Whether it’s doing his own stunts or taking on tough roles, Ajay Devgn has always enjoyed pushing himself that little bit further than fellow film stars.
The A-lister has perhaps taken on his biggest challenge yet with his soon-to-be-released big budget thriller Shivaay, which sees him producing, directing, playing the lead and performing death-defying stunts in freezing conditions.
The actor and filmmaker has put his all into what is clearly a passion project, which combines breathless action in the mountains with a human father-daughter story.
With the trailer for Shivaay being compared to Hollywood and it getting a huge global release this Diwali, Ajay was not surprisingly sounding confident when Eastern Eye caught up with him to talk about the film and more…
What made you take on the seemingly impossible challenge of directing, producing and starring in Shivaay?
I wouldn’t say any challenge is impossible. Direction is something which I started my career with. Before I became an actor, I was an assistant director. I used to experiment with film, equipment, and the technology available at that time. So it was always there.
With my father (Veeru Devgan) being technically so savvy, he introduced a lot of techniques to our country in those days. I was working with him also. I was more interested in filmmaking in the beginning, but then acting happened and I never got the time to do what I really wanted. So now I get a chance to do both. I get to create and conceptualise something how I want it.
Whether taking on challenging roles or doing stunts, you are always stepping out of your comfort zone. Where does that come from?
I don’t know, I think it comes from my father because he really just told me two things; when you are working, be honest to it and work hard. And that is what I believe. I also get bored very easily and don’t like repeating myself, so I always try to do different and more challenging things each time. I have been very lucky that audiences have accepted me whether it’s been comedy, drama, as an action hero, or something else.
What about the stunts?
As far as action is concerned, people expected me to do my stunts myself when I started because I was an action director’s son. So that is how it started actually and I was trained to do it. So that comes easy. When I started I was 19 and now I am 47. Now I enjoy doing it! And it gives me confidence I can still do what I could when I was 19.
Even though you are 47, is it fair to say you are in the best shape of your life right now?
(Laughs) Yes, touch wood I am, Asjad.
How did you discover that subject for Shivaay because it’s nothing like I’ve seen in an Indian film before?
It is not about the subject, but about the emotions and the thought behind it. Sometimes you feel a strong emotion and want to convey that. To express that emotion, you create a story around it. So it’s about the screenplay and emotion you’re trying to convey. Have you seen the first Die Hard film?
Yes it’s actually my favourite film…
It is one of my favourite films too. For me, Die Hard one is not an action film but the story of a broken marriage and how they are thrown into an unexpected situation. That is what initially hooks you into that film. The action is a story that is woven around that central premise. They wanted to create an action film, but first they picked up a thought and wanted to convey that. They created a situation around it. That is what Shivaay also does. It is an emotion of a father and daughter. It is a very emotional film. The situati-on is created around that emotion.
You must be happy with the response the amazing trailer for Shivaay got, with many comparing it to a Hollywood film?
Yes, I’m really happy about that, and actually a lot of people have reacted positively from Hollywood too, asking how we managed to get these shots. I just want to say I feel proud that it has been created by India.
From the emotion to high-powered action, Shivaay seems like it has many magical moments. What is your favourite one?
As a director, it is very difficult to choose one favourite moment. As an actor, you could have asked me, but I don’t know because I am also the director too. For me, every moment is important, every moment works, including the film’s songs. If you see my songs, they actually take the story forward. The songs are not just picturised for the sake of it. If you connect all of them, you can actually start putting the film’s story together.
As an actor, how do you get the best out of yourself if you’re directing too?
I am comfortable because I was involved with the writing of the character. So it is very easy for me as an actor to grasp it. I know how to put it across because I have worked with my writers to create the character. I have visualised it so I know the character already, so it does get a lot easier.
What has made you cast newcomers in Shivaay, including a Polish leading lady?
The thing was, according to the script, a lot of characters are not supposed to be Indian. That is one of the main reasons why I started casting from all around the world. Because it is a performance-orientated film, I really needed a brilliant cast. After a lot of research and tests, I locked my cast with Abigail (Eames), Erika (Kaar) and everybody.
In terms of India, the girl I wanted was supposed to be much younger than me in the film, so I wanted a new girl, a fresh face, and great performer. That is what I got in Sayyeshaa (Saigal).
The locations in the mountains look incredible, but it must have been a huge challenge to shoot there?
It was tough and I really want to thank my unit. Shooting and even standing at minus 25 degrees is not easy. We worked in conditions where you can’t just reach it or get food; we just had cold packets. For many of the locations, we had no access so had to land in a chopper.
Managing a crew of 200-300 people in these conditions was very tough. I would say that you have to get out of your comfort zone to create something new and spectacular. If you want to stay in your comfort zone, you can’t ever do it. That is what we did. We just stepped out, took the pain and suffered. But the team stood by me, and that is why we were able to shoot it.
