Kashika Kapoor: Social media sensation to film stardom
The online sensation makes her feature film debut in the empowering drama Aayushmati Geeta Matric Pass, which centres on a young woman fighting against the odds to get an education
Kashika Kapoor
By Asjad NazirOct 17, 2024
WITH her huge social media following, stunning looks and natural screen presence, it was inevitable that Kashika Kapoor would make the anticipated leap into films.
Instead of choosing a glamorous role, the online sensation makes her feature film debut in the empowering drama Aayushmati Geeta Matric Pass, which centres on a young woman fighting against the odds to get an education. At a time when Indian cinema is in need of fresh talent, this newly released film marks the beginning of an exciting chapter for the actress, with more projects already lined up.
Eastern Eye caught up with the rising star, who has more than 18 million Instagram followers, to talk about her creativity and important, hope-filled new film. The talented actress also discussed her inspirations, dream role, passions beyond work, and the filmmakers she admires.
What first connected you to creativity?
I’ve always been drawn to storytelling in one form or another. As a child, I loved expressing myself through dance, drama, and even acting out scenes with friends.
Creativity became my way of exploring the world around me, and I felt a deep connection with how stories could influence emotions and perspectives. This curiosity naturally led me to acting, where I could channel that creative energy.
Did you expect to become so popular online?
Honestly, I didn’t expect it, but I’m so grateful for the love and support I’ve received. I’ve always focused on giving my best to each project and staying authentic to who I am. I believe people resonate with that authenticity, and it’s heartwarming to know my work connects with so many people.
What do you think has been the secret to your very big social media popularity?
I think the key has been staying real and relatable. Whether I’m sharing personal moments, behind-the-scenes glimpses, or my thoughts on important issues, I try to be genuine. Engaging meaningfully with my audience and showing them all sides of my journey – not just the highlights – has made a difference.
Was acting always part of the plan?
In a way, yes. I’ve been passionate about acting since I was 15. My journey started early, and I always knew I wanted to be involved in the creative arts. Over time, I realised acting was the perfect medium to channel my emotions and experiences. It’s been a fulfilling path, and I’m grateful for where it’s taken me so far.
Kapoor in 'Aayushmati Geeta Matric Pass'
What did you especially like about Aayushmati Geeta Matric Pass?
What I loved most about Aayushmati Geeta Matric Pass is its heart. The film addresses the critical issue of girls’ education in a way that is emotional, powerful, and relatable. I was deeply moved by the message, and from the moment I heard the script, I knew this was a story I wanted to be part of. The character of Geeta resonated with me because she represents resilience and hope, qualities that I believe can inspire many people.
Tell us about the film and the character you play.
In Aayushmati Geeta Matric Pass, I play Geeta, a determined young girl who fights against the odds to pursue her education. The film is rooted in the beti bachao, beti padhao theme, emphasising the importance of empowering girls through education. Geeta is strong-willed, compassionate, and feels a deep sense of responsibility toward her family and society. Playing her was a challenge because of the struggles she faces, but her resilience and hope made me fall in love with the character. I hope her story inspires audiences to believe in the power of education and never give up on their dreams.
What is your absolute favourite moment in the movie?
One of my favourite moments is when Geeta, despite all the hardships, finally stands up for herself and her right to education. It’s a pivotal scene filled with emotion and strength. I was running a high fever during the shoot, yet that scene turned out to be one of my best performances. It reminds me of how dedicated I was to Geeta’s journey and how much this story means to me.
How do you feel about being seen as a symbol of girl power, especially with your role in Aayushmati Geeta Matric Pass?
Playing Geeta has been an empowering experience. The character represents strength, resilience, and the transformative power of education. I’m proud that through her, I can inspire young girls to believe in themselves and break barriers. Being seen as a symbol of girl power is an honour, and it motivates me to continue choosing roles and projects that have a positive impact, especially for women.
Which other projects do you have on the way?
Along with Aayushmati Geeta Matric Pass, I have some exciting projects lined up, including Love Your Father, a Tollywood film, and several Bollywood films, like Missing Container. Each project offers a new challenge, and I’m excited for audiences to see the range of characters I get to portray.
