Skip to content
Search

Latest Stories

Submit Guest Post

‘I didn’t want to make romcoms with white people’: Mira Nair

Nair is currently serving as Head of the Jury for the South Asia Competition at the Jio MAMI Mumbai Film Festival 2023.

‘I didn’t want to make romcoms with white people’: Mira Nair

Mira Nair, who is globally known for such notable films as Salaam Bombay, The Namesake, and Monsoon Wedding to name a few, is currently serving as Head of the Jury for the South Asia Competition at the Jio MAMI Mumbai Film Festival 2023.

During her masterclass at the festival, Nair said that she did not want to be like everyone else and did not want to make romcoms with white people.


“I deeply understand what it's like to look outside the window in New York City and instead of the Hudson River see my garden in Kampala. Cinema allows you the notion of living between worlds. Always keep your distinctiveness as your calling card. I didn’t want to be a cupcake. I didn’t want to be like everyone else. I didn’t want to make romcoms with white people. I was not interested in being in the A list of Hollywood,” she said.

The filmmaker further added, “Salaam Bombay became a smash hit and they thought they could use my sensibility to say their things and I didn’t want that. I was interested in being a brown person and telling stories that only I could tell and that became Mississippi Masala, the hierarchy of colour.”

Crediting her instinct as her guiding force, she said, ‘Don’t ever hold back with the actors. The instinct for me is very powerful. I do not give up until I get what I want from my actors. I am not Woody Allen to reshoot movies. Always listen to your intuition and don’t subscribe to what the next person asks of you. Try to steer clear of boredom and nobility. Just telling the stories of the downtrodden doesn’t sell tickets. The downtrodden are never down. They have the greatest spirit of all. Whatever moves you make it come alive.”

Stay tuned to this space for more updates!

Add EasternEye As Your Trusted Source
preferred source on google news

More For You

'Akka' review: Keerthy Suresh and Radhika Apte’s battle exposes an uncomfortable truth about power

The sisterhood's descendants have divided Perunuru into three territories: Malemar, Perplady and Herkada

X/ CinemaRareIN

'Akka' review: Keerthy Suresh and Radhika Apte’s battle exposes an uncomfortable truth about power

Highlights

  • Keerthy Suresh and Radhika Apte lead Netflix's five-episode crime drama set in a fictional south Indian region ruled by an 800-year-old sisterhood.
  • The series explores whether women in positions of absolute power can avoid reproducing the oppressive systems traditionally associated with patriarchy.
  • Strong performances, sharp dialogue and stylised storytelling make Akka engaging, although its political ideas are not always fully explored.

What happens when women take control of a world traditionally dominated by men? Does changing the gender of those in power automatically create a fairer society? Netflix's Akka, led by Keerthy Suresh and Radhika Apte, explores these uncomfortable questions through a violent crime saga built around an 800-year-old sisterhood.

Set in the fictional south Indian region of Perunuru, the five-episode series follows a powerful matriarchal community that controls the criminal underworld and the lucrative gold and illicit liquor trades. While its premise offers an interesting reversal of conventional crime dramas, the story gradually reveals that replacing male rulers with women does not necessarily dismantle the systems of oppression they inherit.

Keep ReadingShow less