Kritika Sharma had her first tryst with television when she was barely 10-year-old. She had landed in Mumbai to participate in the popular dance competition show Boogie Woogie, but destiny had some different plans in store for her.
Soon, she started receiving offers for television shows, which she readily accepted and went on to do minor roles in such shows as K. Street Pali Hill and Vicky Aur Vettal. Sharma first caught audiences’ attention as Radha in Colors’ successful mythological drama Jai Shree Krishna. Since then, she has dazzled with her acting prowess in myriad roles.
Recently, Eastern Eye chatted with Kritika Sharma and tried to know more about her, her thriving career in showbiz, the actress she idolises, and what has been the proudest achievement of her career. Sharma also reveals the one thing that she would like to change about how the entertainment industry works. Keep reading…
When did you know you wanted to be an actress?
I always wanted to be a dancer. As a result, my mother made me join dance classes when I was a kid. I then came down to Mumbai for participating in Boogie Woogie on Sony Entertainment Television. After that, I gave acting a shot and that is how I became an actress.
How did your life change after you become one?
Everything felt new when I started out. The glittery life with fame was entirely different for my family as we did not have any background in the entertainment industry. It was difficult in the beginning to adjust to the norms of this profession but, at the same time, it was good on financial levels. Words are falling short to describe how I felt about becoming an actress, to be honest.
You started pretty young with acting. What is it about your profession that appeals to you so much?
I remember that I started acting when I was in 4th standard. One thing about this profession that appeals to me is the love people shower on you. The feeling that people value you for who you are and wish to know you as an individual is beautiful beyond words. It motivates me.
Looking back at your career so far, what is your proudest achievement?
My proudest achievement would be portraying the lead in my first show Jai Shree Krishna on Colors TV. I had auditioned a lot for it and remember being rejected as well. One night, at 3:00 am, I got finalised for this role and that was when the magic started.
What would be your dream role and why?
I do not have a dream role set in mind. As an artist, I wish to portray a character that is remembered and is iconic for the essence it holds. I work on this goal to portray a character that shall stay in hearts even when I die.
Who do you idolise?
Sakshi Tanwar is someone I idolise. I like how wonderfully she has nailed any role she has picked with smooth naturality and fluidity in her performance.
What are your biggest passions away from work?
My biggest passion away from work is dancing. On discovering the vast content creation YouTube offers, I have created a channel of my own with my sister and I am working on it for a year.
If you could master something new, what would it be and why?
I would love to sing or learn to play either a guitar or a piano. I look forward to mastering them.
Are you open to OTT platforms?
Yes, I am very much open to OTT platforms for it is the trend of the distant future. The digital medium is fast-paced and also the platforms have a dedicated reach. Additionally, it is wonderfully accessible to the audiences at any given point of time.
Do you feel it is extremely challenging for outsiders to gain footing in show business?
I guess there are many people in the industry who have made their mark despite being outsiders. I think it won’t be fair to generalise the story and fate of artists whether they are insiders or outsiders for everyone has their own journey. I believe playing a character is a skill but having that character strike chords with viewers is the main challenge irrespective of one being an insider or outsider.
Over all these years that you have been working in the industry, did you ever find yourself in any situation which left a bad taste in your mouth?
I consider myself lucky to have no such experience. Though there was this one time that I was selected for a role and had signed the contract for the same but was replaced at the end moment. It was unprofessional, but I learned something out of it.
What do you enjoy watching as an audience member and have you binge-watched anything during the lockdown?
I love watching romcoms, thrillers, sweet fairy-tale love stories, and documentaries. I have binge-watched all the new releases from the genres above. Just recently I enjoyed Mismatched on Netflix. I loved the storyline and characters in it. I feel the female protagonist nailed her spot in the industry.
Has any of your forthcoming projects suffered a setback due to Covid-19?
Like the entire world, I too was not spared from the setbacks of Covid-19. There were a few projects that were in pipeline and are now delayed. I look forward to the restarting of these projects.
