‘Khushwant Singh Literary Festival promoted closer ties between India and Pakistan’
UK events offer diversity of views with Eastern Eye as media partner
By Rahul SinghMay 04, 2024
KHUSHWANT SINGH was my father. One of the best-known writers of the post-Partition generation (Train to Pakistan, A History of the Sikhs, Delhi, a Novel), he was also an editor (Illustrated Weekly ofIndia), and the most widely read Indian columnist.
His weekly column, With Malice Towards One and All, came out unerringly in different languages for half a century and made him a household name. The Illustrated Weekly reached stratospheric levels, with a then unheard-of circulation of 450,000 a week under his editorship.
But it is his close connection with Pakistan that I shall write about. He was born in the village of Hadali in today’s Pakistan, 280 km from Lahore. After graduating from Delhi’s prestigious St Stephen’s College, he did his bar-at-law from King’s College, London University.
When communal riots broke out in Lahore just before Partition, he was a practising lawyer. Thinking the trouble would soon be over, he bundled my infant sister, my mother and me into a car and sent us to stay with his father in Delhi. We never returned.
The Partition of the subcontinent took place, amid an unprecedented bloodbath, in which Hindus, Muslims and Sikhs butchered each other.
India’s former foreign minister Salman Khurshid, Pakistani journalist Asif Noorani, Indian journalist Rajdeep Sardesai, Congress leader Mani Shankar Aiyar and Pakistani historian Fakir Aijazuddin at a KSLF panel in Kasauli
My father’s closest friend was Manzur Qadir, also a lawyer (he would go on to become Pakistan’s foreign minister under president Ayub Khan) who occupied his Lahore house, to prevent it from being looted by the rioters. This bond of friendship continued, symbolising my father’s wish for closer India-Pakistan ties and more people-to-people contact, despite the bitterness of Partition.
This was part of the inspiration behind us starting the Khushwant Singh Literary Festival (KSLF) in Kasauli, a small military cantonment town in the Himalayas, where there is a family home and where my father did much of his writing.
In 2012, while my father was still alive (he died two years later), with the encouragement of the then Brigade Commander Anant Narayanan (he went on to become lieutenant general) we started the KSLF.
It was the only – and remains so – lit fest named after a personality, dedicated to the values, concerns and passions of Khushwant Singh. Among them were his concern for the preservation of the pristine Himalayan environment around Kasauli, promoting the education of the girl child, the importance of humour in Indian life and maintaining a secular outlook.
But prominent among them was his desire to bring India and Pakistan closer together. To further that, we invited leading writers and intellectuals from Pakistan to Kasauli.
Faiz Ahmed Faiz’s daughter Salima Hashmi, Meridien Hotels chairman Mrs Charanjit Singh and Aparna Ananth, who started KSLF along with her husband Brigadier Ananth Narayan
They included writer, politician and lawyer Aitiaz Ahsan, Salima Hashmi (daughter of famed poet Faiz Ahmed Faiz), art historian Fakir Syed Aijazuddin and his wife Shahnaz, columnists Asif Noorani and Jugnu Mohsin, Poonam Ayub and Madeeha Gauhar.
They were transported by car from the India-Pakistan Wagah border through Punjab to the Himalayas in Himachal Pradesh, a journey they found moving and unforgettable. Their sessions at the KSLF were packed, much of the audience consisting of young Indian military officers. The Pakistani writers returned to their country, as ambassadors for India, more appreciative of the Indian point of view, while the Indian audience, got a better understanding of how Pakistanis felt about India on several issues. This was true, people-to-people contact at its very best.
I would like to think that in a small way the KSLF was promoting closer ties between the two countries.
At another level, I recall a decade earlier, an Indian cricket team went to Pakistan to play a series of one-day matches. Islamabad relaxed its visa rules, and thousands of Indians crossed the border to Pakistan to watch the matches. I was one of them – at Lahore’s Gaddafi Stadium. The Pakistani taxi driver refused to take the fare from me, after realising I was Indian. At the packed Gaddafi stadium, unbelievably, many of the Pakistanis cheered for the Indian team. The spectacle reduced me to tears.
Here was a new generation, I felt, uncluttered by the baggage of the past, ready to begin a fresh chapter with their Indian counterparts. Sadly, it was not to be.
Pakistani columnists Poonam Ayub and Madeeha Gauhar at KSLF
Relations between the two countries deteriorated, the visa regime on both sides tightened up, and people-to-people contacts dried up.
