Experience 18th-century dining at Scotland’s historic Dumfries House
Asian curator at Dumfries reveals news 'family-style' butler service for visitors
The King, Ireland president
Michael D Higgins and his wife Sabina Coyne
view the Grand Orrery at Dumfries House in 2017
By Eastern EyeOct 26, 2024
AN AUTHENTIC 18th-century dining experience will be on offer for visitors at Dumfries House, one of the most majestic stately homes in Scotland.
Dating back to the 1700s, the property is close to the heart of King Charles III – a regular visitor to oversee the work of his King’s Foundation charity.
Satinder Kaur, collections manager at Dumfries House, spoke of her excitement as her research helped curate the new offering in the historic home’s Pink Dining Room. It includes a “butler service” associated with the era and will be served on rare ceramics and silverware of the time thanks to the Royal Collection.
“It is a privilege to work with the fantastically varied collection of furniture, ceramics, glass and works of art that I’m looking after – dating from 1754 to 1759,” Kaur said, during a tour of the estate located in the Scottish town of Cumnock, East Ayrshire.
“I’m a second-generation immigrant and my parents are shopkeepers and post office owners. But they saw my passion and really encouraged me to find my path into the heritage world and it ended up being here at Dumfries House, where I am incredibly lucky to see something new every day that I find interesting or that I want to research and find out more about,” she said.
Starting this month, the Scottish Indian curator, along with manager Evan Samson and executive chef Tom Scoble, has added a regal touch to the regular tours of the estate that visitors from around the world can book.
Among the many highlights the curator pointed out to is the Grand Orrery, a mechanical model of the solar system dating back to about 1750.
It stands at the entrance of the grand home and even has a little touch of Indian history embedded within it.
“I think that as an Indian person, I always look for little spots of my own culture, like a little piece of home, really. So, the first thing I spotted on the earth within the Grand Orrery was that the Indian subcontinent is there – interesting to note, when there’s no East Coast of America, and there’s no Coast of Australia, and there’s no New Zealand, but India is there,” said Kaur.
She spends much of her time on the estate personally caring for many such precious items in the historic collection – from Murano glass chandeliers to rare British Spode ceramics.
Past the grand entrance is the Pink Dining Room, where King Charles hosts guests. It will now open to visitors for a chance to dine like a monarch themselves – for £375 per person. “For a select number of guests, the 18th century dining experience will be authentic to the 1700s, with traditional butler service – including the meal being served ‘family-style’ – and a menu researched and prepared by our chefs that reflects the culinary fashions typical of country houses in that age,” said Samson.
Scoble’s challenge has been to curate a menu that resonates with the times gone by, but which also fuses with modern-day tastes and, more important, stays true to the King’s vision for Dumfries House as a champion of British farming and rural skills.
The produce on offer is harvested on the grounds of Dumfries House, which the then Prince Charles rescued back in 2007 by securing the funds required to acquire the estate for the local Scottish community.
As the headquarters of the then Prince’s Trust and now King’s Foundation charity, the estate is designed to deliver training programmes around traditional heritage crafts, rural skills, STEM (science, technology, engineering and maths) and horticulture through a series of education hubs that nurture green skills and sustainability – priority themes for the 75-year-old monarch.
A health and wellbeing centre offers yoga and meditation classes in keeping with the King’s own affinity with natural and nature-based therapies. According to the charity, around 170,000 people enjoy the estate grounds each year, with 10,000 students of all ages taking part in the foundation’s education programmes on site.
Dumfries House itself attracts around 20,000 visitors every year to experience one of the largest and rarest collections of British Chippendale furniture in the world.
Proceeds from commercial activities such as tours, weddings, events, stays at Dumfries House Lodge and dining experiences are ploughed back into supporting the work of the King’s Foundation to provide education courses for students from local schools and beyond.
The 15-year transformation of Dumfries House under King Charles’ vision has led to employment opportunities for the local area Dumfries House is now keen to cast a wider net for people from around the world to witness this first-hand. It also served as a backdrop for some British films.
