‘It is a mistake to define oneself by just religion'
By AMIT ROYJul 21, 2021
THERE are many gems in Nobel laureate Amartya Sen’s just published memoirs, Home in the World, but one that Eastern Eye readers will especially take to heart is his advice that people should not define themselves solely in terms of their religion.
He once objected strongly and threatened to abort an interview when BBC TV’s Hard Talk team wanted to introduce him as a “Hindu scholar”.
Sen, 87, is currently living in Cambridge, Massachusetts, as he is based at Harvard University where he is Thomas W Lamont University Professor and professor of economics and philosophy. Being July, Sen should really be in Cambridge in England where he likes to spend the summer.
He still has rooms at Trinity College, where he first arrived as an undergraduate in 1953 (after Presidency College in Calcutta), became a Fellow and eventually served as Master from 1998 to 2004. He was awarded the Nobel Prize for Economics in 1998, partly for his work explaining why famines almost never happen in democratic countries and the root causes of the 1943 Bengal Famine “which would kill between two and three million people”.
He has also long argued that human identity is made up of many influences and that it is a mistake for people to define themselves exclusively as “Muslim” or “Hindu”. He refers to the lessons he learnt from the Sanskrit classic, The Little Clay Cart: “The perception that human identity does not demand a singular confinement came to me quite powerfully from the ancient classics.”
He says: “One of them was the need to see a person as having many identities – this was an idea that helped me to resist the imposition of a single, overwhelming identity based on religion or community (for example, focusing just on Hindu-Muslim divisions), which was becoming more and more common as my schooldays progressed.”
Sen has written many books over the years, among them Poverty and Famines: An Essay on Entitlement and Deprivation (1983), The Argumentative Indian: Writings on Indian History, Culture and Identity (2006), and The Idea of Justice (2010), and Identity and Violence: The Illusion of Destiny (2015).
But his memoirs are easily the most accessible. He stops in 1963, but by then many of his ideas have either formed or started to take shape. Sen told Eastern Eye he was due to come to the UK next month to promote his book: “But I am just getting ready to cancel our August UK visit, partly because of UK rules of quarantine and partly also due to dangers of Covid from travel and circulation. I hope to come to the UK still in October.”
His family home was initially in Dhaka, then in East Bengal in pre-partition India, where his father, Ashutosh Sen, taught chemistry at the university. He was born in Santiniketan where Rabindranath Tagore established a university and attended school there for 10 years from 1941.
After two years at Presidency College, Calcutta (now Kolkata), he arrived at Trinity College, Cambridge.
“I love both Dhaka and Santiniketan when I was growing up, but my earliest memories were not of either place,” Sen recalls. “There were from Burma, where I went with my parents just before my third birthday. We arrived in 1936, and stayed until 1939, while my father had a three-year visiting professorship at the Mandalay Agricultural College, on leave from Dhaka University. Rudyard Kipling, who had never actually been there, romanticised it in his
elegant poem, Mandalay…”
In time he came friends with the Burmese leader Aung San Suu Kyi and her late husband Michael Aris, a fellow of St John’s College, Oxford. That does not prevent him of being very critical of her leadership. “Indeed, something went terribly wrong in Suu Kyi’s leadership, reflected particularly in her unwillingness to help a vulnerable minority community in Burma: the Rohingyas, a Bengali-speaking Muslim minority group,” he says.
“Her treatment of other minority groups, of which Burma has many, was not exemplary either. Terrible barbarities committed against the Rohingya community by the military have not – at least so far – moved her to do anything substantial to help the victims.”
As a young boy, he had encountered only gentle Burmese people and suggests the power of sustained propaganda had changed them into “violent haters”.
“There is, in fact, a global lesson here in the possibility of transforming a gentle population,” he writes.
“The power of such propaganda can be seen not just in Burma, but in many countries in the world today. What is happening in Burma (or Myanmar, as it is now called, a name championed by the military) is, of course, particularly barbaric, but the effectiveness of agitations against particular minority groups can be seen in many countries in the world – for example against immigrants in Hungary, or the gay community in Poland, or against Gypsies nearly everywhere in Europe. There is a lesson here which is peculiarly important today in formerly secular India: the religious extremists have been very dedicated – even through governmental policy – in undermining inter-community relations and in threatening the human rights of Muslim minorities.”
