Shy and extremely reticent Bhushan Kumar is a force to reckon with in the Indian film and music industry. His music label T-Series has been at the top of its game ever since it was established by his father and music baron Gulshan Kumar. Not just in music production, T-Series is a leading name in moviemaking also with a plethora of award-winning films to its repertoire. After the humongous success of his recent production Sonu Ke Titu Ki Sweety, Bhushan Kumar is bringing his new film Raid, which enters cinemas on 16th March. Ahead of the release of the much-awaited suspense drama, our Mumbai correspondent sits down with Kumar for an elaborate chat on his new offering, the changing landscape of music in Bollywood and much more.
Tell us something about your film Raid.
The movie is inspired from a high-profile IT raid and some real-life characters from 1981. It shows how the character conducted the biggest and longest raid India ever witnessed.
How hard is it to make a film based on real events?
Right now, the viewers are showing interest in reality-based cinema, and they have the digital medium full of information that they can receive on any subject. So, you must work a lot and hard to attract viewers’ attention to these kinds of films. In a fictional script, you can carve the story as per your liking and the director too can add some commercial angles but in a reality-based film, it’s very important that you study about the particular subject. If you don’t, the audience is aware enough to point out the shortcomings. So, an extensive study was done by the director along with his team including writer Ritesh and we tried our best to bring realism to the story of the film. But since it is a film, a few cinematic liberties are a must.
It’s been said in a press release that Raid is responsibly fictional, what do you have to say about that?
See, if we are making a film, it has to be responsibly fictional because if we film the events exactly as they happened, it would be a documentary and our audiences don’t like to see documentaries. Commercial films lead in theatre.
So the film is not a biopic?
We didn’t make the film in somebody’s name like that is done in biopics. This film is inspired by a character, whose main subject was a raid and the process opted by the Income Tax office during that raid. It’s about an honest officer who went too far to achieve his goals and fulfil his job.
What was the biggest challenge while making this film?
Every film I made had some challenges. The main issue I had with the film was to make it in a way that it does not end up being boring. The film is entertaining for the audience and since it is a period film, the setting needed to be fact checked. There was also a thorough research needed as it is based on real-life events. I had a great team that helped with the process as smoothly as possible.
How was it working with superstar Ajay Devgn?
He is a very comfortable person to work with. He embraces his character profoundly. He is very committed to his character, may it be in comedy, action or drama space. Even when you see the film, you will notice how he delivers the dialogues written by the writers and how he expresses his character. He brings his roles and character to life.
There are so many concepts to push. Events that have not been seen or people are not aware of garner people’s attention. There is an abundance of information on the internet but to see a talented actor like Ajay Devgn performing in a film based on one of those events is completely different and that’s our cinema.
You have recreated two classic songs sung by Nusrat Fateh Ali Khan in Raid. What makes you recreate songs?
Recreation we do as per the public demand. We are a music company also and now people are loving old songs which were not made before the digital era set in. Right now, we can provide a better sounding system to those old songs and nowadays when the music is streamed rather than having a physical copy, it is more accessible to the audience.
Is there any genre that you want to pursue in the future?
I think we have covered everything, but I have not produced a proper action film, so we will see what happens.
Is there anything special in the pipeline?
Actually, I started my career with direction. Producing movies is a family acquired skill. Almost nine years ago, I tried to pursue a short film but production took some time. There was a script but it was rewritten until everyone liked it. I am going ahead with that right now.
When you took over from your father, Gulshan Kumar, what were the things you kept and what changes you made in T-Series?
I have always followed my father’s footsteps from the beginning because there are many things that cannot be changed. The music that was chosen and made at that time was sheer melody. Whether it’s a dance track, or a slow track or a sad or romantic track melody always works. The melody you feel is the same and that is the reason right now recreated songs are being appreciated by the audience because the melody is strong. So while making music, all I just follow is my father’s lead.
Can you tell us something about the music in the film Raid?
Talking about the music in Raid, as you must have heard, we have recreated two of Nusrat Fateh Ali Khan’s songs. Though Raid is not a musical film, the relationship between the husband and wife and the music and songs show the normality of a man who conducts raids in his job. So to signify their relationship, we kept songs which are doing very well. Both songs are super hit. The melody and some parts of the old songs have been retained. Their new versions are sung by Rahat Fateh Ali Khan.
