Skip to content 
Search

Latest Stories

Memories of the people's poet

HOW LYRICAL LEGEND SAHIR LUDHIANVI CAST SPELL ON CINEMA WITH HIS MAGICAL WORDS

by ASJAD NAZIR


BIG musical numbers have given Bollywood a unique identity. Although legendary singers and producers have gained iconic status for delivering superb songs across the generations, the lyricists played a key role and Sahir Ludhianvi is regarded by most as the greatest in Indian cinema’s history.

Born on March 8 in 1921, the man affectionately known as the people’s poet rose from an impoverished childhood and left an incredible body of work before his premature death on October 25, 1980. Such was his stature that plays about him have been written along with various books and there are plans to make a big budget movie based on his amazing life.

His remarkable body of work included classic songs like Kabhi Kabhie, Tumsa Nahin Dekha, Main Zindagi Ka Saath, Jo Waada Kiya Wo and Aye Meri Zohra Jabeen. Despite the name, fame and romance that came from his every word he died a bachelor. To mark his death anniversary, Eastern Eye’s Asjad Nazir went back in time to chart the remarkable life of the lyrical genius.

Sahir Ludhianvi was born as Abdul Hayee into a family of wealthy landowners in Ludhiana, Punjab. Instead of being a tranquil childhood it was traumatic because his father Fazal Mohammad was abusive and a notorious womaniser.

His Kashmiri mother Sardar Begum was unwilling to take the abuse any longer and decided to take the bold step of divorcing her husband despite it meaning she would forfeit any claims to his wealth. Fazal sued for custody, but lost and threatened to kill his young son as revenge. Instead of fleeing, she protected her son and instilled him with a fighting spirit. The young Abdul worked hard at school and excelled in Urdu.

He developed a love for writing early on and would regularly perform his poems. He was later expelled from college for allegedly fraternising with a female student, but many feel it was because of his politically charged poems demanding freedom for an India under British rule. He moved to Lahore in 1943 to look for new opportunities.

In 1944 he attended a poetry recital event and laid his eyes on Amrita Pritam, herself an accomplished writer who would go onto gain legendary status. There was an immediate connection between the two writers, but she was unhappily married to a man to whom she was betrothed to as a child.

They formed an immediate connection and fell in love, but their romance would not be a conventional one. They would write deeply poetic and romantic love letters to one another in the years that followed. When they secretly met it was mostly still silence.

In her autobiography Amrita recalled how they would gaze at each other in silence while Ludhianvi chain-smoked and how after he left she would save the cigarette stubs. She wrote: “When I would hold one of these cigarettes between my fingers, I would feel as if I was touching his hands. This is how I took to smoking. Smoking gave me the feeling that he was close to me. He appeared, each time, like a genie in the smoke emanating from the cigarette.”

It remains unclear if that romance with a woman he couldn’t have triggered the deep love songs that would later entertain so many millions or the fact he couldn’t find that permanent connection with a woman he so desired.

Like most poets of the day he changed his name, to Sahir Ludhianvi. Sahir meant magician and the surname paid homage to the place of his birth. In 1945, the magician from Ludhiana got a book titled Talkhiyaan published. The pain-filled collection of poems gained a lot of attention. Meanwhile Sahir started work as an editor for a magazine and got further poetry published, which received massive acclaim. After partition he moved to Delhi briefly and ended up in Mumbai, but that strong bond with Amrita Pritam remained.

She too had moved to the newly formed India and was willing to leave her husband, but he wasn’t so sure and remained distant although still very much in love. He would channel that heartache into songs like ones in Devdas (1955), which is perhaps the most famous film about unrequited love.

In 1948 the rising star would take the first step towards a career that would define his legacy by making his debut as a lyricist by writing four songs for the film Azadi Ki Raah Par.

The turning point came in 1951 when he wrote songs for the film Naujawan. Stardom arrived the same year with the soundtrack of blockbuster Baazi. He started an impressive partnership with legendary music director SD Burman, hitting their peak with poetic masterpiece Pyaasa (1957).