Do you have a dream role?
My dream role would be to play a character with deep emotional layers, perhaps someone with a complex psychological background or a real-life figure who has made a significant impact on society. I love roles that challenge me and push me to explore new aspects of my craft. A biopic of a historical figure or a role in a period drama would be amazing.
Who would you love to work with?
There are so many talented directors I admire. I’d love to work with Sanjay Leela Bhansali for his unmatched vision and ability to create visually stunning, emotionally rich films. Zoya Akhtar’s contemporary take on storytelling and her portrayal of human relationships deeply resonate with me. Directors like Rajkumar Hirani, who blends social messages with humour and heart, and Anurag Kashyap, who brings raw, gritty narratives, are also on my list.
Which other filmmakers do you admire?
I’m equally in awe of Meghna Gulzar’s intricate storytelling and her ability to create powerful female characters. Working with directors like Karan Johar, for his flair in emotional drama, and Mani Ratnam, for his classic approach to cinema, would be an honour. These are filmmakers who push boundaries, and I would love to bring their characters to life.
What do you enjoy watching as an audience?
As an audience member, I enjoy a wide range of genres. I love films that evoke strong emotions, whether it’s a heartwarming drama, an intense thriller, or even a light-hearted rom-com. I also enjoy watching documentaries and biopics because they offer deep insights into real-life stories and experiences.
Your fashion gets a lot of attention. What are your style inspirations?
For me, fashion is about feeling comfortable in your own skin while expressing your personality. I love experimenting with styles that blend elegance with a bit of edge. My inspirations come from various sources – sometimes a classic film star, other times street style. But I always try to keep my looks fresh and unique, staying true to myself.
Tell us something interesting that not many people know about you.
Not many people know that I’m an introvert at heart. While I love performing and engaging with my fans, I cherish quiet moments where I can reflect, read, or write. Those moments of solitude help me recharge and stay connected to my inner self.
What are your passions away from work?
Outside of acting, I’m passionate about sports, especially basketball – I’ve competed at a national level in multiple sports, including basketball, swimming, running, tennis, and table tennis. Whether it’s dancing, travelling, or doing charity work, I believe it’s important to have interests that nourish your soul beyond your career. It helps me stay balanced and energised.
What inspires you?
I’m inspired by stories of perseverance and resilience. Whether in real life or through the characters I play, I’m always moved by people who refuse to give up, no matter how tough the circumstances. I believe in the power of hope and hard work, and that keeps me going in my journey as an actor and a person.
As the Toronto International Film Festival (TIFF) 2025 draws near, a wave of independently made films is already dominating conversations among critics, programmers, and distributors. These are not your typical star-studded blockbusters. In fact, they’re character-driven, stylistically bold, and often politically or emotionally charged stories. Many have already premiered at Cannes or Sundance, while a few are TIFF-bound discoveries. One Indian film, in particular, is catching the attention of international curators with its quiet force.
Here’s a look at 10 indie titles being talked about before the TIFF line-up is even announced.
Kristen Stewart steps behind the camera for her first feature, adapting Lidia Yuknavitch’s emotionally intense memoir. The story centres on a young woman navigating trauma, sexuality, and swimming, all told through a non-linear, stream-of-consciousness narrative. Imogen Poots plays the lead, and the film’s visual style has already drawn comparisons to Derek Cianfrance. It premiered out of competition at Cannes 2025 and is generating serious interest from indie distributors.
Lynne Ramsay’s return after an eight-year hiatus is being hailed as one of the most anticipated auteur-driven works of the year. Jennifer Lawrence stars in this adaptation of Ariana Harwicz’s novel about a woman struggling with postpartum psychosis. The script is by Alice Birch, and early responses from Cannes suggest this is Ramsay at her most unrelenting. A24 and Apple reportedly battled over rights, hinting at serious awards potential.