His memoirs begin with the concept of home. When he was appointed Master of Trinity, a BBC reporter asked him, “Where do you consider to be your home?” adding, “You have just moved from one Cambridge to another – from Harvard to Trinity; you have lived in England for decades, but you are still an Indian citizen, with – I presume – a passport full of visas. So, where is home?”
Sen tried to set out what home meant to him: “‘I feel very much at home here right now,’ I said, explaining that I had had a long association with Trinity, having been an undergraduate, a research student, a research fellow and then a teacher there. But I added that I also felt very much at home in our old house near Harvard Square at the other Cambridge, and I very much feel at home in India, particularly at our little house in Santiniketan where I grew up and to which I love going back regularly."
"So,’ said the man from the BBC, ‘you have no concept of home!’ “‘On the contrary,’ I said, ‘I have more than one welcoming home, but I don’t share your idea that a home is unique and exclusive.’”
He adds: “I experienced similar defeats in my attempts to respond to other searches for unique identification.”
“‘What is your favourite food?’ they asked. There can be many answers to that question, but I generally choose to mumble something about tagliolini con vongole or Szechuan duck, and of course ilish mach – what the English in India used to call ‘hilsa fish’…But, I went on to explain, it has to be cooked in proper Dhaka style with ground mustard. “
‘I love them all,’ I said, ‘but I would not like to live on any of them as my only food.’”
Home in the World: A Memoir by Amartya Sen is published by Allen Lane
You think you're coming to Glastonbury for the music. That’s what you tell yourself. But then, by Day 4, it’s Saturday afternoon, the sun’s hammering down like it’s got a personal vendetta against pasty Brits, and the air’s thick with sunscreen, spilled cider, and pure anticipation.
Something big’s brewing. Something secret. Something that makes you feel like you're standing on the edge of history, or at least a really, really good party. There’s joy and rebellion here. Tears and beer. Political fire and surprise reunions.
Then somewhere between the late-night raves, the 2 AM ska-techno-klezmer, and the silent sobbing during Lewis Capaldi’s return, it hits you: Glastonbury isn’t just about who’s playing. It’s about who you become when you’re here.
Festival goers at Glastonbury festival 2025Getty Images
1. The Pyramid Stage Whisper: Is Jarvis REALLY Back?!
That prime-time slot at 6:15 PM listed as "Patchwork"? Nobody’sbuying it. Everyone thinks it’s a secret Pulp reunion. The rumour mill is wild,and SecretGlasto is dropping heavy hints.Ester from Norwich has been waiting at the front since earlymorning. She said, “If it’s not Pulp, I’m starting a riot. Or just crying intomy warm cider.”Could it really be Pulp, after 30 years? Backup guesses areHAIM or Chappell Roan, but the Pulp energy is strong. So, don’t miss it!
Pyramid Stage crowd swells ahead of the mystery Patchwork act rumoured to be Pulp Instagram/glastofest
2. Kneecap & the firestorm: Music, politics & “everyone is welcome”
Irish rap trio Kneecap hit the West Holts stage at 4 PM and stirred up big controversy. One of the members, Liam Óg Ó hAnnaidh, is out on bail for serious charges linked to Hezbollah.
PM Keir Starmer criticised their booking, and a leaked letter from music execs added pressure.
But Glastonbury stood firm. Emily Eavis said, “Everyone is welcome here.” Over 100 artists, including Massive Attack, Fontaines D.C., and even the rumoured Pulp, signed a counter-letter in support.
The BBC will still air the set live (though it might delay it on iPlayer). Expect pro-Palestine chants, strong emotions, and a packed crowd. Arrive early!
Kneecap welcome as political tension surrounds their setGetty Images
3. Survival mode: Glasto in the heat
It’s 26°C today, with 30°C expected tomorrow. The UK Health Security Agency has issued an amber heat alert. Stay safe:
• Drink water often. There are over 800 taps, so use them.
• Apply SPF 30+ sunscreen. Keep reapplying.
• Find shade, like on Dragon’s Tail hill or other quiet zones.
• Watch for signs of heat exhaustion: dizziness, nausea, fainting.
Saturday night is packed, and you’ll need to choose carefully:
• Neil Young & Chrome Hearts (Pyramid, 10 PM): Classic songs like “Heart of Gold” and “Old Man.” He’s unpredictable but a true Glastonbury icon.
