AFTER Mark Carney, who is Canadian, will the next governor of the Bank of England (BoE) also be a foreigner?
Somehow, I don’t think the chancellor of the exchequer, Philip Hammond, who will make the appointment, will take such a risk. And yet, the Financial Times (FT) reckons Raghuram Rajan, the 56-year-old former governor of the Reserve Bank of India who has returned to his previous life as a professor at the Booth Business School at Chicago University, is a serious contender.
So is Baroness Shriti Vadera, who served as a “no-nonsense” treasury minister under Gordon Brown and is currently chairman of Santander UK.
The FT described the job as “the most powerful appointed position in British public life” but it is also something of a poisoned chalice.
Every time Carney warned of the economic consequences of a hard Brexit, he was subjected to virulent abuse by Brextremists. For example, Tory MP Jacob Rees-Mogg called Carney a “second-tier Canadian politician” who “failed” to get a job at home.
Last weekend’s The Big Read slot in the FT said that after having his term extended twice, 54-year-old Carney “will definitely stand down at the end of January 2020”. His replacement will be announced in October this year.
“If the bookies are any guide, Andrew Bailey, chief executive of the Financial Conduct Authority, is the favourite, but his odds are drifting out a little, while Raghuram Rajan, the urbane Chicago economics professor and former governor of the Reserve Bank of India, is running him a close second,” the paper revealed.
This prompted an FT reader, Tim Young, to argue Rajan would be a better bet than Bailey: “The difference in character between Raghuram Rajan and Andrew Bailey is exemplified by their attitude to criticism of US central bank policy during pre-financial-crisis boom. Rajan was famously critical of the US boom, and by implication Federal Reserve policy, in a 2005 Jackson Hole speech, at a time when the boom was popular. Andrew Bailey, by contrast, where such concerns did exist inside the BoE, adhered to the convention that central banks do not criticise each other in public.
“If he wants a safe pair of hands who will try to steer the BoE clear of controversy, the chancellor might prefer Andrew Bailey. If the chancellor wants a more rigorous, questioning figure who might shake up the BoE groupthink, he might prefer Raghuram Rajan, especially if, at the time the decision needs to be made, it looks like the Tories might lose the next general election to Labour, in which case, Rajan’s spell at the Reserve Bank of India suggests that he might resist some of Labour’s more fanciful ideas of what the BoE can be mandated to achieve.”
India’s prime minister Narendra Modi may have done Rajan a favour by forcing him to resign before he could be considered for a second term heading the Reserve Bank of India.
The Guardian, which like the Daily Telegraph, also included Rajan and Vadera among the serious candidates to replace Carney, said Rajan’s stint at the Reserve Bank of India had “added to his reputation as a credible, independent-minded economist”.
Rajan has indicated he is happy where he is. If nothing, the current speculation will be good for his CV. Also, he has got a new book out – The Third Pillar: How Markets and the State Leave the Community Behind.
IT HAS been five years since the biggest anti-racism protests in a generation – but how far did they have a lasting legacy?
The protests across America after the murder of George Floyd spread to Britain too. There was no central organisation, nor a manifesto of demands, as students and sixth formers took to the streets.
This was the time of the Covid pandemic in which two-thirds of NHS staff who had tragically lost their lives were ethnic minorities. But placards declaring “racism is the real pandemic” risked mixing metaphors to deadly effect. So the Covid context reinforced a generational divide.
The UK protests of 2020 were a cross-ethnic movement primarily of black, Asian and white young people – though there were many older armchair supporters. Indeed, a third of ethnic minority Britons felt they had participated, primarily by voicing online support.
The Black British are four per cent of the population, compared to 13 per cent in America – about a quarter of visible minorities in the UK. Most of the larger British Asian group felt supportive of the anti-racism protests too. Cricketer Azeem Rafiq felt it was why his challenge to racism in Yorkshire cricket finally cut through.
The protests mobilised – and polarised. Online arguments were especially heated, but offline conversations could be more thoughtful. Quite a few people were in listening mode that summer.
Britain is not America was the core point for those critical of the protests – yet I found those who took part often quick to acknowledge that. America’s gun problem gave racism in policing a different intensity of urgent threat. But too much focus on transatlantic differences could underpin complacency about real challenges to face up to in Britain too.
Once the statue of Edward Colston was pulled down in Bristol on June 7, history and statues became a central theme. A year later, ahead of Euro 2021, footballers taking the knee became the symbolic focal point.
Boris Johnson’s government commissioned a review of ethnic disparities, but the Sewell report generated a starkly polarised debate with its optimistic counter-narrative about Britain leading the world.
