SONI RAZDAN DISCUSSES HER NEW FILM, THEATRE AND LATEST STAGE ROLE
by ASJAD NAZIR
THE theatre play everyone has been talking about in recent weeks is When The Crows Visit and at the heart of it is acclaimed actress Soni Razdan.
She has been delighting audiences with another powerful performance in the family drama that has received wide critical acclaim and once again shown off her impressive versatility with a challenging role.
The play continues a close UK connection for the actress, who was born in England, raised in India and studied her craft at the Guildhall School Of Music And Drama.
Soni has done a lot of work in England and was clearly delighted to be on the London stage when Eastern Eye caught up with her to discuss acting, When The Crows Visit, her film No Fathers In Kashmir, superstar daughter Alia Bhatt and more.
You are very versatile, but how does theatre compare to the other acting mediums?
Each medium has its advantages and brings its own excitement to one’s life. It is so wonderful to be on stage because you are doing the performance every night in front of a live audience and need discipline. There are a lot of things I enjoy about filming as well, so can’t say which I prefer. I like to do everything and that keeps me on my toes.
You must be thrilled with the reviews that When The Crows Visit has got?
It is always lovely to get a good review, but it means a lot to me to get the audience’s appreciation directly, which you get on stage. Also, when you leave the theatre at night, someone may be waiting to greet you and tell you they enjoyed the show. Then you see it online. All these things add up.
Your character in When The Crows Visit is emotionally demanding…
The whole play is demanding on all of us. When I first got the script, I didn’t even know she is in a wheelchair and thought she is just in bed for the whole show, and that I will have a lovely time. But even when you are in bed or a wheelchair, the amount of energy you expend is the same as running around on stage. I’m really enjoying the part because it is beautifully written. It is giving me a lot of opportunities to play around and do different things. I haven’t actually done a role like this ever or played someone in this age group. She is so amazing.
Do you feel a change in your performance during the run of a theatre play like this?
It seems to change and that is the whole beauty of theatre. One of the things I love about theatre is that every time you do a show it is slightly different and you find something new. That is the magic of it for an actor.
Is there any one moment in the play that is your favourite?
I love the first scene because there are lots of funny bits in that. It’s just whacko and she is just having fun, taking the mickey out of her nurse and just enjoying herself. I loved that. It was fun to do.
What is the secret of a good performance on stage?
Being truthful to your character.
What makes for good theatre?
Theatre is so vast that it could be anything really, so I don’t know if there is any one thing that makes for good theatre, but obviously, the first thing that is required is a good script. Without that, I don’t think you can do much.
What’s your dream role?
I don’t think there is any such thing as a dream role. Honestly, not at this age.
How much does it help having good actors opposite you?
I think it just elevates whatever you are trying to do. When you have a good actor opposite you, you will always be better... because acting is not acting, it is reacting. So if you react to a bad performance, it will show in your performance.
You must be happy No Fathers In Kashmir is finally getting a UK release in January 2020. What was the experience of working on that film like?
That was a hard film to shoot because we were stuck in the back of beyond somewhere outside Kashmir where we didn’t have many facilities, heating or a hotel; it was not a comfortable shoot. But the whole experience, including seeing it through to release was great. When you believe in something and think it is good, it makes the whole journey worthwhile. It was lovely working with (director) Ashvin Kumar. I loved the script and think it’s a wonderful film.
Would you agree it is also an important film?
It is! What was astounding to us was when it ran in India and there were full houses at 9.30am in Bangalore because sometimes we didn’t get evening shows, but people wanted to see the film, so they came to watch it. Many were crying and thanked us for making this movie because there is so much misconception about Kashmir and what the issues there are. It was enlightening for many people and that was the idea.
You must be proud of your superstar daughter Alia Bhatt’s achievements. Does she come to you for advice?
Not really. She is pretty sorted in the advice department now, but of course, when she was younger it was different. She has always been pretty sorted because she has a great management team. My husband and I play a peripheral role in that sense. Possibly, my husband (Mahesh Bhatt) plays a bigger role. He is very good at giving emotional guidance.
What inspires you today?