• Charli XCX (Other Stage, 10:30 PM): Wild Brat energy, chaos, and late-night dancing. The Other Stage is bigger this year but getting there will be tough, so take a side route.
• Doechii (West Holts, 10:45 PM): Experimental and innovative. If you want something new and exciting, she’s the one to catch.
No easy choices here. Just decide what kind of night you want.
• Fat Dog (2 AM set): A wild mix of ska, techno, and klezmer. Already being called “show of the weekend.”
• Lorde : Did a surprise morning set at Woodsies, performing tracks from her upcoming album Virgin.
• The Binnies : 17,000 hand-painted bins around the site. Artist Sarah Lawrence painted one “for someone who never got to Glastonbury.” Powerful stuff, right?
• Lewis Capaldi : Came back to the Pyramid stage Friday. He pushed through and finished songs he’d struggled with before. Said, “I’m f---ing back, baby.” Huge moment.
• South East Corner (Afternoon): Busy with day raves. Expect big crowds.
•Kneecap (4 PM, West Holts): It’ll be packed. Have a backup plan: Bob Vylan is on at 2:30 PM.
• Kate Nash (9 PM, Left Field) and Scissor Sisters (10:30 PM, Woodsies): Very likely to be one-in, one-out entry. Get there early.
• Charli XCX : Main routes will be packed. Use alternate paths to avoid the jam.
Crowds of festival-goers fill the pathways during day three of Glastonbury festival 2025Getty Images
7. A look at what’s coming: Sunday & beyond
• Sunday Showdown: Olivia Rodrigo (Pyramid, 9:45 PM) vs. The Prodigy (Other Stage, 9:45 PM). Two different generations, one final choice.
• 2026 Fallow Year: No Glastonbury next year. The land and the cows are taking a break. Emily Eavis said they packed “two years into one” for 2025. So make this one count!
The heart of it all (a different kind of sign-off)
Glastonbury 2025 isn't just a festival. Right now, in the dusty, sun-baked field, it feels like the whole messy, beautiful, infuriating, glorious world squeezed into one place.
Jarvis Cocker might step into the light after decades. A band plays under a political storm cloud, testing what "welcome" really means. An old man sings about gold hearts while a pop futurist throws a Brat party across the way. Kids paint bins for loved ones gone.
We’re all sweating buckets, navigating human rivers, and maybe crying during Capaldi.
It’s contradictions crashing together. It’s the sheer, exhausting effort of being here, present, in the heat and the noise and the magic. It’s imperfect. It’s overwhelming. It’s political. It’s personal. It’s a hundred thousand stories colliding under a relentless sun.
That’s the Glastonbury paradox. It asks everything of you: your stamina, your choices, maybe even your convictions.
And in return? It gives you this: the pure, unfiltered, slightly chaotic pulse of right now. Hold onto it. Because in this field, today, everything feels possible.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.
Trump shakes hands with Modi during a joint press conference at Hyderabad House in New Delhi on February 25, 2020. (Photo: Getty Images)
TRADE talks between India and the US have hit a roadblock over disagreements on duties for auto components, steel and farm goods, Indian government sources said to Reuters, dashing hopes of reaching an interim deal ahead of president Donald Trump's July 9 deadline to impose reciprocal tariffs.
Here are the key issues at play:
HURDLES TO A TRADE DEAL
India's dependence on agriculture – a major source of rural jobs – has made it politically difficult for New Delhi to accept US demands for steep tariff cuts on corn, soybean, wheat and ethanol, amid risks from subsidised US farm products.
Domestic auto, pharmaceutical, and small-scale firms are lobbying for only a gradual opening of the protected sectors, fearing competition from US firms.
The US is pushing for greater access to agricultural goods and ethanol, citing a significant trade imbalance, along with expanded market access for dairy, alcoholic beverages, automobiles, pharmaceuticals, and medical devices.
"LACK OF RECIPROCITY"
Despite India offering to cut tariffs on a range of farm products, give preferential treatment to US firms, and increase energy and defence purchases, Indian officials say they are still awaiting substantive proposals from Washington amid Trump's erratic trade policies.
