SOUTH AFRICAN wicketkeeper-batsman Quinton de Kock announced his retirement from Test cricket with immediate effect.
The shock announcement from De Kock, 29, on Thursday (30) came just hours after he was part of the South African team beaten by 113 runs in the first Test against India at SuperSport Park.
De Kock said he remained committed to playing international limited-overs cricket.
Twice named as South African Cricketer of the Year, De Kock said in a statement that he wanted to spend more time with his family.
It had already been announced he would miss the second and third Tests against India because his wife, Sasha, is about to give birth to the couple’s first child.
De Kock was embroiled in controversy during the T20 World Cup in October when he refused an order from Cricket South Africa to take the knee in support of Black Lives Matter.
The order came shortly before a match against the West Indies and it was initially announced that De Kock had withdrawn from the match for personal reasons.
After a meeting with cricket South Africa officials, De Kock apologised and committed to the gesture for future matches although in making his apology he said he had felt his "rights were taken away" in the way the order was conveyed.
He made no mention of the incident in his retirement statement.
"This is not a decision that I have come to very easily. I have taken a lot of time to think about what my future looks like and what needs to take priority in my life now that Sasha and I are about to welcome our first child into this world and look to grow our family beyond that.
"My family is everything to me and I want to have the time and space to be able to be with them during this new and exciting chapter of our lives.
"I love Test cricket and I love representing my country and all that it comes with. I've enjoyed the ups and the downs, the celebrations and even the disappointments, but now I’ve found something that I love even more.
"In life, you can buy almost everything except for time, and right now, it's time to do right by the people that mean the most to me."
De Kock was regarded as one of the most talented wicketkeeper-batsmen in the world.
He scored 3300 runs at an average of 38.82 in 54 Tests, scoring at a rate of more than 70 runs per 100 balls. He took 221 catches and made 11 stumpings.
De Kock captained his country in four Tests last season but did not look happy in the role.
In January, he questioned the sustainability of bio-secure environments as a result of Covid-19 restrictions and said "bubble life is very unsettling".
His retirement means that only three players in the current South African squad have made Test centuries – captain Dean Elgar, Aiden Markram and Temba Bavuma.
De Kock's place in the Test team is expected to be taken by Kyle Verreynne, who made his debut as a specialist batsman during a series in the West Indies in June.
Whether it is dud decisions, awful acting, nepotism, terrible writing, sloppy direction, an actor in his late 50s playing a hero in his 20s, or misguided marketing, there is a lot that can be logically blamed for a Bollywood film flopping.
But in Hindi cinema – where logic is often missing – many in the industry still believe the spelling of titles and star names can determine a film’s fate. Yes, you read that correctly. They think a few extra letters can magically make all the difference.
This was perfectly illustrated by the recently released The Bhootnii – with an extra ‘i’, because why not?
Originally titled The Bhootni, the horror comedy was renamed on the sacred advice of a spiritual leader named Ayush Gupta, who presumably read the stars, lit some incense, and declared that adding an “i” would turn it into a box office smash.
Unfortunately for producer and lead actor Sanjay Dutt, the audience disagreed – and that too in spectacular fashion.
Despite horror comedies being popular in Hindi cinema right now, this flop film failed miserably. The extra “i” made absolutely no difference – but that did not stop a press release from being proudly issued, celebrating the spelling change.
The Bhootnii
The trend of stuffing film titles with extra letters has now been going on for decades – which is why so many titles look spectacularly silly. Spoiler alert: instead of becoming box office sensations, most of these films have sunk without a trace.
And it is not just film titles – stars themselves have tried tweaking their names in hopes of changing their luck. Kareena Kapoor briefly flirted with being Kariena. Vivek Oberoi attempted to save his sinking career by becoming Viveik, but that did nothing to slow the fall.
Ayushmann Khurrana, Rajkummar Rao, Manoj Bajpayee and Riteish Deshmukh are just some of the many actors who have changed the spelling of their names.
Currently, Abhishek Bachchan is trying to revive his fortunes by adding an extra ‘A’, now appearing as “Abhishek A Bachchan” – including in this week’s big Bollywood release Housefull 5. Somehow, a spelling change seems to have taken priority over finding strong scripts with well-written characters and actual commercial appeal.
While Bachchan is adding an ‘A’, Ajay Devgan has done the opposite – dropping one. His credit now reads “Ajay Devgn”, but that has not stopped a string of flops from piling up and outweighing his successes.
Instead of rearranging letters like a Scrabble addict, filmmakers and stars would be better off focusing on strong scripts, better acting, and films that audiences actually want to see. They should swap spelling gymnastics for spellbinding stories – or perhaps get inspired by Karan Johar.
