A NEW collection of historical treasures from the subcontinent has opened at the British Museum in London.
The Sir Joseph Hotung Gallery of China and South Asia underwent a major refurbishment
before welcoming visitors last Thursday (14).
Imma Ramos, a curator of the south Asia collection at the British Museum, showed Eastern Eye around the display, which includes a sitar that belonged to the late sitar maestro Pandit Ravi Shankar and a sari worn by suffragette Sophia Duleep Singh.
The gallery shows off an array of objects, some of which date back 1.5 million years.
“It was an incredibly exciting prospect because it involved choosing which objects
we wanted to display,” said Ramos. Having only worked at the museum for two years,
this is her first major exhibition.
Initially opened in 1992, the gallery has been regenerated to include previously unseen
light-sensitive material such as Mughal paintings of Hindu yogis and a new presentation
dedicated to the origins of Sikhism.
“The really exciting thing for us was that we could finally include light-sensitive materials.
We have a huge collection of south Asian paintings, textiles and popular prints and for the first time, we are able to show that material,” Ramos said. “That really allows us to bring the story right up to the present day.”
The gallery is brightly lit with various sections dedicated to south Asian history and culture, from resistance against British rule to the independence and partition of India.
Organised in chronological order, the exhibition allows visitors to follow a narrative that takes them on a journey from ancient times to contemporary Asia.
Each display has a “gateway” object that is chosen to encapsulate everything else in
the case. The idea was that visitors, who may not have a huge amount of time to spend on each item, could focus on one object that could summarise the section.
“That would be the star object,” Ramos explained. “It should stand alone as an important
item, but it should also try and capture the spirit of everything else around it.”
One such “star object” on display within the roots and south Asia diaspora case is a sitar owned by renowned musician Pandit Ravi Shankar.
The beautifully carved stringed instrument was gifted to the museum by Shankar’s wife, Sukanya, and his daughter, Anoushka, last month.
“We are using this sitar to talk about the south Asian diaspora because [Shankar] really popularised Indian classical music internationally. He brought it to the world,” Ramos said.
An acclaimed musician in her own right, Anoushka recently visited the museum to play
the instrument for the museum’s YouTube channel in a celebration of the gallery’s opening.
Other highlights include a shadow puppet display depicting freedom icon Mahatma Gandhi; a sword and ring once owned by Tipu Sultan, who ruled Mysore in south India; and a two-sided limestone relief from the Great Shrine at Amaravati.
Ramayana, directed by Nitesh Tiwari, will be released in two parts on Diwali 2026 and 2027.
Producer Namit Malhotra confirmed the combined budget is over £375 million (₹4,000 crore).
The film stars Ranbir Kapoor, Sai Pallavi, Yash, and Sunny Deol, with music by Hans Zimmer and A.R. Rahman.
It will use AI dubbing and IMAX-scale VFX from Prime Focus for a global cinematic release.
Nitesh Tiwari’s Ramayana is officially the most expensive Indian film ever made, with a staggering production budget exceeding £375 million (₹4,000 crore). Confirmed by producer Namit Malhotra, the two-part epic is being developed at nearly £400 million, placing it alongside some of Hollywood’s biggest projects in terms of scale and ambition.
The project, backed entirely by Malhotra’s team without outside investment, is being hailed as a landmark cultural and cinematic moment for India. With its use of cutting-edge technology, an international musical collaboration, and a cast of some of the country's biggest names, Ramayana is being positioned as a visual retelling of India’s most revered epic for global audiences.
Fans await Ramayana teaser as early reviews spark buzz online Instagram/iamnamitmalhotra
VFX, AI dubbing and a grand IMAX vision
Malhotra, who is also the CEO of Prime Focus, the VFX house behind Inception, Dune, and Interstellar, is bringing the same scale of production to Ramayana. From AI-powered dubbing to ensure effortless multilingual release to custom-built IMAX-ready visuals, the film is expected to be a technological leap for Indian cinema.
The use of AI dubbing marks a first for India, with actors’ voices being translated seamlessly across languages without additional recording, potentially revolutionising how pan-India films are made.
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Star-studded cast to bring the epic to life
Leading the film is Ranbir Kapoor as Lord Ram, alongside Sai Pallavi as Sita and Kannada superstar Yash as Ravan. Sunny Deol plays Hanuman, with support from Ravi Dubey, Lara Dutta, and Vikrant Massey. Although Amitabh Bachchan’s name has been linked to the project, his role has not been officially confirmed.
The story will unfold across two instalments, with Part 1 slated for Diwali 2026 and Part 2 arriving in 2027. Sources suggest the first part may end with the pivotal ‘Sita Haran’ episode, though plot specifics remain tightly under wraps.