What has been your learning from this pandemic?
I have learned to appreciate what I have or had in the past. When things were normal, I used to crib about spending less time with family due to a worked-up schedule but the pandemic gave me a chance to explore new things. I appreciated the time it gave me and taught me to make my own way when all doors are closed.
One thing that you would like to change about how the entertainment industry functions?
I think people should be kind and less selfish. One should be comprehensive of the other person’s professional commitments and skills to give talent its worth. A sense of courtesy and brief conversations could curb grudges to a great level. It would then make the industry a beautiful place.
Do you regret missing out on any project?
Yes, there are many projects where I have reached the final stage of selection and then I have been dropped out. If they would have worked out, things would have been different but I am happy about the space I am in. The last moment rejections felt heart-breaking but gradually made me stronger and taught me not to get serious about them.
Have you ever been replaced after signing a project?
Yes, I have been replaced many times and it now seems to be normal for many artists face it. Unless you are shooting and the show gets telecasted there is no clear picture. It is a bitter, hard truth that the probability of replacement is always there and one has to grow at ease with it.
What’s next in store for you?
My next project is something I am waiting for as an artist on television and if it works out, I shall let everyone know. Also, content creation for my YouTube channel is something I will put my efforts into.
There’s no question who ruled the night at the 2025 BET Awards. Kendrick Lamar walked away with five trophies, including Album of the Year for GNX and Video of the Year for Not Like Us. The ceremony, held at the Peacock Theatre in Los Angeles, paid tribute to Black excellence in music, acting, and sports, and Kendrick made sure his voice and message were front and centre.
Kendrick Lamar accepts Best Album for GNX at the BET Awards in Los AngelesGetty Images
Lamar, Doechii, and a moment that mattered
The GNX rapper also won Best Male Hip-Hop Artist and shared the Video Director of the Year award with Dave Free. Accepting his award, Lamar reflected on his long-standing relationship with BET, saying, “They’ve always kept the culture at the core and put me in the middle of it.”
— (@)
Rising rapper Doechii also made headlines, not just for winning Best Female Hip-Hop Artist but for calling out former US President Donald Trump. In a fiery speech, she criticised the use of military force to break up protests in LA following ICE raids in Latino communities. “Every time we stand up for our rights, the military is sent in. What kind of leadership is that?” she asked the crowd.
A night of icons and throwbacks
The night wasn’t just about current stars. The BET Ultimate Icon Award honoured Mariah Carey, Snoop Dogg, Jamie Foxx, and gospel star Kirk Franklin for their decades of influence in music, entertainment, and community action. Stevie Wonder presented Foxx’s award as he opened up about his recovery from a 2023 stroke. “When I saw the ‘In Memoriam’ segment, I thought that could’ve been me,” he said.
Mariah Carey celebrates her Ultimate Icon Award with a rare live performanceGetty Images
Mariah Carey, presented her award by Busta Rhymes, lit up the stage with a brief but heartfelt speech. “If you're going to win one of these, it might as well be the Ultimate Icon,” she joked, hinting at the ups and downs of her legendary career.
With Lamar and SZA heading back on tour and voices like Doechii’s rising louder, the 2025 BET Awards proved it is a stage for change.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.
Harris Dickinson debuts as Rhode’s first male model in new Glazing Mist campaign
Rhode, Hailey Bieber’s rapidly growing skincare label, has chosen Babygirl actor Harris Dickinson as the face of its new product, the Glazing Mist. Known for his understated performances and growing fashion presence, Dickinson is the first male model to front a campaign for the brand. The new mist, priced at £24 (₹2,520), goes live on 24 June exclusively at rhodeskin.com.
A surprising choice that feels just right
The campaign, shot in stark black-and-white, features close-up visuals of Dickinson misting his face with the Glazing Mist, designed to refresh skin and deliver a natural glow. With ingredients like ectoin, ceramides, and magnolia extract, the formula offers both hydration and barrier support. It has also earned a stamp of approval from the National Eczema Association.
