Ejaz Rahi: We need more singers to keep folk music alive for future generations
Eastern Eye caught up with the popular Pakistani to discuss his journey, inspirations and being compared to an all-time great
By Asjad NazirOct 19, 2023
HAVING been born into an ultra-religious family, Ejaz Rahi wasn’t supposed to pursue singing or make it a part of his long-term life plan.
But music found him through great artists he admired and pushed him towards pursuing his singing passion from a young age. He went from performing cover versions of legendary Pakistani singer Inayat Hussain Bhatti’s songs to carving out an impressive music career that has lasted more than 40 years.
This has included more than 200 albums, over 1,500 songs and countless live performances in front of enthralled audiences. His widely acclaimed voice and performance style have been compared to iconic folk singer Attaullah Khan Esakhelvi. The music maestro from Multan recently embarked on his debut UK tour and will be performing for British audiences until the end of the year.
Eastern Eye caught up with the popular Pakistani to discuss his journey, inspirations and being compared to an all-time great.
How do you look back on your journey in music?
It has been a beautiful journey that has given me a lot of great satisfaction. Being able to entertain audiences doing what I love is a blessing, which has given me joy and great inner peace. Now I am looking forward to what else this journey will bless me with.
What first connected you to music?
I have been connected to music for as long as I can remember. I fell in love with music from my childhood and it has remained an important part of my life ever since then. I loved listening to legendary singer Inayat Hussain Bhatti and was greatly inspired by him. I pursued music as a career and passion because of him.
What has been your most memorable moment?
There have been so many, including whenever I am on stage in front of audiences – they are the biggest blessing. If I had to choose one, it was my first live performance on Pakistani national television channel PTV.
Which of your songs is closest to your heart?
All the songs are a favourite because I have a connection to each one. One that stands out is my song Koi Marda Ae Akhiyan Tay.
How do you feel performing on stage in front of a live audience?
Any true artist will tell you that being on stage is the best feeling. Whenever I perform live, it is wonderful and hard to describe.
The best part of being on stage is that feedback comes immediately from audiences, which makes me feel the love and gives me more energy to perform.
How do you feel when you are performing for UK audiences?
Firstly, big thanks to (British music promotor) Abid Iqbal and his Say Art organisation for giving me this opportunity. Performing for people of the UK has been an absolute pleasure. They are knowledgeable about traditional music and have given me a lot of love, which has been really encouraging.
How do you generate so much emotion in your voice?
All I can say is that this is the blessing given by Allah. Along with the almighty’s blessing, it is the poetry of my songs, which reflects pain and deep emotions people feel.
How do you feel being compared to legendary Pakistani singer Attaullah Khan Esakhelvi?
I don’t compare Attaullah with myself because he is very senior to me. This is my good fortune that my voice meets with him.
I will try to keep this voice alive and spread my love to people.
What inspires you as a singer?
I am inspired by good music, great poetry and most importantly the wonderful audiences, and listeners, who show so much appreciation.
How important is it to keep folk traditions alive?
Folk music is an integral part of our heritage, whether you are from Pakistan or India. It is soulful and reminds us all where we came from. We need more singers to keep this soulful music alive for future generations.
What does music mean to you?
Music for me is a soul. Like a body can’t live without a soul, I can’t live without music. It is part of who I am and keeps me alive.
A cross-party group has been formed to tackle the deep divisions that sparked last summer's riots across England. The new commission will be led by former Tory minister Sir Sajid Javid and ex-Labour MP Jon Cruddas.
The Independent Commission on Community and Cohesion has backing from both prime minister Sir Keir Starmer and Tory leader Kemi Badenoch. It brings together 19 experts from different political parties and walks of life.
It was set up following the violent unrest that broke out in 27 towns and cities after three young girls were killed in Southport last July. False claims about the attacker's identity spread rapidly on social media, helping to fuel the disorder.
Sir Sajid warned that Britain has become a "tinderbox of division" due to years of neglect. He said governments have only acted when tensions boil over, rather than dealing with the root problems. "We are more disconnected as a country than at any point in our modern history," he told reporters. "There is a pandemic of loneliness that has spread across the country."
According to Javid, who served as communities secretary, home secretary and chancellor in the cabinets of David Cameron, Theresa May and Boris Johnson, social cohesion had been treated as a “second tier” issue by successive governments.
“Communal life in Britain is under threat like never before and intervention is urgently needed," he told the Telegraph. "There have been long-term, chronic issues undermining connections within our communities for several decades now, such as the degradation of local infrastructure from the local pub to churches, the weakening of family units, growing inequality, declining trust in institutions and persistent neglect from policy-makers."
He pointed to several factors making the situation worse, including high levels of immigration that haven't been properly managed, rising cost of living pressures, social media spreading extremist views, declining trust in public institutions, and the breakdown of local community spaces like pubs and churches.