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Zimmer and Rahman to compose original soundtrack
Adding further weight to the project is its musical team, Academy Award winners Hans Zimmer and A.R. Rahman. Their collaboration for Ramayana is in fact a rare union of East and West and is expected to deliver a stirring, cinematic score that matches the film's scale.
A motion poster launched earlier this month gave fans the first animated glimpse of the characters and set the tone for the scale of storytelling. The visuals, backed by a teaser of the original score, have already begun building buzz among audiences.
AR Rahman and Hans Zimmer smile together in viral selfie Instagram/arrahman
A cultural milestone, not just a blockbuster
For Malhotra, this film goes beyond box office numbers. Speaking on Prakhar Gupta’s podcast, he said, “This isn’t just about money. It’s about telling the greatest story ever told, and doing it in a way the world has never seen.” He added that while the budget may seem large, it’s still more cost-effective than many comparable Hollywood tentpoles.
The producer also emphasised the deeply personal nature of the film, calling it a tribute to India's heritage. “This is a story that every Indian knows. Now it’s time the world sees it too,” he said.
With production fully underway, Ramayana is poised to become a milestone not only in Indian filmmaking but also in how ancient narratives are brought to screen with new-age tools.
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Dominic McLaughlin spotted in full Hogwarts costume as filming begins in the UK
Dominic McLaughlin unveiled as the new Harry Potter as HBO’s TV reboot begins filming.
Arabella Stanton and Alastair Stout confirmed as Hermione and Ron.
Series to release in 2027, one season per book over a decade-long plan.
John Lithgow, Paapa Essiedu, and Katherine Parkinson join the ensemble cast.
Production is officially underway for HBO’s long-awaited Harry Potter series, with the first image of 11-year-old Dominic McLaughlin in costume as the Boy Who Lived. The reboot marks a return to Hogwarts nearly 14 years after the final film in the original movie franchise wrapped, and it promises to revisit each of J.K. Rowling’s seven novels, with one season dedicated to each book.
The new trio cast as Harry, Hermione and Ron step into a world where childhood and fame rarely mix well Instagram/harrypotter/Getty Images
New Harry Potter cast includes young British actors and seasoned stars
The lead trio, McLaughlin as Harry Potter, Alastair Stout as Ron Weasley, and Arabella Stanton as Hermione Granger, were chosen from a pool of tens of thousands of children in an extensive casting process. HBO revealed the three in May, and now a wider ensemble has been confirmed.
Among the new faces joining the world of wizards are Rory Wilmot as Neville Longbottom, Amos Kitson as Dudley Dursley, Louise Brealey as Madam Hooch, and Anton Lesser as wandmaker Ollivander. Other key characters have been recast with prominent British actors, including John Lithgow as Dumbledore, Paapa Essiedu as Snape, and Katherine Parkinson as Molly Weasley.
Series to be “faithful adaptation” with new creative vision
The reboot is being described by HBO as a “faithful” retelling of Rowling’s original books but with more space and time to explore the stories in detail. Francesca Gardiner, best known for her work on Succession and Killing Eve, serves as the showrunner and writer. Longtime HBO collaborator Mark Mylod is on board as director for multiple episodes and will also serve as executive producer.
The series is being filmed at Warner Bros. Studios in Leavesden, the same location used for the original film series. Costume designer Holly Waddington, who recently won an Academy Award for Poor Things, has joined the production, while Killing Eve’s Laura Neal is part of the writers’ room.
While HBO has confirmed the first season will cover The Philosopher’s Stone, the network has not revealed whether subsequent seasons will continue yearly. However, executives have hinted at a decade-long rollout, aligning roughly with the timeline of the books’ original publication. The series will stream on HBO and HBO Max (or Max where available) and is expected to debut sometime in 2027, thirty years after the first Harry Potter book was released.
The reboot arrives at a time when the franchise’s popularity remains strong, thanks to its films, video games, and stage production The Cursed Child. The new series is being positioned as a way to introduce Hogwarts to a new generation while offering long-time fans a deeper, more expansive adaptation.
The Harry Potter reboot becomes the most expensive TV show ever Amazon
What else is known about the production?
In addition to familiar characters, the new series will introduce younger versions of beloved Hogwarts students, such as Draco Malfoy (played by Lox Pratt), Parvati Patil (Alessia Leoni), Seamus Finnigan (Leo Earley), and Lavender Brown (Sienna Moosah). Lucius Malfoy will be played by Johnny Flynn, while Daniel Rigby and Bel Powley step in as Vernon and Petunia Dursley.
HBO has also reportedly brought back Framestore, the VFX company behind the original movies, to recreate the magical world for television.