Hailey Bieber explained her choice simply: she watched Babygirl, loved Dickinson’s performance, and sensed he could bring the kind of quiet edge she wanted. “I didn’t want it to feel too ‘on-the-nose’ with the film,” she said. “It had to be chic and sporty.” The internet, however, couldn’t resist the connection to Dickinson’s now-infamous milk scene in the film, and fans were quick to point out how the dewy mist echoed that very vibe.
Rhode expands, without changing its DNA
Since its 2022 launch, Rhode has stood out for sleek, limited product drops and a focused digital presence. Its recent £790 million (₹82,950 crore) acquisition by e.l.f. Beauty has only amplified interest in where the brand goes next. While introducing a male face might suggest a shift, Bieber was clear: this isn’t about launching a men’s line but widening the brand’s appeal. “I want everyone to see themselves in Rhode,” she said.
Dickinson’s inclusion reflects a subtle repositioning. Best known for roles in Beach Rats, Triangle of Sadness, and now Babygirl, he has also been a regular in fashion, working with Dior and Loewe.
With this campaign, Rhode continues to evolve clearly, without losing the minimalist identity that made it stand out in the first place.
Keep ReadingShow less
HBO’s Harry Potter reboot slammed for casting Italian actress as Indian character Parvati Patil
HBO’s upcoming Harry Potter reboot is already under fire, this time for casting Italian actress Alessia Leoni as Parvati Patil, a character rooted in Indian culture. The announcement has triggered widespread backlash from fans who accuse the makers of side-lining authentic South Asian representation in favour of what many see as surface-level diversity.
Parvati, originally portrayed by Shefali Chowdhury in the films, is one of the few explicitly Indian characters in the Harry Potter universe. The decision to cast someone with no clear Indian heritage has led to heated discussions across platforms like Reddit and X, with fans calling out what they perceive as performative inclusivity.
Fans question why Indian talent was overlooked again
Many online comments have shared similar frustrations: that casting a brown-skinned actor is not the same as casting someone of Indian origin. “They just picked someone who looks brown and called it a day,” one Redditor commented. Another added, “Parvati is not just a name, it’s a direct reference to Hindu culture. It deserved more thought.”
This is not the first controversy to hit the reboot. Earlier announcements like casting Paapa Essiedu as Snape and Arabella Stanton as Hermione also drew criticism from those who felt the series was playing fast and loose with established character identities. Supporters of accurate representation argue that while the intent may be diversity, the execution often feels tokenistic.
— (@)
Adding fuel to the fire is the casting history of the original films, where British-Bangladeshi actors Shefali Chowdhury and Afshan Azad played the Patil twins after being discovered through grassroots-level auditions. That sense of grounded authenticity, fans argue, is missing in the current reboot.
HBO's broader casting choices also under scrutiny
Alongside Leoni, HBO announced several other cast members: Katherine Parkinson as Molly Weasley, Lox Pratt as Draco Malfoy, Johnny Flynn as Lucius Malfoy, Leo Earley as Seamus Finnigan, Sienna Moosah as Lavender Brown, Bel Powley and Daniel Rigby as the Dursleys, and Bertie Carvel as Cornelius Fudge.
— (@)
The series, hoped to be a faithful adaptation of J.K. Rowling’s books, is scheduled to premiere in 2026. But with these early casting calls, many longtime fans feel HBO is missing the mark on cultural nuance—and all this before a single spell has been cast on screen.
The tense deliberations in Harvey Weinstein’s New York sex crimes retrial have descended into open conflict. Jurors are reportedly attacking each other, pressuring hold-outs, and improperly considering the disgraced movie mogul’s notorious past, information explicitly banned from their discussions. This internal strife forced the jury foreperson to urgently alert the judge on Monday morning about a “situation which isn’t very good”, casting serious doubt on their ability to reach a fair verdict.