We were told we could no longer invite Pakistanis to Kasauli. A letter to the late Indian cabinet minister Sushma Swaraj, got no response.
But, let me add a note of hope. Fakir Aijazuddin, a long-time admirer of my father, who met him in his Delhi home only a few days before he passed away, asked if he could take back some of my father’s ashes to Pakistan. They were handed over to him when he attended the Kasauli KSLF. He took them to Hadali, and on the wall of the school where my father had once studied, he placed them behind a marble plaque. The plaque read: “A Sikh, a scholar, and a son of Hadali, Punjab. This is where my roots are. I have nourished them with tears of nostalgia.” At the ceremony of the installation of the plaque, Muhammad Hayat, former headmaster of the government high school, said, “The son has returned to his soil after 99 years.”
Khushwant’s son Rahul Singh with writer Marina Wheeler
If not Kasauli, then why not the neutral venue of London, where we could also invite Pakistanis, and where my father had studied? Which is how King’s College, London, became the venue of the KSLF, five years ago (followed by SOAS, where it will take place on June 1 and 2 this year). And why only London? With some help from the British Arts Council, and Dr Yusuf Hamied (Yuku), an alumni of Christ’s College, Cambridge, and friend of Khushwant Singh, Christ’s College has also become a venue of the KSLF on June 5.
It’s been a long, arduous, sometimes frustrating, but eventually satisfying and rewarding journey for the KSLF. Getting diverse people, even antagonists, together, arguing and exchanging viewpoints, that is the way forward.
Rahul Singh, a graduate in history honours from King’s College, Cambridge, has been editor of the Reader’s Digest, Indian Express, and Khaleej Times. He lives in Mumbai, Delhi and Kasauli.
Eastern Eye is the media partner of KSLF, which will be held in the Brunei Gallery, SOAS, London on June 1-2, and at Christ’s College, Cambridge, on June 5. Speakers include Akshat Rathi, Ayesha Manazir Siddiqi, Corinne Fowler, Fakir Aijazuddin, Harinder Singh, Imtiaz Dharker, Keshava Guha, Louise Tillin, Lynne Jones, Marina Wheeler, Shirin Wheeler, Moin Mir, Nadia Kabir Barb, Noreen Masud, Paul Waters, Pinky Lilani, Rachel Dwyer, Robert Seatter, SY Quraishi, Lord Simon McDonald, Som Batabyal, Subhadra Das and Tahmima Anam. Register at https://kslitfestlondon.com
A CZECH mountaineer fell to her death on the world's ninth-highest peak, Pakistan officials said Friday (4), becoming the first casualty of the summer climbing season in the country.
Klara Kolouchova, 46, the first Czech woman to summit the world's two highest mountains, died on Thursday (3) after falling on the lower slopes of Nanga Parbat.
The 8,125-metre (26,656-foot) mountain is one of the world's most dangerous climbs with a reported one-in-five fatality rate.
"Her feet slipped from a slope and she fell into a ravine," Nizam-ud-Din, a senior local government official in Diamer district, told AFP, adding that one of her team members reported the death.
"The exact location of her body will first be traced. Once confirmed, appropriate rescue operations will be initiated to retrieve the body by using a helicopter service."
Five of the globe's 14 mountains above 8,000 metres are in Pakistan, including the world's second highest mountain, K2.
Himalayan peak Nanga Parbat earned the nickname "killer mountain" after more than 30 people died trying to climb it before the first successful summit in 1953.
The Alpine Club of Pakistan also confirmed Kolouchova's death.
"She was an inspirational climber and a source of motivation for women mountaineers," said Karrar Haidri, the vice president of the Alpine Club of Pakistan.
"Her death leaves a void in the climbing fraternity," he added.
Her last post on Instagram on June 14 from Islamabad was a photo and video of her unsuccessful bid to climb the same mountain in 2024.
"Last year, the Naked Mountain laid me bare. Stripped me to silence, to stillness, to soul," the caption read.
"This time, we aim higher. This time, we summit," she added.
The incident is the first casualty of the summer season, according to the Alpine Club, which monitors climbing expeditions in the country.
The summer climbing season starts in early June and runs until late August.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.
Aamir Khan as Dahaa in Coolie revealed in striking black and white poster
Aamir Khan will be seen in a special cameo as Dahaa in Coolie, starring Rajinikanth.
First look dropped on 3 July, showing Aamir in a rugged, pipe-smoking avatar.