The argument was about language – what it meant to be ‘institutionally racist’ – with the report’s incremental proposals on issues such as curriculum reform, policing data and online hatred barely discussed.
As the pattern of opportunities and outcomes on race in Britain becomes more complex than ever, the politics seems ever more binary. The Tories chose three more leaders – our first Asian prime minister, who preferred that not to be noticed too much; and the party’s first black British leader, a vocal critic of all things ‘woke’.
In opposition, Sir Keir Starmer declared the protests a ‘defining moment’ and issued an awkward photograph of himself taking the knee in his office alongside his deputy leaders.
Efforts to weaponise that image against him fell rather flat.
Labour pledged a new race equality act but tried to say as little as it could about race. The party had an electoral strategy of taking ethnic minorities for granted – a product of its exclusive geographical focus on the people and places who were not already Labour.
Shedding minority votes on both its left and right flank complicated the party’s nascent thinking about whether or how to respond.
In government, the party was reluctant to draw attention to its legislative pledge. It is now consulting on those measures so quietly that very few people have noticed.
Beyond one strong Starmer passage about last summer’s racist riots at the Labour conference, no leading voice in this government has found an appetite or voice to make a substantial argument about race, opportunity or identity in Britain today.
The anti-racism protests galvanised but polarised. It is the identity politics of Donald Trump which set America’s agenda now – ironically taking affirmative action to absurd lengths, but only for deeply unqualified Trump loyalists. Because Britain is not America, most people would reject emulating the Trump effort to repeal any mention of diversity or inclusion here.
But finding forward momentum is more challenging.
Those suspicious of the sincerity of corporate declarations of support for the Black Lives Matter movement felt vindicated by their flipping as the political weather changed.
UK corporations are often seeking to continue work on inclusion while side-stepping polarised political controversies. National charities lag behind the public and private sector.
That patchy response may explain why one institutional legacy of the protests is the effort of high-profile black Britons, such as Lewis Hamilton, Raheem Sterling and Stormzy, to create their own foundations.
Five years on, the legacy can be hard to discern. The core message of the anti-racism protests in Britain was that the progress we have made on race has not met the rising expectations of the next generation.
It will take more confidence among institutions of political, economic and cultural power about how to act as well as talk about race and inclusion – or those rising expectations risk remaining frustratingly unmet.
Sunder Katwala is the director of thinktank British Future and the author of the book How to Be a Patriot: The must-read book on British national identity and immigration.
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Hollywood actor Kumail Nanjiani has returned to his stand-up comedy roots with a major tour of his show Doing This Again. He is set to perform at Union Chapel in London on September 20. Once the tour concludes, the stand-up special will stream on a major platform. The multi-talented star also has several upcoming projects, including roles in the high-profile films Ella McCay, The Wrong Girls and Driver’s Ed.
Kumail Nanjiani
DYNAMIC DRESS
Unlike most Indian celebrities who wear expensive designer gowns on the Cannes red carpet, Simran Balar Jain chose to do things differently. The social media influencer wore a striking outfit featuring a symbolic silhouette of one woman lifting another. Her hand-sculpted gold metal corset, made from recycled materials, conveyed a powerful message of collective empowerment and sisterhood. She also shared engaging behind-the-scenes vlogs from the film festival.
Simran Balar Jain
SOCIAL MEDIA SPOILER
The Sixth Sense (1999), directed by M. Night Shyamalan, was a spectacular success thanks to its unexpected twist ending. If the film were released today, it would not have had the same impact – social media users would have quickly given away the big surprise. Bollywood comedy Housefull 5, like many modern-day murder mystery films, is likely to face a similar problem when it is released next Friday (6).
Within hours, social media users, vloggers and influencers will reveal the identity of the murderer, which will undermine one of the film’s main selling points
Mumtaz
STREAMING SITE STINKER
It is utterly tragic to see how Netflix has become a dumping ground for substandard Indian content. Whether it is acquiring disastrous box office failures or greenlighting dreadful original productions, the clueless streaming platform seems to attract horrid Indian projects. A prime example is the recently premiered series The Royals, which is shockingly poor. The cringeworthy drama, headlined by Bhumi Pednekar and Ishaan Khatter, is best avoided.
Five years from now
BAD BOLLYWOOD IDEA
Instead of using their platform to call for peace, most celebrities in India and Pakistan have either remained silent or acted as cheerleaders for bombings that have claimed lives on both sides of the border. Some C-listers in both countries have even used the ongoing conflict to generate cheap publicity. Perhaps the worst response has come from those already looking to cash in on what is ultimately a human tragedy. Bollywood producers and stars rushed to register the title Operation Sindoor and now plan to profit from a film named after India’s missile strike on Pakistan. If past films are any indication, the conflict will likely be exaggerated on screen, featuring caricatured villains and misinformation – further inflaming tensions rather than promoting understanding.
