ONE of the all-time greatest leading ladies of Indian cinema, Juhi Chawla can rightly be proud of the global impact she has made. But instead of dwelling on her past achievements, the actress divides her time between being a mother, her business ventures and starring in carefully selected films. Still strikingly attractive, she is also an accomplished singer and not surprisingly is busier than ever before.
Eastern Eye caught up with Juhi to talk about her amazing cinematic journey, favourite roles, women-orientated films, being a working mother, future hopes and more.
You have had a remarkable cinematic journey. Have you looked back at your amazing achievements?
Juhi: It has been due to destiny, good luck and blessings, which I am extremely grateful for. I mean as a child, I never even imagined being in the industry. But then life gave me these extraordinary chances and I am not sure what made me take them up, but I did. And now look where destiny has brought me. I remember my first film Sultanat did not click, but my second film Qayamat Se Qayamat Tak was the one which nobody really knew about, but it caught the fancy of audiences and became the hit it did, and gave me my career. It really gave me a good anchor in the film industry.
That must have given you so much encouragement and hope?
Juhi: Yes. Throughout, my endeavour was just to do my best and be successful. The one nice thing was my healthy attitude towards work, which also gave me a long innings. So basically I just kept doing what I could by giving it my best, as I wanted my parents to be proud of my work as well as me. However, there were certain times in my career, which could have got me to stop working.
When was that?
Juhi: One was after my marriage, as Jay’s family are all industrialists so the older relatives did, at one point, ask me if I would be willing to give it up. At that point I did think that I would have to let go of this career. But then by a twist of fate, after marriage, I still got to continue. Then after my children came, I had to take a break, after which I wasn’t sure if I would be accepted or get work. But surprisingly when I came back, I was offered films that were different, charming and smaller ones like Jhankar Beats, Teen Deewarein and My Brother Nikhil. And at that time, advertising too had started taking off, so endorsements came up too. After all that, I also did some lovely regional as well as National Awardwinning films. Things kept moving, slower, but just kept moving. So yes, I have been really really fortunate, for which I am very grateful.
What do you think has been your best performance to date?
Juhi: I have many favourites. Qayamat Se Qayamat Tak where I played this Rajasthani girl who spoke with a hum, which was quite a dignified way of speaking and that made the role very special. It was also of an innocent young girl, which was pretty close to my personality, so I could do it with more ease. I also really enjoyed Raju Ban Gaya Gentleman. Again, that character was very me – a simple girl wanting to believe in the good things and happy with a simple life, which is very close to my real self. I really liked Aaina as well, where the simple girl gets the prince. Darr was like a challenge for me – I wanted to do my best because I had watched Yash Chopra films when I was growing up, but never imagined I would be in one.
Today, what does a film need to have for you to say yes?
Juhi: A film needs to have a good script and story for me to say yes to it. That is the most important aspect for me today.
What was the experience of doing your most recent release, Chalk n Duster?
Juhi: I played a teacher – Jyoti ma’am – in Chalk n Duster. What drew me to the film was the script, which was a very engaging and sweet story that will make you want to get up and just clap at the end. It is a heartwarming film which I truly enjoyed working on.
Do you think Indian cinema is writing stronger characters for women now?
Juhi: When we ask for films that are women oriented, I first ask, where is the audience? They don’t really come rushing in to watch a female oriented film. It’s usually the hero films that get a huge opening. When it is a story-based film about women, and even if the artists are wonderful, the film has to be outstanding for audiences to trickle into theatres. That is one thing that hasn’t changed in all the years I have been in the industry. So the question is, where are you when these films enter the theatres? Unless you are going to help that film be come a success, don’t expect things to just happen. But yes, there are a lot of films such as these. Shabanaji (Azmi) is Shabanaji because of some very strong roles she played. During my time, there was Mrityudand with Madhuri (Dixit). Tabu played strong female characters in films like Astitva and became known as a serious actress. Also, has there ever been any hit film in the history of cinema without a woman? In every film there is a hero, but to complete the story there has to be a woman, and without her it just doesn’t work. So whether or not the woman is taking the central role, she is extremely important and will always be so.
Do you have a dream role you haven’t played?
Juhi: With God’s grace, I have had opportunities to play a mix of many good characters and lovely roles in my career. But it’s not so much my own role that is exciting to me, but a great story and script. I really want to be a part of it and make the character shine, but the script has to be a good one. And that is where I am at in my career now, looking for interesting scripts.
Which director challenged you the most?
Juhi: Definitely Soumik, Sen who got me to play the negative role in Gulaab Gang. This film is one of my favourites too. The performances and my role in the film was something I immensely enjoyed.
