Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Despite being one of the most successful actresses in Indian cinema, Jyotika still finds herself battling an issue that countless women faceeveryday, casual sexism! In a recent interview, she candidly shared how, even after decades in the industry, her identity is often reduced to being "Suriya’s wife" rather than a celebrated actor in her own right.
In an interview, Jyotika spoke about how these biases manifest in everyday situations. For instance, when she expresses gratitude for her marriage to Suriya, people often respond by praising him as a great person. However, when Suriya acknowledges her as a wonderful partner, the focus shifts to how kind he is for appreciating his wife. This double standard, she explained, is just one example of the casual sexism she encounters regularly. Even in mundane scenarios, like purchasing a car, she notices how people expect someone else, usually a man, to take charge of handling the features or making decisions.
Jyotika and Suriya: A Power CoupleInstagram/jyotika
These microaggressions may seem minor, but they reflect a larger societal pattern where women no matter how accomplished are often viewed through the lens of the men in their lives. Jyotika admitted that such experiences can often lead to an identity crisis, where women feel the constant need to assert their independence. This struggle, she revealed, has influenced her career choices, driving her to take on challenging roles and create her own space in the industry.
While Jyotika and Suriya who first met on the sets of Poovellam Kettuppar (1999) have both built stellar careers, his stardom has often overshadowed her journey. However, she has consistently defied expectations, transitioning seamlessly between mainstream cinema and OTT platforms, proving that her talent is not confined to a single space.
Her upcoming Netflix series, Dabba Cartel, is expected to be an interesting project starring alongside Shabana Azmi and Nimisha Sajayan, and Jyotika plays a housewife who re-enters the workforce in an unconventional way. An arc that mirrors her own life, having stepped away from films at her peak to focus on family before making a strong comeback.
Jyotika’s revelations are a reminder that sexism doesn’t always announce itself loudly, it often lurks in everyday interactions, subtly reinforcing gender hierarchies. Even for women who "have it all", success, fame, and family, recognition on their own terms remains an uphill battle. But with every role she takes and every barrier she pushes against, Jyotika continues to rewrite that narrative.
Mukerji parts ways with YRF’s Dhoom 4 after reported creative disagreements.
Decision said to be amicable, with Aditya Chopra and Ranbir Kapoor supportive.
Director shifts focus to Brahmastra: Part Two – Dev, expected to begin filming in 2026.
Filmmaker steps away from YRF’s action franchise
Filmmaker Ayan Mukerji has stepped away from Yash Raj Films’ (YRF) highly anticipated action project Dhoom 4, reportedly due to creative differences. According to Bollywood Hungama, Mukerji’s vision for the film did not align with the studio’s direction, prompting him to withdraw from the project.
Mukerji, who was in discussions to direct the next instalment of the hit franchise—expected to star Ranbir Kapoor—was said to have limited control over the script, which was reportedly written by Shridhar Raghavan. The director, best known for Yeh Jawaani Hai Deewani and Brahmastra, was keen on shaping the film creatively rather than simply executing an existing plan.
A source quoted in the report said, “Ayan didn’t have much say in the screenplay and didn’t want to embark on another journey of just execution.”
Amicable parting after discussions with Aditya Chopra
Before stepping away, Mukerji is believed to have held several discussions with YRF head Aditya Chopra and actor Ranbir Kapoor. Both reportedly supported his decision, with insiders describing the split as “completely amicable.”
The director’s departure does not mark the end of Dhoom 4, as YRF plans to continue with the project under a new director. The studio may also reconsider casting options, despite earlier reports that Ranbir Kapoor had set aside dates for the film.
Focus returns to the Brahmastra universe
Following his exit from Dhoom 4, Mukerji has shifted attention back to his passion project—the Brahmastra series. The filmmaker is currently developing Brahmastra: Part Two – Dev, the sequel to the 2022 fantasy epic.
The film, initially expected to begin production earlier, is now likely to go on floors in 2026. Sources suggest Mukerji intends to expand the Astraverse with more depth in storytelling, combining elements of mythology, drama, and spectacle.
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