In a single year, you deal with more than 12 films with different genres. How challenging is that for you?
The involvement of the company depends on the subject of the film. We only accept those number of films which give us the capacity to do justice to the work we do and the films deserve. This year we have ten releases but we have poured ourselves into them completely. We undertake projects that we can manage otherwise I have nothing to prove, hence no need to overdo it.
Nicholas Galitzine has officially finished filming for Masters of the Universe, and to mark the moment, he gave fans a shadowy glimpse of his transformation into the iconic He-Man.
Taking to Instagram, the Red, White & Royal Blue actor shared a silhouetted image of himself in full He-Man gear, writing, “It’s been the role of a lifetime, and I put everything into it.” Though the costume details remain under wraps, the photo hints at the classic battle attire, loincloth, gauntlets, and the legendary Power Sword in hand.
The actor didn’t just slip into a role; he reshaped himself entirely. In a previous interview, Galitzine shared that he was eating nearly 4,000 calories a day and lifting heavy weights to bulk up for the physically demanding part. Playing both Prince Adam and his alter ego He-Man meant embracing not just the look but also the legacy of a pop culture titan.
“There's not much I can show you,” Galitzine teased, “but I am so proud of the film we’ve made.” His Instagram post thanked the cast and crew, clearly hinting at an intense and collaborative shoot.
Fans react to Galitzine’s physical transformation for his role as Prince Adam and He-ManGetty Images
The film, directed by Bumblebee filmmaker Travis Knight, brings to life Mattel’s classic toy line and 1980s animated series. The updated script is by Chris Butler, based on earlier drafts by David Callaham and the Nee brothers.
A star-studded cast and a legendary tale returns
Galitzine leads an ensemble that includes Camila Mendes as Teela, Jared Leto as Skeletor, Alison Brie as Evil-Lyn, Idris Elba as Man-at-Arms, Morena Baccarin as The Sorceress, and Hafthor Björnsson as Goat Man, among others.
The story follows a young Prince Adam, who crash-lands on Earth and is separated from his mystical sword. Years later, he returns to Eternia, unlocks his hidden identity, and embraces his destiny as He-Man to stop Skeletor from conquering Castle Grayskull and the universe.
Nicholas Galitzine wraps Masters of the Universe filmingGetty Images
The long-awaited reboot comes on the heels of Mattel’s Barbie success and will now be released under Amazon MGM Studios. With Masters of the Universe slated for a 5 June 2026 theatrical release, fans of the franchise and Galitzine are eagerly waiting to shout, “By the power of Grayskull!” once again.
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Al Pacino greets Pope Leo XIV during their private meeting at the Vatican
Hollywood legend Al Pacino was granted a rare private audience with newly elected Pope Leo XIV at the Vatican on Monday. The meeting marked a historic first, as never before has a sitting pope from the United States received a film actor in an official capacity.
The 85-year-old actor is currently in Italy filming Maserati: The Brothers, a biopic that explores the lives of the visionary Maserati siblings who helped shape the global sports car industry. Pacino plays Vincenzo Vaccaro, a businessman who backed the Maserati family in their early years. The film also stars Anthony Hopkins, Andy Garcia, Jessica Alba, and Michele Morrone, and is directed by Oscar winner Bobby Moresco.
Pope Leo XIV becomes the first American pontiff to receive a Hollywood starInstagram/andreaiervolinorealfp
A meeting of shared values between church and cinema
Pacino was accompanied by the film’s Italian producer, Andrea Iervolino, who described the papal meeting as a “moment of profound spiritual and cultural inspiration.” In his statement, Iervolino said the discussion with Pope Leo XIV reflected values central to both the film and the Catholic Church: family, compassion, unity, and working for the greater good.
“These are the same principles Pope Leo XIV has emphasised in his recent public messages,” Iervolino added, drawing a connection between the Pope’s mission and the legacy of the Maserati brothers, a family known for their mutual respect, vision, and commitment to excellence.
