Bollywood star Ayushmann Khurrana is on the path of constant disruption. He is called the poster boy of content cinema in India today and has also been voted as one of the ‘Most Influential People in the World’ by the prestigious TIME Magazine for his remarkable intent to back taboo topics.
No superstar in India has ever played an openly gay man on-screen (Shubh Mangal Zyada Saavdhan), played a bald hero (Bala), played a hero with erectile dysfunction (Shubh Mangal Saavdhan), a sperm donor (Vicky Donor), tackled how every body type should be celebrated (Dum Laga Ke Haisha), among others.
He has now backed a film about the inclusivity of the transgender community in India in Chandigarh Kare Aashiqui. The versatile actor says that progressive films can only be made in an open-minded society, and he is relishing how India is accepting his social entertainers.
Ayushmann says, “Progressive films can only be made in a progressive society and the response that Chandigarh Kare Aashiqui is getting is tantamount to the fact that people want to see more and more disruptive content. I am thankful to people for being open-minded to see films about a gay couple on screen in Shubh Mangal Zyada Saavdhan and about a cis-het man and a trans-woman’s love story in Chandigarh Kare Aashiqui.”
The star adds, “I have always believed that cinema can serve a purpose to better society, and I hope that such films have done their bit to affect change. I have played a small hand in harbouring a sentiment of equality among my countrymen because I have to credit my visionary filmmakers and script-writers for doing the brunt of the work because it is their vision that has triggered the winds of change.”
Ayushmann further says, “When we set out to make Chandigarh Kare Aashiqui, our aim was to start an important conversation on inclusivity and equality in India. It is amazing to see that the film has engaged the nation, is entertaining people, and delivering a powerful message. This shows they are recognising the need for gender parity and inclusivity.”
Ayushmann Khurrana next stars in Anubhav Sinha’s Anek, Anubhuti Kashyap’s Doctor G, and filmmaker Aanand L. Rai’s Action Hero being directed by debutant Anirudh Iyer.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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