Cruddas, who represented Dagenham for over 20 years, said the commission would listen directly to people across Britain rather than impose solutions from Westminster.
Over the next 12 months, the panel will examine what's driving people apart and develop practical recommendations for government. The group includes former West Midlands mayor Sir Andy Street, ex-Green Party leader Caroline Lucas, and counter-extremism expert Dame Sara Khan.
The commission is being supported by the Together Coalition, which was founded by Brendan Cox after his wife, MP Jo Cox, was murdered by a far-right extremist in 2016.
Sir Sajid remains optimistic about Britain's future, saying the country has "phenomenal attributes" to overcome its challenges. The commission aims to create "a vision for communities that all British citizens can buy into."
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Kalki 2898 AD showcased Prabhas in a genre-blending sci-fi mythological role
It’s been a year since Kalki 2898 AD hit theatres, and whether you loved it, questioned it, or are still figuring out what you watched, one thing’s clear: it cemented Prabhas’ place at the top. A unique experiment packed with mythology, sci-fi, and big-screen ambition, Kalki didn’t just push boundaries—it made sure everyone was paying attention.
Here’s how Kalki quietly reinforced what audiences across India (and beyond) already suspected: Prabhas isn’t going anywhere.
From Andhra to Ahmedabad — he still pulls crowds across the board
There are many stars who rule regions, but very few cut across states and languages the way Prabhas does. Whether it’s a traditional action flick or an experimental epic, people show up.
Prabhas in a still from Kalki 2898 AD which completed one yeargetty images
£94 million+ (₹1000 crore) globally — and not for the first time
With Kalki joining the £94 million+ (₹1000 crore) club, Prabhas added yet another big-budget success to his list. He’s one of the few actors in India whose films regularly cross that mark, without it feeling like a fluke or a one-off.
Kalki 2898 AD became one of the top three biggest openers in Indian cinemagetty images
A top three opener in Indian cinema — again
Kalki had one of the biggest opening days in Indian box office history. No gimmicks. Just the kind of theatre rush most films today struggle to pull off. Say what you want about the film, but its opening confirmed Prabhas’ continued draw for the big-screen crowd.
Kalki 2898 AD brought together sci-fi and mythology in a first-of-its-kind Indian filmgetty images
Fans flew in from Japan — yes, really
It’s not just India. International fans have long backed Prabhas, and Kalki saw that play out in real time, with Japanese fans travelling to Hyderabad just to catch it in cinemas. Not a premiere or event, just a regular screening. That kind of quiet loyalty is rare.
Prabhas plays the futuristic warrior Bhairava in Kalki 2898 AD getty images
He’s still choosing the harder road
A dystopian mytho-sci-fi mash-up isn’t exactly a guaranteed hit. Most stars would’ve played it safe, but Kalki was a risk, and Prabhas took it head-on. It’s part of what keeps his filmography interesting. He’s not here to repeat formulas, and that makes every new release worth watching, even if you don’t love every film.
Prabhas in action during a high-intensity sequence from Kalki 2898 ADgetty images
The calm at the centre of the chaos
One year later, Kalki 2898 AD may still be divisive as a film, but as a career move, it only strengthened what Prabhas has built over the years: a fanbase that shows up, a screen presence that works across regions, and a habit of picking stories that don’t play it safe.
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Masum was seen on CCTV trying to steer the pram away and, when she refused to go with him, stabbed her multiple times before walking away and boarding a bus. (Photo: West Yorkshire Police)
A MAN who stabbed his estranged wife to death in Bradford in front of their baby has been convicted of murder.
Habibur Masum, 26, attacked 27-year-old Kulsuma Akter in broad daylight on April 6, 2024, stabbing her more than 25 times while she pushed their seven-month-old son in a pram. The baby was not harmed.
Bradford Crown Court heard that Akter had been living in a refuge since January after Masum threatened her with a knife at their home in Oldham. Masum tracked her using her phone location and confronted her after she left the refuge to meet a friend, believing he was in Spain.
Masum was seen on CCTV trying to steer the pram away and, when she refused to go with him, stabbed her multiple times before walking away and boarding a bus. He was arrested three days later in Aylesbury, Buckinghamshire.
Kulsuma Aktergetty images
Masum, of Leamington Avenue, Burnley, had admitted manslaughter and possession of a knife but denied murder. He was found guilty of murder, stalking, making threats to kill, and assault by beating.
The Crown Prosecution Service said the attack was “planned and premeditated”. West Yorkshire Police described it as a “brutal” daylight attack. Det Ch Insp Stacey Atkinson said Ms Akter “should have been safe”.
The Independent Office for Police Conduct found no breach of standards by officers involved prior to her death. Masum is due to be sentenced on 22 July.