Khan said he agreed to the cameo instantly because he’s a longtime Rajinikanth fan.
Coolie releases in IMAX on 14 August and will clash with War 2 at the box office.
Bollywood star Aamir Khan has joined the cast of Rajinikanth’s highly anticipated action film Coolie for a special cameo. The makers revealed Aamir’s first look on 3 July, and fans have been buzzing ever since.
In the poster, Aamir appears as ‘Dahaa’, a gritty, sharp-looking man in a sleeveless vest, glasses, and pipe in hand. The black-and-white image, released by Sun Pictures, presents a darker, edgier version of the actor not seen in recent years. The caption on the post read: “Introducing #AamirKhan as Dahaa, from the world of #Coolie. #Coolie is all set to dominate IMAX screens worldwide from 14 August.”
Aamir Khan sports a rugged look with pipe and vest in Coolie cameoInstagram/cooliemovieofficial
Aamir Khan plays Dahaa in Coolie
Although it’s just a cameo, Aamir’s intense look has left fans expecting a memorable twist. Speaking in an interview, the actor revealed he didn’t even ask for the script before saying yes. “I really enjoyed doing it. I’m a huge fan of Rajini sir. When Lokesh told me he wanted me for a cameo in Rajini sir’s film, I said, ‘Done. I’m doing it,’” he said.
This marks Aamir’s second on-screen appearance post his comeback film Sitaare Zameen Par, which is currently running successfully at the box office.
— (@)
Rajinikanth and Lokesh team up for a pan-India action drama
Directed by Kaithi and Vikram maker Lokesh Kanagaraj, Coolie stars Rajinikanth in the lead, alongside Nagarjuna, Upendra, Shruti Haasan, and Soubin Shahir.
The film is said to revolve around high-stakes action with a strong emotional core, typical of Lokesh’s filmmaking style. It has reportedly been made on a massive budget of £35 million (₹375 crore), making it one of the most expensive Indian films this year.
Coolie is set to hit cinemas on 14 August, right before India’s Independence Day, which is a prime release window. But the film will face stiff competition from YRF’s War 2, starring Hrithik Roshan, Jr NTR, and Kiara Advani.
Both films are releasing in multiple languages and aiming for a pan-Indian audience, setting the stage for one of 2025’s biggest box office battles.
Aamir’s latest appearance as Dahaa follows his return to films after a three-year hiatus. His last full-fledged role was in Sitaare Zameen Par, which co-stars Genelia Deshmukh and ten newcomers. The film has earned over £12.6 million (₹135 crore) in India and continues to draw audiences with its emotional storyline.
Swiatek battles back: Iga Swiatek overcame a shaky start to defeat American Caty McNally 5-7, 6-2, 6-1 and reach the third round at Wimbledon.
Early scare: McNally, ranked 208, came from 1-4 down to take the first set, capitalising on Swiatek’s struggles on grass.
Swift turnaround: Swiatek raised her aggression in the second set, dominating the rest of the match and losing just three more games.
Grand Slam consistency: The 23-year-old became only the third woman this century to reach the third round in 22 consecutive Grand Slams.
Familiar foe: Swiatek and McNally were former junior doubles partners, winning the French Open girls' title together in 2018.
Iga Swiatek may not love the grass but relishes a battle whatever the surface and showed all that fight and bullish determination as she recovered to beat American Caty McNally 5-7 6-2 6-1 and reach the Wimbledon third round on Thursday.
McNally, the world number 208, looked poised to cause an upset when she clawed her way back from 4-1 down to take the first set against the five-times Grand Slam champion.
At that point Swiatek's mediocre record at the All England Club, where the Pole has never gone past the quarter-finals, seemed to be weighing heavily on her shoulders.
But rather than shy away from the scrap, the former world number one flicked a psychological switch that saw her come out for the second set transformed, upping her aggression and playing with a ferocity McNally simply could not handle.
She broke early in the second set and never looked back, losing only three more games to set up a clash with another American Danielle Collins.
"I started the match well so I knew that my game was there," said Swiatek. "I knew that at the start of the second set I had to be more accurate. I just tried to improve and I'm happy it worked."
The eighth seed may have her sights set far higher than the third round, but by reaching the last 32 she underlined her consistency on the big stage.
The 23-year-old is the third player this century to reach the third round in 22 consecutive women’s singles Grand Slams after Amelie Mauresmo and Serena Williams.