What is the secret of a great performance?
Juhi: I believe that when you are singing a song and you are one with the song and nothing else, that’s the best performance. I actually wish that I can reach that point in regard with my acting or my singing, where it’s not about anybody or anything else, but I am just focused on what I am doing.
You have a great voice. Will you be doing any more singing?
Juhi: When I look back at my career I think, ‘did I make myself a movie star, or did God place me in the right place at the right time and gave me some amazing opportunities?’ Of course, there were ups and down, but it wasn’t me who made me. It was somebody guiding me and giving me the right things at the right moment. Of late I am again looking more spiritually at my life and saying, it’s not me who is going to make it happen. I love music, I love learning it and I have a nice voice and so I enjoy singing. My wish is to do something with it and be heard. But God will place the right opportunities in my path and I will take them and you will then get to know about it too. I will just leave it to him to show the way.
How do you balance being a mum with work?
Juhi: Well, sometimes it’s been a little overwhelming, but now I make sure to just take one thing at a time. I try not to overcrowd my schedule, so I pick and choose what I do. There have been times where I have been worried because I’ve had to suddenly go away for an outdoor shoot schedule, and who would be at home with the children. At such times, either my sister-in-law or my mother-in- law has turned up, so things just got managed. Eventually you feel that God is watching over you, and finds a way to make things happen. So when I start to get too worried, I just remind myself that everything will definitely work out, so not to worry.
What advice would you give a working mother?
Juhi: I once read something very interesting, and the essence of it was that the strength of a woman lies not in what a man can do but doing what he can’t. A man cannot do the things a woman can – he can’t have a baby, he can’t bring love and warmth to a home the way a woman does. And somewhere we have lost sight of that. We think it’s not good enough and we have to start proving ourselves by doing what he does. I don’t know when we will finally realise that women don’t have to prove their strength, as strength is God-given to women. So for women who want to run their home and make a career, while you are doing that, I really hope you are enjoying what you are doing as it definitely isn’t easy. It could take a toll on your health and energy, so do what you enjoy, and since you are handling so much, don’t be too hard on yourself. You may not be perfect at everything, but give it your best and just leave the rest. You look as fabulous as ever.
What do you think is the secret to beauty?
Juhi: Beauty lies in the eyes of the beholder – what you see outside is a reflection of who you are, which is true beauty, according to me.
What do you think of the new generation of actors in Indian cinema?
Juhi: Deepika (Padukone) is very talented and Ranbir Kapoor is also fantastic. I really like him as an actor for the various roles he plays. Ranveer Singh is an actor to watch out for. Alia (Bhatt) is quite young but very talented. Varun (Dhawan) has progressed a lot and has great potential, and Shraddha (Kapoor), according to me, is the new superstar. Of late, I have been wondering where Imran Khan has disappeared to.
Finally, what are your biggest passions away from work today?
Juhi: My kids, my family, music, yoga, radiation awareness. I am also beginning to do organic farming because I eventually want a yoga farm stay of my own, where you have yoga and organic farming on one property. I now will also start looking into my family-run educational institution in Gujarat, which has about 1,000 girl students. All of these things take up more time than I can manage in a day.
While many expected Hollywood faces like Kristen Stewart and Scarlett Johansson to dominate the Un Certain Regard category at Cannes this year, the honours went elsewhere. Chilean filmmaker Diego Céspedes stunned the jury and audience alike by winning the top prize with The Mysterious Gaze of the Flamingo, his debut feature rooted in queer identity, fear, and survival during the AIDS crisis in 1980s Chile.
Set in a dusty mining town, the story follows young Lidia, who grows up in a tight-knit transgender community. As rumours spread that an unknown illness can be passed between men through eye contact, fear and prejudice threaten her chosen family. Céspedes’ film mixes myth, social tension, and innocence, offering viewers a powerful look at how marginalised people navigate suspicion and stigma.
While the film divided critics, with some calling its pacing uneven, the jury praised its raw emotion and unpredictability. Céspedes accepted the award with visible emotion, saying the film began “with all the angry lovers who just wanted to love like everybody else.”
This year’s Un Certain Regard jury was led by British filmmaker Molly Manning Walker, who herself won this prize in 2023 and included names from across Europe and Latin America. They chose works that didn’t shy away from discomfort, moral ambiguity, or political urgency.
The Jury Prize went to A Poet, a Colombian dark comedy about an ageing writer who tries to mentor a gifted teenager from a poor background. The film explored the blurred line between inspiration and manipulation with quiet unease.