Janhvi Kapoor
PHALKE FILM BIOPIC
The dream team of actor Aamir Khan and filmmaker Rajkumar Hirani will reunite – after record-breaking hits PK and 3 Idiots – for a biopic on the father of Indian cinema, Dadasaheb Phalke. The film will trace his journey towards making India’s first feature film, Raja Harishchandra, in 1913. Meanwhile, acclaimed director SS Rajamouli is planning a separate film on the same subject, with superstar NTR Jr in the lead role. This follows the 2009 award-winning Marathi film Harishchandrachi Factory, which was India’s official entry for the Academy Awards.
Dadasaheb Phalke
HOLLYWOOD BUBBLE BURST
For Indian celebrities, it often seems that anything made in America is labelled a Hollywood project – even when it has no connection to a major studio. That is why reports of Kangana Ranaut making her “Hollywood debut” with the forthcoming film Blessed Be the Evil are rather absurd. A closer look reveals that it is an independent production, co-written and directed by the relatively inexperienced Anurag Rudra. Ranaut will reportedly star alongside a couple of Z-listers in this psychological horror drama. The only genuinely entertaining aspect of this film might be watching the clueless individuals bankrolling it eventually discover just how notoriously difficult Kangana is to work with. That is why I predict this project will either be shelved or flop badly — if it ever gets completed at all.
Kangana Ranaut
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Diplomacy competes for attention in a crowded news cycle.European Council president Antonio Costa, Britain’s prime minister Keir Starmer and European Commission president Ursula von der Leyen with members of the Royal Navy in central London last Monday (19), during a summit aimed at resetting UK–EU ties
THERE is just too much news. The last month probably saw more than a year’s worth of events in more normal times – a new Pope in Rome, continued war in Ukraine, escalating conflict in Gaza, and the relief of India and Pakistan agreeing a ceasefire after a fortnight of conflict.
Domestic and global events that might once have dominated the news for a week can now come and go within hours. The biggest-ever fall in net migration – 2024’s figure half of 2023’s, according to Office for National Statistics data released last Thursday (22) – did not even get a brief mention on any of last Friday (23) morning’s newspaper front pages. It would have been a very different story if net migration had doubled, not halved, but falling immigration risks becoming something of a secret.
On the same evening as the UK-EU ‘reset’ summit, the UK government issued its strongest criticism of Israel in living memory. A joint statement with Canada and France described conditions in Gaza as ‘intolerable’, the language of Israeli ministers as ‘abhorrent’, and its expanded military operation as ‘egregious’. Germany did not join the trio, yet Chancellor Merz’s explanation that Germany would exercise more restraint in its criticism of Israel than others, for historical reasons – made his own calm but stark warning about breaching international humanitarian law more striking.
Israel had strong diplomatic support after the October 7 Hamas attack, but has never been this isolated. The administration of US president Donald Trump has not joined the public criticism, but is much cooler to Benjamin Netanyahu than in Trump’s first term, with sharp private clashes over diplomacy versus war with Iran.
Trump’s second term has turned the Oval Office into a reality politics show, giving the president the ‘main character’ energy he craves. He is at war with the courts and universities at home, last week seeking to ban all international students from Harvard.
America’s allies must second-guess his impulsive unilateralism on security and trade. The February clash with Ukraine’s president Volodymyr Zelensky sent shockwaves around the world. Trump is now frustrated that conceding so much to Russian president Vladimir Putin achieved nothing – except losing leverage. Repeating the trick last week, ambushing South African president Cyril Ramaphosa with fabricated footage of a racist conspiracy theory about the genocide of white farmers, had a weary familiarity. There was sympathy for Ramaphosa at home and abroad. Trump lacks any evident tariff strategy, simply hiking and suspending rates to maintain surprise. Business expects little stability while the Trump presidential gameshow runs.
Prime minister Sir Keir Starmer has the opposite instincts and personality to Trump, believing in a rules-based world order – both on principle and in Britain’s enlightened self-interest as a middle power. Starmer’s challenge is to show that cooperation can work – for security, trade and boats in the Channel too. Whitehall sees progress in a volatile world in the trade deal with India, mitigating some of Trump’s car tariffs at least, while prioritising the UK-EU reset.
The ‘Brexit betrayal’ headlines had little impact on public opinion, where there is broad pragmatic permission to pursue closer UK-EU ties within current ‘red line’ commitments – ruling out single market membership, at least this parliament, to avoid a return to Brexit trenches.
