It is no secret that Marvel Studios’ Guardians of the Galaxy Vol. 3 is one of the most-awaited films of 2023. It is set to debut in theatres on May 5, 2023. The film brings back not just filmmaker James Gunn but also Chris Pratt, Dave Bautista, and the voices of Vin Diesel with Bradley Cooper.
Now, as the Guardians of the Galaxy trilogy concludes in 2023 following the release of a Disney+ Holiday Special later this year, Gunn has revealed one regret that he has when it comes to Drax in the MCU. Yes, he is talking about the John Cena reference.
Responding to a fan on Twitter who referenced the Avengers: Infinity War scene in which Dave Bautista’s Drax stood still in an attempt to become invisible, Gunn revealed he has begun to regret the joke. Gunn, who wrote the Guardians’ lines for Infinity War noted how the “daily barrage of repetitive invisible jokes” he receives about both Peacemaker’s John Cena and Bautista’s Drax has led him to “almost regret making the joke.”
He wrote, “Between the daily barrage of repetitive invisible jokes about John Cena in addition to the ones about Dave, I almost regret making the joke in the first place.”
Not just Gunn, Dave Bautista himself is also done with the invisibility joke. He previously said he was over the invisible jokes, going the length to suggest he'd even prefer the “sensitive nipples” jokes from Guardians of the Galaxy Vol. 2.
“I feel like all the people who comment every time I post a pic of myself ‘I don’t see anyone! You’re standing so still you’re invisible’ are still doing Borat impersonations and thinking how funny and witty they must seem,” Bautista wrote as per Comic book. “I never thought I’d miss the ‘sensitive nipples’ comments!”
Keep visiting this space over and again for more updates and reveals from the world of entertainment.
Amar Kanwar is getting a huge London show in 2026.
Will host a site-specific, immersive installation.
Feature both new and existing films, transforming the entire building.
A new catalogue will feature unpublished writings and a long interview.
Indian filmmaker and artist Amar Kanwar, a quiet but monumental figure in contemporary art, is getting a major retrospective at Serpentine North. Slated for September 2026 to January 2027, this Serpentine Gallery retrospective won’t be a standard exhibition. It’s being conceived as a complete, site-specific art installation that will turn the gallery into what organisers call a “meditative visual and sonic environment.”
Amar Kanwar’s immersive films and installations will fill Serpentine North next year Instagram/paolamanfredistudio
What can visitors expect from this retrospective?
Don’t walk in expecting to just sit and watch a screen. Kanwar’s work has never been that simple. The plan is to use the entire architecture of Serpentine North, weaving his films into the very fabric of the space.Yeah, the Serpentine's been tracking his work for years. He was in that 'Indian Highway ' show back in 2008. Turns out that was just the start.
What it is about his work that gets under your skin?
He looks at the hard stuff. Violence. Justice. What we’re doing to the land. But he does it with a poet’s eye. That’s his thing. And it’s put him on the map. You see his work at big-league museums like the Tate, the Met. He’s a fixture at major shows like Documenta. You don't get invited back that many times by chance. His work just has that weight. His art isn’t easy viewing; it asks for your patience and focus. The upcoming Serpentine show is being built specifically to pull you into that slow, deep way of looking.
Alongside the films, the Serpentine will publish a significant catalogue. It’s not just a collection of images. It will feature a trove of Kanwar’s previously unpublished writings, giving a deeper look into his process. The book will also contain an extensive interview between the artist and the Serpentine’s artistic director, Hans Ulrich Obrist.
The gallery is betting big on an artist who works quietly, but whose impact resonates for years. As one staffer put it, they’re preparing for an installation that changes how you see, and hear, everything.
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