DIFFICULT SURFACE
Whether such milestones are enough to persuade Swiatek she can excel on a surface that has so far proven difficult to master is yet to be determined.
With four French Open titles to her name, another at the U.S. Open and two semi-final appearances in Australia, her unspectacular Wimbledon record stands out like a sore thumb.
A run to the Bad Homburg final in the grasscourt warm-up event showed her game is not entirely unsuited to the surface, though there was a period in the first set against McNally where she may have wondered if this tournament was simply not for her.
Having broken early and raced into a 4-1 lead, the wheels briefly came off as McNally did everything to push Swiatek out of her comfort zone.
The American pushed right up to the baseline to receive serve, trying to give Swiatek less time to react to the return and for a while it worked.
McNally spurned four break points in the seventh game before finally taking her chance at the fifth attempt before breaking again for a 6-5 lead when Swiatek swiped a backhand long.
When the Pole fired a wild forehand off target to hand McNally the opener, everything seemed to be going the American's way. But that was as good as it got.
DOUBLES PARTNERS
Swiatek knows McNally's game well - the pair were doubles partners in their youth, clinching the junior title at Roland Garros in 2018 - and set about dismantling it in double-quick time.
She broke for a 2-0 lead in the second set and again to level the contest at one set each.
Swiatek then did the same at the start of the third set, breaking to go 2-0 ahead, with a forehand swiped cross-court, while another forehand winner saw her break again to move 4-0 up.
It was then straightforward for the Pole, although she did have to save five break points before wrapping up victory with an ace.
As well as earning her spot in the next round, the match against her old playing partner offered a pleasing trip down memory lane.
"It's pretty funny because I remember these matches pretty well," she said of her junior days.
"We know each other pretty well ... She's one of the people who make you feel like you are not only rivals on tour but that you can also respect each other and like each other."
Reuters
Keep ReadingShow less
Liam and Noel Gallagher perform together in Cardiff for the first time since 2009
• Oasis begin their global reunion tour in Cardiff on 4 and 5 July. • Liam and Noel Gallagher perform together for the first time since 2009. • More than 14 million fans tried to buy tickets for the UK shows. • Fans travelled from Chile, Colombia, and the US to attend the Cardiff gig.
For the first time in 16 years, Liam and Noel Gallagher shared a stage on Friday night, kicking off Oasis’s long-awaited reunion tour at the Principality Stadium in Cardiff. With fans flying in from across the globe and massive demand crashing ticketing sites, the atmosphere was electric as one of Britain’s biggest rock bands returned to the spotlight.
Noel Gallagher and Liam Gallagher at "Che Tempo Che Fa" Italian TV ShowGetty Images
Thousands descend on Cardiff for historic Oasis concert
Cardiff turned into a sea of bucket hats, parkas, and Mancunian pride this weekend as Oasis fans poured into the city ahead of the band’s reunion shows. The Principality Stadium welcomed 62,000 fans each night, with supporters camping outside since Wednesday to secure a prime spot.
Some had travelled vast distances, like 38-year-old Janneth Dueñas from Bogotá, Colombia, and Matt Pope from California, while others, such as Manchester student Jasmine Griffins-Jones, had queued for days. The excitement wasn’t just about the music, but the moment: the return of Liam and Noel Gallagher, who hadn’t shared a stage since their explosive split in 2009.
Global demand crashes sites and sends prices soaring
Demand for tickets was nothing short of astronomical. Over 14 million people attempted to secure one of just 1.5 million available UK spots, with Cardiff’s dates selling out within minutes. Frustrations followed as many fans encountered crashed websites and inflated prices due to dynamic pricing. Some standard tickets jumped from £148 (₹15,600) to £355 (₹37,500), sparking public outcry and drawing the attention of the UK’s competition watchdog.
Despite the chaos, excitement has remained sky-high, with stadium staff describing the gig as “possibly the most hyped event” in the venue’s history.
For many, attending the gig was deeply personal. Diana Vesely, who first saw Oasis in Mexico in 1998, flew in from Chicago to be at the first reunion show. Meanwhile, journalist Orlando Silva Vargas from Chile arrived in Cardiff without accommodation, hoping to trade traditional spices for a place to sleep. “It might not be smart financially, but I’d regret missing this forever,” he said.
From reunions to first concerts, fans from all generations were united by one thing: a lifelong connection to Oasis’s music.
Following the Cardiff shows, Oasis will perform across the UK, including Manchester’s Heaton Park, Wembley Stadium, and Dublin’s Croke Park, before heading to Asia, South America, and the US. The tour will also tie in with a new film by Peaky Blinders creator Steven Knight.
