TO MOST modern day Bollywood fans, she is known as a the senior of figure of a famous film family, but there is so much more to Jaya Bachchan than being a wife, mother and mother-in-law of famous film stars.
Jaya is considered to be one of the most technically gifted actresses in the history of Indian cinema, and before giving up stardom for family she delivered a remarkable body of work in a short space of time during the early seventies.
To mark the Bollywood legend’s 70th birthday on April 9, Eastern Eye went back in time to select her 10 finest film roles...
Guddi (1971): The young actress made a stunning Bollywood debut playing the schoolgirl obsessed with a movie star. She held her own against established stars including Dharmendra, who portrayed himself. The perfo-rmance won her a Filmfare Best Actress award and put her on the radar of filmmakers in commercial Hindi cinema.
Uphaar (1971): The actress gained another Filmfare Best Actress nomination in the role of a boisterous woman who gets married without understanding what it entails and finally realises what she must do for love. The neatly-crafted drama was the Indian entry for the Best Foreign Language Film at the 45th Academy Awards, but not nominated.
Bawarchi (1972): The actr-ess held her own opposite Bollywood’s number one superstar Rajesh Khanna in the super-hit comedy drama of a cook who helps to transform a dysfunctional family. She delivers a perfectly-nuanced performance of an introverted woman who is bought out of her shell.
Parichay (1972): The stunning drama written and directed by Gulzar revolved around a kind-hearted tutor who heals the rift between a grandfather and his five grandchildren. Jaya starred opposite Jeetendra in the acclaimed drama based on the Bengali novel Rangeen Uttarain and once again was magical on screen.
Shor (1972): The actress starred opposite Manoj Kumar in the deeply-emotional drama about a father trying to raise enough money to fund an operation so his son can speak again. She plays one of those supporting the father, including in a challenge that puts his life at risk. This movie has one of the greatest motivational songs of all-time.
Koshish (1972): Jaya gained another Filmfare Best Actress nomination for the landmark movie written and directed by Gulzar. She stars opposite Sanjeev Kumar in the story of a deaf and mute couple struggling to make a life in a desensitised society. It would inspire a number of subseq-uent films, including Sanjay Leela Bhansali’s directorial debut Khamoshi: The Musical.
Zanjeer (1973): The superstar actress helped her future husband Amitabh Bachchan take his first steps towards becoming the future king of Bollywood in the iconic action film. Amitabh may never have landed the lead role of the vigilante cop in the game-changing movie if Jaya hadn’t agreed to star opposite him.
Abhimaan (1973): One of the all-time great Bollywood films garnered Jaya a Filmfare Best Actress award. She stars opposite Amitabh Bachchan in the story of a professional singer who marries a village girl, then gets envious when she overshadows him and behaves cruelly towards her. She goes through a range of emotions with a magnetic performance.
Kora Kagaz (1974): The multi-award-winning remake of 1963 Bengali film Saat Pake Bandha saw the actress star opposite Dev Anand in the story of a couple battling against a cross-class divide. The stunning performance earned Jaya yet another Filmfare Best Actress Award.
Sholay (1975): The record-breaking action film saw Jaya deliver a stunning performance as a widow slowly drawn towards a crook (Amitabh Bachchan) hired to protect her village. She brings grace and dignity with her perfectly-layered performance, which connected with audiences globally.
Chef Asma Khan calls for an end to macho kitchens and celebrates older women in professional cooking.
Advocates unionising hospitality and improving working conditions across the industry.
Explains founding the Second Daughters Foundation to support girls’ education in India.
Discusses the political role of food in promoting labour rights and dignity.
Redefining kitchens and leadership
In the latest episode of Shami’s Speakeasy, chef and campaigner Asma Khan joined host Shami Chakrabarti to discuss justice, feminism, race and the politics of food. Chakrabarti described Khan as “not so much a celebrity chef as a revolutionary chef.”
Khan highlighted her all-women team at Darjeeling Express, many of whom are grandmothers, calling it “a powerhouse.” Rejecting the macho culture of celebrity kitchens, she said the average age of women cooking in her kitchen is 50, demonstrating that older women are central to professional cooking.
Unionising hospitality and work-life challenges
Khan spoke candidly about labour conditions in hospitality and the impossibility of perfect work-life balance for shift workers and entrepreneurs. She called for restaurant workers to unionise, reflecting on exploitation during COVID and ongoing staffing pressures: “Without collective action, we can never get anywhere.”
She also shared her approach to parenting and entrepreneurship: “There is no word called ‘balance’ for some of us. The only way out is to forgive yourself and keep going.”
Second Daughters and food as a force for change
As a second daughter, Khan founded the Second Daughters Foundation, supporting girls’ education in India through school meals and practical assistance for those most likely to be kept at home.
Khan also described food as a political tool, using it to “shake the world gently” while emphasising labour, dignity and respect alongside ingredients.
Episode details
Shami’s Speakeasy: Asma Khan is available on all major podcast platforms from 15 October 2025. Additional resources and artwork inspired by the discussion will be shared in the Speakeasy Zine on the show’s website and to subscribers.
Asma Khan is the founder of Darjeeling Express, London, and an advocate for dignity in hospitality and women’s rights. Shami Chakrabarti is a human rights lawyer, legislator, and broadcaster who hosts Shami’s Speakeasy as a forum for honest conversations on values, ethics and social change.
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