Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Kareena Kapoor posted a cheeky Instagram Story flaunting Kolhapuri chappals, saying, “Sorry not Prada... but my OG Kolhapuri.”
Her post follows outrage over Prada’s ‘toe-ring sandals’ resembling the Indian Kolhapuri design.
A PIL has been filed in the Bombay High Court against Prada for unauthorised use of the Kolhapuri style without credit.
Prada acknowledged the inspiration and agreed to meet Indian artisans for dialogue.
Kareena Kapoor took a subtle yet sharp swipe at luxury fashion label Prada amid growing controversy around its recently launched ‘toe-ring sandals’, a design that closely mirrors India’s traditional Kolhapuri chappals. Without naming the brand, Kareena shared a photo of her feet in silver Kolhapuri slippers during her London vacation and captioned it: “Sorry not Prada... but my OG Kolhapuri ❤️.”
The actor’s post struck a chord with many online, surfacing just days after Prada came under fire for allegedly copying the Kolhapuri design without acknowledgment.
Kareena Kapoor’s Instagram story adds to outrage over copied Indian footwearGetty Images
Kareena Kapoor’s post adds star power to cultural debate
The Singham Again star’s Instagram Story went viral, especially because it appeared to be a quiet yet firm statement against cultural appropriation. In her photo, she kept her face out of the frame and focused entirely on the chappals, which had a metallic finish.
While Kareena didn’t directly name Prada, the timing and wording made her intent obvious. Her post came amid mounting anger over the Italian fashion house’s alleged failure to credit Indian artisans for the traditional design showcased at the Prada Men’s Spring/Summer 2026 show in Milan.
Kareena Kapoor flaunts her Kolhapuri chappals in a vacation photoInstagram screengrab/ kareenakapoorkhan
Public interest litigation filed in Bombay High Court
The controversy took a legal turn when a group of lawyers specialising in intellectual property filed a public interest litigation (PIL) in the Bombay High Court. Led by Advocate Ganesh S Hingmire, the petition accused Prada of unauthorised commercialisation of the GI-tagged Kolhapuri chappal design.
The plea demands that Prada and its Indian subsidiary issue a public apology, acknowledge the cultural origins of the design, and commit to avoiding uncredited use of any future GI-tagged products. The petition also seeks financial compensation for the artisan communities whose work was allegedly used without permission.
Kolhapuri chappals have been crafted for centuries and received GI tag in 2019 iStock
Prada admits ‘inspiration’ and plans dialogue with Indian artisans
Following the backlash, Prada issued a statement acknowledging that the sandals featured in their collection were “inspired by traditional Indian handcrafted footwear with a centuries-old heritage.” Lorenzo Bertelli, the group’s Head of Corporate Social Responsibility, said the brand would initiate dialogue with artisans through a virtual meeting set for 11 July.
The meeting will include members of the Maharashtra Chamber of Commerce, Industry and Agriculture (MACCIA), who are advocating on behalf of local artisans. There are discussions underway about a possible collaboration aimed at bringing the Kolhapuri craft to the global market with proper recognition and benefit to Indian creators.
Kareena isn’t the only celebrity calling out the fashion giant. Veteran actor Neena Gupta also weighed in with a video of her own cherished pair of Kolhapuri chappals, gifted by late actor Laxmikant Berde. In her caption, she quipped, “Real toh real hota hai,” reinforcing the sentiment that authenticity can’t be faked or rebranded.
All these posts reflect a growing call to credit Indian craftsmanship appropriately, especially as global brands often borrow from regional traditions without proper recognition or benefits to local communities.
Romesh admits he’s aware of possible overexposure but says he chooses work based on gut feeling and quality.
He makes his West End debut opposite Sheridan Smith in Alan Ayckbourn’s Woman in Mind.
The play runs at the Duke of York’s Theatre from 9 December to 28 February, then in Sunderland and Glasgow in March.
Romesh will play Bill, the doctor who links Susan’s real and imagined worlds.
He balances television, radio, and stage work by turning down offers he doesn’t think he can do well.
Romesh Ranganathan says he knows the word “overexposure” follows him around and he’s decided it’s a risk worth taking. The comedian, who is making his West End debut, told the BBC he deliberately turns down roles at times but will say yes when a job feels right, putting “overexposure” and the play’s pull, plus the chance to work with Sheridan Smith, at the centre of his decision. This new stage turn comes as Romesh juggles television presenting, radio, and touring stand-up, and it is also his first proper stage role since primary school.
Romesh Ranganathan makes his first West End appearance in Woman in Mind alongside Sheridan Smith Getty Images
What does Romesh mean by overexposure?
He’s not talking theory. He’s talking experience. Romesh openly acknowledges people tell him “you’re on everything,” a phrase he quotes, not hides from. His defence, though, is practical. He asks whether the project is something he’d watch, whether he can do it justice, and yes, whether there’s a fee. That’s his filter. Plain as that.
Romesh portrays Bill the doctor linking Susan’s real and imagined worlds on stage Getty Images
Why take the West End risk with Sheridan Smith?
Because the role felt right. Romesh will play Bill, the doctor connecting Susan’s two worlds, in Alan Ayckbourn’s Woman in Mind. Sheridan Smith leads as Susan, and Romesh says working opposite her is “exciting and intimidating.” He’s honest about nerves; that’s part of the point. He wants the challenge, even if it raises his profile further.
The production runs at the Duke of York’s Theatre in London from 9 December until 28 February, followed by dates at Sunderland Empire and a run at Theatre Royal, Glasgow, in March 2026 (Glasgow 10–14 March; Sunderland 4–7 March). The revival is directed by Michael Longhurst and keeps close to Ayckbourn’s original while offering a fresh staging.
How Romesh is balancing television, radio, and theatre
Romesh fronts shows including Parents Evening and hosts a BBC Radio 2 slot, plus podcasts and tours. He’s selective, he says. He’ll keep doing varied work, including television, radio, and stage, but only when he feels it’s the right fit. If the public tires of him? He joked he might go and work in a café. For now, he’s stepping on stage.
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