After Beau Is Afraid, Ari Aster switches tone again with this “modern Western,” featuring Joaquin Phoenix and Pedro Pascal. The film debuted at Sundance 2025 and won the Grand Jury Prize, making it a serious contender for further festival attention. The story follows two estranged brothers forced to reunite in a post-capitalist landscape. It’s moody, slow-burning, and already being called one of Aster’s most emotionally mature works.
Solondz is back with a genre twist. Dangerous Animals takes on his trademark bleak humour with a surreal, body-horror narrative that drew comparisons to Julia Ducournau’s Titane during early Cannes market talks. It follows a child star turned recluse who becomes the subject of a bizarre suburban experiment. Programmers expect this one to land in TIFF’s Midnight Madness section due to its provocative tone and overall risk-taking structure.
Celine Song’s follow-up to Past Lives is a sharp, darkly comic look at art, commerce and class. Starring Dakota Johnson and Pedro Pascal, Materialists premiered at Cannes 2025, where its razor-sharp satire of luxury culture and beauty standards won Best Screenplay. Industry insiders say its strong aesthetic and festival reaction make it a top Vanguard or Discovery pick for TIFF 2025.
A quiet surprise from India, Sabar Bonda is the first Marathi-language feature to screen in Sundance’s World Cinema Dramatic section. Directed by queer filmmaker Rohan Kanawade, it explores the relationship between a young boy and his teacher in a rural village, subtly exploring themes of gender, caste, and queerness. With TIFF’s history of championing regional Indian cinema, especially post-All We Imagine As Light, this is one of the most likely South Asian entries to break through.
Linklater’s latest film is a love letter to French cinema, both stylistically and thematically. Nouvelle Vague is set in 1960s Paris and follows a young American student who becomes entangled in a world of cinephiles, protests, and fleeting romance. It's less a plot-driven film and more an ode to a particular cinematic moment. Industry insiders say it’s tailor-made for TIFF’s cinephile crowd, possibly as part of a Cinema Makers tribute.
Wes Anderson returns with a twist on the heist genre. The Phoenician Scheme features an ensemble cast trapped in a fictional desert state during a crumbling political regime. It was screened privately during Cannes Village and quickly became one of the most talked-about titles among buyers. TIFF might host its North American premiere, offering a major red carpet moment while still fitting its indie tone due to Anderson’s distinct auteur status.
Scarlett Johansson’s first feature as a solo director was selected for Cannes Jury Screening and was met with strong praise. The story follows a reclusive former stage actor navigating grief and late-life reinvention in New York City. It’s intimate and character-focused, with a restrained visual style that allows its performances to shine. TIFF’s interest in debut directors makes this a strong candidate for a Platform slot.
Trier reunites with Renate Reinsve for Sentimental Value, a film that builds on the emotional resonance of The Worst Person in the World. The narrative centres around a family dealing with the return of a long-absent parent, told with Trier’s signature emotional clarity and subtle humour. It received warm reviews at Cannes and could emerge as one of TIFF’s most acclaimed European entries.
Why this matters?
Unlike blockbuster-heavy seasons, TIFF 2025 is shaping up to be a filmmaker’s festival. From deeply personal stories to hybrid genre experiments, this year's buzzed-about indie titles reflect a shift toward narrative risk and regional specificity. And with the inclusion of Sabar Bonda, there’s a clear sign that Indian independent cinema is no longer confined to the margins. It’s earning its seat at the global table.
TIFF 2025 runs from 4–14 September, with the official lineup dropping later this summer. Until then, these are the names to watch.
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Mythri Movie Makers eye massive collaboration with SRK for their next big ventureGetty Images
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Shah Rukh Khan may become India’s highest-paid actor with this upcoming filmGetty Images
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Pan-India film with ₹1000 crore budget reportedly being planned with Shah Rukh KhanGetty Images
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Damian Hurley calls his mother his best friend in a birthday tributeGetty Images
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Indian fans gear up for Enrique Iglesias’ comeback performance after 13 yearsGetty Images
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Enrique Iglesias confirms Mumbai concert with career-spanning setlistGetty Images
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