Indian exporters remain concerned about US tariff hikes, including a 10 per cent average base tariff, 50 per cent on steel and aluminium, and 25 per cent on auto imports, as well as a proposed 26 per cent reciprocal duty that remains on hold.
STRATEGIC ALIGNMENT
Indian policymakers see the US as a preferred partner over China but remain cautious about compromising policy autonomy in global affairs.
The US is India’s largest trading partner and a major source of investment, technology, energy, and defence equipment.
TENSIONS OVER PAKISTAN
India remains wary of deeper strategic ties after Trump’s perceived tilt toward Pakistan during a recent conflict between the neighbours, which raised doubts about US reliability.
GROWING INDIAN EXPORTS TO US
New Delhi is confident exports will continue to grow, especially in pharmaceuticals, garments, engineering goods and electronics, helped by tariff advantage over Vietnam and China.
India's goods exports to the US rose to over $87 billion in 2024, including pearls, gems and jewellery worth $8.5 billion, pharmaceuticals at $8 billion, and petrochemicals around $4 billion.
Services exports – led by IT, professional and financial services – were valued at $33 billion in 2024.
The US is also India's third-largest investor, with over $68 billion in cumulative FDI between 2002 and 2024.
US EXPORTS TO INDIA
US manufacturing exports to India, valued at nearly $42 billion in 2024, face high tariffs, ranging from 7 per cent on wood products and machinery to as much as 15 to 20 per cent on footwear and transport equipment, and nearly 68 per cent on food.
According to a recent White House fact sheet, the US average applied Most Favoured Nation (MFN) tariff on farm goods was 5 per cent compared to India’s 39 per cent.
(With inputs from Reuters)
Keep ReadingShow less
Tom Holland Jacob Elordi and Harris Dickinson top James Bond shortlist as Amazon eyes younger 007
Amazon’s reboot of the James Bond franchise is in early stages, with Dune director Denis Villeneuve attached.
Insiders claim Tom Holland, Jacob Elordi and Harris Dickinson are top contenders for the new 007.
The studio is reportedly seeking a British actor under 30; no official casting decisions made yet.
Next Bond film is unlikely to release before 2028 due to scheduling and production timelines.
The race for the next James Bond is heating up, and three familiar faces are at the top of the list.
As Amazon gears up to relaunch the James Bond franchise, Variety reports that actors Tom Holland, Jacob Elordi and Harris Dickinson are front-runners to play the iconic spy. The studio is reportedly focused on casting someone under 30, a significant shift from previous 007s, signalling a new direction for the long-running series.
Daniel Craig poses as James BondGetty Images
Denis Villeneuve to direct Bond reboot under Amazon MGM
With Dune and Arrival filmmaker Denis Villeneuve confirmed as director, the 26th James Bond film is set to begin a new chapter under the Amazon MGM banner. Villeneuve’s appointment is a major creative change, especially since producers Barbara Broccoli and Michael G. Wilson recently handed over creative control to Amazon following a £1 billion (₹10,400 crore) deal.
While no actor has signed on, Variety notes that the new Bond is unlikely to appear in cinemas before 2028. Villeneuve is still working on Dune: Messiah, which is expected in 2026, pushing the Bond production further down the line.
James Bond casting shortlist revealed with Tom Holland Jacob Elordi and Harris Dickinson in leadGetty Images
Tom Holland, Elordi and Dickinson emerge as possible 007s
Tom Holland, known for playing Spider-Man, had earlier pitched a “young Bond” origin story to Sony, though it never materialised. Harris Dickinson, praised for Triangle of Sadness and his Cannes-featured directorial debut Urchin, has expressed interest, calling it a role “you’d be a fool to not entertain.”
Meanwhile, Jacob Elordi, the only non-British contender, has seen a meteoric rise with Euphoria and Priscilla. Despite his Australian roots, producers are reportedly open to casting him, following precedent set by George Lazenby.
Is this the youngest James Bond yet as Tom Holland Harris Dickinson and Jacob Elordi lead casting rumoursGetty Images
All three actors have packed schedules, and no official talks have taken place. Still, the buzz suggests that Amazon is keen to reinvent 007 for a younger generation, with Villeneuve at the helm and a fresh face in the tux.