Infighting and forbidden arguments taint deliberations
According to a court transcript, the foreperson painted a grim picture for Judge Curtis Farber. Jurors are “not on the same page”, with some actively “attacking” others in a bid to change minds. Crucially, they are “pushing people” by bringing up Weinstein’s public history, details not presented as evidence during this specific trial.
As per reports, Jurors are in a heated debate during Weinstein retrial deliberationsGetty Images
This is similar to the earlier “playground stuff” reported last week, where one young juror felt unfairly “shunned” and questioned the fairness of the process, though the judge kept him on the panel. The jury itself signalled deep divisions, requesting a reread of “reasonable doubt” rules and guidance on “avoiding a hung jury”.
Mistrial denied, but jury reminded “Stick to the evidence”
Weinstein’s lawyers, citing a “tainted” and “runaway jury”, immediately seized on the turmoil to demand a mistrial. Defence attorney Arthur Aidala argued jurors were “ganging up” and considering “things that were not brought into this trial”. Prosecutors countered that some past context was legally permissible. Judge Farber denied the mistrial but took swift action. He hauled the entire jury back in, sternly instructing them that deliberations must focus only on evidence presented during the retrial concerning the three specific charges, including rape and criminal sex acts involving three women. He reiterated they must disregard anything else they knew about Weinstein.
Weinstein jury divided by heated disputes over forbidden pastGetty Images
The jury ended Monday claiming they were “making progress”, even asking for coffee to fuel further talks and requesting to revisit some testimony. However, the damage from the infighting and forbidden discussions lingers.
Weinstein, 73, already serving a long sentence for a separate California rape conviction, awaits this jury’s verdict on charges stemming from allegations by a former production assistant, an aspiring actress, and a model. This retrial, ordered after his landmark 2020 New York conviction was overturned, remains a critical, though now deeply troubled, chapter in the #MeToo saga he set to fire.
Keep ReadingShow less
Charli XCX celebrates a year of Brat’s cultural takeover
It’s been a full year since Charli XCX dropped Brat, and the album’s neon-green grip on pop culture has not loosened. Forget fading summer anthems; Brat feels permanently wired into the now. How did an artist long celebrated for being ahead of the curve finally make the whole world tune in? Well, she did it entirely her own way.
Charli was no newcomer. She smashed charts a decade ago with “Fancy” and penned hits for others. Yet mainstream stardom on her own terms felt elusive until Brat. The rollout was masterful, starting with the divisive “Von Dutch”, then the It Girl-packed “360” video featuring faces like Julia Fox and Chloë Sevigny, who soon became unavoidable.
Charli XCX arrives for the 2025 Met GalaGetty Images
Crucially, she nurtured her core fans (“Angels”) with intimate pop-up shows, birthing the iconic Brat Wall, where teasers about collaborations and the deluxe album kept excitement boiling. When Brat landed, hitting No. 3 in the US and No. 2 in the UK, it was a moment of absolute cultural takeover.
Beyond the music: building a movement
Brat’s fire spread far beyond the songs. A simple tweet : “Kamala IS brat”, saw the US Vice President’s campaign adopt the album’s aesthetic overnight, sparking global chatter. Charli directly addressed fan speculation, confirming “Girl, So Confusing” was about Lorde, then brilliantly working it out with her on a remix weeks later. She refused to let the moment die, dropping a full remix album (Brat and It’s the Same but There’s Three More Songs so It’s Not), featuring everyone from Billie Eilish to underground stars, which pushed Brat to UK No. 1.
Charli XCX performing on stage Getty Images
The Sweat and Brat tours became must-see events, packed with surprise guests. Grammy wins followed, plus SNL, Coachella and film cameos. Even her older song “Party 4 U” surged up the charts years later. Charli questioned at Coachella: “Does this mean brat summer is finally over?” The answer seems clear. Brat wasn’t just a seasonal hit. It was almost like Charli XCX meticulously crafting a phenomenon, proving that staying fiercely true to her vision was the ultimate key to connect with a wide audience.