'We are fighting a silent war': Kavita Khanna’s mission to save Punjab’s youth from the drug menace
She is spearheading a grassroots campaign against drug addiction among children
Kavita Khanna with AMG managing director Kalpesh Solanki (right) and chief operating officer Aditya Solanki (second from left)
second from left
By Mahesh LiloriyaMay 14, 2025
In an exclusive interview with Eastern Eye, Kavita Khanna—philanthropist, spiritual leader, and wife of the late actor and parliamentarian Vinod Khanna—speaks with calm intensity about her growing mission in Punjab. From completing her husband’s development work in Gurdaspur to spearheading a grassroots campaign against drug addiction among children, her journey is powered by purpose, compassion, and a deep sense of duty.
What began as a quiet return to the land where she spent two decades alongside her husband has evolved into a full-fledged movement to rescue Punjab’s youth through meditation, sports, and community resilience.
Kavita Ji, it’s an honour to have you with us. What drew you back to public life in Gurdaspur?
Thank you. Gurdaspur has always been close to my heart. I was actively involved for nearly 19 years while my late husband Vinodji represented the constituency in Parliament. After his passing in April 2017, I felt it was my responsibility to complete the work he began.
But when I returned after the COVID pandemic, I was deeply shaken by what I saw. There’s a full-blown drug crisis, especially among children. According to a government survey cited in Parliament, around 6.6 million people in Punjab use drugs—almost a quarter of the state’s population. Shockingly, over 10% of them are children, some as young as ten, addicted to opioids.
This isn’t just a public health issue. It’s a silent war—a proxy invasion targeting our next generation. And it demands an urgent, united response.
You’ve launched several grassroots programmes. What are the pillars of your intervention?
When I returned in 2022, I began working on a government mental health initiative under Azadi Ka Amrit Mahotsav, in collaboration with the Art of Living Foundation. We introduced a one-hour module on meditation and emotional well-being in schools. I personally conducted over 60 sessions, and we reached 600 schools. The impact was immediate—children responded with openness and sincerity.
Meditation and pranayama are not abstract concepts—they’re transformative tools. In environments riddled with trauma and broken homes, these practices offer children strength, stability and hope.
You’ve also brought in sports as a strategic tool to keep children away from drugs.
Yes. In 2023, we started to promote sports as a medium for transformation. We started in Gurdaspur and are now active in 167 villages. Having been a national-level swimmer myself, I know how sport builds discipline, camaraderie, and purpose.
Children who come to play for a couple of hours a day start leading structured, healthier lives. They return home to eat, study and rest. They stay off the streets. Our goal is to scale this up to all 1,200 villages in the Gurdaspur region.
What’s the long-term vision?
We are building a three-pronged model:
Mental wellness in schools – daily practice of pranayama and dhyana,
Village-level sports programmes – led by trained local coaches,
Community engagement – reclaiming public spaces and restoring dignity.
But we cannot do this alone. The scale of the crisis is vast. One-third of households in the region are affected by drugs, according to Punjab’s Director General of Police. The trauma these children carry is immense.
Meditation and sports aren’t luxuries—they are lifelines. And to institutionalise them, we need systemic support.
What would you like to say to the Indian diaspora and well-wishers around the world?
This is not just Punjab’s fight. It is India’s fight. It is a fight for our future—for the soul of our youth. If we lose one generation to drugs, we lose our national strength. So, I appeal to the Indian Diaspora to join this mission.
We are actively looking for:
Volunteers – psychologists, yoga teachers, sports coaches, educators, and mentors.
Collaborators – NGOs, schools, and brands who can provide equipment and visibility.
Donors – to help us build a sustainable organisational structure.
If you represent a foundation or a corporate CSR wing, or even if you’re an individual who cares, your support—financial or otherwise—can have a life-changing impact.
And to you, personally, what does this work represent?
Everything. Vinodji lived a life of transformation—from cinema to the ashram, to Parliament. His legacy was grounded in service, humility, and spiritual depth. The people of Gurdaspur adored him. This is my way of continuing that legacy—not as a political campaign, but as a spiritual and social calling.
This is my dharma. And I ask you to join me. Let’s rise to this challenge—for the children of Punjab, and for the future of India.
At a time when more and more of us are feeling the overload of restlessness, stress, and anxiety – caused by work, family, and mass media – Rishab Sharma’s Sitar for Mental Health is just what is needed.
His show isn’t just a performance – independent of the audience – but an interactive movement that explores the intersection of sound, consciousness, and wellbeing. From the outset, the audience become part of the music and its hypnotic qualities.
To create this effect, Sharma draws upon the ancient raga system to tap into the therapeutic essence of Indian music, using tone, rhythm, and resonance to restore balance to the audience’s psyche.
In effect, the concert is – in parts - a trace-like meditation to the inner consciousness, a dialogue between the body and the soul. In other parts, it’s a raucous fusion of classic ragas and hits from popular culture – there’s even a quick nod to The Game of Thrones. It’s this modern fusion with just the right mix of spirituality and pop that makes the show an extraordinary blend that is soothing, serene, and tranquil.
Glimpses from Rishab Sharma's concert
The show opens with a short biographical film that highlights Sharma’s own battle with anxiety and depression, and the way the sitar has helped him to fight those mental demons. Sharma (a fourth generation of satarists) refers to his music guru, the late Ravi Shanker, his isolation during the lockdown, and the numerous international accolades he has received over the last few years (he’s still only 27).
After a light-hearted introduction, Sharma begins with a short pranayama (breathing exercise) to prepare the audience for the transcendental experience. The show is clearly a focus on mental health and wellbeing aspects which in recent years, have highlighted in social policies.
It’s no hyperbole to say that Sharma’s ragas unfold with astonishing grace and artistry. Though they are all beautifully composed, some of the pieces are particularly moving. For instance, Kailashon Ke Vaasiis a powerful work inspired by Lord Shiva’s cosmic abode. The slow-burning tune is spiritually rich, and as the other instruments joined in, the performance lifted into another realm. Every pluck and pause of the sitar is measured as if Sharma knows what the audience is feeling. With some members brimming with tears, the auditorium becomes a collective experience of shared memory. It’s as if the music and his strumming of the sitar is like a wormhole into our deep consciousness.
Other pieces seem more delicately composed – quiet and personal. Roslyn for instance, has a certain restraint, melancholy, and vulnerability. The silence between the notes speak as loudly as the notes themselves.
The sitar, with its shimmering overtones and elastic glides, becomes a tool for emotional release. The interplay between sitar and tabla creates a pulsating energy that gently realigns the listener’s attention inward, offering an experience that is simultaneously grounding and transcendent.
Glimpses from Rishab Sharma's concert
The finale ShivTaandav is, of course, a beautiful and emotional tribute to Sharma’s Hindu roots and the audience – all standing – felt a certain religious and cultural pride in seeing the passion with which this was delivered. Sheer poetry in motion.
In the end, Sharma’s performance leaves the listener not just musically enriched, but spiritually and emotionally renewed. This is entertainment and therapy at its finest – a rare and beautiful gift in our restless age of modernity and cacophony of life. If you are to see one classical performance this year, this is it.
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