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Hrithik Roshan nods a no to Black Tiger?

Hrithik Roshan, who is riding high on the huge success of his latest film Super 30 (2019), is yet to confirm his next project. Though he has been offered several scripts in the past few weeks and his name has been linked to several films, there is no official word on his next movie.

The actor was, reportedly, going through four scripts, excluding father Rakesh Roshan’s much-awaited superhero flick Krrish 4. Filmmaker Rajkumar Gupta, whose last directorial India’s Most Wanted (2019) failed to draw audiences to theatres, had also approached Roshan for his next titled Black Tiger. However, the actor has opted out of the project.


Black Tiger is reportedly based on Indian RAW agent Ravindra Kaushik. Junior Roshan has been advised against doing an espionage thriller because there are too many spy stories coming up these days.

“The issue with the film offered by Rajkumar Gupta was not that it was just about a spy. It does not have a great ending, because Ravindra Kaushik did not meet a good end. Hrithik’s friends told him to do stuff that was a lot more commercial in nature, and they needed a lot of songs and dance from their superstar buddy,” a source informs an Indian daily.

Moreover, Salman Khan’s blockbuster film Ek Tha Tiger (2012) was also loosely based on Ravindra Kaushik’s life story. His family had even asked for credits in the film. John Abraham’s film Romeo Akbar Walter (2019), which hit the marquee earlier this year, too revolved around stories similar.

There are reports that Farah Khan has signed Hrithik Roshan in his next film, rumoured to be an official remake of the 1982 film Satte Pe Satta. However, neither the filmmaker nor the actor has confirmed anything.

Meanwhile, the actor is looking forward to the release of Yash Raj Films' action entertainer War with Tiger Shroff and Vaani Kapoor. The much-awaited film is slated to buzz into theatres on 2nd October, 2019.

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How Lee Cronin’s 'The Mummy' turns a classic adventure into a domestic horror

Relies on body horror, sound design and shock value over spectacle

X/ DiscussingFilm

How Lee Cronin’s 'The Mummy' turns a classic adventure into a domestic horror

Highlights

  • Moves away from the adventure tone of The Mummy (1999) into possession-led horror
  • Shifts the setting from desert tombs to a family home in Albuquerque
  • Focuses on parental fear and a “returned” child rather than treasure hunting
  • Relies on body horror, sound design and shock value over spectacle
  • Critics call it bold and unsettling, but uneven in storytelling

From desert spectacle to domestic dread

For decades, The Mummy has been tied to adventure, romance and spectacle, most famously in The Mummy (1999). That version thrived on sweeping desert landscapes, archaeological intrigue and a sense of escapism.

Lee Cronin takes a sharply different route. His reworking strips away the sense of adventure and relocates the horror into the home. The story still begins in Egypt, anchored by an ancient sarcophagus, but quickly shifts to the United States, where the real tension unfolds inside a family house.

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