India's Agni 5 Missile is displayed during the final full dress rehearsal for the Indian Republic Day parade in New Delhi on January 23, 2013. (Photo: Getty Images)
India says it successfully tested Agni-5 missile from Odisha on August 20
Missile validated all operational and technical parameters
Agni-5 can carry a nuclear warhead to any part of China
INDIA on Wednesday (20) said it had successfully test-fired the Agni-5 intermediate-range ballistic missile from Odisha, with officials confirming it met all required standards.
The defence ministry said, “Intermediate range ballistic missile ‘Agni 5’ was successfully test-fired from the integrated test range, Chandipur in Odisha on August 20.”
In a statement, it added, “The launch validated all operational and technical parameters. It was carried out under the aegis of the Strategic Forces Command.”
Authorities also said the missile, once operational, will be capable of carrying a nuclear warhead to any part of China.
Regional security context
India and China are regional rivals and relations worsened in 2020 after a deadly border clash.
India is also part of the Quad security alliance with the United States, Australia and Japan, which is viewed as a counter to China.
India’s neighbour and rival Pakistan also possesses nuclear weapons.
The two countries came close to war in May after militants killed 26 people in Indian-administered Kashmir, an attack India blamed on Pakistan. Islamabad denied any role.
Diplomatic ties
Despite tensions, Delhi and Beijing have taken steps to improve relations. Last October, prime minister Narendra Modi met Chinese leader Xi Jinping for the first time in five years at a summit in Russia.
Modi is expected to visit China later this month to attend the Shanghai Cooperation Organisation (SCO) summit.
At the same time, New Delhi’s ties with Washington have faced pressure. US president Donald Trump has asked India to stop purchasing Russian oil.
The United States has also said it will double new import tariffs on India from 25 per cent to 50 per cent by August 27 if India does not switch suppliers.
Missile programme
The Agni-5 is part of a series of indigenously developed short- and medium-range ballistic missiles designed to strengthen India’s defence posture against both Pakistan and China.
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Helen Mirren says she would instantly return for a sequel
The film stars Mirren, Pierce Brosnan, Celia Imrie and Ben Kingsley as amateur detectives.
Richard Osman’s bestselling series already has three sequels in print, with another due this year.
Mirren praised her chemistry with Brosnan and her long friendships with Kingsley and Imrie.
Mirren open to sequels
Helen Mirren has revealed she would jump at the chance to reprise her role in Netflix’s upcoming adaptation of The Thursday Murder Club.
The Oscar-winning actress stars alongside Pierce Brosnan, Celia Imrie and Ben Kingsley in the crime comedy based on Richard Osman’s bestselling novel. The story follows four pensioners in a retirement village who band together to solve the murder of a local property developer.
Mirren said filming was such an enjoyable experience that she would return for more without hesitation. “(I’d do another) in a nanosecond. And it would be the team getting back together, which would be great. We did have a wonderful time shooting this. So all of us would jump at the chance, quite honestly,” she told Radio Times.
Osman’s books pave the way
Richard Osman has published three follow-ups to The Thursday Murder Club — The Man Who Died Twice, The Bullet That Missed and The Last Devil to Die — with another instalment due later this year. The ready-made sequels boost the chances of the film being developed into a series.
Bonding with co-stars
Celia Imrie, Sir Ben Kingsley, Dame Helen Mirren and Pierce Brosnan attend The Thursday Murder ClubGetty Images
The 80-year-old actress also reflected on the friendships and professional ties behind the film’s ensemble cast. “Ben and I started out together in the Royal Shakespeare Company, both ambitious and obsessed. Celia and I became really good friends on Calendar Girls. Pierce is my wonderful late discovery. I’d like to work with Pierce for the rest of my life. I feel that we have a real chemistry.”
Mirren and Brosnan have since reunited for the crime drama series MobLand.
Release date
The Thursday Murder Club will have a limited cinema run before arriving on Netflix on 28 August.
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Protesters calling for the closure of the The Bell Hotel, believed to be housing asylum seekers, gather outside the council offices in Epping, on August 8, 2025. (Photo: Getty Images)
High Court blocks asylum seekers from being housed in Essex hotel
Nigel Farage calls for peaceful protests outside “migrant hotels”
Government considering appeal against injunction ruling
Debate grows over housing asylum seekers in hotels across Britain
NIGEL FARAGE has called for protests after a court ruling blocked the use of an Essex hotel to house asylum seekers.
