Actress Shriyam Bhagnani, who won raves for her character of Tanya Mehta in Nagesh Kukunoor’s critically-acclaimed streaming show City of Dreams, is on cloud nine. The actress has just bagged her first nomination in the Best Supporting Actor (Female) category at the upcoming Filmfare OTT Awards 2021.
Sharing her joy with Eastern Eye, Bhagnani says, “The nomination itself is a huge win for me, especially when I am nominated alongside such fine actors as Sheeba Chaddha ma’am.” Read on...
How does it feel to receive your first Filmfare nomination?
I feel like SRK's character from Om Shanti Om. It feels like I had been yearning for this for a lifetime now. Honestly speaking, the nomination itself is a huge win for me, especially when I am nominated alongside such fine actors as Sheeba Chaddha ma'am.
Your show City of Dreams received good response from critics and audiences alike. Is Season 3 on the cards?
The cliffhanger at the end of season 2 definitely leaves clues for a third season in the making, but that’s one question I cannot answer. You would have to ask the makers of the show.
Does it sometimes become difficult to leave an impact with your performance if you're the supporting actor?
The Indian audience is attuned to watching the protagonists’ journey, which makes it very difficult for an actor with a smaller part to make their mark for sure. But, with the rise of web content and streaming shows, this is slowly getting easier. The time duration of the storytelling is longer on streaming media platforms. Hence, the writers get enough time to flesh out each character.
Apart from the physical transformation which you underwent, what are the other challenges you had to face to prepare for a particular role?
The biggest challenge for an actor is in the job itself, the transformation doesn’t happen physically but mentally as well - to be able to think and behave like the character. For me, the physical transformation was the easy part, to get into the skin of a character, one that’s different from me, is usually always the most difficult journey that I love to tread on.
What is next in store for you?
Well, I am currently reading and testing for parts and should be able to announce my next project soon.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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