In her own words, the London-based artist shares 10 defining moments that turned glitter into grit, pain into power and creativity into connection.
Shreena Patel has built a vibrant, shimmering world with her signature metallic-sparkle acrylics, one canvas at a time. A graduate of the prestigious University of the Arts London, the London-based abstract artist has earned acclaim both in the UK and internationally, creating bespoke pieces for celebrities, private collectors and public institutions.
But behind the glittering finishes and spiritual symbolism lies a deeper story – one of passion, purpose and personal resilience.
From a childhood curiosity about the minds behind masterpieces to becoming a multi-award-winning artist herself, Shreena’s journey is marked by colour, courage and community. Whether speaking on stage at Diwali on the Square, raising funds through her work, or spotlighting invisible illnesses like ulcerative colitis, her art has always been more than decorative. It is deeply personal and powerfully connective.
Now, for the first time, Shreena shares 10 of her most memorable artistic milestones. Each moment reveals not only her growth as a creator but also her unwavering belief in art as a force for joy, healing and change.
Shreena Patel
Artwork displayed at Hyde Park Corner station
Seeing my Ganesh artwork displayed at Hyde Park Corner station during South Asian Heritage Month was a pinch-me moment. To have commuters and tourists pause in a busy London station to take in my art, rooted in identity, culture and colour, made me feel truly seen. It was public, powerful and proof that South Asian stories belong in mainstream spaces.
Being featured in British Vogue was an unexpected yet unforgettable milestone. Just a few years after Art By Shree was born, seeing my work and story in one of the world’s most iconic fashion publications validated my creativity in a whole new light. It bridged the gap between contemporary style and ancient symbolism and reminded me that tradition and trend can coexist beautifully.
Shreena Patel's work
Painting for celebrities I have had the honour of creating bespoke paintings for celebrities, including Bollywood actors, music artists and famous cricketers, who connected with the spirituality and vibrancy of my work. Each commission has been personal and meaningful, not just because of who they are, but because of the shared energy and intention behind the art. It is surreal knowing my pieces live in the homes of people I once only watched on screen.
Shreena Patel's work
Winning awards and artistic recognition
Winning awards and being recognised as an artist, particularly in Parliament and at the Eastern Eye ACTAs, gave me the confidence to own my creative journey. These acknowledgements are not just about trophies. They are reminders that the risks I took, the pain I turned into paint and the stories I chose to tell matter. Every accolade reflects years of growth, grit and heart.
Raising money for charities and temples
Art with purpose has always been my North Star. Whether raising money for temples close to my heart or supporting charities doing life-changing work, I have been blessed to use my creativity to give back. Each canvas sold for a cause reminds me that art can be a force for good – a way to serve, uplift and unite communities.
Being invited by Neasden Mandir’s head swami for Diwali and PSM10 Being personally invited by Yogvivekdas Swami at Neasden Mandir to take part in the Diwali and 100 Years of Pramukh Swami Maharaj celebrations was an emotional high. To be recognised in such a sacred and historic space was beyond humbling. It felt like a spiritual homecoming, where my art and my faith met in perfect harmony during a once-in-a-lifetime celebration.
Speaking on the centre stage at Diwali on the Square, in front of the Mayor of London, was a surreal and proud moment. I spoke about art, culture and the power of community spirit. To then gift my large Ganesh canvas to the winner of the rangoli competition was the perfect way to honour creativity and celebrate our shared cultural pride in a truly public way.
Shreena Patel's work
Collaborating with Nitin Ganatra OBE
Collaborating with the incredible Nitin Ganatra OBE for a charity auction was a joyful and meaningful experience. Aligning our talents for a cause greater than ourselves reminded me why I started painting in the first place. It is always special when creative worlds come together, especially when it helps raise funds and awareness for those in need.
Uplifting the next generation
Helping the next generation find their creative voice means everything to me. Whether through workshops, mentoring or simply showing them that success can look different, I aim to be the representation I did not see growing up. Especially for young South Asians, I want to say: your stories, your art and your dreams are valid – and so needed.
Shreena Patel's work
Raising ulcerative colitis awareness through art
Living with ulcerative colitis has not been easy, but it has shaped my art and mission. Through creativity, I have turned pain into power and raised awareness about invisible illnesses in ways words never could. Painting became therapy, advocacy and storytelling. If my journey inspires even one person with UC to keep going, then every brushstroke has been worth it.
Anusha Mani’s artistic journey has been anything but conventional. Revered as the velvety voice behind Bollywood chartbusters like Lazy Lamhe, Tera Rastaa Chhodoon Na, and the irrepressibly catchy Gulaabo, she has carved out a distinctive niche for herself as a singer, lyricist, and now actress.
