Just like for the past two decades, Bollywood star Aishwarya Rai Bachchan stunned everyone with her mesmeric presence and glamorous looks at the ongoing Cannes Film Festival.
The former Miss World debuted at Cannes for the premiere of her film Devdas in 2002. She has been a regular at the movie extravaganza as a global ambassador of beauty brand L’Oréal ever since. During her two-decade-long journey at the festival, she has made some unforgettable red-carpet appearances.
For the third day of her Cannes appearance in 2022, Rai Bachchan slid into a Gaurav Gupta creation and set millions of hearts on fire with her glamorous look.
Gupta, a well-known fashion designer, says he wanted to create a special moment for the star’s 20th year at the Cannes Film Festival and that inspired him to present the former Miss World as the “new-concept Venus”.
The gown, which took 20 days and over 100 craftspeople to create with the actress involved in the creative process right from the beginning, is the ace couturier's interpretation of Italian artist Sandro Botticelli's famous painting ‘Birth of Venus’.
Aishwarya wore Gaurav's custom-made queen pink sculpted creation on the third day of the ongoing film gala for the premiere of Armageddon Time, after opting for a black Dolce & Gabbana ensemble on day two.
“Aishwarya is a complete woman and a beautiful person. As I got to know her through the process, I discovered a wonderful, spiritual person who is really connected to her soul and is elegant. That purity in the absolute sense of beauty inspired me to think of the concept of the ‘Birth of Venus’,” Gaurav told a newswire from Cannes.
The Delhi-based designer, known for his experimental sculpted designs, said he wanted to create something that denoted “hope, life, and beauty”. “We wanted something which denotes hope, birth, and beauty. After all the world has gone through in the past few years, we wanted to celebrate life and art," he added.
The designer, a graduate of London's Central Saint Martins College of Art and Design, accompanied Aishwarya for the appearance and said the frenzy at the red carpet surrounding the actor filled him with joy.
“The frenzy, the love, that Aishwarya receives here, it's almost madness. People couldn't stop screaming her name out loud and the fanfare was insane. So just to see that frenzy, it fills you with joy... She is a phenomenon in Cannes. It's like a real-life film in itself," he said.
His futuristic designs have been regular on the red carpets of various global events with international stars like Cardi B, Thalia, Saweetie, Olivia Culpo, Nicole Scherzinger, Nana Akua Addo, Deepika Padukone, Lady Victoria Hervey, and Gigi Gorgeous wearing his creations.
Sir Rod Stewart has called off a series of concerts in the US as he recovers from a bout of flu, just weeks before his anticipated set at Glastonbury Festival. The 80-year-old singer, who was due to perform six shows across Nevada and California in early June, announced that four have been cancelled and two will be rescheduled.
Sharing the update on Instagram, Rod apologised to fans and expressed his frustration at having to take a break. “I’m devastated and sincerely sorry,” he wrote. “I’ll be back on stage and will see you soon.” The cancelled dates include multiple shows in Las Vegas and Stateline, Nevada, while the California concerts will now take place in September.
Despite the setback, Stewart’s headline appearance at Glastonbury is still very much on. He’s set to take over the festival’s famous Legends slot on Sunday, 29 June, more than two decades since he last played the Pyramid Stage in 2002. At the time, he performed alongside Coldplay and Stereophonics, but this time he’ll return as the oldest artist ever to headline the Legends slot.
Speaking on The Peter Crouch Podcast, Stewart revealed he was only allocated 75 minutes for his Glastonbury set but has requested an extra 15. “I play for over two hours every night, 90 minutes is nothing,” he said. He also shared that Rolling Stones guitarist Ronnie Wood, his former bandmate from Faces, will join him for part of the show, making it a mini-reunion.
Cancelled ShowsInstagram/sirrodstewart
Slowing down but not stopping
Though Stewart has hinted that this might be his final major tour, he’s not ready to retire just yet. “This will be the end of big world tours, but I’m not hanging up the mic,” he said. Instead, he’s eyeing more intimate venues for future performances, possibly exploring a swing or Great American Songbook setlist.
Rod Stewart set to reunite with Ronnie Wood at GlastonburyGetty Images
Rod has faced several health issues this year, including strep throat and a recent round of vocal rest. Still, he seems determined to power through Glastonbury with his charm and energy. With hits like Maggie May and Da Ya Think I’m Sexy, fans can expect a career-spanning set worthy of the Sunday slot.
