Academy Award-winning composer AR Rahman has unveiled the first look and teaser of his latest venture, a feature documentary titled Headhunting to Beatboxing. The unveiling took place at the Bharat Pavilion at the 77th Cannes Film Festival.
Headhunting to Beatboxing, directed by Rohit Gupta and produced by AR Rahman, delves into the intriguing journey of rhythm and sound, charting music's growth throughout countries, tribes, and generations.
While talking about the feature documentary, Rahman said, “Music has this transformative power to change society and to connect and bring relevance to existence. Headhunting to Beatboxing is a celebration of this universal rhythm that unites humanity in its diverse expressions. We look forward to the start of its film festival journey and what better than Cannes which celebrates cinema to make the first announcement on the film" said AR Rahman, expressing his enthusiasm.
From the ancient traditions of headhunting tribes to the musical renaissance in the state, the documentary promises to take audiences on an immersive and enlightening musical anthropological odyssey.
Present at the launch at the Bharat Pavilion in Cannes were Academy Award winner and Padma Bhushan recipient AR Rahman, director Rohit Gupta, Executive Producer Abu Metha (Advisor to the Chief Minister, Government of Nagaland), and Executive Producer Theja Meru (Chairman TaFMA, Government of Nagaland) in addition to the other guests and dignitaries present.
Abu Metha, Advisor to the Chief Minister, Government of Nagaland, shared, "The germ of the idea came up when AR Rahman visited Nagaland to be part of the legendary Hornbill Festival. We knew we had to be part of it. The film is a collaboration of many creative minds, especially the TaFMA, and masterfully captured by director Rohit Gupta. The real heroes are the musicians of Nagaland, who tell stories that go back to times immemorial and their music exemplifies the ambition of our youth."
"5 years in the making, the journey of this film has been a sort of metamorphosis for me. The rich and vibrant music today, transcending the scars of the past is something that truly blew me away during the making. I am excited to see audiences witness our hard work and the magic that exists in the music of Nagaland" added director Rohit Gupta.
The film marks Rahman's second major foray into the realm of filmmaking as a producer, with his earlier production being 99 Songs. Its executive producers include Abu Metha, Adam J. Greig, Theja Meru, Rohit Gupta, Sheila Houlahan, and Rohhit Daas.
Stills from Andaz Apna Apna
Stills from Andaz Apna Apna
Vinay Kumar Sinha
Rahul’s casual dismissal of that controversy has added fuel to the fire
Rahul Bhatt sparks controversy over 'insensitive' remarks about sisters Alia and Pooja Bhatt
Rahul Bhatt, fitness trainer and son of veteran filmmaker Mahesh Bhatt, has found himself at the centre of a social media storm following controversial remarks about his half-sister, Alia Bhatt. In a recent interview, Rahul drew comparisons between Alia and their older sister Pooja Bhatt, calling the latter more talented, attractive, and principled.
The comments, which many have labelled inappropriate and insensitive, have sparked widespread criticism online. During the interview, Rahul stated, “In my opinion, she (Alia) is not even half of what my real sister Pooja is. Not in talent, not in looks, not in terms of being sexy. In front of my sister, she is ‘paani kam chai’ (watery tea). Amongst the siblings, the most talented and the most moralistic is Pooja.”
Social media users reacted strongly, questioning why Rahul would compare his sisters in such personal terms. Several users were particularly disturbed by his reference to their appearance and sex appeal, pointing out that such comparisons within a family cross boundaries of propriety. One comment read, “This is disturbing. Why talk about your sisters like that? It’s not just weird, it’s wrong.” Another post said, “There’s nothing respectful about comparing your siblings’ attractiveness in public.”
The backlash also reignited conversation around a decades-old controversy involving Mahesh Bhatt and Pooja Bhatt. Rahul was asked about the infamous 1990s magazine cover where the father-daughter duo shared a kiss, which had stirred public outrage at the time. Dismissing the criticism, Rahul said, “It doesn’t make any difference. It’s like water off a duck’s back. We know the truth, and we’ve seen everything since childhood.”
Rahul’s casual dismissal of that controversy has added fuel to the fire, with critics saying it reflects a broader issue of the Bhatt family being insensitive to public perception and boundaries. Many users questioned the need for bringing up old incidents in a bid to defend new and equally questionable statements.
As of now, neither Alia Bhatt nor Pooja Bhatt has issued any public response to Rahul’s remarks. Both actors, known for their significant contributions to Indian cinema, have typically kept family matters private despite living in the public eye.
This episode has also sparked debate over the role of public figures in maintaining respect when discussing family matters in the media. Observers say such comments, especially when involving women’s appearance and personal qualities, reinforce problematic attitudes and fuel unnecessary controversies.
While Rahul Bhatt is not as prominent in the entertainment industry as his father or sisters, his comments have made headlines and placed the Bhatt family in the spotlight for reasons beyond their creative work. For many, this serves as a reminder that public platforms come with responsibility, and that family ties should not be trivialised or dissected for attention or comparison.
The backlash is unlikely to subside soon, especially as fans and followers of Alia and Pooja continue to express disappointment over the way the situation has unfolded. Whether or not Rahul chooses to clarify or apologise remains to be seen.