Directing honours were awarded to Palestinian brothers Tarzan and Arab Nasser for Once Upon a Time in Gaza, a gripping drama about two young men caught in crime and conflict during Hamas’ rise to power in 2007. Their emotional speech touched on the current devastation in Gaza, dedicating the award to their people.
Actor awards went to Cléo Diara for her commanding role in the 3.5-hour postcolonial drama I Only Rest in the Storm, and British actor Frank Dillane for Urchin, a gritty look at homelessness in London. Diara’s speech included a strong call: “Free Palestine.” Dillane, quieter but just as heartfelt, dedicated his win to “those on the margins.”
Chilean film The Mysterious Gaze of the Flamingo wins top Cannes prizeIMDB
Best Screenplay was awarded to British director Harry Lighton for Pillion, a powerful queer romance involving a BDSM relationship between bikers. Lighton cheekily thanked his team for stopping him from relocating the film to Ancient Rome at the last minute.
This year’s Cannes proved that raw, honest storytelling still triumphs over star power.
Alia Bhatt’s first appearance at the Cannes Film Festival wasn’t just about couture. It was a quiet, powerful moment of representation, style, and sisterhood. Dressed in a delicate Schiaparelli gown, she walked the red carpet for the first time, joining a legacy of global icons at the prestigious event. Her presence, however, was about more than glamour. It was a subtle celebration of Indian talent on an international stage.
Alia Bhatt makes elegant Cannes debut in Schiaparelli Getty Images
Bhatt’s ivory-toned, off-shoulder dress featured soft floral embroidery and a dramatic tulle hem. Paired with minimal jewellery, slicked-back hair, and radiant makeup, the look was elegant and understated. Her stylist, Rhea Kapoor, brought out a vintage charm without losing Alia’s signature modern vibe. On Instagram, Alia teased the outfit with a behind-the-scenes photo, holding a fan emblazoned with L'Oréal’s iconic line: “I’m worth it.”
The highlight, though, wasn’t just the dress. During a L’Oréal photo-op, Alia met Bridgerton star Simone Ashley. The two actors, both of Indian heritage, posed together, Simone in a structured Vivienne Westwood outfit and Alia in her Schiaparelli creation. One candid moment stood out where Simone, visibly moved, looked at Alia with a warm smile; Alia caught her gaze, and both burst into laughter.
Fans were quick to call it a “Shanaya meets Kate” moment, linking Alia’s breakout role in Student of the Year to Simone’s Bridgerton character. Social media lit up with admiration: “Two queens,” one user posted. “This is powerful,” said another.
Later that evening, Alia switched to a deep navy Armani Privé gown for L’Oréal’s Lights on Women’s Worth event, which honours female filmmakers. The second look was pure high fashion with bejewelled details, a plunging back, and sapphire accents. Her hair accessory and soft makeup let the gown speak for itself.
The L’Oréal Lights on Women event saw Alia in a navy Armani PrivéGetty Images
This double appearance wasn’t just a fashion statement. It was Alia Bhatt embracing her place on the global stage while connecting with peers like Simone Ashley, who share similar roots. It wasn’t loud or dramatic, but it was a moment that said a lot and did so beautifully.
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Billy Joel’s diagnosis with Normal Pressure Hydrocephalus has led to an indefinite touring break
Billy Joel has called off all upcoming tour dates after being diagnosed with a neurological condition that’s affecting his daily life. The 76-year-old music icon, best known for hits like Piano Man and Uptown Girl, is dealing with Normal Pressure Hydrocephalus (NPH), a condition caused by excess fluid in the brain that can disrupt movement, memory, and balance.
In a statement posted on his social media, Joel said the symptoms like trouble with hearing, vision, and stability have worsened due to recent live performances. Doctors have now advised him to pause all touring while he undergoes physical therapy.
As a result, every show between April 2025 and July 2026 has been cancelled. This includes high-profile stops across the US, Canada, and the UK, including performances in Edinburgh and Liverpool. Fans who bought tickets will be automatically refunded.
Normal Pressure Hydrocephalus is rare and mostly affects people over 60. It can often be mistaken for natural signs of ageing. But left untreated, it can lead to long-term complications. Diagnosis typically involves an MRI, and if caught early, it’s treatable through surgery to drain the fluid using a shunt. Joel’s condition is being monitored and treated, and he remains hopeful about returning to the stage.
Billy Joel performing on stage before health concerns paused his careerGetty Images
Joel had been touring actively since wrapping up a decade-long residency at Madison Square Garden in 2024, a run that drew nearly two million fans. Just earlier this year, he released Turn the Lights Back On, his first original single in decades, and played a rare European concert in Cardiff, where he made headlines by arriving on a public train.
