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Kartik Aaryan on Sonu Ke Titu Ki Sweety being compared to Padman

Luv Ranjan’s Sonu Ke Titu Ki Sweety has grossed more than the total collection of Akshay Kumar’s Padman. The film has become the second highest grosser of the year after Padmavat. Talking about the movie grossing more than Rs 100 crore worldwide, Kartik Aaryan said to a leading Indian entertainment portal, I am Akshay sir's biggest fan. I am someone who can not even be compared to him let alone beating the film. I have just started my career. It's not me, it's the film Sonu Ke Titu Ki Sweety. I am just happy that the film is getting such a big response at the box office and has become the second highest grossing film of 2018."

Earlier, in an interview, he had said, " I think this film is the turning point of my career. What is happening right now is surreal. Bahut alag feeling hai. I had expected it to do well but the kind of success that it’s turning out to be is outstanding."


"The reason I am an actor is because I have faith in myself. Star ki tarah toh main nahin sochta tha, but I was always keen to make my own journey. I wanted to take small steps but SKTKS has turned out to be a major step in my career. I can’t talk about the star status, only time will tell. But the kind of response the film is getting is speaking for itself. I’m really happy. I don’t think about any league. Everything is just falling into place," added Kartik.

Apart from Kartik, the film also stars, Nushrat Bharucha and Sunny Singh in the lead roles.

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Bonnie Greer, playwright who never lost her edge, dies at 77

Playwright Bonnie Greer after she was awarded her Officer of the British Empire (OBE) medal from the Prince of Wales, at an investiture ceremony at Buckingham Palace, November 19, 2010 in London.

Photo by Dominic Lipinski - WPA Pool/Getty Images

Bonnie Greer, playwright who never lost her edge, dies at 77

Bonnie Greer left Chicago's South Side wanting to be a lawyer, until a professor told her outright that he didn't think women belonged in law. She switched to theatre instead, studied under David Mamet in Chicago and Elia Kazan at New York's Actors Studio, and by the late 1970s was living in Manhattan's West Village. Then AIDS started taking her friends, one after another, and by 1986 she'd had enough. A production brought her to the Edinburgh Festival that year. She stayed in Britain for good, telling the Sunday Times two decades later that the move had saved her life — she needed, in her words, to "escape the shadow of death."

That's the Bonnie Greer most obituaries will lead with: American, Black, an outsider who came to Britain running from something. What's stranger, and more interesting, is what she became once she got here.

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