Actor Ayushmann Khurranaon Thursday said while filmmaking and technology go hand-in-hand, there is a need to regulate the use of artificial intelligence (AI).
Khurrana was speaking on the third day of FICCI Frames 2024 in Mumbai at the session titled "From Bollywood to Turkish Drama: Acting across borders" along with actor-MP Khushbu Sundar and Turkish star Hande Ercel.
"Filmmaking and technology... We can't do without it, but my core job as an artist is to emote and bring out stories that are unique and add certain value to people's lives. Having said that, we have great technology whether it is AI or editing and it's a great collaboration with the technology," Khurrana said.
Asked about the atmosphere of fear surrounding AI in the film industry, the National Award winner said it was a "grey area".
"We don't have any laws related to AI. It is in a nascent stage. We need to develop certain laws but as an artist, you need to have a connection with the people," he added.
Reaping the benefits of new technology must come along with "extreme caution and responsibility", said Sundar.
"Even to read a book, I need to feel and smell the paper in my hand. It's great to have technology. As a filmmaker, it brings down the burden but it comes with lots of responsibility.
"Unfortunately, more than the positive sides, the human brain picks up the negative sides of the technology and misuses it. This is where we need to draw the line and we cannot go beyond this," she said
The actor, a member of the National Commission for Women (NCW), said most recently deepfake technology has been misused a lot by miscreants. Deepfake is a digital method where users can replace one person’s likeness convincingly with that of another using AI technology.
"That is where I say the laws have to be very stringent. Unfortunately, we have people who generate videos that involve women but that is the mindset of most of the men who are not able to understand or identify that whatever a female actor does on screen is her job," she added.
Sundar said she would like some things in the film industry to remain old school.
"Like daily-wage workers on the sets, dancers dancing their hearts out and fighters fighting with their guts. I cannot imagine a film industry where you have robotic images creating film. I need to feel and give real emotions," she said.
For Hande, popular for Turkish shows Ask Laftan Anlamaz and Gunesin Kizlari, it all boils down to the intent of the user of technology.
"I believe technology has helped the industry in Turkey as well with CGI but soon we will believe in the importance of human touch. At the end of the day, we are emotional beings. We need to be in touch with our emotions to convey them, so I believe in the future we will go back to that," she said through an interpreter.
On Wednesday at FICCI Frames 2024, filmmakers Aanand L Rai and Vikramaditya Motwane also weighed in on the use of AI in cinema.
Jurassic World Rebirth, starring Scarlett Johansson and Jonathan Bailey, releases on 4 July.
Twitter reactions praise the cast and visuals but criticise the film’s story and lack of emotional depth.
Rotten Tomatoes score stands at 54% from 95 reviews; Metacritic rates it 53.
Some fans applaud the Spielberg-style thrills, others feel it strays too far with mutant dinosaurs.
Jurassic World Rebirth, the latest addition to the iconic dinosaur saga, has sparked intense debate online ahead of its 4 July release. With Scarlett Johansson and Jonathan Bailey leading the cast, early Twitter reviews show a split audience, some impressed by the action and spectacle, others disappointed by the story’s direction and use of genetically altered dinosaurs.
Mixed response to mutant dinos and CGI-heavy action
Many fans on X agree that Johansson delivers a commanding performance. “She’s shot like a star, presented like a star,” one viewer wrote, praising her as the film’s standout. Jonathan Bailey also earns praise for a subtle emotional moment that resonated with viewers.
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However, critics aren't holding back. Film critics called the film “the dullest entry yet,” while others labelled it “flat and emotionless.” Some appreciated the “mutated dinos and thrilling set pieces” but slammed the pacing and dialogue.
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One viewer described the movie as “a monster-sized adrenaline ride” and praised its nostalgic tension, likening it to Jaws. Another drew comparisons to Alien: Romulus, applauding the darker horror elements, while some fans felt the movie “just ends with no momentum.”
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Rotten Tomatoes score reflects fan divide
With a current Rotten Tomatoes rating of 54% and a Metacritic score of 53, Jurassic World Rebirth becomes the third consecutive film in the franchise to be rated ‘rotten’. Still, it fares better than Fallen Kingdom (47%) and Dominion (29%).
Despite the criticism, major UK outlets gave it four and five stars, with one calling it “easily the best Jurassic in a decade.” Whether the mixed reviews will impact box office numbers remains to be seen, past entries have shown strong ticket sales despite critical setbacks.