On Tuesday, the High Court in London granted a temporary injunction stopping asylum seekers from being placed in the Bell Hotel in Epping, about 32 km northeast of London. The case, based on a planning issue, will be heard in full later this year.
Protests in Essex
The Bell Hotel has seen regular demonstrations since a resident was charged with sexual assault, which he denies. Police have deployed in large numbers to separate anti-immigration and pro-immigration groups during the protests.
The injunction has prompted other councils to seek legal advice on whether they can also act to remove asylum seekers from hotels in their areas.
Farage statement
Farage, leader of the Reform Party, said all 12 local authorities under his party’s control would act.
"Let's hold peaceful protests outside the migrant hotels, and put pressure on local councils to go to court to try and get the illegal immigrants out; we now know that together we can win," he wrote in the Daily Telegraph.
"No doubt we will be attacked as 'far Right' provocateurs for daring to suggest that people follow the lead of Epping’s parents and residents by protesting peacefully."
Government response
Britain houses about 30,000 asylum seekers in more than 200 hotels while they await decisions on their claims. The government has said it plans to close them all by 2029.
The Home Office told the court that the injunction would have a "substantial impact" on its legal duty to provide accommodation. Security minister Dan Jarvis said the government was considering whether to appeal.
"The big challenge remains, which is, we need to process asylum claims much more speedily and much more effectively than was the case previously," Jarvis told BBC TV.
Labour revolt
Keir Starmer is facing pressure from Labour-run councils after a High Court ruling in Epping blocked the use of a hotel for asylum seekers.
Local authorities, including Wirral and Tamworth, have indicated they will challenge the Home Office over hotels being used without consultation or planning approval, The Telegraph reported.
Several other councils signalled they are preparing similar legal action.
Wider debate
Critics argue that housing asylum seekers in hotels puts communities at risk and point to crimes in Epping and elsewhere involving some migrants. Others highlight the contrast between hotel accommodation and the difficulties many in Britain face with rising costs and a lack of affordable housing.
Pro-migrant groups say far-right organisations and politicians are exploiting tensions for political purposes.
Across Europe, governments have faced similar disputes. In Britain last year, hotels with migrants were attacked during unrest linked to misinformation about a crime in Southport.
FIFTY years since Sholay was released, it has been watched by generations of audiences, but its director has said it is not a perfect film.
Written by Salim Khan and Javed Akhtar, Sholay tells the story of two small-time criminals hired by a former policeman to capture the ruthless gangster, Gabbar Singh.
The action-adventure movie was praised for its gripping storytelling, powerful dialogues and unforgettable characters played by Amitabh Bachchan, Dharmendra, Hema Malini, Jaya Bachchan, Sanjeev Kumar and Amjad Khan in his first major role as the villain Gabbar.
Director Ramesh Sippy said, “The fact that Sholay was made means something better than Sholay can also be made and people will learn to like that kind of film as well.”
He added, “I think you always want to better Sholay. That’s how you keep your spirits up. Otherwise, how will you carry on?”
In an interview at his office in Mumbai, the renowned filmmaker acknowledged the audience’s enduring love for every frame of the classic as “amazing”.
Gabbar Singh’s evil laughter, Jai-Veeru’s undying friendship (played by Bachchan and Dharmendra, respectively), Thakur’s (Kumar) quest for vengeance, Soorma Bhopali’s boastful banter and Basanti’s (Hema Malini) exuberant defiance are part of Indian cinematic history.
Since it was released on August 15, 1975, the film has stayed on in the hearts of generations of film goers who discovered it later.
Sippy said the entire team worked hard on the project and, when shooting was completed, he knew he had a “fine film” in hand. “You can’t think of any of these characters being played by any other actor or actress. It was just simply so good. They did their best. I was able to get performances which were amazing, because they are such fine artists and because as a script it was very satisfying and promising and everybody worked towards achieving what they could in their own capacities.”
“At the end we had a fine film in our hand which till today we are here talking about it 50 years later, it’s amazing,” he said.
Sippy’s filmography also includes hits such as Seeta Aur Geeta, Shaan, Shakti and Saagar, but the popularity of Sholay sets it apart. “I have tried my best to make good films before and after Sholay and I have succeeded as well, but somehow nothing stands out like Sholay,” the 78-year-old said.