Liam and Noel Gallagher formed Oasis in 1991, quickly rising to fame with albums like Definitely Maybe and (What’s the Story) Morning Glory?. Hits like Wonderwall and Live Forever became anthems of a generation. Their last album, Dig Out Your Soul, came in 2008, just before the infamous backstage fight in Paris that ended it all.
My and colleague, the American historian Peter Heehs, who has lived in Pondicherry, India, for decades, recently published a compelling new biography, The Mother: A Life of Sri Aurobindo’s Collaborator (2025). Heehs previously authored The Lives of Sri Aurobindo (2008), which remains one of the most balanced and scholarly accounts of Aurobindo’s life.
According to Heehs, most previous biographies of the Mother were written for devotees and relied on secondary sources, often presenting her as a divine incarnation without critical engagement. “Such biographies are fine for those who see the Mother as a divine being,” Heehs said, “but they can be off-putting for readers who simply want to understand her life – as an artist, writer, spiritual teacher, and founder of the Ashram and Auroville.”
Heehs’s biography is grounded in extensive archival research across France, England, India and Israel, along with digital collections of historical newspapers and journals. He examined all of her published works in both French and English, even uncovering essays written under a pseudonym that had not been seen since 1905. He traces her early life within the vibrant world of Belle Époque Paris (1871–1914), where she moved in artistic and esoteric circles.
Heehs describes two principal approaches to biographyAMG
Born in 1878 into a moderately wealthy Sephardic Jewish family – her father was Turkish-Egyptian, her mother Egyptian-Jewish – Mirra Alfassa grew up in an intellectually rich and cosmopolitan environment. Tutored at home, she later studied painting at the prestigious Académie Julian and exhibited at the Paris Salon. Her first husband, Henri Morisset, was a painter of the Intimist school, more traditional than contemporaries like Henri Matisse, Édouard Vuillard and Pierre Bonnard. Though he never gained their level of fame, he moved in similar artistic circles, and Mirra herself knew and associated with figures like Auguste Rodin.
At the same time, she was deeply engaged in the French occult revival, serving as managing editor of the Revue Cosmique, an esoteric journal. Her spiritual journey intensified when she encountered the Bhagavad Gita under the guidance of Indian lecturer G N Chakravarty and later engaged with eastern spiritual teachers such as Inayat Khan and ‘Abdu’l-Bahá.
In 1910, her second husband, Paul Richard, travelled to Pondicherry and met Sri Aurobindo. In 1914, Mirra joined him in India, and together with Aurobindo, they launched the monthly review Arya, which published most of Aurobindo’s major writings. The First World War forced their return to France, followed by a sojourn in Japan. They returned to Pondicherry in 1920, after which Paul Richard departed. Mirra remained and became Aurobindo’s closest spiritual collaborator.
Heehs describes two principal approaches to biography. The first – the contingent approach – follows the subject’s life chronologically, attending closely to verifiable facts. The second – the teleological approach – interprets the subject’s life as an inevitable progression towards a destined goal. “I took the contingent approach when dealing with the Mother’s early life,” Heehs explained, “and continued to do so even after Sri Aurobindo declared her to be an incarnation of the divine Shakti. As a historian, my role is not to make theological pronouncements but to present the facts of her outer and inner life, insofar as she spoke about them.”
When asked about the Mother’s lasting contributions, Heehs emphasised: “She established the Sri Aurobindo Ashram, founded its school – the Sri Aurobindo International Centre of Education – and launched the international utopian city of Auroville. At the same time, she oversaw both the inner and outer lives of the ashram’s members.”
Aurobindo Ackroyd Ghosh – the polymath Indian philosopher, freedom fighter and revolutionary yogi – was educated in England at St Paul’s School and King’s College, Cambridge, where he was trained in the Classics. Long before the term “Asian century” became popular, Aurobindo had already envisioned Asia’s re-emergence on the world stage. Today, countless volumes have been written about his extraordinary life and complex philosophical legacy.
Although it may sound like a modern geopolitical thesis, Aurobindo proclaimed in 1918: “Asia is once more rising; she is throwing off the torpor of centuries. She is recovering the pride of her past and the faith in her future... It is through the recovery of the deeper self of Asia that the world will find its balance.”
His collaborator, Mirra Alfassa, widely known as the Mother, dedicated her life to actualising this prophetic vision.