Despite the controversy surrounding Rowling’s recent public views, HBO has reaffirmed her involvement as an executive producer, suggesting that the show will still be grounded in the spirit of her original world-building, even as it brings in a diverse and updated cast.
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Azealia Banks has taken to social media to share screenshots of direct messages
• Azealia Banks posts screenshots of alleged messages from MMA fighter Conor McGregor • Claims include receipt of unsolicited nude photos • Original tweets removed by platform for violating content rules • McGregor has not publicly responded
Azealia Banks accuses Conor McGregor of sending explicit photos
Azealia Banks has taken to social media to share screenshots of direct messages and alleged nude photos reportedly sent by MMA fighter Conor McGregor. The posts, which surfaced on 14 July, included explicit images and suggestive messages. The authenticity of the content has not been independently verified, and McGregor has not commented publicly.
Removed PostsX/ Azealia Banks
Removed PostsX/ Azealia Banks
Removed PostsX/ Azealia Banks
Banks posts screenshots and criticises McGregor
The screenshots shared by Banks appeared to show McGregor sending explicit images, including one with a caption referencing lifting weights. In one of her tweets, Banks questioned the motive behind the alleged messages, writing, “How are you really going to sexually harass me with the potato farmer dick then threaten me not to tell?”
She further claimed that the pair had been exchanging “unsolicited nudes” since 2016, adding that she had never met McGregor in person. The rapper also made a reference to his birthday and mocked speculation about his potential political ambitions in Ireland.
Platform removes content and suspends Banks
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The original tweets, which featured the explicit photos, were taken down by X (formerly Twitter) for violating its guidelines. Banks later revealed that her account had received a 12-hour suspension as a result. She acknowledged the penalty on Instagram, writing, “Got me. It’s been fun.”
McGregor remains silent
She further claimed that the pair had been exchanging “unsolicited nudes” since 2016Getty Images
Conor McGregor, who has been in a relationship with Dee Devlin since 2008, has not issued any public statement regarding the alleged messages or photos. There has been no confirmation from his representatives about the claims made by Banks.
A poignant evening unfolded at The Chambers, Taj 51 Buckingham Gate, where storytelling met soul-searching in an unforgettable conversation between Bollywood icon Manisha Koirala and creative visionary Manish Tiwari. Hosted by Here & Now 365, the event wasn't just a rendezvous of film lovers and cultural figures; it was a moment of collective pause, reflection, and renewed strength.
Actress, activist, and cancer survivor Manisha Koirala’s presence radiated both dignity and depth. Her journey, marked by painful valleys and soaring recoveries, became a guiding light for everyone in the room.
“Resilience isn’t a heroic burst,” Manisha said softly, “it’s a series of small choices, made moment by moment.”
These words captured the essence of a woman who had once faced death and emerged with more life than ever before. Her candid recounting of her diagnosis, treatment, and emotional tumult was far from a scripted memoir; it was raw, real, and quietly transformative. “When the doctor told me I had ovarian cancer, I thought, ‘This is it. I’m going to die.” The room fell into an uneasy silence, broken only by her own calm voice. “But by the grace of God, I didn’t. I learned to live again.”
Now cancer-free for over a decade, Manisha wears her scars not as symbols of suffering, but of survival. “Cancer taught me how fragile life is, and how full of grace it can still be.” Her message to the community was loud and clear: take nothing for granted, guard your health, value your people, and embrace life… not with fear, but with fullness.
A life shaped by legacy and loss
Manish Tiwari opened the conversation by tracing her journey from Nepal, born into the influential Koirala family, known for producing four Prime Ministers, to the dazzling heights of Indian cinema. Raised partly in Banaras, partly in Kathmandu, Manisha’s early life was woven with politics, activism, and cultural richness. But the cinematic leap came unexpectedly. “I hadn’t even finished Class 12,” she laughed, “and suddenly I was standing next to Dilip Kumar and Raj Kumar on a film set!”
She described her debut with wide-eyed wonder, calling it “Alice in Wonderland… but scarier.” Though she had no background in acting, her performances quickly earned critical and commercial success. Yet fame, she said, was only one layer of the journey. “I burned out. I was working 18 to 19 hours a day… no holidays, no boundaries. Slowly, I started making bad films. I lost direction.”
When stardom faded, the soul spoke louder
And then came her diagnosis. “It shattered my world,” she admitted. From being the darling of millions to lying in a New York hospital, confronting her mortality, the fall was brutal. But the rise was even more beautiful. Her account of choosing life again of surrendering, healing, and seeking purpose, brought moist eyes and standing applause.