Keep ReadingShow less
This summer, Niall Moorjani returns to the Edinburgh Festival Fringe with 'Kanpur: 1857'
This summer, Niall Moorjani returns to the Edinburgh Festival Fringe with Kanpur: 1857, an explosive new play that fuses biting satire, history and heartfelt storytelling. Written, co-directed and performed by Moorjani, alongside fellow actor and collaborator Jonathan Oldfield, the show dives into the bloody uprising against British colonial rule in 1857 India, focusing on the brutal events in Kanpur.
At its centre is an Indian rebel, played by Moorjani, strapped to a cannon and forced to recount a version of events under the watchful eye of a British officer.
Known for work that intertwines mythology, identity and activism, Moorjani is a neurodiverse, Scottish-Indian theatre-maker based in Edinburgh and founder of Suitcase Storytelling Company. Together with Oldfield, they present a unique show with live music that carries emotional weight and contemporary relevance.
Eastern Eye caught up with Moorjani to talk about the power of theatre, creativity, history and their compelling new production, Kanpur: 1857.
What first connected you to creativity?
I have always just loved stories. It was a classic case of wanting to be a writer when I was small. My mum is a really creative human and wrote (though sadly never published) a fantasy book when I was a teenager, which I thought was the coolest thing. Then I discovered I loved acting and became obsessed with stand-up DVDs by Eddie Izzard and Dylan Moran. Those things inspired me so much. But at its core, I think it is a combination of a love for stories and my mum being so supportive and nurturing.
What inspired your play Kanpur: 1857?
The events of the play were the main inspiration. In 1857, hundreds of thousands of Indians in the north rose up to overthrow the British. Hindus and Muslims were united in the cause. Ultimately, they failed, and the British response was incredibly severe. It is a period of history I have always found fascinating, especially the way the British were horrified to receive the kind of violence they had been inflicting for decades. The play was also inspired by events in Gaza.
Tell us about that.
I found the parallels impossible to ignore – a violent (and morally complex) act of resistance against colonialism being met with vast collective punishment. The play is about 1857, but I am highly aware people will think of Gaza while watching it, and I want that.
Tell us about the play.
It is an explosive, satirical take on the Indian uprising of 1857, focusing specifically on the events in Kanpur. I play an Indian rebel who is strapped to a cannon and forced to tell their version of events by a British officer, played by Jonathan Oldfield. There is a trans love story, romance, jokes, drama, betrayal and devastating storytelling. All of this is set to live music by tabla master Sodhi. We have been super lucky to win the Charlie Hartill (global majority) award with Pleasance and cannot wait for people to see it.
Is there a key message you want to convey with the show?
That what the British did in India is still happening around the world today. Colonialism and colonial oppression did not end in 1857, nor in 1947 with Indian independence. These histories speak directly to our present, and we must learn from them.
Did you learn anything new while putting this play together?
Just how complex and messy the events at Kanpur were. And while I was not shocked, it is always fascinating to see how our sources from that time mostly come from the British – in this case, the victor masquerading as the victim. I could speak all day about it, so you will have to come and see the play.
An explosive new play that fuses biting satire, history and heartfelt storytellingPleasance
What was the biggest challenge of writing, co-directing and acting in this play?
Trying to hold the historical detail in my head, while also making sure the piece worked as theatre, was really tough. Fortunately, Jonathan Oldfield was amazing at helping us check in constantly on clarity without compromising on historical rigour. I expected the creative process to be harder, but it was surprisingly organic. Strangely, we often got stuck on small details – like how period-accurate the British officer’s coat should be, or what the opening projector slides should say. Naturally, self-directing is difficult, but co-directing with Jonathan really helped. As did the whole team.
What is your own favourite moment in the play? I love the big laughs. It is a tough subject, but I am really pleased with how much comedy there is. Those moments bring levity, nuance and hopefully help the heavier parts land more powerfully.
How do you feel being part of this year’s Edinburgh Fringe?
Great. I feel so lucky that we won the Charlie Hartill award. I have done the Fringe so many times on a shoestring, and this has really been a game changer. I feel privileged. The Fringe has its problems, but I absolutely love it, and in real terms, I owe my creative career to it. I love that I have been going for so long. I have a little community I only see during the festival – it is a privilege to be part of that, alongside so many amazing artists.
Why do you love theatre as a medium?
