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Jasmin Bhasin opens up about quitting Dil Toh Happy Hai Ji

A couple of days ago, we informed our readers that popular television actress Jasmin Bhasin has quit her Star Plus show Dil Toh Happy Hai Ji, wherein she plays the female lead. The soap opera was launched with much fanfare on 15th January, 2019, and the actress had to bid it adieu only six months after it hit the airwaves.

Jasmin Bhasin has reportedly opted out of the show because she did not want to play a mother onscreen and that too in a series which went on-air just six months ago. Dil Toh Happy Hai Ji took a five-year time leap recently. As per the new storyline, the lead character will be seen taking care of her husband’s son from his first wife.

Opening up about the entire episode, Jasmin says, “The storyline of the show underwent a change recently along with a time leap. Initially, I wasn’t aware, but when I read the screenplay, I realised that I would have to play a mother. I didn’t want to do that, as that is not what I signed up for. I informed my producers and the creative team, accordingly.”

The actress goes on to add that she is unhappy with the makers as they did not keep her in the loop about upcoming changes in the storyline of the show. “The time leap was premature. When the script was narrated to me, I had asked the producers whether there would be a child, too, on the show. I was told that my character wouldn’t get married for at least a year. However, it’s just been six months and there has been a change in the plan already. I was unhappy about this sudden turn of events, but I am glad that we have parted ways amicably. You can’t blame anyone, because everyone is dealing with the pressures of ratings and competition,” concluded the actress.

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How Southeast Asian storytelling became one of Netflix’s fastest-growing global pillars

Highlights:

  • Netflix says global viewing of Southeast Asian titles rose almost 50% between 2023 and 2024.
  • Premium VOD revenue in the region reached £1.44 billion (₹15,300 crore) last year, with 53.6 million subscriptions.
  • Netflix holds more than half of the region’s total viewing and remains its biggest investor in originals.
  • New rivals, including Max, Viu and Vidio, are forcing sharper competition.
  • Local jobs, training and tourism are increasing as productions expand across the region.

Last year, something shifted in what the world watched. Global viewership of Southeast Asian content on Netflix grew by nearly 50%, and this isn't just a corporate milestone; it’s a signal. Stories from Jakarta, Bangkok, and Manila are no longer regional curiosities. They are now part of the global mainstream.

The numbers tell a clear story. Over 100 Southeast Asian titles have now entered Netflix’s Global Top 10 lists. More than 40 of those broke through in 2024 alone. This surge is part of a bigger boom in the region’s own backyard. The total premium video-on-demand market in Southeast Asia saw viewership hit 440 billion minutes in 2024, with revenues up 14% to £1.44 billion (₹15,300 crore). Netflix commands over half of that viewership and 42% of the revenue. They have a clear lead, but the entire market is rising.

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