MEMBERS of British Bangladesh Chamber of Commerce and Industry (BBCCI) held discussions with business and trade secretary Jonathan Reynolds last Friday (13) at Hyde Town Hall in Cheshire.
The meeting addressed challenges faced by British Bangladeshi businesses and explored opportunities for collaboration with the British government, a statement said.
It was organised by Mizanur Rahman Mizan, president of BBCCI northwest region, and chaired by general secretary Abdul Malik-Ahad.
Reynolds welcomed the delegates and reiterated his commitment to engaging with local business leaders. He outlined the government's focus on several key areas including the small business plan, industrial strategy, trade strategy, and employment rights.
The minister pointed out the need for effective frameworks to support business growth, while acknowledging the challenges such as funding availability and the long-term effects of the pandemic.
He said, "I admire the work being undertaken by BBCCI members in addition to running their own businesses. Such organisations are crucial in helping drive the local economy and community forward."
The meeting addressed challenges faced by British Bangladeshi businesses.
Rahman Mizan provided an overview of the efforts of the BBCCI, which supports over 500 businesses, to foster trade between the UK and Bangladesh.
Zaki Mostufa, press and publicity secretary of BBCCI, highlighted the obstacles faced by British Bangladeshi entrepreneurs, including high unemployment rates among youth, difficulties in accessing finance, and regulatory barriers specific to minority-owned businesses.
Malik-Ahad led a discussion on potential solutions, proposing initiatives such as job creation, enhanced mentorship programmes, and stronger connections between BBCCI, regional chambers, and the government to improve access to funding and infrastructure.
Lavlu Kader, assistant secretary of BBCCI, aligned the chamber’s objectives with government priorities, focusing on innovation, regional economic growth, and the green economy.
Muzahid Khan DL, former general secretary of BBCCI, suggested forming working groups and leveraging emerging technologies like Artificial Intelligence (AI) to drive innovation. He also proposed developing social enterprises and supporting women entrepreneurs within the British Bangladeshi community.
The BBCCI, with support from the Minister’s office, will advance discussions and develop collaborative strategies with relevant government agencies and trade bodies. Efforts will focus on enhancing access to knowledge and finance, expanding mentorship programmes, and integrating new technologies to support business growth in the British Bangladeshi community.
Following the meeting, the BBCCI said that it will collaborate with government agencies and trade bodies to enhance access to finance and knowledge, expand mentorship, and integrate new technologies to drive business growth in the British Bangladeshi community.
Anita Rani, the popular TV presenter, has always felt like she’s on the outside looking in. Growing up in Bradford during the 1980s, just a few miles from the Brontë sisters’ hometown of Haworth, she couldn’t help but feel a personal connection to these iconic literary figures. Rani’s new Sky Arts documentary, The Brontës by Anita Rani: Sisters of Disruption, isn’t just a historical retelling but a journey that intertwines her own story with that of the famous sisters.
Anita Rani's Sky Arts documentary highlights the rebellious spirit of the Brontë sistersGetty Images
From a young age, Rani was surrounded by the Brontës’ legacy. At her all-girls’ school, the portrait of the Brontë sisters by Branwell Brontë was a familiar sight, and their stories felt personal, especially since she grew up walking the same windswept moors they once did. The documentary takes Rani back to those roots, exploring the spirit of rebellion that connected her with the Brontës from a young age. To her, they weren’t just quiet, knitting women. They were fierce disruptors who challenged norms and made their voices heard. It’s this strength that resonated with Rani, who always longed to break out of traditional expectations.
Rani’s upbringing was shaped by her parents’ struggles as Punjabi immigrants who set up a textile factory in Bradford. Despite the hardships, her father encouraged her to break stereotypes. Unlike many traditional Indian fathers, he took her to the pub at 15 and taught her to play pool, something Rani credits for her ability to navigate the TV industry today.
Anita Rani shares how her upbringing shaped her connection with the BrontësGetty Images
The Brontë sisters, like Rani, were outsiders in their own way. Rani’s documentary highlights how their stories are more than just gothic romances; they are tales of women pushing against the world’s constraints. The film also touches on modern issues, like using Anne Brontë’s The Tenant of Wildfell Hall to support domestic abuse survivors. Rani’s own sense of disruption is echoed in the Brontës’ fight for female autonomy and identity.
Reflecting on her journey, Rani admits that her teenage self never realised how much the Brontës’ spirit matched her own. It wasn’t just about loving Wuthering Heights or identifying with Heathcliff. It was about finding a voice and taking ownership of her story.
Today, Rani continues to challenge stereotypes, inspired by the Brontës’ rebellious legacy. As she considers getting a tattoo that reads ‘Sister of Disruption,’ it’s clear that she’s not just telling their story but living it.
AT LEAST 17 people died in a fire that broke out in a building in the Indian city of Hyderabad, officials said on Sunday.
The blaze started early Sunday morning in a three-storey building that houses a jewellery store.