Al Pacino shares a moment of reflection after meeting the Pope in Vatican CityInstagram/andreaiervolinorealfp
A photo from the visit shows Iervolino presenting a model Maserati in a glass case to the Pope, with Pacino looking on.
From the Bronx to the Vatican: Pacino’s spiritual full circle
Pacino, who was raised in a Catholic Italian-American household in 1940s New York, has spoken about his complicated relationship with faith, most notably in his 2024 memoir Sonny Boy, where he described a near-death experience during the COVID-19 pandemic.
His visit to the Vatican comes just weeks after it was confirmed that Maserati: The Brothers secured distribution in the U.S. and Europe, with over 2,000 screens set for release across North America.
Andrea Iervolino and Al Pacino presents a model Maserati to the Pope as Pacino looks onInstagram/andreaiervolinorealfp
Pope Leo XIV, formerly an Augustinian leader and the first American to hold the papacy, was elected last month following the death of Pope Francis. Born in Illinois and a fan of the Chicago White Sox, he addressed a crowd in the city via video this past weekend, signalling his deep ties to American culture.
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The couple were married from 2003 to 2016 and have two children
The sudden death of billionaire businessman Sunjay Kapur at the age of 53 has raised questions over the future of his vast wealth and who stands to inherit it. Best known in the public eye for his marriage to Bollywood actress Karisma Kapoor, Kapur leaves behind a family spread across three marriages — including two children with Kapoor.
Global business, personal fortune
Kapur was the chairman of Sona BLW Precision Forgings Ltd, commonly known as Sona Comstar, a global automotive components firm headquartered in Gurugram, India. He took charge of the company after the death of his father Dr Surinder Kapur in 2015 and steered it to significant success, particularly in the electric vehicle (EV) sector. The company was listed on the Indian stock exchange in 2021 and is now valued at approximately £2.95 billion, according to Bloomberg.
At the time of his death on 13 June in London, Kapur's personal net worth was estimated at around £980 million ($1.2 billion), with most of it tied to his stake in the company.
Family and children
Kapur was married three times. His first marriage, to designer Nandita Mahtani, ended in 2000. From 2003 to 2016, he was married to actress Karisma Kapoor, with whom he had two children — Samaira, now 20, and Kiaan, 14. He later married entrepreneur Priya Sachdev in 2017, and the couple have a six-year-old son, Azarias.
Inheritance and past settlements
There has been no official word from the family or company about the contents of Kapur’s will or the structure of his estate. However, reports suggest that under Indian inheritance law, his current wife Priya Sachdev would manage the estate unless otherwise specified in a will.
According to earlier reports from ANI in 2016, during divorce proceedings with Karisma Kapoor, Kapur had purchased bonds worth around £1.3 million (₹14 crore) each for Samaira and Kiaan. These bonds reportedly generate a monthly income of around £9,400 (₹10 lakh) for each child — a move seen as part of his legacy planning.
As part of the divorce settlement, a family property in Mumbai was also transferred to Karisma Kapoor, who retains full custody of the two children.
Uncertain future
While the details of Kapur’s current estate plan are not public, Indian media reports suggest his sisters may take on management roles within Sona Comstar. The company has said that business operations remain unaffected and pledged to uphold his legacy.
For now, it remains unclear how his estimated £980 million fortune will be distributed among his heirs.
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Aamir Khan addresses love jihad allegations and shares rare details about his family
In the lead-up to his upcoming film Sitaare Zameen Par, Aamir Khan has addressed a long-standing controversy that has trailed him for years: allegations that his 2014 film PK promoted ‘love jihad’ and disrespected religion. Speaking on Aap Ki Adalat, the actor finally offered his side of the story, calling the accusations “baseless” and “misinformed”.
“When two people fall in love and decide to marry, it’s not a conspiracy. It’s a human connection,” Aamir said, firmly rejecting the label of ‘love jihad’.
‘PK’ wasn’t against religion, it warned against blind faith: Aamir clarifies intent
Back in 2014, PK sparked debate for showing a Hindu woman in love with a Pakistani Muslim man. Critics accused the film of mocking religious beliefs. Responding to this, Aamir said the film respected all faiths and was never intended to ridicule anyone’s beliefs.
