As per the Election Commission, the cumulative turnout in the first four phases of the Lok Sabha elections has been recorded at 66.95 per cent.
By Shajil KumarMay 18, 2024
The fourth phase of the Lok Sabha elections on May 13 saw a voter turnout of 69.16 per cent in 96 constituencies spread over 10 States and union territories. Incidents of violence and Electronic Voting Machines malfunctioning were reported in some States.
As per the Election Commission, the cumulative turnout in the first four phases of the Lok Sabha elections has been recorded at 66.95 per cent.
A total of 1,717 candidates were in the fray in this phase and 17.7 crore electors were eligible to exercise their franchise.
The prominent leaders in the fray included Samajwadi party leader Akhilesh Yadav from Kannauj in Uttar Pradesh, Trinamool Congress parliamentarian Mahua Moitra from Krishnanagar in West Bengal, and Bollywood veteran Shatrughan Sinha from Asansol in West Bengal.
Indore constituency in Madhya Pradesh, which was in the news after Congress candidate Akshay Kanti Bam withdrew from the race at the last minute, also went to polls during this phase. The Congress could not field a replacement and urged voters to opt for NOTA (none of the above) in protest. Meanwhile, Bam joined the BJP.
With this phase, the voting process in 23 States and union territories and 379 seats has been completed. The last three phases in the seven-phase general elections are scheduled to be held on May 20, May 25 and June 1 and counting on June 4.
Here’s a look at the key election developments this week:
High turnout in Srinagar
Kashmiri women voters queue up to cast their ballots at a polling station during the fourth phase of voting in India's general election on May 13, 2024 in Srinagar, Kashmir. (Photo by Yawar Nazir/Getty Images)
Elections were held in the Kashmir Valley for the first time after Jammu and Kashmir lost its statehood in 2019 and the special status granted under the Constitution's Article 370. Polling was held at the Srinagar constituency and Bharatiya Janata Party (BJP) chose not to field a candidate for the first time since 1996. Prime Minister Narendra Modi who is on a marathon election campaign tour across India has so far given Kashmir a miss. The constituency recorded 38 per cent polling, the highest ever since 1996 (40.9 per cent). The other two constituencies in the Kashmir valley, Baramulla and Anantnag will go to polls on May 20 and 25 respectively. Prime Minister Narendra Modi applauded the people and attributed the high turnout to the scrapping of Article 370. However, Kashmir's regional parties - Peoples Democratic Party (PDP) and National Conference (NC) said the higher percentage in Srinagar was people’s expression against the scrapping of this article.
Modi files nomination
India's Prime Minister Narendra Modi (C), surrounded by other party leaders and MPs including Home Minister Amit Shah and Uttar Pradesh Chief Minister Yogi Adityanath, greets supporters after filing nomination papers on May 14, 2024 in Varanasi, India. (Photo by Ritesh Shukla/Getty Images)
Prime Minister Narendra Modi filed his nomination papers from Varanasi Lok Sabha seat on May 14. UP Chief Minister Yogi Adityanath and four mandated proposers accompanied PM Modi. Varanasi will go to polls in the final phase of the General Elections on June 1. Modi is the sitting Member of Parliament (MP) and the Bharatiya Janata Party's (BJP) candidate from Varanasi. He won the seat in the 2014 and 2019 Lok Sabha Polls. Modi will contest against Uttar Pradesh Congress Chief Ajai Rai and Bahujan Samajwadi Party's (BSP) Athar Ali Lari. Six candidates are in the fray and the Election Commission rejected the nominations of 33 candidates, including that of stand-up comedian Shyam Rangeela. His mimicry act of Modi is very popular on social media.
TMC to extend outside support to INDIA
West Bengal chief minister Mamata Banerjee has said the BJP will not get a majority, let alone win 400 seats, in the Lok Sabha elections, and her party Trinamool Congress (TMC) will extend outside support to the opposition INDIA alliance to form the government. Though TMC is a part of the INDIA bloc, it chose to go it alone in Bengal. The Congress and the Left Front have a seat-sharing arrangement in the state under which the Left parties are contesting 30 seats and the Congress in the remaining 12 seats. The TMC chief also slammed the Election Commission for holding general elections spread over two months and accused it of being a puppet of Narendra Modi government.
Jaishankar slams Western media
External affairs minister S Jaishankar (Photo: Getty Images)
External Affairs Minister S Jaishankar slammed the Western media for its ‘negative coverage’ of the Lok Sabha elections 2024. He said that they want to influence India because that’s their habit and that’s something they have been doing for years. At an event in Kolkata, he said, “They would reputationally damage you, somebody will bring out an index and put you down in that. Countries that have to go to court to decide the result of their election are giving us gyan about how to conduct the election. That is the mind game that is happening in the world." Jaishankar also pointed out the preference of Western media for certain classes and ideologies in governance, which contrasts with the choices of the Indian electorate. "Why these newspapers are so negative on India? Because they are seeing an India that is not in a sense compliant with their image of how India should be. They want people, ideology, or a way of life...they want that class of people to rule this country, and they are disturbed when the Indian population feels otherwise," he explained.
Trivia
Google's tribute to Indian election
Google has been running a doodle on its homepage to mark each phase of India's general election. On each polling day, Google replaces its iconic logo on the homepage with an image of an index finger marked with indelible ink – a symbolic gesture of the democratic electoral process in India. The doodle is visible only to its users in India. When it is clicked, it leads users to top stories on the latest updates of elections.
Quote of the week
I believe that the people of my country will vote for me. The day I do Hindu-Muslim, I will be unworthy of public life. And I will not do Hindu-Muslim. It is my resolve.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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