Despite fierce clashes at Westminster over the value and cost of the Chagos Treaty, that seemed one controversy too many for most people to process.
The Starmer government’s juggling of events saw its biggest domestic Uturn, heeding criticism of its plan to means-test the winter fuel allowance for pensioners.
The irony is that this became the government’s most famous decision because chancellor Rachel Reeves did not just include it in her first budget, but led with it as a symbol of ‘tough choices’ for fiscal responsibility. Backbench pressure to reduce child poverty by scrapping the twochild cap on welfare has been accepted too. These U-turns send the government back to the drawing board after its first year.
This summer and autumn, it must not only revise plans for spending and taxation, but also articulate a public narrative – a strategy that explains what the government’s choices amount to, and why. A comparative strength of populist insurgents is that they offer a simpler story about a complex world than their mainstream rivals.
News fatigue is rising across countries, according to Reuters Institute research conducted over the past decade. Around four in 10 people are avoiding the news – for a variety of reasons. If everything, everywhere, all at once remains the theme of politics and global affairs, the risk is more people will simply switch off.
Sunder Katwala
Sunder Katwala is the director of thinktank British Future and the author of the book How to Be a Patriot: The must-read book on British national identity and immigration.
Actor babil khan recently had a public breakdown on instagram, sharing a concerning video that was later deleted. those close to the 27-year-old son of the late star irrfan khan have since said he is doing fine. however, the incident highlights the urgent need to take mental health more seriously across all areas of society, including among high-profile figures in the film industry. it also serves as a reminder that anyone who is struggling should be encouraged to reach out for help.
Babil Khan
POOR ADVERT
It was recently revealed that, in terms of brand endorsements, Ananya Panday is one of the most visible celebrities on Indian television. The fact that an actress with limited talent and an underwhelming film record has become a go-to face for advertisers reflects the current state of popular culture in India. While she cannot be faulted for making the most of these opportunities, one would hope that those investing in such campaigns could find more compelling representatives to promote their products.
Ananya Panday
FILM FESTIVAL HERO
The annual UK Asian Film Festival delivered a vibrant 27th edition with another action-packed programme celebrating cinema. Founder and festival director Dr Pushpinder Chowdhry deserves particular praise for being the driving force from day one and providing a valuable international platform to filmmakers from around the world.
The great British champion told me the festival’s strong ethos has always inspired the dedicated team to use their platform to challenge norms, build empathy and bring communities together. She explained: “The festival themes have always focused on the universal search for identity, connection, and purpose. The films and events we select include stories of displaced immigrants, quests for love, and negotiations between heritage and modern life.
The festival has received strong support from dedicated individuals, communities, and businesses, who believed in our work, reinforcing the idea that storytelling remains a vital force for unity in a divided world. “In an era marked by fear and division, the festival’s programming emphasised that it is not people we should fear, but the forces that seek to silence or divide us.”
SOCIAL MEDIA SUICIDE
One of the most damaging effects of social media influencers is the way they can create unrealistic expectations for young people, including follower counts. Tragically, this pressure recently contributed to the suicide of content creator Misha Agrawal, just two days before her 25th birthday.
Despite building a solid brand and a strong following on Instagram, the founder of Misha Cosmetics reportedly took her own life after falling short of reaching one million followers. This is heartbreaking when you consider that many public figures have large numbers of fake followers. Her death serves as a stark reminder that much more needs to be done to safeguard the mental health of those consumed by online validation.
If you are struggling, help is available. Samaritans offers free, confidential support 24 hours a day on 116 123 or via email at jo@samaritans.org.
Misha Agrawal
PERMISSION TO RETURN
There is another chance to catch the acclaimed theatre production Permission, which had its UK premiere last year. The multi-layered story, which moves between a Heathrow immigration line and a rooftop in Karachi, will be staged at Tara Theatre in London from May 30 to June 7. Writer Hunia Chawla said the play, starring Rea Malhotra Mukhtyar and Anisa Butt, “will make you think, laugh and cry at the same time.”
Permission
BOLLYWOOD’S BAD EXCUSE
It seems as if those connected to Hindi cinema are shamelessly using the current conflict between India and Pakistan to save face.
The recent Bollywood concert headlined by Salman Khan and Madhuri Dixit was cancelled with the Kashmir terror attack cited as the reason – though it was more likely due to poor ticket sales.