Though this latest health update comes as a shock to many, Joel expressed gratitude for the care he’s receiving and support from fans. “I’m sincerely sorry to disappoint our audience,” he wrote, “and thank you for understanding.”
Billy Joel shared a heartfelt statement thanking fans for their supportGetty Images
A documentary on his life, Billy Joel: And So It Goes, is set to premiere at the Tribeca Film Festival in June. For now, Joel is taking time to focus on recovery, with hopes of returning to music when he’s ready.
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Karan Johar leads The Traitors as Prime Video’s mind-game reality show drops on June 12
Karan Johar is set to host The Traitors, an Indian take on a global hit reality show, which premieres on Prime Video on 12 June. The show puts 20 well-known personalities under one roof, where loyalty is tested, alliances shift fast, and betrayal lurks in plain sight.
Unlike typical talent or dating shows, The Traitors is all about mind games. Participants must figure out who among them is playing dirty while trying to stay in the game and bag a hefty cash prize. It’s part mystery, part strategy, and entirely unpredictable.
The show is produced by BBC Studios India along with All3Media International, who are behind the original format that’s taken off across the world, over 35 countries have created their own versions. Now, it’s India’s turn, and Prime Video is betting big on it as their most ambitious reality series yet.
Every Thursday, new episodes will stream exclusively on Prime Video. With a star-studded cast including names like Apoorva Mukhija (aka Rebel Kid), Raftaar, and Uorfi Javed already teased, the buzz is building fast. There are also rumours about Munawar Faruqui, Karan Kundrra, Jasmine Bhasin, Raj Kundra, and Anshula Kapoor possibly joining the line-up.
Karan Johar brings his signature flair to Prime Video’s newest reality ventureGetty Images
In a cheeky promo video, Karan Johar hinted at the kind of personalities viewers can expect: people who thrive on drama, hide secrets, and live for the limelight. Known for his sharp wit and flair, Karan seems like a natural fit for steering the chaos.
“This show is about trust breaking down, masks slipping, and real motives being exposed,” said Johar in the teaser. “No one’s really your friend. It’s betrayal time.”
Prime Video is clearly expanding its scope. After the success of scripted hits like Mirzapur, The Family Man, and Paatal Lok, The Traitors is a signal that the platform is stepping deeper into reality territory and doing it on a grand scale.
With drama, suspense, and a game format that keeps viewers guessing, The Traitors promises to be anything but predictable. For fans of reality shows who enjoy a psychological edge, this one might be worth the watch.
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Rajesh Roshan has enjoyed a glorious 50-year Bollywood career with hit songs across major blockbusters
He may have often been overshadowed by famous family members, but that has not taken away from the remarkable achievements of ace composer Rajesh Roshan.
The uncle of superstar actor Hrithik Roshan and younger brother of acclaimed filmmaker Rakesh Roshan, he has enjoyed a glorious 50-year Bollywood career with hit songs across major blockbusters.
The music maestro celebrates his landmark 70th birthday on Saturday (24), and to mark the occasion, Eastern Eye has put together an ultimate playlist of 20 songs he composed, presented in chronological order.
Dil Kya Kare (Julie, 1975): After an acclaimed debut with the soundtrack for 1974 film Kunwara Baap, the son of legendary composer Roshan truly announced himself with the award-winning music of romantic drama Julie. The standout track was this unforgettable love song, beautifully rendered by Kishore Kumar.
O MungdaPiano Daddy
O Mungda (Inkaar, 1977): This foot-tapping, cabaret-style number was brilliantly sung by Usha Mangeshkar and picturised on dancing queen Helen. The lyrics may not have made much sense, but the hook and chorus were irresistibly catchy. The track was later recreated in the film Total Dhamaal.
Pardesia (Mr Natwarlal, 1979): Mixing folk influences with commercial Bollywood grooves, this upbeat number had infectious energy. Roshan brought out the best in Kishore Kumar and Lata Mangeshkar on a song that still compels you to dance.
Tere Jaisa Yaar Kahanhinditracks
Tere Jaisa Yaar Kahan (Yaarana, 1981): This musical is largely remembered for its stunning soundtrack. This track, sung by Kishore Kumar, became a defining friendship anthem. Special mention also goes to the film’s love song Chookar Mere Man Ko and dance hit Sara Zamana.
Angrezi Mein Kehte Hain Ki I Love You (KhudDaar, 1982): A simple premise – expressing ‘I love you’ in different languages – was transformed into a hugely entertaining duet, delightfully delivered by Lata Mangeshkar and Kishore Kumar. Couples have been singing this playful track to each other ever since.