The producer-director was once a loyal follower of the ‘K’ cult – with films like Kuch Kuch Hota Hai, Kabhi Khushi Kabhie Gham, Kal Ho Naa Ho and Kabhi Alvida Naa Kehna. But after watching the acclaimed Lage Raho Munna Bhai, which brilliantly mocked numerology, he had a change of heart and ditched the superstition. He went on to become one of Bollywood’s most powerful producers.
Those still clinging to spelling stunts should take a long, hard look at disasters like The Bhootnii, which failed so spectacularly.
And let’s be honest – if numerology really worked in Bollywood, every fortune teller in Mumbai would be producing weekly blockbusters. The harsh truth is that this obsession with extra letters is just a flimsy band-aid over a gaping creative wound.
With Bollywood going through its worst phase in history, more insiders are foolishly turning to numerology and extra vowels, rather than investing in strong writing, bold ideas and original content.
Throwing in an extra letter or renaming your hero is not the answer. Better films are.
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Uttera Singh’s Pinch will premiere at Tribeca after a teaser drop and Cannes trailer launch
Indian filmmaker and actor Uttera Singh is set to make her feature film debut at New York’s Tribeca Festival on 6 June with Pinch, a dark comedy tackling the issue of assault through an unexpected lens. The film has earned a spot in the prestigious International Narrative Competition, selected from over 14,000 global submissions, with just 150 entries making the final cut. Pinch is the only Indian feature competing this year and the first in three years to make it into Tribeca’s main competition line-up.
The 83-minute film, shot entirely in Indore over 24 days, follows travel blogger Maitri (played by Singh) and her conservative mother Shobha (played by Geeta Agrawal) as they confront the aftershocks of a local incident that many in their community would rather pretend never happened. Singh describes the film as an exploration of how silence and denial can become part of everyday life. “People call it a ‘small thing,’ but it’s not. Pinch is about those small things that leave a permanent scar,” she explains.
A still from Pinch
Locals from Indore played an active role in the shoot, offering their time, spaces, and moral support. Singh, who grew up in the city, says the community stood by her throughout. “Even under the scorching sun, they’d remind me, ‘You just focus on the film, we’re with you.’
A powerhouse cross-continental team
Singh is an alumna of USC’s School of Cinematic Arts, where she now teaches. She’s previously made waves with her short film Fanny Pack, which screened at over 80 film festivals and won 25 awards. With Pinch, she reunites with several creative collaborators. It is co-written and shot by Adam Linzey, with original music by Raashi Kulkarni. The sound design is by Jan Bezouška, and colour grading is done by Natasha Leonnet. Production design is helmed by Madhusudan N., and the editing team features Faroukh Virani, Louise Innes, and Vanessa Ruane.
Uttera's Pinch will premiere at Tribeca
Following a teaser release and trailer launch at Cannes, Pinch is now preparing for its Tribeca debut, a proud moment for Singh, Indore, and Indian indie cinema. She is also expected to be pitched for potential involvement in diaspora events, including ACTA.
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Ryanair issued a statement apologising to passengers affected by the incident
Eight passengers were injured when a Ryanair flight from Berlin to Milan encountered severe turbulence and was forced to divert to an airport in southern Germany, Bavarian police have confirmed.
The incident occurred on Wednesday evening, with the aircraft landing at Memmingen Airport, west of Munich, at 8.44pm local time (6.44pm GMT). Among those injured were a two-year-old child who suffered bruising and a woman with a head injury. Police said three individuals were taken to hospital for further treatment, while others received medical attention at the airport.
According to police, the flight was unable to land at its intended destination of Munich Airport due to poor weather conditions. The turbulence prompted the flight captain to call ahead for medical assistance, and the aircraft landed safely without further incident.
A total of 179 passengers and six crew members were on board the flight. As a precaution, all passengers were checked for injuries. The ages of those injured ranged from two to 59 years.
Ryanair issued a statement apologising to passengers affected by the incident. The airline said: “This flight from Berlin to Milan (5 June) diverted to Memmingen after experiencing severe turbulence over Germany. The captain requested medical assistance ahead of landing, and the aircraft landed normally. Ryanair sincerely apologises to passengers affected by this diversion.”
Following the landing, the Southern Bavaria Aviation Authority did not approve an onward flight on Wednesday evening. Ryanair arranged alternative transport to Milan for passengers that night and provided a replacement flight the following morning.
The airline did not confirm the cause of the turbulence but weather-related issues were cited by local authorities. The situation was handled on site by emergency responders and local officials.
The incident comes as parts of central Europe have experienced unsettled weather conditions this week, including thunderstorms and heavy rainfall.
Despite the unexpected diversion and injuries, police noted that the aircraft landed safely and that all necessary medical protocols were followed.