A lot of things inspire me. Looking forward to working with interesting people is something that really inspires me. Looking forward to something good happening in terms of work is inspiring because there is a lot of good work happening. Today in India, actors of my age are getting good work after a long time, so now opportunities have come our way and they are very inspirational.
Why do you love being an actor?
I have no idea. I have always loved it. Every time I do something I find a challenge within it and that is what is exciting. It keeps me alive and going.
No Fathers In Kashmir releases in UK cinemas in January 2020.
When The Crows Visit is on at Kiln Theatre in London until November 30.
Ed Sheeran’s latest single, Sapphire, is out now, and it marks a new chapter in his musical journey. With the Indian rhythms, rich storytelling, and unexpected star power, Sapphire is a big cross-cultural leap for the British singer-songwriter.
A musical journey through India with Arijit and SRK in the spotlight
Bringing together the soulful voice of Arijit Singh, choreography by Bollywood icon Farah Khan, and a surprise appearance by Shah Rukh Khan, the song celebrates global connection. Recorded during Sheeran’s visit to India earlier this year, Sapphire captures the spirit of collaboration and joy. From a sitar-laced melody to Arijit's vocals, the track has the feel of a summer anthem rooted in shared sounds and stories.
Shah Rukh Khan makes a special appearance in the Sapphire music video
The music video, directed by Liam Pethick, traces Sheeran’s journey across India, starting on a rooftop at sunrise and winding through beaches, bustling markets, and backlot film sets. There is even a stop at A.R. Rahman’s music school, where he jams with young musicians. One standout moment was a studio session with Arijit and a bike ride around his hometown.
In his own words, Ed says, " Sapphire was the first track that really gave me direction for the album. I finished it in Goa with some amazing Indian musicians. Getting Arijit on board was the missing puzzle piece. We even recorded a Punjabi version that drops soon; it’s one of my favourites on the record."
Ed Sheeran and Arijit Singh in India
New album Play coming this September and live shows sell out instantly
Sapphire is part of Sheeran’s upcoming album Play, releasing on 12 September 2025. After closing the Mathematics era, this album sees him experimenting with sounds from India and Iran.
In other exciting news, Sheeran’s homecoming gigs in Ipswich, his first UK headline shows since 2023, sold out immediately. Taking place at Portman Road Stadium in July, the three-night run will feature guests like Tori Kelly, James Blunt, and Busted. A portion of ticket sales will go to The Live Trust, a new fund aimed at supporting grassroots music professionals.
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Badshah reacts to backlash over controversial Dua Lipa comment
Rapper Badshah found himself in hot water after a social media post about global pop sensation Dua Lipa. What started as a simple tweet, her name with a heart emoji, quickly spiralled into chaos when a fan asked if they were collaborating. Badshah's response? "I'd rather make babies with her bro."
Badshah's viral response to the comment under his tweet Twitter Screengrab
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Honey Singh joins the fray with a sarcastic jab
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Kashyap takes aim at Netflix’s shift to mass-market content
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Kapoor, without naming Kashyap, responded via Instagram by accusing unnamed artists of being classist. She defended soap operas, claiming they gave a voice to Indian women and were even studied by international researchers. Her post ended with a call for inclusivity and “graciousness.”
Ekta Kapoor's story Instagram screengrab/ektakapoor
A clash of content ideologies in India’s OTT landscape
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Ted Sarandos talks about Sacred Games for Netflix IndiaGetty Images
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A long-rumoured connection comes into focus
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Fans react as Billie and Nat’s long-rumoured romance takes centre stageGetty Images
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Keeping it private until now
Eilish has openly said she regrets how much she’s shared about her personal life in the past. In an interview, she stated she wanted to keep her dating life and sexuality out of the spotlight going forward.
A kiss in Italy sparks fresh buzz around Billie Eilish’s love lifeGetty Images
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The cast of Maybe Happy Ending celebrates their big night at the Tony Awards
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From Seoul to Broadway: A story born in two languages
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Darren Criss, known to many as a Glee star, played Oliver and took home his first Tony for the role. His co-star Helen J Shen portrayed Claire, the other robot. Together, they brought the emotional weight to a futuristic love story that’s more human than it sounds.
While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.
A cultural shift, decades in the making
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The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.
As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.