According to a statement from the fire disaster response emergency and civil defence department in Telangana state, the call for help came in just after 6 am local time (00:30 GMT).
"The fire broke out on the ground floor and spread to the upper floors. Firefighting, search & rescue operations were carried out simultaneously," the statement said.
It also listed the names of the 17 individuals who died.
"The suspected cause of the fire is under investigation," it added.
Indian prime minister Narendra Modi expressed his "deep grief" over the incident and announced compensation of 200,000 rupees (around $2,300) for the next of kin of each victim.
"Deeply anguished by the loss of lives due to a fire tragedy in Hyderabad, Telangana," Modi said in a statement released by his office.
"Condolences to those who have lost their loved ones. May the injured recover soon."
Fires are frequent in India due to weak enforcement of safety regulations, overcrowded buildings and poor construction practices.
Last month, a fire at a hotel in Kolkata killed at least 15 people. Some people escaped by climbing out of windows and onto the roof.
In a separate incident last year, at least 24 people died when a fire broke out at an amusement park arcade in the western state of Gujarat.
(With inputs from AFP)
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Ana de Armas keeps it professional despite romance speculation with Tom Cruise
The buzz surrounding Tom Cruise and Ana de Armas shows no signs of slowing down. The duo has been seen together on numerous occasions, from casual outings to high-profile events, fuelling rumours of a budding romance. Yet, both stars remain tight-lipped about the nature of their relationship, leaving fans guessing.
At the New York premiere of Mission: Impossible – The Final Reckoning, Cruise couldn’t help but compliment Ana de Armas, who stars in the upcoming John Wick spinoff, Ballerina. Speaking to Access Hollywood, the 60-year-old actor praised her talent, calling her a “force” and applauding her ability to balance drama and comedy effortlessly. He seemed genuinely impressed by her on-screen presence, describing her work with Keanu Reeves as captivating.
While Cruise’s words have sparked speculation, Ana de Armas has been cautious about addressing the rumours. In an interview, she acknowledged working with Cruise on several projects, expressing excitement but maintaining a professional tone. She also shared her admiration for his dedication to stunts and action scenes, admitting that while she couldn’t match his level, she understood the thrill.
The two have been spotted together multiple times, from a Valentine’s dinner in London to attending David Beckham’s birthday party. A source hinted that Cruise might have developed feelings for de Armas, describing him as “smitten.” However, the relationship seems to be in its early stages, with de Armas reportedly taking things slow.
Despite the intrigue, both stars are focused on their professional lives. Cruise has been promoting the latest instalment of Mission: Impossible, while de Armas gears up for the release of Ballerina. The rumoured couple’s public appearances, though frequent, have mostly been linked to their work commitments.
Whether it’s a blossoming romance or just a strong friendship remains uncertain. For now, Cruise’s admiration for de Armas seems genuine, but whether it translates into a romantic relationship is anyone’s guess.
As they continue collaborating on multiple projects, the world will just have to wait and see if this Hollywood pairing turns out to be more than just a professional bond.
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‘Marriage Material’ Brings a Fresh British Asian Family Drama to Lyric Hammersmith Theatre
From Thursday 22 May to Saturday 21 June, London’s Lyric Hammersmith Theatre will stage Marriage Material, a thought-provoking and heartfelt theatre adaptation of Sathnam Sanghera’s critically acclaimed novel. This production shines a light on the complexities of family life within a British Asian community, focusing on the hopes, struggles, and dreams of two very different sisters. As they each pursue contrasting futures, the play explores the delicate balance between cultural tradition and modern ambition.
Marriage Material centres on a British Asian family caught between old customs and new possibilities. The two headstrong daughters, each with a unique vision for their lives, represent the diverse experiences of young British Asians today. One daughter embraces the expectations of her cultural heritage, while the other pushes against those boundaries, seeking independence and self-determination. Their journey highlights the tensions that can arise when generational values clash with personal desires.
Sathnam Sanghera’s novel has been widely praised for its authentic and nuanced portrayal of British Asian life. This stage adaptation captures that same spirit, using sharp dialogue, humour, and emotional depth to explore universal themes of love, identity, and family loyalty. It invites audiences to consider how cultural heritage shapes us and the challenges of forging one’s own path amid expectations from family and society.
The production offers a rare and important perspective in contemporary British theatre, making it a valuable experience for audiences from all backgrounds. The Lyric Hammersmith Theatre, known for showcasing bold and diverse storytelling, provides the perfect setting for this intimate yet powerful drama. With its vibrant characters and relatable conflicts, Marriage Material promises to engage viewers and spark meaningful conversations about identity, culture, and the future of multicultural Britain.
Tickets are available now for performances running from 22 May to 21 June at Lyric Hammersmith Theatre, located at Lyric Square, King Street, London W6 0QL. For more details and to book tickets, visit www.lyric.co.uk.