Similarly, the last-minute cancellation of Bhool Chuk Maaf, starring Rajkummar Rao, was blamed on cross-border tensions. In reality, this time-loop comedy had generated little buzz or advance interest and seemed destined to flop. Producers had planned to quietly shift the film to a streaming platform, but cinema owners in India took the matter to court, forcing a theatrical release this week. When the film inevitably fails, it may only confirm what many suspected from the start.
Bhool Chuk Maaf
STORY OF A DREAM TEAM
One of this year’s standout music collaborations is between internationally renowned Norwegian music producer Alan Walker and rapidly rising Indian hip hop star King. Their newly released, genre-defying track Story of A Bird is a powerful dance-pop anthem described as a global creative rallying cry. The fusion of Walker’s signature atmospheric EDM production with King’s raw lyricism resonates strongly with a new generation on the rise. These self-made music stars have bridged cultures and sounds, while celebrating the unstoppable spirit of those who dare to dream.
King and Alan Walker
MAGNIFICENT MARK
The recently released season five of comedy series Man Like Mobeen is packed with hilarious moments from start to finish, thanks to its marvellous characters and strong performances. While co-creator Guz Khan is brilliant in the title role, the standout star is once again Mark Silcox, who shines in his superb supporting role as Uncle Shady. He owns every scene he appears in with his deadpan delivery and is so good that a spin-off series – or even a movie – centred on him would be entirely justified. The full season is now available on BBC iPlayer and is well worth watching.
Mark Silcox and Guz Khan
MESMERISING MANASI MANASI
Manasi Ghosh showed exactly why she recently won Indian Idol 15 with stunning performances during her recent UK concerts.
Touring with fellow finalists Anirudh Suswaram and Sneha Shankar, the wonderfully talented singer swept across the stage like a tornado, delivering a terrific range of tracks. Her performance was perfectly complemented by strong stage presence and a charming personality that instantly endeared her to audiences. It is no surprise that this versatile singer won the long-running music reality show and if this UK tour, organised by Rock On Music, is anything to go by, she has a spectacular future ahead.
HIRAN’S HAMLET HURRAH
Hiran Abeysekera has quietly but powerfully established himself as one of the most compelling stage actors of his generation. From his Olivier Award-winning turn in Life of Pi to his recent haunting portrayal of Nathuram Godse in The Father and the Assassin, Abeysekera has brought an intensity, precision and emotional intelligence that continue to captivate audiences.
This autumn, he takes on the demanding title role in Hamlet at the National Theatre’s Lyttelton stage. Few parts test an actor’s range like Shakespeare’s tortured Dane, and few contemporary performers are as well-equipped to take it on. With his gift for balancing vulnerability and charisma, Abeysekera is likely to deliver a Hamlet that feels both deeply human and viscerally modern. This is unlikely to be just another Shakespeare revival, but a potential milestone for one of British theatre’s brightest talents. As his ascent continues, this role may well cement Abeysekera’s place among the greats.
THE wheels of time have been turning at Eastern Eye’s annual Arts, Culture & Theatre Awards (ACTAs).
Meera Syal arrived a little late, having flown in from Dublin, but her daughter, Milli Bhatia – nominated for best theatre director – was already in the audience. Incidentally, Meera won best theatre actress for A Tupperware of Ashes.
Sarod player Soumik Datta, who won an ACTA in the traditional music category, had come with his parents – Soumilya and cinema expert Sangeeta Datta. He recalled how his father used to play music tapes for him in the car.
Saachi Sen with mother Swati
Saachi Sen, named emerging artist by Darren Henley, chief executive of Arts Council England – and who sang beautifully afterwards – attended with her very supportive mother, Swati. “I am half Bengali and half Gujarati,” confided Saachi.
William Dalrymple must be very proud that his 28-year-old son, Sam Dalrymple, was nominated for best history book for Shattered Lands: Five Partitions and the Making of Modern Asia.
Waris Hussein, who is 86, paid an emotional tribute to his late mother, Attia Hosain, and referred to her novel, Sunlight on a Broken Column. Waris’s advice to the new generation was: “Don’t go into advertising.”
Waris Hussein and Nitin Ganatra
His father, he said, had wanted him to pursue an executive career in advertising after Clifton College and Cambridge: “My father wanted that, and I bless him for it. But it was my mother who said, ‘Let the boy do what he wants.’”
I met Attia many years ago and have a copy of her novel.
Somewhere, I also have a photograph I took of her, flanked by Waris and his sister, the film producer Shama Habibullah (she was a producer on Attenborough’s Gandhi).
Perhaps the pendulum has now swung too far the other way. I can imagine a young boy telling his parents, “Mum, Dad, please sit down. I know this will upset you. But I don’t want to be an actor like Kulvinder Ghir. My heart is set on doing particle physics at Imperial.”