Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
A late cameo by skipper MS Dhoni and disciplined bowling helped Chennai Super Kings edge closer to an IPL play-off berth with a 27-run win over Delhi Capitals on Wednesday (10).
Dhoni, who hit a nine-ball 20, put on a key seventh-wicket stand of 38 with Ravindra Jadeja, who hit 21, to steer Chennai to 167-8.
"This is what my job is, I have told them this is what I am supposed to do, don't make me run a lot and it has been working," Dhoni said of his role at number eight.
"This is what I need to do, happy to contribute."
Sri Lankan quick Matheesha Pathirana took three wickets to help limit Delhi to 140-8 as Chennai consolidated their second spot in the 10-team table with seven wins in 12 matches.
The David Warner-led Delhi, who started the season with five losses, remain rooted to the bottom of the standings and all but out of the play-off race.
The top four teams qualify for the play-offs.
Delhi began the chase with left-handed Warner out for a duck on the second ball to Deepak Chahar, who also sent back previous-match winner Phil Salt, for 17.
Australian all-rounder Mitchell Marsh was run out for five but impact sub Manish Pandey and Rilee Rossouw attempted to revive the chase in their 59-run stand before impact player Pathirana broke through.
"This is the fifth or sixth time we have lost a wicket in the first over," Warner said after his team's seventh loss.
"And it was us throwing our wickets away. We lost a wicket to a run-out. We threw wickets away."
Pathirana, an up and coming Sri Lankan speedster nicknamed "Baby Malinga" for his slinging action similar to former pace ace Lasith Malinga, pinned down Pandey lbw with his trademark yorker and ended with figures of 3-37.
Jadeja took down Rossouw with his left-arm spin to dent the chase and was named man of the match.
Earlier Chennai lost regular wickets before Shivam Dube, who smashed 25 off 12 balls, and Ambati Rayudu, who hit 23, stood out in an attacking stand of 36.
But it was Dhoni and the left-handed Jadeja who took the attack to the opposition with their late blitz that got Chennai 39 runs from the final three overs.
The 41-year-old Dhoni, who many suspect is playing his final IPL as player, raised the noise at a near-capacity crowd with his two sixes off left-arm quick Khaleel Ahmed.
Google to launch Pixel 10 and Pixel 10 Pro family (including Pro XL and Pro Fold) this week.
New Tensor G5 chip manufactured by TSMC promises better performance, efficiency, and AI integration.
AI remains the centrepiece, with support for Google’s Gemma 3n model and new Android 16 features.
Cloud services strategy may include extended free access to Google AI Pro.
Pixel 10 positioned against Apple’s iPhone 17 Pro, with Google aiming to seize the lead in AI-driven smartphones.
Launching the Pixel 10 Pro family
Google will unveil the Pixel 10 and Pixel 10 Pro smartphones this week, with the line-up including the standard Pro, Pro XL and Pro Fold. As with earlier generations, the devices combine hardware advances with new software features, but this year’s launch is being seen as a pivotal moment for the wider smartphone industry.
A new Tensor era
Central to the update is the new Tensor G5 chipset, which will be produced by TSMC rather than Samsung. Previous Tensor chips carried significant Samsung design influence, but the move marks a step change.
The G5 is expected to deliver greater performance, improved efficiency and reduced thermal limitations, addressing criticisms of earlier Pixel processors. The move is regarded as one of Google’s most significant hardware shifts since it began designing its own silicon.
Pixel 10 Pro’s AI advantage
Artificial intelligence will be the defining theme of the Pixel 10 generation. Google has previewed its Gemma 3n model, a compact mobile-AI architecture designed to run directly on smartphones, which is expected to be optimised for the new devices.
The Pixel 10 series will launch with Android 16, pairing hardware and software to showcase AI features that operate locally as well as in the cloud. Google is positioning the handsets as the reference point for AI smartphones, with consumer-facing tools that encourage upgrades.
Cloud integration and subscriptions
Cloud services are set to remain integral. In 2016, Google introduced unlimited photo storage with the first Pixel, before ending it in 2021. More recently, it launched paid Google AI subscription plans.
The Google AI Pro plan currently offers services such as Gemini, NotebookLM, DeepSearch and 2 TB of storage for $19 per month. A premium tier, Google AI Ultra, costs $120 monthly.
While Pixel 9 Pro buyers were given a free 12-month Google AI Pro subscription, current offers are limited to one month. Analysts suggest that restoring a year-long free period for Pixel 10 buyers could accelerate adoption of Google’s AI ecosystem.