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Deepika Padukone joins Allu Arjun in Atlee pan India epic AA22xA6
Deepika Padukone has officially signed on as the female lead in Atlee’s highly anticipated film with Allu Arjun, tentatively titled AA22xA6. The announcement has come after her controversial exit from Spirit, directed by Sandeep Reddy Vanga, making this casting a major talking point in film circles and among fans.
The film’s production house, Sun Pictures, introduced Deepika with a video of her training for what appears to be a fierce action role. Concept sketches depict her as a warrior queen, leaping into battle with a massive axe. The video includes scenes of her practising fight choreography in a motion-capture suit and even riding a CGI horse while wielding a weapon.
The visual cues suggest a fantasy-meets-science-fiction world with Deepika at the centre of it. This will be her first screen outing with Allu Arjun and her second project with director Atlee after the 2023 hit Jawan. The makers are calling it a “magnum opus” and have brought on top international technicians, including VFX experts who have worked on Iron Man 2 and Transformers.
Hollywood-based creators involved in the project have publicly praised the film’s script. From creature designs to large-scale battle sequences, AA22xA6 will be one of Indian cinema’s biggest cross-industry collaborations yet.
Sun Pictures reveals the film logo with a teaser full of actionYoutube Screengrab/ Sun TV
Exiting Spirit, entering strength
Deepika’s casting comes soon after her exit from Spirit, which led to a social media stir. While Sandeep Reddy Vanga seemed to suggest she made unreasonable demands, sources close to the actor say she simply wanted an eight-hour workday, a choice influenced by her becoming a new mother.
Vanga’s cryptic posts online accused an actor of lacking commitment, but fans and industry insiders were quick to defend Deepika’s professionalism. Some even joked, “She doesn’t need Vanga,” applauding her for choosing stronger projects over toxic work environments. Replacing her in Spirit is Animal star Triptii Dimri.
Director Atlee guides Deepika through motion capture choreographyYoutube Screengrab/Sun TV
With AA22xA6, Deepika is not just stepping into a powerful role on screen, she’s also showing that leading women in the industry can call the shots without compromise.
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Deepika Padukone is redefining what power looks like in Bollywood
It didn’t take a walkout on a picket line or a fiery press conference to shake the Indian film industry; it took Deepika Padukone quietly demanding, “Eight hours.” No dramatic monologue or sensational tweets. Just a simple request: humane hours, overtime pay, and a refusal to push her body and mind past the brink. And just like that, the conversation in Bollywood cracked wide open.
In an industry that glorifies overnight shoots, delayed pack-ups, and “dedication” measured in sweat, Padukone’s decision to exit a high-profile film, Spirit, over her demand for an eight-hour workday was certainly a career move for her. But beyond that, it was a cultural revolt.
Deepika’s decision is pushing conversations beyond the glamGetty Images
When “enough” becomes revolutionary
What made this moment resonate wasn't just who said it, but when. After giving birth to daughter Dua in September 2024, Padukone’s priorities naturally shifted. She didn’t demand luxury. She asked for balance. And Bollywood, unaccustomed to being told “no,” didn’t take it well.
Her terms were straightforward: eight-hour shifts, payment for overtime, profit-sharing, and a refusal to perform intimate scenes or speak in Telugu; reasonable boundaries that suddenly became controversial when voiced by one of the industry’s most bankable stars.
When director Sandeep Reddy Vanga, known for pushing his cast in emotionally aggressive scenes, reportedly rejected these conditions, Padukone walked away from the project. She was swiftly replaced by Triptii Dimri. Vanga later alluded to “script leaks” and an unnamed actor who had “put down” a younger co-star, setting the entire social media ablaze with speculation.
— (@)
But Deepika wasn’t dragging anyone down; she was raising the floor.
Behind the glamour, Deepika Padukone is leading a quiet revolution in work cultureGetty Images
Not a diva, just done
What’s shocking is how quickly people defaulted to calling her “difficult.” And yet, actors like Shah Rukh Khan are known for avoiding night shoots and Akshay Kumar famously doesn’t work Sundays. No one raises eyebrows when they draw boundaries because it’s framed as “professionalism.” But when a new mother does it? Suddenly, it's "unreasonable."