Talking of pain, you have sustained many injuries over the years by doing your own stunts in big action films. Did you hurt yourself during Shivaay?
(Laughs) Not many injuries, but yes, a few sprains, bruises and things like this. There was one situation where I got hypothermia, which is terrible. I tried to get out of it as soon as possible, and even though the doctors wouldn’t allow me, I started shooting again. But that is the kind of hardships we all went through. But I am really happy that people appreciated the trailer and connected with that hard work.
You are one of the most cool A-list stars, but do you ever get nervous before the release of a big budget movie like Shivaay?
No! I get excited and anxious, but never nervous. By now, we have seen the film. What we have on paper, we’ve got it on the big screen. My whole team was saying that you have designed it in such a way, how is it going to be possible to execute it? But I think somebody up there likes us, so we got full support from this energy and higher power. We all were there and it happened.
You have played the widest array of roles from negative characters and intense dramas to slapstick comedies and action. Is there any role you haven’t done but would like to?
I have not thought about that yet. I would love to, but nothing comes immediately to mind right now. You wait for something new but then it comes along unexpectedly and you realise you haven’t done it earlier. So it’s not something that you can predict, but it’s something that surprises you.
People like yourself are always expanding the horizons of Bollywood with films like Shivaay; what are your future hopes for Indian cinema?
We are trying our best! I have always had the confidence that we have the minds, brains, people and talent to expand, and prove a point that we can make cinema like this also in our country. I am happy today we have managed that and am sure we will be able to continue to push the boundaries further.
Today, what inspires you?
I really don’t know. Right now, I am tired, zoned out and on the last leg of my film Shivaay. I just saw the final of the film. I need to finish this journey of what I created before moving onto the next thing.
Why should we go and watch Shivaay?
I would say, apart from the scale and everything else, the emotion is so strong! I want people to see the film because I am sure that once they see it and come out of the theatre, they will have tears in their eyes and a smile on their face. They will want to call their loved ones and speak to them.
Finally, why do you love cinema?
Because I was born into it! I was born in a cinema family. I have grown up in this atmosphere and know nothing else apart from cinema. I don’t know what else to do and it is my passion.
Amitabh Bachchan has made yet another high-value move in Ayodhya’s fast-growing property market. The veteran actor has reportedly bought a 25,000-square-foot plot for £3.7 million (₹40 crore), marking his fourth land purchase in the temple city within a year.
The newly purchased land is located near The Sarayu, an upscale real estate project where Bachchan had previously invested £1.4 million (₹14.5 crore). This recent deal adds to a string of property investments he has made in the area since the development of the Ram Temple began drawing national attention and infrastructure projects to Ayodhya.
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This is not just about business. A large 54,000-square-foot plot registered under the Harivansh Rai Bachchan Trust, named after his late father, is also part of his Ayodhya holdings. There are reports that a memorial is being planned on that site to honour the poet, offering a personal touch to what appears to be a wider strategic expansion.
Bachchan’s interest in Ayodhya real estate began last year, when he bought a 5,372-square-foot plot for £440,000 (₹4.54 crore) just before the Ram Temple’s inauguration. Since then, his name has become increasingly tied to the city’s transformation into a high-profile spiritual and tourism hub.
Amitabh Bachchan strengthens his ties to the temple town with another high-value dealGetty Images
In addition to Ayodhya, he has been active in Mumbai’s property circuit. He recently sold a duplex flat in Andheri for £8 million (₹83 crore), a property he had purchased for £3 million (₹31 crore) in 2021, nearly tripling his investment. In 2023, he and his son Abhishek also jointly purchased 10 apartments, valued at £2.4 million (₹25 crore).
Just days before the Ayodhya purchase, Bachchan had also invested £1.9 million (₹20 crore) in a real estate firm run by Bollywood producer Anand Pandit, putting £960,000 (₹10 crore) into two separate projects. These back-to-back deals suggest a deliberate diversification of assets, with Ayodhya becoming a central piece in that plan.
With multiple real estate deals this year Amitabh Bachchan’s property empire keeps expandingGetty Images
According to Jaya Bachchan’s election affidavit from last year, the Bachchan family’s total assets stood at £152 million (₹1,578 crore), with £70.5 million (₹729.77 crore) in immovable assets alone. With Amitabh’s continued property acquisitions, those figures are almost certainly higher now.
Whether it is personal legacy or calculated investing or both, Amitabh Bachchan’s real estate footprint is growing fast, and Ayodhya is clearly central to his long-term vision.
