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I might write a book on my Bollywood journey, says Katrina Kaif

She is one of the top stars in the Hindi film industry and now Katrina Kaif is planning to share her journey, which was full of ups and downs, in the form a book.

The actor, who made her Bollywood debut with 2003 film Boom was initially criticised for her acting abilities and dancing skills, but she has come a long way.


When asked how she handled herself in an industry which was alien to her, Katrina said she is saving the answer for now.

"I educated myself (about the industry) but I might write a book (on it), so I won't waste the answer now. I seriously might write a book," she said.

Though the actor has had some of the biggest blockbusters to her credit, most recently being Tiger Zinda Hai, she has also seen low phases in her career, spanning nearly 15 years.

Katrina, however, considers the setbacks as the stepping stones to her success.

"You need to have a balanced attitude to life, need to accept that failures, hardships and hard times -- for me definitely -- they are the biggest teachers. They (failures) are the biggest steps. Once you get there, then you reach higher. You need them. Hardship and failures taught me to evolve and reach the next step," she said.

"I am constantly trying to educate myself by reading about peoples' journeys, taking care of my mind and making sure I am evolving as a person and not just accepting whatever thoughts come to my mind," she added.

Katrina said she never had a plan B for her career as she always dreamt of being a movie star.

"There was no back-up plan. Having a plan B is like accepting failure. I have never had a plan B for anything. You can say that is not the correct way to go (about something) maybe," she said.

Katrina, who became the face of an NGO supporting girls education, said there is disparity in basic education between the privileged and the underprivileged.

"The more we ignore it, the more we are living in denial," she said.

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Relies on body horror, sound design and shock value over spectacle

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How Lee Cronin’s 'The Mummy' turns a classic adventure into a domestic horror

Highlights

  • Moves away from the adventure tone of The Mummy (1999) into possession-led horror
  • Shifts the setting from desert tombs to a family home in Albuquerque
  • Focuses on parental fear and a “returned” child rather than treasure hunting
  • Relies on body horror, sound design and shock value over spectacle
  • Critics call it bold and unsettling, but uneven in storytelling

From desert spectacle to domestic dread

For decades, The Mummy has been tied to adventure, romance and spectacle, most famously in The Mummy (1999). That version thrived on sweeping desert landscapes, archaeological intrigue and a sense of escapism.

Lee Cronin takes a sharply different route. His reworking strips away the sense of adventure and relocates the horror into the home. The story still begins in Egypt, anchored by an ancient sarcophagus, but quickly shifts to the United States, where the real tension unfolds inside a family house.

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