Cinema is a universal medium that brings people together keeping aside the differences of their social and modern lives, said megastar Amitabh Bachchan said on Thursday (21).
The 77-year-old veteran, who was declared as the recipient of the Dadasaheb Phalke Award in September this year, is being honoured at the ongoing 50th International Film Festival of India (IFFI) with a retrospective.
"I've always felt that cinema is a universal medium, one that is beyond language and beyond all kinds of other factors that keep coming into our social and modern lives.
"When we sit inside a dark cinema hall, we never ask the caste, colour, religion of the person sitting next to us. Yet, we enjoy the same film, the same songs, we laugh at the same jokes and cry at the same emotions," Bachchan said at the inauguration of the retrospective.
The actor added that in this fast disintegrating world, there are only few things, including cinema, which promote the idea of community and peace.
"I hope that we continue to make films that will bring people together and disintegrate this rather odd system of keeping sides due to colour, caste and religion, bringing us all into one community, making us hold hands together to appreciate our creativity and take a step forward and making this world a more peaceful place."
During the film festival, which runs till November 28 in Goa, celebrated films of the star including Sholay, Black, Piku, Deewar and Badla will be screened.
Paa, directed by Bachchan's frequent collaborator R Balki, opened the retrospective.
The cinema icon, who was also the guest of honour at the IFFI opening ceremony on Wednesday, said coming to Goa has always been a beautiful experience for him.
"Coming to Goa has always been like coming home. My very first film was shot here and ever since then we've had many opportunities to work in this wonderful place and receive the hospitality of all the Goanese during various things and shootings."
Bachchan also congratulated IFFI on its 50th edition and for providing the movie enthusiasts an opportunity to watch the world cinema.
"It has been 50 years of my journey in this film industry, it started in 1969, and it is the 50th edition of IFFI and I congratulate IFFI for conducting themselves in such a wonderful manner.
"Each year, we find a growth in the delegates that come here, the choice of films that are brought to the country, giving us an opportunity to see the works and creativity of other parts of the world," he said.
Also present at the event were Goa chief minister Pramod Sawant, Information and Broadcasting Secretary Amit Khare, IFFI festival director Chaitanya Prasad, veteran filmmaker Ramesh Sippy and former president of the Academy of Motion Picture Arts and Sciences (AMPAS) John Bailey, who is heading the International Jury at the festival.
Everyone is saying it: Diane Keaton is gone. They will list her Oscars and her famous films. Honestly, the real Diane Keaton? She was a wild mash-up of quirks and charm; totally stubborn, totally magnetic, just all over the map in the best way. Off camera, she basically wrote the handbook on being unapologetically yourself. No filter, no apologies. And honestly? She could make you laugh until you forgot what was bothering you. Very few people could do that. That is something special.
Diane Keaton never followed the rules and that’s why Hollywood will miss her forever Getty Images
Remembering the parts of her that stuck with us
1. Annie Hall — the role that reshaped comedy
Not just a funny film. Annie Hall changed how women in comedies could be messy, smart, and real. Her Oscar felt like validation for everyone who had ever been both awkward and brilliant in the same breath.
2. The nudity clause she would not touch
Even as an unknown in the Broadway cast of Hair, she had a line. They offered extra cash to do the famous nude scene. She turned it down. Principle over pay, right from the start.
3. The Christmas single nobody saw coming
3.At 78, she released a song. First Christmas. Not for a movie. Not a joke. Just a sudden, late-life urge to put a song out into the world.
4. The wardrobe — menswear that became signature
Keaton made ties and waistcoats a kind of armour. She was photographed in hats and wide trousers for decades. Style was not a costume for her; it was character. People still imitate that look, and that is saying something.
5. Comedy with bite — First Wives Club and more
She could be gentle one moment and sharp the next. In The First Wives Club, she carried the ensemble effortlessly, landing jokes while letting you feel the heartbreak beneath. Friends who worked with her spoke about her warmth and how raw she stayed about life.
6. A filmmaker and photographer, not just an actor
She directed, she photographed doors and empty shops, she wrote. She loved the weird corners of life. That curiosity kept her working and kept her interesting.
7. Motherhood, chosen late and chosen fiercely
She adopted Dexter and Duke and spoke about motherhood being humbling. She was not pressured by conventional timelines. She made her own map.
8. The last practical act
Months before she died, she listed her Los Angeles home. A quiet, practical move. No drama. It feels now like a final piece of business, a woman tidying her own affairs with clear-eyed calm.
9. The sudden end — close circle, private last months
Friends say her health declined suddenly and privately in recent months. She kept a small circle towards the end and was funny right up until the end, a friend told reporters.
10. Tributes that say it plain — “trail of fairy dust”
Stars poured out words: Goldie Hawn, Bette Midler, Ben Stiller, Jane Fonda, all struck by how singular she was. They kept mentioning the same thing: original, kind, funny, utterly herself.
Diane Keaton’s legacy in film comedy and fashion left a mark no one else could touchGetty Images
So, that is the list.
We will watch her films again, of course. We will notice the hats, laugh at the delivery, and be surprised by the sudden stab of feeling in a small, silent scene. But more than that, there is a tiny, stubborn thing she did: she made permission. Permission to be odd, to age, to keep making mistakes and still stand centre screen. That is the part of her that outlives the headlines. That is the stuff that does not fade when the credits roll.
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