If he couldn’t get peace in his personal life that wasn’t the case professionally and he worked with the biggest music directors from the golden age of cinema. According to legendary writer Gulzar, Sahir bought maturity and dignity to lyrics.

He became an integral part of teams assembled by top filmmakers including BR Chopra, who got him to write lyrics for blockbusters like Naya Daur (1957) and Dhool Ka Phool (1959), which marked the directorial debut of Bollywood’s greatest director Yash Chopra. The Dhool Ka Phool song Tu Hindu Banega earned Sahir his second Filmfare Award nomination for Best Lyricist and started an incredible partnership with Yash Chopra that would include Waqt (1965), Daag (1973), Deewar (1975), Kabhi Kabhie (1976) and Trishul (1978).

By 1960 the intense romance with Amrita Pritam had fizzled out and he rebounded with aspiring singer Sudha Malhotra, but it wasn’t the same.

Meanwhile Sahir started to fight for the rights of lyricists including getting them credits on radio and insisting they be the paid more along with getting royalties. While others constructed their lyrics around the melody, he insisted music producers construct the sound around his words.

Although many saw him as a man with a huge ego he recognised talent and helped others including the late Anand Bakshi, who would become the most commercially successfully lyricist in Indian cinema history with a record-breaking 40 Filmfare Award nominations for Best Lyricist.

Bakshi said: “I am just a songwriter, Sahir is a true poet. When I was struggling for a foothold in the profession the first 10 years, poet Sahir Ludhianvi gave me a lot of moral support to survive in this profession. He was a writer who impressed me with his ability to write poetry, literature along with film song lyrics.”

While other lyricists churned out songs, he was very particular about projects he took on, resulting in a higher hit rate. In 1964 he won his first Filmfare Best Lyricist Award for Jo Waada Kiya from Taj Mahal (1963). His genius was recognised by all in the industry and aspiring writers saw him as an inspiration.

By the 1970s action was dominating Indian cinema so it became more difficult for poets like him, but undeterred he continued to deliver masterpieces including his career defining soundtrack to Kabhi Kabhie. Two songs from that film were nominated for the Filmfare Best Lyricist award with the title track winning in 1977. He was also awarded the Padmashri by the government of India in 1971.

Perhaps it was the childhood trauma of seeing his mother treated so badly, but Sahir was unable to have a lasting relationship and remained a bachelor his whole life. He would publish poems and books, which became an outlet for his pain. He had no children but the beautiful words would immortalise him as the king of romance.

On October 25, 1980, Sahir Ludhianvi succumbed to a massive heart attack and passed away. Such was Yash Chopra’s sense of loss that he was left wondering how he would make films without his favourite songwriter.

But his popularity remained with songs that are still loved today.

More For You

Jasbinder Bilan

Jasbinder Bilan

Jasbinder Bilan’s journey of heart and heritage: From Himalayan tales to global acclaim

When Jasbinder Bilan first paused her teaching career to pursue a creative writing degree, she had no idea it would lead to a life-changing breakthrough. What began as a leap of faith became a journey filled with hope, rejection and ultimately triumph. Inspired by her beloved grandmother and her Indian roots, Bilan poured her soul into her debut manuscript Song of the Mountain. Though the publishing world was not immediately ready for her story, perseverance paid off when she won the 2016 Times Chicken House Prize, launching her celebrated writing career. Now, following the success of her Costa Award-winning Asha and the Spirit Bird, Bilan returns with a powerful new historical adventure, Naeli and the Secret Song. In this exclusive interview, she speaks about the emotional inspiration behind the book, her love for young readers and the importance of believing in your voice — no matter how long it takes to be heard.