Director Siddharth P. Malhotra, who worked with Rani Mukerji during Hichki, exposed this double standard: “Rani asked for eight-hour shifts to be with her daughter. Kajol only did one shift a day for We Are Family. It’s only a problem when women say it aloud.”
The industry responds. Some with applause, some with alarm
The dominoes have finally started falling. Mani Ratnam called it a necessary reset. Pankaj Tripathi described his own past of 16-18 hour days as “soul-draining,” while Barun Sobti, an actor-turned-producer, said he’d enforce 8-hour shifts if given the reins. Kajol, ever candid, deadpanned, “I love that you can work less,” while Ajay Devgn added that “honest filmmakers” would never object.
From star to changemaker, Deepika Padukone is rewriting the rules of the setGetty Images
But not everyone cheered
Director Tarun Mansukhani worried about logistical chaos. Some commented: “What happens when mid-budget films start losing their heroes to time clocks?” Others whispered about setting a dangerous precedent.
More than just a star’s schedule
This isn’t just about an actor clocking out early. It’s about rethinking the ecosystem.
Tripathi’s remark: “The actor leaves; the labourers stay”, in fact revealed the hierarchy. Spot boys, technicians, junior artists, they don’t get to negotiate. They wait, often unpaid for overtime, as the “show must go on.” The real question Deepika raises is: if she can’t get fair hours, who can?
And then there’s pay. A producer once told her they couldn't afford to pay her more because it would require cutting the male lead's salary and her response was a simple: 'Goodbye'.
The message? Equal pay isn’t a negotiation; it’s a principle.
When one woman said no to burnout, Bollywood was forced to listenGetty Images
Bollywood vs the world
Hollywood actors operate under union protections like SAG-AFTRA mandates, rest breaks, overtime pay, and hard stop hours. Violate it, and the studio pays. In contrast, Bollywood thrives on chaos masked as passion. People wear sleeplessness as a badge of honour. But glamour doesn’t justify grind.
While some southern Indian industries like Tollywood and Mollywood run leaner and faster, the Bollywood machine is notoriously disorganised, more time wasted in disarray than in shooting.
As one Mumbai-based casting director put it, “We imitate Hollywood’s sparkle but not their structure.”
Challenging the grind: how Deepika is shifting industry norms one demand at a timeGetty Images
Will the industry bend or break?
Deepika's stand has pushed the debate beyond vanity. This is about structure, safety, and sustainability. If the Federation of Western India Cine Employees (FWICE) and the Indian Film & Television Producers Council (IFTPC) don’t use this flashpoint to draw up new frameworks, the fallout will continue to be individual actors “opting out” rather than an industry choosing to change.
There’s already noise on social media from mid-tier actors who’ve faced burnout. They described enduring 14-hour shoot days with minimal breaks and have urged producers to build reasonable rest periods into their schedules. The pot’s boiling.
Deepika Padukone’s stand is making work-life balance a power move in Indian cinemaGetty Images
The curtain call
What started with one woman asking to wrap up on time has opened a conversation that Bollywood has avoided for far too long. Deepika Padukone’s quiet battle has exposed the uncomfortable truth: that this industry, which prides itself on discipline and “family vibes,” often forgets that families need time, sleep, and respect.
She didn’t just ask for eight hours. She asked for dignity and, most importantly, balance. And in doing so, she’s invited every actor, technician, spot boy, and choreographer to do the same.
This isn’t a diva’s whim; it’s like labour is stepping into the spotlight, demanding its long-overdue close-up. Bollywood’s glamour will always shine. But maybe, finally, it won’t have to come at the cost of people collapsing under its weight.
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Lokesh Kanagaraj set to direct Aamir Khan in a high-octane superhero film
Bollywood icon Aamir Khan has officially revealed that he will be teaming up with Tamil filmmaker Lokesh Kanagaraj for a large-scale superhero action film. The project, which is still in its early stages, is expected to begin production in the second half of 2026.
A rare early reveal from Aamir Khan
Aamir is known for picking his projects carefully, usually choosing one at a time, often after his latest release has had its run. But this time, ahead of the 20 June release of Sitaare Zameen Par, he decided to open up about what’s coming next. In a media interaction in Mumbai, he confirmed that he and Lokesh Kanagaraj have signed on to create a superhero film. “It’s a big-scale action film,” Aamir said, adding that while production is still more than a year away, the plan is firmly in place.