It can and should be anything. It invites us to sit down for a few hours, and then rewards us with something that can be genuinely life-changing. I especially love Fringe theatre – bonkers ideas pulled off in just an hour on tiny budgets by small, immensely talented teams. That is inspiring and exciting.
Why should we all come and watch your play at the Edinburgh Fringe?
Rebellion, cannons, trans love stories and genuinely great satire of the British empire – why should you not?
Kanpur: 1857 is running throughout the Edinburgh Fringe at 15:40, July 30 to August 24, 2025, at Pleasance Courtyard (Beneath). Tickets: www.pleasance.co.uk
Keep ReadingShow less
Djokovic (L) and Alcaraz embrace during practice prior to The Championships Wimbledon 2025 at All England Lawn Tennis and Croquet Club on June 26.
CARLOS ALCARAZ will look to win his third consecutive Wimbledon title this year, reinforcing his position as the leading player on all surfaces. Jannik Sinner, who lost to Alcaraz in a closely fought French Open final, heads to London hoping to reverse the result.
Seven-time Wimbledon champion Novak Djokovic will also be in contention. At 38, this could be his best chance to win a record 25th Grand Slam title. Djokovic lost the last two Wimbledon finals to Alcaraz and will aim to reclaim the trophy at the All England Club.
With Andy Murray retiring, Jack Draper takes on the responsibility of leading British hopes. Other players in the mix include Alexander Zverev and Taylor Fritz, both chasing their first Grand Slam title and looking to break the recent dominance of Alcaraz and Sinner.
Alcaraz aims to join elite group with hat-trick
Alcaraz won the longest French Open final in the Open Era, maintaining his hold on the title. Between him and Sinner, they have won seven of the last eight majors. If Alcaraz wins this month, he will become only the fifth man in the Open Era to claim three straight Wimbledon titles. He would join Bjorn Borg, Pete Sampras, Roger Federer, and Djokovic.
Transitioning from clay to grass is often difficult, but Alcaraz has adapted well. He described the shift as "enjoyment and suffering" in equal measure.
"It's a bit of everything," Alcaraz said. He improved his win-loss record on grass to 29-3 after winning the Queen’s Club title.
"Ultimately it's a surface we don't play many matches on each year, and you have to learn from every experience on it, from every match you play.
"Every player is different with a different style on grass. You have to keep learning and getting to know yourself ... even when the numbers are in your favour."
Sinner still adapting to grass
Although Sinner has achieved more success than Alcaraz on hard courts, his grass record remains mixed. He exited early at Halle after losing to Alexander Bublik and now heads to Wimbledon with limited preparation. Last year, he reached the semi-finals at Wimbledon.
Sinner, who served a three-month ban earlier this year for doping violations, said he needed rest before the Championships begin Monday.
"I gave it my all after the Roland Garros defeat, it wasn't easy. Despite everything, I'm happy enough," Sinner said. He had three championship points in the five-set French Open final loss to Alcaraz.
"I played two matches before Wimbledon, if there had been more, it would have been better. Now I've got to boost myself both mentally and physically, that takes a little time."
Gentlemen's Singles - Projected Quarter-finals by Seeding
(1) Sinner vs (7) Musetti (4) Draper vs (6) Djokovic
(5) Fritz vs (3) Zverev (8) Rune vs (2) Alcaraz #Wimbledon — Wimbledon (@Wimbledon) June 27, 2025
Djokovic hopes to bounce back
Novak Djokovic heads into Wimbledon after reaching the French Open semi-final in a year that has otherwise not lived up to his usual standards. He has not played any warm-up events on grass but remains a strong contender.
Djokovic is aiming to match Roger Federer’s eight Wimbledon titles and surpass Margaret Court’s record of 24 Grand Slams.
"I'm going to do everything possible to get myself ready," Djokovic said after losing to Sinner in Paris.
"My best chances maybe to win another Grand Slam are Wimbledon, or a faster hard court, maybe Australia."
Zverev, Fritz and others look to challenge
World number three Alexander Zverev is also in the hunt, still chasing a maiden Grand Slam after three final losses. Taylor Fritz enters the tournament with momentum from winning in Stuttgart.
Others to watch include Daniil Medvedev, who finished runner-up in Halle, and Bublik, who defeated him there. Bublik’s unconventional playing style could pose a challenge for some top players over the next two weeks.
Police may probe anti-Israel comments at Glastonbury