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Mystery woman kissing Harry Styles at Glastonbury revealed as Ella Kenny
• Harry Styles was seen kissing a woman at Glastonbury 2025 in a viral video
• The woman has now been identified as London-based producer Ella Kenny
• The pair were dancing and kissing in the VIP section early Saturday morning
• This is Styles’ first public romance since his split with Taylor Russell in 2024
Harry Styles made headlines over the weekend after being filmed kissing a woman in the VIP section of Glastonbury Festival 2025, and now, the mystery is solved. The woman has been identified as London-based producer Ella Kenny, according to a report by The Sun.
The 31-year-old singer, best known for Watermelon Sugar and As It Was, was spotted at the festival in Somerset early Saturday morning, dancing closely with Kenny before sharing a kiss that lasted nearly 12 seconds. Eyewitnesses described the pair as "inseparable" and "very familiar with each other", adding to speculation that this may not have been a first-time encounter.
Harry Styles attends Spotify Celebrates The Launch of Harry Styles' New AlbumGetty Images
Harry Styles’ Glastonbury kiss with Ella Kenny grabs attention
Styles arrived at the festival around 1:45 a.m. on 28 June with friends, including long-time collaborator Kid Harpoon. Not long after, Ella Kenny reportedly joined the group. The two were seen chatting, dancing and sharing kisses on the cheek before eventually making out in full view of others in the VIP area.
One witness claimed the chemistry between the two was undeniable. “Harry only had eyes for her,” they said. “They looked like they’d known each other a while.” Neither Styles nor Kenny has commented publicly on the moment or their relationship.
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Who is Ella Kenny? Meet the producer linked to Harry Styles
Ella Kenny is a visual and experiential producer based in London, working at creative studio Noir. Her LinkedIn lists experience across high-end fashion and arts projects, but until now, she’s kept a relatively low public profile. That changed when footage of her kiss with Styles began circulating online, prompting fans to ask: “Who is she?” The kiss is the first time Styles has been publicly linked to anyone since his 2024 breakup with actor Taylor Russell. Before Russell, he dated Olivia Wilde, with whom he had a high-profile two-year relationship.
Harry Styles leaves following the funeral of singer Liam Payne Getty Images
While neither party has confirmed the nature of their relationship, the chemistry on display suggests this may not have been just a fleeting festival moment. Whether it's the start of something new or simply a weekend romance, fans will be watching closely, and Styles, as always, remains firmly in the spotlight.
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Critics praise Squid Game season 3 for its performances and bleak storytelling
Squid Game season 3 finale premiered on Netflix on 27 June, concluding the global hit series.
Fans on X criticised the ending, calling it rushed, unsatisfying, and emotionally hollow.
Audience score on Rotten Tomatoes drops to 51%, while critics maintain a solid 81% rating.
Creator Hwang Dong-hyuk described the final season as “darker and more hopeless”.
Netflix’s Squid Game may have wrapped up with its third and final season, but many fans are far from satisfied. While critics have praised the final episodes for their intensity and message, a large portion of the audience has taken to social media to criticise what they call a “rushed and meaningless” ending. The divide has become even clearer with the show’s Rotten Tomatoes audience score falling to 51%.
Squid Games season 3 Netflix
Viewers say Squid Game season 3 finale lacked payoff
Despite its reputation as one of Netflix’s most gripping dramas, Squid Game season 3 has received heavy backlash from longtime fans. Many took to X, calling the final six episodes a “waste of time” and slamming the decision to end major characters’ arcs abruptly. The central character, Seong Gi-hun, returns to the games in a broken state after the failed rebellion in season 2, but viewers say his emotional arc fizzled out in an unsatisfying face-off with the Front Man.
The show’s signature psychological games returned with more brutality, including a hide-and-seek game in a surreal Van Gogh-inspired maze and a deadly jump rope over a bridge. But despite the visual spectacle, audiences felt the storytelling was muddled. “The finale felt like they gave up,” one user wrote. “No payoff, no depth, just a spiral to nothingness.” Others pointed out the lack of emotional resonance and character development, especially for new contestants.
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Critics praise the season’s bold vision, but fans remain unconvinced
While audience reactions have been polarised, critics offered a more favourable take. On Rotten Tomatoes, Squid Game season 3 currently holds an 81% critic score, with reviewers applauding the performances, especially Lee Jung-jae’s restrained portrayal of Gi-hun. Creator Hwang Dong-hyuk had warned early on that this season would be “more bleak” and “without hope,” and many reviewers acknowledged the philosophical weight behind the grim narrative.