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Hailey Bieber celebrates Rhode’s £800 million sale with fans calling her the real boss in the Bieber household
Hailey Bieber is riding high after her skincare label Rhode was bought for $1 billion (₹84,00,00,00,000) by e.l.f. Beauty, a big leap for the 28-year-old who launched the brand in 2022. The deal includes £480 million (₹50,40,00,00,000) in cash, e.l.f. stock worth £160 million (₹16,80,00,00,000), and a potential £160 million (₹16,80,00,00,000) more depending on how well the brand performs over the next three years.
Hailey isn’t just cashing out now; she’s stepping up. She’ll now serve as Chief Creative Officer and Head of Innovation at Rhode, while also becoming a strategic advisor at e.l.f. Beauty. In her announcement, she said the deal felt like the beginning of a new chapter and credited her team and customers for their role in Rhode’s growth.
While Hailey’s career hits new heights, her husband Justin Bieber is making headlines for less celebratory reasons. Reports have surfaced claiming he’s been facing serious financial setbacks, including an $8 million (₹67,20,00,000) debt from his cancelled 2022 Justice tour. Insiders suggest the pop star’s spending habits and questionable financial management may have led to these issues.
Despite selling his music catalogue for $200 million (₹16,80,00,00,000) in 2022, sources say Justin’s fortune has taken a hit, and he was reportedly lent money by former manager Scooter Braun to cover the tour fallout. There were even murmurs last year that Justin considered suing his financial advisors for mishandling funds, though his team denied all claims of money trouble.
Justin Bieber breaks his silence on marriage rumours and health concerns following viral Coachella video Getty Images
Meanwhile, fans have been closely watching the couple’s dynamic. Hailey’s billion-dollar win sparked online chatter suggesting she should “take the money and run,” with several social media users urging her to leave Justin, citing past moments where he appeared dismissive or distant. His quiet reaction to her business success, posting a photo with no caption, fuelled further speculation.
Still, the couple publicly appear united. Justin recently posted photos of himself embracing Hailey, though fans debated whether it felt supportive or staged. With Hailey now officially the top earner in the Bieber household, many are wondering how this shift will impact their relationship.
For now, Hailey’s focus remains on building Rhode into a global name, proving she’s more than just a celebrity wife, she’s a top player in the beauty business.
It’s been nearly two years since Ms. Marvel made its debut on Disney+, and while fans have been waiting for news about a second season, actor Aramis Knight has shared a fairly grim update. Knight, who played the character Red Dagger (Kareem) in the series, revealed that he hasn’t heard anything about a return and doesn’t think it’s happening anytime soon.
Speaking at the Karate Kid: Legends premiere in New York, Knight admitted that the chances of Season 2 seem slim. “I don’t think so,” he said when asked if he’ll be back. “It’s been a while now. I’d love to return, but things didn’t line up, COVID, scheduling, and maybe even some creative shifts. I’m still waiting on a call, but I haven’t heard anything.”
Knight mentioned that he was initially supposed to appear in more Marvel projects, but none of those plans materialised. While he joked that Kamala Khan might have him on speed dial for a Young Avengers team-up, his tone made it clear that there's been no movement behind the scenes.
Ms. Marvel, which premiered in June 2022, introduced audiences to Kamala Khan, a Muslim teen from New Jersey who discovers her superpowers and identity. The show received praise for its fresh perspective, young energy, and cultural representation. Kamala then made the leap to the big screen with The Marvels in 2023, where she appeared alongside other MCU heroes.
Red Dagger actor Aramis Knight says he hasn’t heard from Marvel and doubts the show’s returnGetty Images
Talks about Season 2 had been floating around since the series ended, but nothing official has come out. In a podcast interview in 2023, co-director Adil El Arbi mentioned that any plans for a follow-up were on pause until after The Marvels released. Unfortunately, that film didn’t perform well at the box office which may have added to the uncertainty.
Marvel Studios hasn’t officially cancelled Ms. Marvel, but they’re in the middle of reorganising their television content. Several shows are being restructured or delayed, and Ms. Marvel may simply be caught in the middle of this shift.
Deepika Padukone’s exit from Spirit, directed by Sandeep Reddy Vanga, triggered an online storm, mainly due to her reported condition of limiting workdays to eight hours. While speculation ran wild, with unnamed sources labelling her “unprofessional,” Ajay Devgn has spoken up, backing the actor’s right to set boundaries.
At a recent press event for Maa, a horror film featuring his wife Kajol, Ajay addressed the topic head-on. When asked if filmmakers are okay with actors, especially new mothers, asking for shorter shifts, he said, “It’s not like people are against it. Most decent filmmakers understand. Eight or nine-hour shifts are common now.”
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He made it clear that expectations in the industry are changing. “It depends on the individual, but I think a large part of the industry is already adapting.”