Competing with the iPhone 17 Pro
The Pixel 10 launch also comes at a moment when Apple has struggled to deliver its own AI roadmap. Despite announcements at the 2024 Worldwide Developers Conference, many AI features promised for iPhone 16 were delayed and are still unavailable.
The iPhone 17 range, due in early September, is expected to integrate more AI, but uncertainty remains. Combined with a price increase, Apple risks being seen as lagging behind. By contrast, Google is preparing to demonstrate a more complete and competitive AI smartphone experience.
Defining 2025 smartphones
The combination of a new Tensor chip, expanded on-device AI, and Google’s established software ecosystem gives the Pixel 10 Pro family an opportunity to set the tone for smartphones in 2025.
With Apple under pressure, Google is closer than ever to challenging its dominance. The Pixel 10 generation could cement Google’s position at the forefront of AI-driven mobile technology.
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Stratford’s THE SOURCE launches South Asian Film Nights with Zindagi Na Milegi Dobara
South Asian Film Nights will launch on 30 August at THE SOURCE in Stratford, East London.
The monthly screenings will begin with Zindagi Na Milegi Dobara, followed by classics like Devdas and English Vinglish.
Each evening also features short films from emerging London-based South Asian filmmakers.
Tickets priced at £5 (₹500) will be available soon via THE SOURCE website and Eventbrite.
South Asian cinema is set to find a new cultural home in East London as South Asian Film Nights launches at THE SOURCE in Stratford. Beginning on Saturday 30 August, the monthly series will bring together classic Bollywood blockbusters and contemporary South Asian gems, creating a consistent platform for both audiences and emerging filmmakers.
Organised in partnership between Newham Council and the University of East London, the initiative aims to celebrate storytelling from the subcontinent and its diaspora, offering affordable screenings for the borough’s diverse communities.
South Asian Film Nights bring Bollywood classics and new voices to Stratford
What is South Asian Film Nights?
The programme will run on the last Saturday of every month, with a special pre-holiday screening on 20 December. Unlike one-off festivals, South Asian Film Nights is designed as a regular fixture, turning THE SOURCE into a hub for cinema lovers in East London.
“Newham is a borough shaped by South Asian life, culture and creativity,” said Kritee Gower, Executive Director of THE SOURCE. “Through South Asian Film Nights, we want to create a consistent space where stories from across the subcontinent and its diasporas can be shared, celebrated and reimagined together.”
The launch line-up mixes celebrated Bollywood hits with stories of self-discovery and resilience. Each evening starts at 6:30pm with short films by London-based South Asian filmmakers, followed by the feature at 7:00pm.
30 August – Zindagi Na Milegi Dobara (12+) – A feel-good road movie about friendship and courage.
27 September – Devdas (PG) – Sanjay Leela Bhansali’s grand tale of doomed love.
25 October – English Vinglish (PG) – A heartfelt story of self-worth and confidence.
29 November – Tanu Weds Manu (PG) – A quirky romantic comedy full of chaos and charm.
20 December – Dil Dhadakne Do (PG) – A cruise-ship drama exploring family dysfunction and renewal.
Located in Stratford, THE SOURCE offers excellent transport links through the Elizabeth Line, Jubilee Line, Overground, and National Rail, making it accessible for audiences across East and Greater London. Tickets are priced at £5 (₹500) plus a small booking fee, ensuring affordability while creating a community-driven cinema experience.
Refreshments will also be available at THE SOURCE Café, turning each screening into a social as well as cultural gathering for attendees.
THE SOURCE Stratford becomes home to monthly South Asian cinema screeningsInstagram/thesourcestratford
A cultural space for South Asian storytelling
What makes this series different is its community-first approach. Rather than being a one-time celebration, South Asian Film Nights is designed to be sustainable, ongoing and welcoming.
“Cinema reflects who we are and sometimes, who we could be,” added Gower. “We’re not just screening films; we’re creating a cultural space where identity, imagination and community meet.”
With its mix of nostalgic classics and emerging voices, South Asian Film Nights promises to become a cultural anchor for East London’s South Asian diaspora and wider cinema enthusiasts.
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Aryan Khan makes his directorial debut with Netflix series The Ba***ds of Bollywood
Netflix drops first glimpse of The Ba**ds of Bollywood, Aryan Khan’s debut as director.
Teaser flips Shah Rukh Khan’s signature romance narrative into satire and action.
Cast includes Bobby Deol, Lakshya, Sahher Bambba, Mona Singh, and Manoj Pahwa.
Backed by Red Chillies Entertainment, the series is set for release in 2025.
