favourite series Ace of Wands. Despite her fame, she lived a relatively private life and was especially known for her deep bond with her daughter Kate.
Kate Beckinsale mourns death of mother Judy Loe after stage 4 cancer battleGetty Images
What support did Kate Beckinsale receive during her mother’s illness?
In February 2025, Kate made a rare appearance on Instagram after deleting all her posts, asking fans to send “prayers, magic or miracles” for her mother. Earlier this month, she posted a heartfelt video singing Bye Bye Love to Judy in hospital, a song that held nostalgic value from a group they were part of during Kate’s teenage years.
Through it all, Kate credited her mother’s friends and fans for their unwavering support. She also acknowledged the hospital staff, jokingly apologising for subjecting them to her singing.
The death of Judy Loe marks another devastating personal loss for Beckinsale, who has often spoken about the trauma of losing her father as a child. She described this recent loss as “nearly impossible to bear,” saying the world feels “so dim” without her mum.
The mother-daughter duo shared a lifelong bond both on and off screenInstagram/katebeckinsale
Kate’s post has prompted an outpouring of support from fans and fellow celebrities alike, many offering condolences and sharing memories of Loe’s warmth and grace.