“We respect every religion deeply. PK was about being cautious of those who misuse religion to exploit people. This kind of manipulation exists in all communities,” he explained. He stressed the film’s core message: don’t fall for those who use faith as a tool for fear or financial gain.
Aamir Khan defends PK and calls out misuse of religion to create divisionGetty Images
Aamir also addressed questions about his children’s names. Despite being married to Hindu women Reena Dutta and Kiran Rao, his children carry Muslim names like Ira, Junaid, and Azad. “My wives chose the names. There was no pressure from me,” he said, adding with a smile, “Husbands don’t always get their way.”
‘Humanity over headlines’: Aamir gives personal examples to challenge narrative
To further break down the ‘love jihad’ myth, Aamir pointed to his own family. “My sister Nikhat is married to Santosh Hegde, Farhat to Rajeev Dutta, and my daughter Ira to Nupur Shikhare, all Hindu men. Will you call that love jihad too?” he asked.
He urged people to look beyond religion when it comes to relationships, calling love a personal choice that transcends labels. “When two minds connect, it’s above any religion. It’s about humanity,” he said.
Aamir says real love is a human bond not a conspiracy Getty Images
Aamir also addressed criticism for delaying his response to a recent terror attack in Pahalgam. The actor clarified that he isn’t active on social media and said the timing of his statement and the trailer release of Sitaare Zameen Par was purely coincidental.
Sitaare Zameen Par hits cinemas on 20 June.
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5 moments from the Kantara 2 shoot that shocked fans and halted filming
The shoot of Kantara 2 has been anything but smooth. What was meant to be a spiritual sequel to one of Kannada cinema’s biggest hits has instead been plagued by a series of disturbing incidents, including a drowning, a boat capsizing with Rishab Shetty on board, and even environmental fines. While the production team insists filming is on track, the number of on-set mishaps has left fans concerned and questioning the safety standards behind the camera. Here's a timeline of five serious events that disrupted the shoot.
A minibus ferrying around 20 junior artists back from set rolled over near Jadkal, Karnataka. Initial reports pointed to injuries. Hombale Films quickly countered, insisting it wasn’t their official transport and no one was seriously hurt. Filming pushed ahead almost immediately. The conflicting accounts left questions hanging about crew safety during transit.
A lunch break tragedy (7–8 May 2025)
The shoot took its darkest turn during a break at the Kollur Souparnika River location. Junior artist M.F. Kapil, just 24, went for a swim off-duty. Strong currents swept him away. Hours later, his body was recovered. Production halted. While the makers stressed this happened off-set and was a "personal accident," the death of a young crew member cast a long shadow over the production. A police probe followed.
Off-set losses (May–June 2025)
Within weeks, two more deaths struck, though not directly tied to set conditions. Comedian Rakesh Pujare succumbed to a cardiac arrest in May. Then, in June, mimicry artist Kalabhavan Niju collapsed on set with chest pain, dying en route to the hospital. While health-related, each incident highlighted the importance of on-call medical support.
Massive set destruction & environmental fines (Early 2025)
Months before the drownings and boat capsize, the team faced a different kind of blow. A massive, expensive set built for the film was utterly destroyed by fierce, unexpected storms and relentless rain. To compound the problem, the crew later drew flak and fines from forest officials, accused of disrupting habitats and illegally dumping waste during their work.
Boat capsize at Mani Reservoir (16 June 2025)
The most recent jolt came with the boat capsizing incident at the Mani Dam reservoir. While filming a scene, the vessel, overloaded with Shetty and crew, overturned, plunging everyone into the water. Shallow depths prevented fatalities, but equipment was lost, production stopped, and safety protocols came under intense scrutiny. Police are investigating overloading as a likely cause.
Each setback, from overturned vehicles to environmental pushback and sudden fatalities, has tested Kantara 2’s planners and crew. While no further fatalities have occurred since 15 June, production delays and budget increases are almost inevitable. The team now faces the dual task of maintaining its ambitious 2 October 2025 release date while ensuring every member can work without fearing for their safety.