Netflix has unveiled the first teaser of ‘The Ba***ds of Bollywood’, the much-talked-about directorial debut of Aryan Khan. The series, produced by Red Chillies Entertainment, has already sparked buzz for its sharp, witty, and unconventional tone.
Aryan, son of superstar Shah Rukh Khan, makes his creative debut not as an actor but from behind the camera. In the teaser, he sets the stage with a striking voiceover: “Bollywood – jisse aapne saalon se pyaar bhi kiya aur vaar bhi kiya, main bhi wohi karunga, bohot saara pyaar… aur thoda sa vaar.” The line encapsulates the series’ theme, part tribute, part critique of the Hindi film industry.
The Ba***ds of Bollywood teaser signals a generational shift in Hindi cinemaYoutube Screengrab/Netflix India
What is ‘The Ba***ds of Bollywood’ about?
The show is described as a satirical take on Bollywood, bringing in romance, drama, and action with self-aware humour. The teaser opens with a familiar violin tune reminiscent of Mohabbatein, before introducing lead pair Lakshya and Sahher Bambba in a dreamy setup. But the mood quickly shifts to stylised action sequences, signalling that this is not a conventional love story.
Aryan’s narrative tone may remind audiences of Shah Rukh Khan, but his treatment shows a clear generational shift. The series positions itself as both an insider’s love letter and a cheeky critique of Hindi cinema’s biggest clichés.
Aryan Khan flips Shah Rukh Khan’s romance legacy into bold satireYoutube Screengrab/Netflix India
Who is in the cast of Aryan Khan’s debut series?
The Ba**ds of Bollywood features a strong ensemble cast. Bobby Deol plays a pivotal role, alongside Lakshya, Sahher Bambba, Manoj Pahwa, Mona Singh, Manish Chaudhari, Raghav Juyal, Anya Singh, Vijayant Kohli, and Gautami Kapoor.
Industry reports suggest that cameos from Ranbir Kapoor, Salman Khan, and Karan Johar also feature in the show, adding to its star power. The combination of established actors and fresh faces hints at a mix of nostalgia and novelty, much like Aryan’s own vision for the series.
Netflix unveils first glimpse of Aryan Khan’s The Ba***ds of BollywoodYoutube Screengrab/Netflix India
When will ‘The Ba***ds of Bollywood’ release on Netflix?
While Netflix has not announced an exact release date, the series is scheduled to stream globally in 2025. The project was first introduced earlier this year during Netflix’s “Next on India” showcase, where Shah Rukh Khan himself unveiled the title. Since then, speculation around Aryan’s debut has steadily grown, and the newly released teaser confirms that the project is nearing completion.
Produced by Gauri Khan under Red Chillies Entertainment, the show has Aryan Khan as creator and director, with Bilal Siddiqi and Manav Chauhan serving as co-creators and writers. Bonnie Jain and Akshat Verma are on board as executive producers.
Bobby Deol and Lakshya feature in Aryan Khan’s first Netflix projectYoutube Screengrab/Netflix India
Why Aryan Khan’s debut matters for Bollywood and streaming
Aryan Khan’s entry into direction is, in fact, an important generational moment for Bollywood. Unlike many star kids who choose acting as their first step, Aryan has opted for storytelling from behind the camera.
The show’s title itself; The Ba**ds of Bollywood, signals irreverence and a willingness to question the industry’s norms. With Netflix’s global platform, Aryan’s series could attract audiences beyond India, especially among younger viewers who consume Bollywood as both nostalgia and meme-worthy entertainment.
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The influence of internet and TikTok culture on modern English
Cambridge Dictionary adds words influenced by internet and TikTok culture.
New entries include “skibidi”, “delulu”, “tradwife”, “broligarchy”, “mouse jiggler” and “work spouse”.
Lexicographers say they only include terms with long-term staying power.
Words reflect the growing impact of online culture on everyday English.
Cambridge Dictionary reflects TikTok’s influence
The Cambridge Dictionary has added a series of new words that highlight the influence of internet and TikTok culture on modern English. Among the latest entries are “skibidi”, “delulu” and “tradwife”.
Colin McIntosh, the dictionary’s lexical programme manager, said: “Internet culture is changing the English language and the effect is fascinating to observe and capture. We only add words where we think they’ll have staying power.”
What the new words mean
Skibidi – defined as a term that can mean “cool” or “bad”, or be used with no real meaning, often as a joke. Popularised by the viral YouTube series Skibidi Toilet, it is widely used among children and teenagers. Example: “What the skibidi are you doing?”