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Still, fans expected more from a series that once redefined genre television. With no plans for a fourth season, it seems Squid Game’s final message, that the system cannot be dismantled by one man, landed too quietly for a franchise that began with such explosive promise.
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Karan Johar opens up about emotional toll of troll who questioned his single parenthood
Karan Johar revealed how a troll's comment made him question raising kids without a mother.
The filmmaker broke down after reading the remark but found comfort in his children’s response.
Yash and Roohi, born via surrogacy in 2017, told him they’re happy “because you’re our dada”.
Johar credits his close friends and chosen family for supporting him through parenting challenges.
Karan Johar has shared a deeply personal moment about the emotional toll of being a single parent, revealing how one hurtful online comment briefly made him question his choice to raise his twins without a mother. In a recent interview, the filmmaker recalled breaking down after reading the remark and turning to his children for reassurance.
In the interview, the Rocky Aur Rani director recalled reading a troll’s comment that said, “Do you realise you’ve denied your children a mother?” The words struck a nerve. “That broke my heart. For the first time, I doubted myself,” Karan admitted.
The very next morning, still affected, he walked into his children’s room and asked the five-year-olds a question no parent should have to ask: “Are you happy?” Their response? “Yes, because you’re our dada” was all the validation he needed. “It gave me strength,” he said. “Say what you want, I’m proud to be their single parent.”
Yash and Roohi, born via surrogacy in 2017, told him they’re happy “because you’re our dada”Instagram/karanjohar
Karan Johar on parenting without a partner: ‘I do double duty on every front’
Johar, who became a single father through surrogacy in 2017 at age 44, spoke candidly about the realities of raising children without a partner or sibling for support. “I’m an only child and a single parent,” he said. “But my found family and my closest friends have filled in the gaps with endless love.”
He described navigating parent-teacher meetings, school WhatsApp groups filled with mothers, and balancing both roles at home as “daunting but fulfilling”.
Why Yash and Roohi’s names hold emotional meaning for Karan
Karan named his son Yash in honour of his late father, producer Yash Johar, and daughter Roohi as a rearrangement of his mother Hiroo’s name. “They represent the two most important people in my life,” he shared.
Despite moments of doubt, Johar says he has no regrets. “I waited for love to happen before becoming a parent. But in the end, love came in the form of my children.”
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Scarlett Johansson attends the "Jurassic World Rebirth" photocall
Scarlett Johansson says early roles focused on “desirability” and male-centred narratives
Notes positive shift in how women are portrayed in Hollywood today
Recalls being hypersexualised and typecast as a young actress
Currently stars in The Phoenician Scheme, with Jurassic World Rebirth out on 2 July
Scarlett Johansson has reflected on how Hollywood roles for women have evolved, admitting that early in her career, most of her characters were written to serve male-driven storylines. Speaking in an interview, the actress said the landscape has changed, with more nuanced opportunities for women on screen.
The Black Widow star, who began acting at nine, noted a shift in the kinds of roles she’s being offered now. “When I was younger, a lot of the roles I was offered had their ambitions or arcs revolving around their desirability or the male gaze,” she said. “That is less frequent now; something has shifted.”
Scarlett Johansson opens up about breaking free from early typecastingGetty Images
Johansson says more complex roles are finally being written for women
The 39-year-old actress acknowledged that the film industry is slowly embracing more layered portrayals of women. “The messaging is different now; there are more role models, women in visible and powerful positions, and roles that aren’t just one-note,” she said.
Scarlett has long been vocal about the way she was sexualised early on in her career. In a 2022 interview, she admitted that being objectified in Hollywood made her fear she’d be stuck playing the same type of roles. “I kind of became pigeonholed… I remember thinking, ‘I think people think I’m 40 years old,’” she said.
Johansson reflects on her childhood stardom and evolving careerGetty Images
From child star to filmmaker, Johansson now takes control of the narrative
Having debuted in North (1994), Scarlett went on to star in Lost in Translation, The Horse Whisperer, Ghost World, and the Avengers franchise. Now, she’s not just acting; she’s also directing. Her first feature, Eleanor the Great, premiered at Cannes in May.
From Avengers to auteur Scarlett Johansson embraces creative control Getty Images
Alongside her current role in Wes Anderson’s The Phoenician Scheme, she has Jurassic World Rebirth, which hit theatres on 2 July. After decades in the business, Johansson seems to finally be stepping into a space where she can define her own story, both on and off the screen.