What first connected you to writing?
It was stories more than writing that were my first love. My grandmother, Majee, was the storyteller in our house and it was those bonding moments that sparked my love for creating my own stories. She told me lots of Indian folk tales at bedtime, but she also shared stories of our life in India on the farm near the foothills of the Himalaya. So, I grew up feeling connected to a place that I then filled with my imagination. As a little girl I loved drawing and writing, and always wanted to be a writer, but it took me a long time to make that dream come true.

Keep ReadingShow less
Rachel Zegler’s ‘Evita’ Performance Sparks Broadway Buzz

Rachel Zegler stuns in Jamie Lloyd’s Evita as Palladium crowds grow nightly

Instagram/officialevita

Rachel Zegler shines in Jamie Lloyd’s ‘Evita’ as West End hit eyes Broadway transfer

Quick highlights:

 
     
  • Rachel Zegler plays Eva Perón in Jamie Lloyd’s radical Evita revival at the London Palladium.
  •  
  • A viral moment features Zegler singing live from the theatre’s balcony to crowds on the street.
  •  
  • Lloyd’s stripped-down staging amps up visuals and sound but sacrifices storytelling depth.
  •  
  • Talks are on for a Broadway transfer as early as 2026 with Zegler confirmed to reprise her role.
  •  
 

Rachel Zegler commands the London stage as Eva Perón in Jamie Lloyd’s daring reimagining of Evita, a production that trades subtlety for spectacle and could soon be heading to Broadway.

Following the success of Sunset Boulevard, Lloyd’s signature stripped-down style meets rock concert intensity in this revived version of the Andrew Lloyd Webber and Tim Rice musical. Zegler, in only her second major stage role, dazzles with commanding vocals and presence, even as critics debate the show’s dramatic clarity.

Keep ReadingShow less
K Anis Ahmed

K Anis Ahmed’s new novel Carnivore is as imaginative as it is provocative

AMG

K Anis Ahmed’s 'Carnivore' serves up satire, class war and moral rot

From the blood-soaked backstreets of Dhaka to the polished kitchens of Manhattan’s elite, K Anis Ahmed’s new novel Carnivore is as imaginative as it is provocative. A satirical thriller steeped in class tension, culinary obsession and primal survival, Carnivore follows Kash, a Bangladeshi immigrant-turned-chef who launches a high-end restaurant serving exotic meats – only to become embroiled in a sinister world of appetite and ambition.

But this is no simple tale of knives and recipes. Ahmed – a seasoned journalist, publisher, and president of PEN Bangladesh – brings a sharp eye to the grotesqueries of power and privilege. In this exclusive interview with Eastern Eye, he speaks about his passion for food, the moral murkiness of his characters, and why even the most ordinary people can spiral into extraordinary darkness.

Keep ReadingShow less
Artists respond to a world shaped
by division at Summer Exhibition

Visitors view works in the main gallery

Artists respond to a world shaped by division at Summer Exhibition

THE theme of the Royal Academy’s Summer Exhibition 2025 is “dialogues”, prompting the question: can art help bring together the people of India and Pakistan? Or, indeed, Israel and Iran – or Israel and Palestine?

It so happens that the coordinator of this year’s Summer Exhibition is the internationally celebrated artist and Royal Academician Farshid Moussavi, who is of Iranian origin.

Keep ReadingShow less
Kanpur 1857 play

This summer, Niall Moorjani returns to the Edinburgh Festival Fringe with 'Kanpur: 1857'

Pleasance

Niall Moorjani brings colonial history to life with powerful new play 'Kanpur: 1857'

This summer, Niall Moorjani returns to the Edinburgh Festival Fringe with Kanpur: 1857, an explosive new play that fuses biting satire, history and heartfelt storytelling. Written, co-directed and performed by Moorjani, alongside fellow actor and collaborator Jonathan Oldfield, the show dives into the bloody uprising against British colonial rule in 1857 India, focusing on the brutal events in Kanpur.

At its centre is an Indian rebel, played by Moorjani, strapped to a cannon and forced to recount a version of events under the watchful eye of a British officer.

Keep ReadingShow less