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Taylor Jones, Vinit Thakkar Kyran Jones and Sony Music India team up to launch THG India supporting Indian music globally
Sony Music India has announced a new partnership with Los Angeles-based entertainment company The Hello Group (THG) to form a joint venture called THG India. The new company is set to focus on developing Indian music talent and providing them with global touring and management opportunities.
This is the first collaboration of its kind by Sony Music India on an international scale, and it comes at a time when Indian music is drawing growing attention worldwide. THG India will operate from Mumbai and work through The Hello Group’s international network, aiming to provide end-to-end support for artists, from management and touring to publishing and promotion.
Sony Music India partners with Los Angeles-based The Hello Group to launch THG India
Bridging India’s music scene with the global stage
With India’s live music industry growing rapidly, the joint venture hopes to fill a major gap in professional artist support and global touring infrastructure. While Sony Music India brings local expertise and access to its platforms, THG adds global experience and connections.
“This is a big step forward for the Indian music industry and our creative talent,” said Vinit Thakkar, Managing Director of Sony Music India. “We’re combining our knowledge of the local scene with THG’s international touring and artist development strength to help Indian artists build lasting global careers.”
Taylor Jones, CEO of The Hello Group, said THG India would help unlock the full potential of Indian talent. “There’s a wave of energy and creativity in Indian music. Our aim is to offer these artists the tools and platform to take their work to international audiences.”
Taylor Jones, Vinit Thakkar and Kyran Jones join forces to launch THG Indiagetty images
Global success stories and big names behind the venture
The Hello Group’s publishing division, which is run in partnership with Sony Music Publishing, has already seen massive success across Asia. Their work includes chart-topping releases with artists like BTS, TWICE, IVE, and The Chainsmokers. Their booking agency has handled international tours for performers such as Jeff Satur, Mark Ambor, Kang Daniel, and Greyson Chance.
Taylor Jones and Vinit Thakkar come together to launch THG India getty images
THG India now hopes to offer the same opportunities to Indian musicians, allowing them to grow both at home and abroad. Sony Music India has confirmed it will provide financial backing and creative support to build the platform.
With this move, both companies are hoping to shape the future of Indian music on a global scale.
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Experience the Timeless Elegance of Bharatanatyam: Pallavi Anand to Perform at The Bhavan, London
This June, London’s vibrant cultural scene will be enriched by a spectacular display of classical Indian dance as the acclaimed Bharatanatyam artist Pallavi Anand presents a captivating performance at The Bhavan. Scheduled for Sunday, June 15, this event promises to be a culturally immersive evening showcasing the rich heritage and expressive power of one of India’s oldest and most revered dance forms. As audiences gather at 4A Castletown Road, London W14, they will witness a masterful blend of storytelling, rhythm, and melody that transcends borders and time, bringing the ancient art of Bharatanatyam to life in a modern metropolis.
Bharatanatyam, often described as the dance of the gods, is a classical dance form originating from Tamil Nadu, India. It combines intricate footwork, expressive hand gestures known as mudras, and emotive facial expressions to narrate stories from Hindu mythology and spirituality. Pallavi Anand is celebrated for her ability to breathe new life into this traditional art, weaving contemporary sensibilities with classical rigor. Her performances are not only visually stunning but deeply emotive, offering audiences a profound connection to the themes of devotion, love, and human experience embedded in the dance.
Accompanying Pallavi on this special occasion will be an ensemble of highly skilled musicians who are masters of their craft. Mavin Khoo, renowned for his expertise in nattuvangam—the rhythmic art of cymbals and recitation—will provide the crucial beats that guide the dancer’s movements. The soulful vocals of Vamshikrishna Vishnudas will enrich the performance with traditional Carnatic music melodies, while Prathap Ramachandra will bring the dynamic rhythms of the mridangam, the classical South Indian drum. Adding melodic depth to the performance is Vijay Venkat on the flute, whose notes weave seamlessly with the dance and vocals, creating an immersive auditory experience.
The Bhavan, a prestigious cultural institution dedicated to promoting Indian arts in the UK, provides the perfect venue for this event. Known for hosting an array of performances, workshops, and exhibitions that celebrate South Asian culture, The Bhavan serves as a vibrant community hub where tradition and modernity meet. The venue’s intimate setting allows audiences to engage closely with the performers, enhancing the emotional and spiritual resonance of the dance.
For anyone seeking to explore the beauty of Indian classical arts or to experience a night filled with artistry and cultural depth, Pallavi Anand’s Bharatanatyam performance is an unmissable event. This performance is a unique opportunity not only to witness exceptional dance but also to connect with a living tradition that has been passed down through centuries, constantly evolving yet preserving its essence.
Tickets and further details can be found on The Bhavan’s official website: www.bhavan.net.