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Charli XCX working on new music with fiancé George Daniel

The popstar had announced the news of their engagement on social media on November 29.

Charli XCX working on new music with fiancé George Daniel

Well-known English singer and songwriter Charli XCX has shared a major update on her upcoming project. She has revealed that she has been working on new music with her fiancé – George Daniel of The 1975.

The popstar had announced the news of their engagement on social media on November 29.


The 31-year-old opened up about her new music during a new podcast interview. She also confirmed that she has sought help from her fiancé for some of the upcoming tracks.

“We have done a couple of things together. We have got a few ideas in the works,” she said.

She continued, “It’s funny. I have never sort of been in a relationship with someone that I have worked with, so it’s like a whole new dynamic. But it’s cool. There will be a couple of songs that he has worked on with me.”

The Grammy-nominated singer first connected with The 1975 and Daniel in 2021 while working on the collaborative single “Spinning" with No Rome.

She confirmed her romance with the musician in May 2022. They have collaborated on the pop star's "Crash," "Selfish Girl," "Spinning," "Welcome to My Island," "In the City," and "Hot Girl (Bodies Bodies Bodies)" for A24's horror comedy Bodies Bodies Bodies.

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5 mythological picks now streaming in the UK — must-watch

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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