Delulu – an abbreviation of “delusional”, defined as believing things that are not real or true, usually because you choose to. Originating in K-pop fandoms more than a decade ago, it has surged on TikTok with phrases such as “delulu is the solulu”.
Tradwife – short for “traditional wife”, referring to women who promote conservative gender roles online, celebrating homemaking and supporting their husbands. The dictionary notes the term is “especially used for women who post about this lifestyle on social media”.
Other notable additions
Broligarchy – a blend of “bro” and “oligarchy”, describing a small group of wealthy, powerful men in the tech industry who have or seek political influence.
Mouse jiggler – a device or piece of software, popularised in the post-pandemic era, used to make it appear that someone is working when they are not.
Work spouse – a workplace term describing two colleagues who support and trust each other closely.
Broader context
The inclusion of these terms reflects wider social and cultural debates. Commentators have described words such as skibidi as emblematic of chaotic internet humour, while the tradwife movement has attracted criticism for promoting regressive gender roles.
Despite generational divides over their value, lexicographers stress that these additions demonstrate how digital culture continues to reshape the English language.
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Fahadh Faasil says no to Alejandro González Iñárritu film over unpaid accent training
Fahadh Faasil confirmed he was in talks with The Revenant director Alejandro González Iñárritu for an international project.
The actor said the filmmaker had concerns about his accent and suggested a four-month stay in the US for training.
Faasil declined as the production was unwilling to cover the cost, adding he “didn’t feel the fire” to pursue it.
He emphasised that his creative journey is rooted in Malayalam cinema and he prefers to evolve within it.
Malayalam star Fahadh Faasil, fresh off the success of Maareesan, has opened up about an unusual chapter in his career: an offer to work with Academy Award-winning director Alejandro González Iñárritu. Known for films like Birdman and The Revenant, the Mexican filmmaker had considered Faasil for a role in his upcoming Hollywood project.
In a recent interview with Cue Studio, the actor revealed that discussions reached the stage of a video call with Iñárritu. However, the collaboration fell through when the director raised concerns about Faasil’s English accent. The production suggested that Faasil spend several months in the United States to work on speech training, an arrangement that required him to relocate at his own expense.
“They wanted me to stay in the US for three or four months to perfect the accent,” Faasil explained. “But they weren’t ready to pay for that. That’s why I skipped it. Otherwise, I would have gone running. The commercial aspects of it wouldn’t have worked out. I didn’t feel that kind of fire for it.”
Fahadh Faasil says no to Alejandro González Iñárritu film over unpaid accent training Instagram/CueStudio
Was it rejection or a realisation?
Addressing whether the episode was a rejection, Faasil said he does not see it that way. “I spoke to him on a video call. It might be during that conversation that he also realised, ‘Oh, this isn’t the guy I’m looking for.’ These things happen. I’ve lost many films at such stages,” he admitted.
The actor stressed that missing out on a Hollywood project has not dampened his confidence. Instead, he sees it as part of the natural course of his career.
What stands out from his comments is how firmly Faasil anchors his artistic journey in Malayalam cinema. “All the magic in my life happened here in Malayalam. Even in the future, if any new changes were to happen, I want them to come from Malayalam. I don’t think I will leave Kerala for that. If a project emerges that redefines me in some way, I want it to be in Malayalam,” he said.
It is clear that for Faasil, global recognition is not about leaving his roots behind but about the quality of work produced at home. His outlook, in fact, reflects a broader shift where Malayalam cinema has gained worldwide acclaim for its strong storytelling and performances.
While Faasil did not name the project, reports suggest it may be Iñárritu’s untitled film starring Tom Cruise, slated for release in October 2026. The movie also features Sandra Hüller, John Goodman, Jesse Plemons, Riz Ahmed, and Sophie Wilde. Billed as a high-stakes drama about the “most powerful man in the world” racing against time to save humanity, it is among the most anticipated Hollywood releases.
Had Faasil been part of the cast, it would have marked a rare crossover for a Malayalam star into mainstream global cinema.
Fahadh Faasil says he wants to retire as a cab driver in Spain Instagram/fahad_nazrin
Fahadh Faasil’s upcoming projects
On the home front, Faasil is preparing for the release of Odum Kuthira Chadum Kuthira, a comedy directed by Althaf Salim. The film, scheduled to hit theatres on 29 August, stars Kalyani Priyadarshan, Lal, Revathi Pillai, Vinay Forrt, and Anuraj OB.
The actor continues to be one of the most versatile names in Indian cinema, with acclaimed performances in 22 Female Kottayam, Maheshinte Prathikaaram, Aavesham, and Joji. Even without Hollywood credits, his body of work is celebrated both in India and abroad.