Kajol, who was standing beside him, chimed in with a smile, “I love the idea of working less,” offering her own nod of approval to a more balanced work culture.
Deepika’s role in Spirit, opposite Prabhas, was meant to be her second big Telugu project after Kalki 2898 AD. But things reportedly soured after she requested an eight-hour workday and a fee of £1.9 million [approx. ₹20 crore] along with a profit share. Rumours also suggest she wasn’t keen on delivering dialogues in Telugu. Eventually, Triptii Dimri was confirmed as her replacement.
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In response to all this, Vanga posted a cryptic message on Twitter, hinting at betrayal and “dirty PR games,” accusing an unnamed actor of breaching an unwritten trust. While he didn’t name anyone, most believed the post was aimed at Deepika. His mention of “Is this what your feminism stands for?” added fuel to the fire.
Through it all, Deepika has stayed silent, except for a calm remark at a recent event: “When faced with tough choices, I listen to my inner voice. Peace matters more.”
With Ajay and Kajol now speaking out, the conversation seems to be shifting. The film world may not be the same as it once was, and perhaps that’s for the better.
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Karan Johar, Janhvi Kapoor, Neeraj Ghaywan, Vishal Jethwa and Ishaan Khatter at Cannes for Homebound last Wednesday (21)
On paper, Neeraj Ghaywan’s Homebound, which was premiered last Wednesday (21) at the Cannes Film Festival, may seem like a typical Bollywood tearjerker.
It follows two best friends who grow up together in a poor village and set out to take on the world, with their friendship and mettle tested at every turn.
But this is no average buddy movie. Set in northern India during the pandemic lockdowns, the moving epic goes far beyond a simple tale of friendship – one boy is Muslim, the other a low-caste Hindu.
Their unbreakable bond, forged in adversity, is the beating heart of the film, which so moved Hollywood legend Martin Scorsese that he got on board to help bring it to the world.
There are millions of such friendships which cross religious and caste divides in India, its director said, “but it has never been shown” before on the big screen.
“Only a handful of films have ever featured dalit (lower caste) stories and most of those were made by people from the privileged castes,” Ghaywan said.
Ghaywan is a dalit director from the lowest rung in the Hindu caste system and a rarity in the Hindi industry.
He believes he is the “first acknowledged dalit behind a camera in the history of Hindi cinema. That’s a stunning disparity,” he said.
And one that means the stories of the quarter of India’s 1.4 billion people who are tribals or come from castes once disparagingly known as “untouchables”, are not being seen.
“India and the world really needs to see their stories,” said Ghaywan, adding that with such a vast population “it is understandable that they are often talked of as just statistics.”
“I myself come from a marginalised background. I am a dalit. So there’s a lot of me in the movie,” said Ghaywan, who lives near Mumbai but grew up in the south of the country. It is also loosely inspired by a heartbreaking real-life tale of poor workers who set out on foot on an epic journey back to their village from the city during the Covid lockdowns.
Ghaywan brought his two leading actors, Ishaan Khatter and rising star Vishal Jethwa, out to the villages to see the lives of India’s poor from the inside
. “We did a long immersive exercise,” Ghaywan said. “We got to know people and ate in their homes. It was genuinely such a humbling experience.”
There was a nine-minute standing ovation following the screening in the Un Certain Regard segment at the Debussy Theatre last week. The cast was joined by producer Karan Johar.
Khatter said he had loved and admired Ghaywan for many years, while Jethwa said Homebound feels like a step forward for “all of us”.
Knowing he has to get past India’s censors, Ghaywan insisted he tried to avoid politics or inflaming tensions.
Sandhya Suri’s movie Santosh, which premiered at Cannes last year, still hasn’t been screened in India despite winning a heap of international awards.
Santosh shone a light on sexism, religious discrimination and corruption in the Indian police as well as the treatment of lower caste people.
“I like to keep politics underneath the narrative, because if your politics supersedes the story it’s just propaganda. Even good propaganda is propaganda. It’s not cinema,” Ghaywan added.
Emotion, however, holds no fear for Ghaywan. “I embrace it. I make no apologies for it. We Indians are an emotional people and this is a story that brings up a lot of them,” he explained.
Industry insiders have “bawled and bawled” at private screenings of the film, he said, with Scorsese saying that “Neeraj has made a beautiful film that’s a significant contribution to Indian cinema.”
The noted filmmaker said he wasn’t surprised that Cannes snapped it up for its secondary “Un Certain Regard” selection after Ghaywan won two prizes there in 2015 with his debut film, Masaan. Flattered as he is, Ghaywan said that “I did not make the movie for festivals” or arthouse audiences.
“The most important thing is that it is seen in India,” he said.
Ghaywan stressed that Homebound is “attacking no one”, with its story even set “in a fictional state”.
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