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Diwali parties thrown by Bollywood celebrities

Abu Jani and Sandeep Khosla

The Diwali parties started off with Abu Jani and Sandeep Khosla’s house party. Many celebrities and close friends attended the party including Shweta Bachchan Nanda, Natasha Poonawalla and Maheep Kapoor with her daughter Shanaya Kapoor. Bollywood’s newest diver Ananya Panday also attended the party wearing a lehenga by Abu Jani Sandeep Khosla.


Shah Rukh Khan

Like every year SRK’s birthday and Diwali falls together. This year SRK had three things to celebrate together, his birthday, Diwali and Zero trailers’ amazing respond from the audiences. SRK and his wife Gauri hosted a massive Diwali party at their house, Mannat. The highlight of the party was the thousands of fairy lights that were lit on the ground outside, which gave a nice background for everyone to take pictures.

Shilpa Shetty

The day after Shah Rukh Khan’s Diwali party, Shilpa held a Diwali bash at her house. Along with her mother, her husband Raj Kundra was also there to attend the guests. Many celebrities including Punjabi singer Guru Randhawa, Preity Zinta, Karan Kundra and Anusha Dandekar.

Ekta Kapoor

Ekta Kapoor’s parties get the film and TV industry people together. She held a Diwali party today, many celebrities including Mouni Roy, Maheep Kapoor, Karan Johar, Shabbir Ahluwalia and many more.

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The Mummy

Relies on body horror, sound design and shock value over spectacle

X/ DiscussingFilm

How Lee Cronin’s 'The Mummy' turns a classic adventure into a domestic horror

Highlights

  • Moves away from the adventure tone of The Mummy (1999) into possession-led horror
  • Shifts the setting from desert tombs to a family home in Albuquerque
  • Focuses on parental fear and a “returned” child rather than treasure hunting
  • Relies on body horror, sound design and shock value over spectacle
  • Critics call it bold and unsettling, but uneven in storytelling

From desert spectacle to domestic dread

For decades, The Mummy has been tied to adventure, romance and spectacle, most famously in The Mummy (1999). That version thrived on sweeping desert landscapes, archaeological intrigue and a sense of escapism.

Lee Cronin takes a sharply different route. His reworking strips away the sense of adventure and relocates the horror into the home. The story still begins in Egypt, anchored by an ancient sarcophagus, but quickly shifts to the United States, where the real tension unfolds inside a family house.

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