Throughout the talk, she emphasised how the real journey began after her illness. “I’m a Koirala woman — strong, stubborn, a little rebellious. Our women worked the fields and shaped history. That fire is in my blood.” She spoke about feminism, finding meaning in the roles she played, and how her heart sought characters that carried purpose.
“Even if the film didn’t do well, it didn’t matter. If the script opened my eyes, if it moved something in me, that’s what I lived for.”
For the soul, not the spotlight
She admitted to hitting rock bottom, professionally and personally, and spoke of rebuilding her identity from “minus and zero”. But never once did she sound bitter. Instead, there was acceptance. Grace.
Manisha also touched on Nepal’s political instability with cautious honesty. “I love my country deeply. But I worry- there’s a longing for dignity, for stability. We need to rebuild institutions, not just governments.”
A masterclass in living
The audience, a mix of diaspora professionals, art lovers, and well-wishers, sat rapt. They didn’t just meet a film star that evening. They met a truth-teller, a woman who had faced darkness and brought back light.
Her final takeaway? “Life is here today and gone tomorrow. So live it — fully, bravely, kindly.”
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Stuntman SM Raju dies during car stunt for Pa Ranjith’s film Vettuvan
Veteran stuntman SM Raju died while filming a car-toppling stunt for Vettuvan, directed by Pa Ranjith.
The car flipped uncontrollably during a high-speed sequence in Tamil Nadu on 13 July.
Actor Vishal, a close friend, confirmed the incident and promised to support Raju’s family.
Viral video of the crash has triggered online outrage and debate over stunt safety practices in Indian cinema.
Renowned stunt artist SM Raju lost his life on the set of Vettuvan, a Tamil film directed by Pa Ranjith and starring Arya, after a car stunt went horribly wrong. The fatal incident took place on Sunday morning, 13 July, during a high-speed sequence in Tamil Nadu’s Nagapattinam district.
A shocking video of the crash has surfaced online, showing Raju behind the wheel as the car speeds up a ramp, flips mid-air, and lands violently. He was pulled out of the wreckage by crew members but was declared dead shortly after.
SM Raju Times Now
Crew warned SM Raju not to perform the risky car stunt
According to actor K Vishal, Raju was advised against performing the dangerous stunt by the stunt choreographer Dhilip Subbarayan. Despite being offered a safer alternative using a cannon blast for the flip, Raju insisted on executing the full sequence himself.
“The choreographer told him to let someone else do the toppling, but Raju wouldn’t listen,” Vishal revealed. “There were no visible injuries, no bleeding, but he went numb after the topple.”
An autopsy is currently underway to determine the cause of death, as the lack of external trauma has puzzled the crew.
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Fans demand accountability after video of fatal crash surfaces
The video of the accident has gone viral, prompting widespread outrage over safety conditions on film sets. Social media users questioned why real-life stunt performers were still being used for such high-risk sequences when VFX or remote-controlled vehicles could have been employed.
One user wrote, “Why is a man still put in a car for such scenes? Isn’t it time to automate or use dummies?” Others demanded accountability from the director, producers, and union heads, urging financial support for Raju’s family.
Comments regarding the safety Twitter/
Industry mourns loss, calls for better safety norms for stunt performers
Raju, whose full name was Mohan Raj, was a 52-year-old veteran from Tamil Nadu’s Kanchipuram district. Known for his fearlessness and expertise in car stunts, he had worked on numerous action films over his decades-long career.
Actor Vishal, who served as general secretary of the South Indian Artistes Association, offered emotional tributes and pledged financial support to Raju’s wife and two children. He also highlighted systemic issues within the stunt community, stating that many performers avoid reporting injuries out of fear they won’t be hired again.
“There’s always an ambulance, doctor, and safety gear on sets,” Vishal said. “But the pressure to prove themselves leads many to take risks they shouldn’t.” Stunt choreographer Stunt Silva echoed the sentiments in an Instagram post: “We lost one of the best car stunt performers in the industry. He’ll be missed.”
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Pa Ranjith and Arya yet to issue official statement
As of now, neither Vettuvan director Pa Ranjith nor lead actor Arya has made a public comment about the accident. The film is in its final stages of production and features an ensemble cast, including Sobhita Dhulipala, Attakathi Dinesh, Kalaiyarasan, and Lingesh. The crew reportedly remains in shock following the tragedy, and industry insiders say an internal review of the incident is likely.
SM Raju’s death sparks urgent conversation around on-set safety
This incident has once again spotlighted the hidden dangers that stunt professionals face to deliver dramatic sequences on screen. While technological alternatives and safety guidelines exist, the culture of pushing personal limits continues to put lives at risk.
SM Raju’s death is not just a personal loss for those who knew him; it is a wake-up call for the film industry to re-examine its safety frameworks and prioritise the well-being of those behind the camera.