From Looop Lapeta to Spider-Man: No Way Home: Sony Pictures Films India to release over 17 Indian and Hollywood titles over the next one year | EasternEye
Sony Pictures Films India has announced its plans to release around 17 Bollywood and Hollywood films over the next one year. Some of the titles the studio is set to bring to theatres in the next few months include Bollywood and Hollywood biggies like the Taapsee Pannu starrer Looop Lapeta, Spider-Man: No Way Home and Venom 2- Let There Be Carnage, the studio announced on Monday.
The studio also said that it will launch four new directors this year. They will release Balwinder Singh Janjua's directorial debut, Tera Kya Hoga Lovely, starring Ileana D’Cruz and Randeep Hooda, Looop Lapeta by ad filmmaker Aakash Bhatia, starring Taapsee Pannu and Tahir Raj Bhasin, underwater thriller Dive, directed by Nitin Parmar, Saale Aashiq, a film on honour killings to be directed by Siddharth -Garima.
Other films include Nikamma, starring Abhimanyu, Shirley Setia, and Shilpa Shetty, family entertainer Aankh Micholi, and Major, a film based on the life of Major Sandeep Unnikrishnan who was martyred during the 26/11 attacks.
Meanwhile, Sony Pictures Films India will also release Hollywood flicks like Spider-Man: No Way Home on 17 December, Venom 2- Let There Be Carnage on 15 October, Escape Room 2: Tournament of Champions, Ghostbusters – Afterlife, Uncharted, Morbius, Resident Evil: Welcome to Raccoon City, The Man From Toronto and Bullet Train, in the coming months. The studio released horror-thriller Don’t Breathe 2 in cinemas last week.
“There has been a huge disruption in the feature film landscape (over the past few months) and a serious shift in creative thinking has taken place for filmmakers to see what will work from a theatrical and OTT point of view," Vivek Krishnani, managing director, Sony Pictures Films India said.
People will come to theatres if they get things that cannot be replicated on the small screen, Krishnani said, such as great visual appeal, action or horror.
“We have to create larger-than-life narratives because if people have to make the effort to go to theatres and pay for F&B, they must be given creatively rewarding content," Krishnani said adding that theatre-going will continue to remain one of the big outings for families in India, other than eating out.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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