Recently, the makers of Akshay Kumar starrer Mission Mangal launched the trailer of the film. The movie is based on ISRO’s Mars Orbiter Mission also known as Mangalyaan and there were speculations that Prime Minister Narendra Modi has a cameo in the film.
At the trailer launch event, when Akshay Kumar was asked by PM Modi’s cameo, the actor replied, "Aap suni-sunayi baat pe vishwas na karein. Jab aana hoga, main aapko khud hi bata dunga. (Please don't believe hearsay. When he makes an appearance, I will tell you myself.)"
Directed by Jagan Shakti, Mission Mangal also stars Vidya Balan, Taapsee Pannu, Sonakshi Sinha, Kirti Kulhari, Sharman Joshi and Nithya Menen in the lead roles. The film is slated to release on 15th August 2019 and Akshay revealed at the event that the day film releases Indian Space Research Organisation (ISRO) completes 50 years.
He said, "Yeh picture August 15, 2019 ko release ho rahi hai. Ek bohot hi ittefaq ki baat hai ki ISRO jo hai woh August 15, 1969 ko shuru hua tha. Hum jab release kar rahe hai, 50 saal ISRO ke poore honge. Aur yeh ek ittefaq hai. Humne kuch socha nahi tha. (This film is releasing on August 15, 2019. Coincidentally, ISRO was founded on August 15, 1969. The day we are releasing, ISRO completes 50 years. And this is a coincidence. We had not planned anything).”
Mission Mangal will mainly focus on the women scientists who worked for the mission. The trailer has received a great response and has generated curiosity among the moviegoers to watch the film.
The movie will be clashing at the box office with John Abraham starrer Batla House. Last year on 15th August also it was Akshay Kumar vs John Abraham at the box office. Akshay’s Gold had clashed with John’s Satyameva Jayate. Both the films did quite well at the box office.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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