“I do hope one day there is a film that beats Sholay. That’s the way the world is.
“You need to be better than what was. So everybody has to strive to do that.
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Anurag Kashyap has condemned the AI film Chiranjeevi Hanuman – The Eternal for undermining artists
Filmmaker Anurag Kashyap criticised Vijay Subramaniam for backing the AI-made film Chiranjeevi Hanuman – The Eternal.
Kashyap said the project undermines creativity and betrays the artists represented by Subramaniam’s agency.
Vikramaditya Motwane also expressed disapproval, warning of AI sidelining writers and directors.
The AI film is produced by Abundantia Entertainment and Collective Media Network, with a 2026 release planned.
Filmmaker Anurag Kashyap has sharply criticised the upcoming project Chiranjeevi Hanuman – The Eternal, promoted as India’s first fully AI-made film. The director targeted Vijay Subramaniam, head of Collective Artists Network, accusing him of betraying the very writers, actors and directors his agency represents. The backlash follows recent controversy over AI’s use in altering the Tamil release of Aanand L Rai’s Raanjhanaa.
Anurag Kashyap has condemned the AI film Chiranjeevi Hanuman – The Eternal for undermining artists Getty Images/ Instagram/abundantiaent
What is Chiranjeevi Hanuman – The Eternal ?
Earlier this week, production houses Abundantia Entertainment and Collective Media Network unveiled the poster of Chiranjeevi Hanuman – The Eternal. Marketed as the country’s first “Made-in-AI, Made-in-India” film, it is scheduled to release on Hanuman Jayanti 2026.
Producers claim the project will combine mythology with modern innovation, reimagining Lord Hanuman’s story for global audiences. They described the initiative as a tribute to India’s cultural legacy, brought alive through technology.
However, the announcement triggered heated debate within the industry. While backers framed the film as innovation, critics argue it risks erasing the role of human storytellers in cinema.
Anurag Kashyap, known for outspoken views, voiced his anger on Instagram after the poster launch. Addressing Subramaniam directly, he wrote:
“Here is the man heading an agency representing artists, writers and directors, now producing a film made by AI. End of the day, all these agencies are only interested in making money off you. Any actor or anyone who calls themselves artists and has a spine should be questioning him or leaving the agency.”
The filmmaker went further, describing the project as “the future for the spineless and cowardly so-called artists in the Hindi film industry.” His remarks reflect wider concerns that agencies profit from talent while backing projects that remove creative workers from the process.
Kashyap has previously worked on films tackling issues of power, exploitation and authenticity in cinema. His latest outburst adds to growing resistance against AI in filmmaking.
Kashyap was not alone in condemning the move. Director Vikramaditya Motwane, who recently explored AI themes in his project CTRL, reposted the announcement on Instagram with the blunt caption: “And so it begins. Who TF needs writers and directors when it’s ‘Made in AI’?”
Motwane’s reaction highlights a fear shared by many in the industry: that studios may prioritise cost-cutting AI tools over human creativity. His remarks echo discontent following Raanjhanaa’s AI-altered ending, which led to protests from Aanand L Rai’s team.
The Chiranjeevi Hanuman backlash has therefore become symbolic of a larger struggle, of filmmakers fighting to safeguard artistic integrity in an era of technological disruption.
Filmmaker Vikramaditya Motwane criticised the AI project and warned of the threat to writers and directors Instagram Screengrab/motwayne
What has the producer said in defence of AI films?
Vijay Subramaniam, head of Collective Artists Network and producer of Chiranjeevi Hanuman – The Eternal, defended the film at its launch. He argued that the project is not replacing tradition but enhancing it, describing it as “a unique opportunity to reimagine cultural storytelling for audiences who value both heritage and innovation.”
Supporters of the film insist that AI technology can make epic stories more accessible and visually ambitious without the usual budget constraints. Yet the criticism from Kashyap and Motwane shows strong resistance within Bollywood towards projects perceived as sidelining human talent.
The debate reflects a broader global conversation on AI’s role in creative industries, from Hollywood writers’ strikes to controversies in Indian cinema. With Chiranjeevi Hanuman – The Eternal set for release in 2026, the clash between technological innovation and artistic integrity is likely to intensify.