Lokesh, known for action-packed Tamil hits like Kaithi, Master, Vikram, and Leo, has built a reputation for combining stylish action with grounded storytelling. Aamir, who has dabbled in the action genre with films like Ghulam, Ghajini, and Dhoom 3, is expected to bring emotional weight and mainstream appeal to this pairing.
When asked for more details, Aamir smiled and declined to say more, simply stating that the full picture would emerge in time. For now, both actors and fans will have to wait as the film moves towards pre-production.
No PK sequel, but a Dadasaheb Phalke biopic is in the works
During the same interaction, Aamir also addressed speculation about a sequel to PK. “That’s just a rumour,” he said plainly. “I don’t know where that came from.” Instead, he confirmed he will reunite with director Rajkumar Hirani for a biopic on Dadasaheb Phalke, widely regarded as the father of Indian cinema.
Meanwhile, Sitaare Zameen Par, a spiritual follow-up to his acclaimed 2007 film Taare Zameen Par, will see Aamir play a basketball coach working with a team of individuals with special needs. Directed by RS Prasanna and co-starring Genelia D’Souza, the film also introduces ten new actors.
Aamir Khan dismisses PK 2 rumours and confirms biopic on Dadasaheb PhalkeGetty Images
With multiple ambitious projects lined up, including a superhero film, a historical biopic, and the epic mythological saga, Aamir Khan is entering a creatively fertile phase of his career, balancing scale with substance.
Music has inspired every aspect of Rick Ram’s life. The massively popular chutney soca star grew up surrounded by songs that shaped him as both an artist and individual. That journey led him to become an award-winning singer with a string of hits.
When Eastern Eye asked him to select his favourite songs, he chose ones filled with magic, meaning and cherished memories.
Tu by Sonu Nigam: When I was about 11, my mother Camla Ramoutar sang with a band called Melody Express and rehearsed at our home. One night, the lead singer did not show up, and they were practising this song. Jerry Beharry overheard me singing along and told me to perform it on stage. It became the first song I ever sang live.
Nache Man Mora Magan by Mohammed Rafi: Known as one of the most difficult songs to sing, this track encouraged me to pursue a music career. It was my first entry into Mastana Bahar, a respected platform that launched the careers of many artists.
Pretty Woman from Kal Ho Naa Ho: This song brought me my love and life partner, Vanessa Ramoutar. I entered a major competition in Trinidad and Tobago for the best cover version of this song. I did two versions with Xsitaaz Band and Caribbean Vibrations Band. We performed on a live TV show called Indian Variety, and I needed a dancer. That is when the beautifully talented Vanessa walked into my life.
Mitwa from Kabhi Alvida Naa Kehna: This film track is a personal favourite to sing live. It remains one of the sweetest songs ever composed.
Sapano Main Pyardi by Ramdeo Chaitoo: This was the first traditional chutney song I covered. It will always hold a special place in my heart because it represents Caribbean music.
Ro Na Kabhi Nahin Rona from Apna Desh: I recorded a cover version of this song in 2007 and was blessed with a beautiful baby girl that same year. She brought such light into our lives, and the song became a huge success. To commemorate that moment, we named our daughter after the track – Varonah. For her sweet 16, we created a special remix of it just for her.
Ah Wish I Was Single by Rick Ram: I have many original hits in the chutney soca genre, but this one stands out. In 2012, I recorded the song and entered two competitions. I placed third in the Chutney Soca Monarch and won my first title as South Super Saturday Chutney Soca Monarch.
Nanda Baba by Anand Yankarran: This iconic song, originally sung by the late, great legend Anand Yankarran, remains one of the greatest traditional chutney tracks. I remember calling Mr Yankarran to ask his permission to do a cover, just before he passed away. He was so excited and said he had never heard anyone sing it the way I did. I recorded it with his blessings.
Luuuzzaarr by Rick Ram: This song was born out of a difficult time, when my wife and I were being bullied. Rather than retaliating, we channelled that experience into creating something positive. Luuuzzaarr made a huge impact – and helped me win two titles: the 2024 Chutney Soca Monarch and the 103.1FM Chutney Soca Road March competition.
Party Like This by Rick Ram: This original song is dedicated to my little prince, my son Rick Junior. He is full of energy and watches everything I do. A reflection of him, I am proud of this track just as I am proud of him and everything he is. It has become his anthem.