With a foundation in Indian classical and Carnatic music, and a career launched by a serendipitous meeting with Shankar Mahadevan, Anusha’s rise to prominence has been a blend of talent, timing, and tenacity.
Over the years, she has lent her voice to everything from big-ticket Bollywood productions to indie projects, explored diverse languages and genres with ease, and even penned lyrics for memorable tracks like Dil Mein Jaagi. But her creative curiosity did not stop at the recording studio. In 2025, Anusha stepped into the world of acting with her web series debut Hai Junoon, embracing a new challenge that once seemed unimaginable.
In this candid conversation with Eastern Eye, Anusha reflects on the unpredictability of her career, the joy of reinvention, the songs closest to her heart, and the passion she has discovered in front of the camera.
How do you reflect on your journey in music?
It has been extremely unpredictable and gratifying at the same time. I never intended to become a playback singer, and my journey has been a sum total of chance meetings with the right people at the right time. Each experience has led me to the next chapter. The disappointments and failures have taught me the value of patience, perseverance, and living in gratitude. I do not take anything I have for granted anymore.
What has been your most memorable moment on your music journey?
Meeting Shankar Mahadevan ji with my demo and getting called the very next day to sing for Johnny Gaddar is by far my most memorable moment. I had no expectations, no self-belief that this would happen. It changed my life in a very drastic way, in that I started believing in myself more and began taking more chances in life.
Which of your songs has been closest to your heart?
It is hard to pick just one. I have many that are close to my heart. Lazy Lamhe because it was the biggest hit of the year and put me on the map as a playback singer. Gulaabo because it gave me a fresh start of sorts and a lot of love from listeners. Dil Mein Jaagi from Dev D because I got to write the song too. I think it is impossible to pick just one.
Does your approach as a singer change between different languages?
The only thing that changes is the time it takes to get the words right and understand the meaning of the lyrics – which words to emphasise, getting the pronunciation correct, and so on. There are wonderful language supervisors and lyricists who really help you perfect the language. Sometimes you focus so much on pronunciation that you lose the emotion. I like to speak the lines out first, loudly like a conversation, a few times before singing them to get comfortable with the words.
What inspired you to go into acting?
To be honest, it was not inspiration but pressure from my team and family that pushed me to give it a shot. I always thought acting was not my cup of tea. It was a running conversation for over a decade with my husband, who kept insisting I was made to be on screen. It is strange how he saw something in me that I never did. I said yes thinking it would be a good experience to try something new.
What has the experience of acting in Hai Junoon been like?
From not wanting to act to now feeling so passionately about it, life has changed drastically for me over the past year. I had the most wonderful time playing my character – learning the dialogues, going to set, watching the collective effort that goes into making each scene. It felt like learning a new skill for the first time, with fascination and awe for the craft. It has blown my mind and made me respect actors and film crews so much more.
Anusha Mani
What is the biggest thing you learned while working on this show?
My biggest life lesson has been to never say no without giving something an honest shot. I would not have done this show if I had listened to the voice that kept doubting myself. I cannot be the naysayer in my life. Changing that perspective has been hard, but it has also given me a new purpose.
Is the plan now to balance acting and music?
Absolutely. I am in the middle of recording new singles while also doing meetings and auditions. It is a long process and only time will tell how things turn out. I just want to enjoy the journey and soak it all in.
What are your biggest passions away from work?
I love animals. I sponsor a camel in an equine rescue place in Karnataka called The Backwater Sanctuary. Zoha, who runs the place, is just incredible, and I feel privileged to contribute in the smallest way. I also enjoy working out – going to the gym and weight training with my trainer is very therapeutic for me. (Smiles) Other than that, because our lives are so hectic, doing absolutely nothing with my husband is something I am very passionate about.
What music dominates your own personal playlist?
Oh, it is a strange mix of Marathi natya sangeet, ghazals, Bollywood songs by some of my favourite composers like AR Rahman, Shankar Ehsaan Loy, Vishal Bhardwaj, and Pritam. Then there is John Mayer, Ed Sheeran, Sting, and some film scores. It is an odd blend and gets played during both cardio and naps on flights.
You have sung, written songs, and acted – is there anything else you would love to do in the creative field?
If I can do these three things properly, with constant growth and learning, that will be enough for now. I am not someone who always wants to keep working. I value quality time with family, alone time, playing with my dog, and just pausing every now and then to be still. Life cannot always be about doing something.
What inspires you?
Stories of resilience, patience, and focus, but also stories of kindness, empathy, and working for the greater good. My brother is a huge inspiration for the way he leads his life with empathy and focus. My husband inspires me every day. I learn patience and kindness from him. Even my house help, whom I call my house manager – she is particular and punctual every single day and has never complained in 12 years. She is very inspiring to me. There is something to learn from almost everyone if you are willing to look around and stay open.