Whether you are a fan of family dramas, interested in British Asian narratives, or simply looking for an engaging theatre experience, Marriage Material offers a fresh and timely story that resonates deeply in today’s society.
A NEW dance-theatre production explores how women enforce patriarchal rules upon their daughters and the consequent impact on family and societal structures, its artistic director said.
Choreographer Amina Khayyam uses Kathak, the classical Indian dance in her new production – Bibi Rukiya’s Reckless Daughter – to raise awareness about gender prejudice in ethnic communities.
In an interview with Eastern Eye, Khayyam also stressed the importance of mutual support among women during challenging situations.
Loosely based on Federico García Lorca’s The House of Bernarda Alba, the 70-minute show is set in modern, inner-city migrant communities.
The story centres on widow Bibi Rukiya, who restricts her three daughters’ freedom to maintain family honour and secure marriages. One daughter challenges her mother’s authority and questions her role as a woman.
Khayyam said, “I have a fondness for Lorca and the subjects he covers, particularly because they still resonate in our communities and culture. I work with women’s groups across the UK, particularly those who have difficult backgrounds like domestic violence or mental health issues, and I find those stories from Lorca really resonate with these communities,”
Bibi Rukiya was created over 18 months through workshops with women’s community groups across Britain. Participants collaborated with professional artists from the Amina Khayyam Dance Company to explore mother-daughter relationships.
Khayyam said these shaped the content and ensured the production reflects genuine experiences.
“I take the subject to them and then explore it through movement and storytelling, hearing their perspectives. When these women come back to see the performance, they see themselves and can relate to the stories,” the artist said.
Workshops were conducted in London, Luton and Birmingham for the production and more than 250 women took part.
Khayyam said, “Our show examines how women impose patriarchal rules on their daughters and the consequences thereof. We investigate why women perpetuate these structures and whom they serve by doing so, facilitating self-discovery, rather than providing answers.
“Centuries of conditioning have established clear, hierarchical gender roles in our society. Women who’ve experienced lifelong suffering often expect their daughters and daughters-in-law to endure similar hardships, following the principle, ‘I suffered, so you suffer now’, rather than breaking this cycle.
“We express these revelations through dance, movement and storytelling, bringing professional dancers and female musicians to the stage. Participants are encouraged to articulate their experiences in their native languages – Punjabi, Gujarati, Bengali, Hindi and English – which we then develop into poetry or narrative.”
She added, “We teach Kathak basics and mudras, providing theatrical elements that combine movement and text. While some participants initially resist dancing due to cultural taboos, most ultimately embrace it upon discovering its emotional benefits. We maintain women-only environments to ensure participants feel safe to express themselves freely.”
Khayyam, who is British Bangladeshi, began her Kathak dance training with Alpana Sengupta and progressed to professional level with Sushmita Ghosh at The Bhavan in London.
She then made her professional debut at the Southbank Centre.
Describing the use of Kathak to express complex emotions in the show, she said, “Kathak comes from katha, which means storyteller. We explore many different emotions within our form, and as we are storytellers, it lends itself to tell those stories. “In Kathak, we have many different tools – like spins with rhythmic footwork – as well as storytelling mudras, head gestures; all of this can come into play when we’re creating stories.”
Khayyam said the show uses music, movement and footwork to depict complex themes.
“In one scene there’s a conflict between the mother and the three daughters. We’re adapting it to three daughters as opposed to the five daughters originally in the book. There’s something called sawal jawab – question and answer.
“Through the footwork, the daughters are having a huge head-to-head with each other, and one of the best ways to bring that positively and impactfully is through sawal jawab – asking questions and giving answers – only through footwork.”
Set up in 2013 and based in Slough, the Amina Khayyam Dance Company has 15 pieces of work to its credit, with 160 shows in 40 venues in the UK and abroad.
Khayyam said her hope was for audiences to “go away and think about what they just saw”.
She added, “Sometimes we’re quite blinkered; we just carry on with life without questioning things, and I would like people to be able to question.
“Second, I’d like those south Asian women, both those we’ve worked with and those we haven’t, to be able to stop and think, ‘This is something we have in our community. How do we deal with this? How do we change it? How do we evolve this situation and empower these women who are trapped in it?’ With every show we’ve done in the past, we like to leave a question with the audience.
“It’s also about awareness. Sometimes we walk down the street and there’s a huge tree, but we never notice it – we take it for granted. Then suddenly we look up and think, “Wow, this tree is amazing.” We want to bring this kind of awareness into their lives, to recognise what’s happening and how we can help each other.
“In the workshops with women, I stressed that they need to support each other, because often that support isn’t there. We’re judging a lot, gossiping, and we need to support each other when we see difficult situations. That’s what I would like the show to bring about.”
Bibi Rukiya’sReckless Daughter will have its premiere at the Birmingham Hippodrome next Thursday (22) and Friday (23), followed by a national tour starting in autumn 2025