Jab Koi Baat Bigad Jaye (Jurm, 1990): It may have ‘borrowed’ its melody from the English song 500 Miles, but that does not diminish its emotional resonance. This romantic number, offering comfort and reassurance, beautifully conveys the sentiment of standing by a loved one. Kumar Sanu and Sadhana Sargam’s heartfelt vocals add to its timeless appeal.
Yeh Bandhan Toh (Karan Arjun, 1995): A key emotional highlight of this cult classic, this powerful track celebrates the strength of family bonds. The magical voices of Kumar Sanu, Udit Narayan and Alka Yagnik fill the song with feeling from start to finish.
Yeh Bandhan TohBollywood Hits
Ghar Se Nikalte Hi (Papa Kehte Hain, 1996): This romantic song became so popular that it turned the soundtrack into a major hit and brought wide attention to an otherwise low-key film. Rajesh Roshan teamed up with lyricist Javed Akhtar for this youthful anthem, soulfully sung by Udit Narayan.
Dekha Tujhe Toh (Koyla, 1997): This action-thriller featured a hit soundtrack with popular tracks like Tanhai Tanhai, Saanson Ki Mala and Ghoongte Mein Chanda. The standout, however, was this romantic duet by Kumar Sanu and Alka Yagnik, which oozed emotion.
Ho Mubarak Tujhe (Ghulam-EMusthafa, 1997): This qawwali-inspired Bollywood number was beautifully sung by Iqbal Sabri and Afzal Sabri. Power, passion and emotion come together in this celebratory track, marked by heartfelt delivery.
Dil Deewana (Daag: The Fire, 1999): A major highlight of the action thriller was this popular romantic song. An epic musical arrangement combined well with a powerful hook, heartfelt lyrics and an emotion-filled vocal delivery from Anuradha Paudwal.
Na Tum Jaano Na Hum (Kaho Naa Pyaar Hai, 2000): The composer’s most successful soundtrack won him multiple awards. It included this soothing romantic number, featuring the silky voice of Lucky Ali. The dream melody connected with music fans globally and remains popular.
Ek Pal Ka Jeena (Kaho Naa Pyaar Hai, 2000): Although the soundtrack had a whole host of superb hits, a big standout was this delightful dance number delivered by Lucky Ali. The song was elevated to another level by Hrithik Roshan’s stunning onscreen performance.
Ek Pal Ka JeenaScoll.in
Aye Dil Laya Hai Bahaar (Kya Kehna, 2000): This simple yet powerful song was a heart-warming celebration of life, love and family. It was entertaining enough for music fans to overlook the fact that it had a melody similar to the Neil Sedaka single Oh! Carol. Singers Kavita Krishnamurthy and Hariharan made it a memorable number.
Jaan Leva (Moksha, 2001): A lot of great tracks from Rajesh Roshan have been forgotten because they appeared in flop films like this crime drama. This standout song, sung by Sukhwinder Singh and Kavita Krishnamurthy, had a raw energy from start to finish, which made it popular on dancefloors.
Koi Mil Gaya (Koi Mil Gaya, 2003): The stunning science fiction drama, which spawned a successful franchise, had this feel-good title track about finding that someone special. The delightful duet delivered by Udit Narayan and KS Chitra was a cool combination of lovely lyrics and marvellous music.
Dil Na Diya (Krrish, 2006): The path-breaking superhero movie featured this high-flying dance number that soared to great heights. Singer Kunal Ganjawala gave the energetic track added power, and it was further elevated by Hrithik Roshan’s brilliant onscreen performance.
Zindagi Do Pal Ki (Kites, 2010): The romantic action thriller featured this terrific track sung by KK. Filled with emotion, the song resonated with anyone who has been in love. Special mention also to the film’s other top love song, Dil Kyun Yeh Mera, which was also beautifully delivered by KK.
Zindagi Do Pal Ki T-Series
Dil Tu Hi Bataa (Krrish 3, 2013): The superhero sequel featured this uniquely styled song, which combined different elements to create an interesting sound. Pop stars Alisha Chinai and Zubeen Garg offered a distinctive vocal delivery on this romance-infused track.
Rajesh Roshan with Hrithik Roshan and Rakesh RoshanGetty
Kaabil Hoon (Kaabil, 2017): This multi-layered song, picturised on blind protagonists, combined romance with sentiments of self-belief and capability. Singers Jubin Nautiyal and Palak Muchhal added a sweet extra layer to this musically rich track, delivered by a maestro who has entertained millions over a distinguished career.
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