BRITAIN will host health ministers from the Group of Seven (G7) countries in Oxford on Thursday (3) for a two-day summit, as pressure intensifies to do more to broaden access to Covid-19 vaccines across the world.
British foreign secretary Dominic Raab has said that equitable access to coronavirus vaccines will be at the top of the agenda when G7 leaders meet next week.
But as health ministers gather at the University of Oxford, where AstraZeneca's Covid-19 vaccine was invented, charities stressed Britain could do more by supporting a temporary waiver on intellectual property rights of pharmaceutical firms.
US president Joe Biden has backed calls from many developing countries for the waiver, in the hope this would boost production and allow more equitable distribution, but Britain and some European countries have expressed reservations.
"G7 leaders must take this moment to stand on the right side of history by putting their full support behind the vaccine patent waiver," said Anna Marriott, Oxfam’s Health Policy Manager.
"The G7 may be getting the vaccines they need but too much of the world is not and people are paying for patent protection with their lives."
Britain has said technology transfers with not-for-profit pricing, a model AstraZeneca has used, can achieve many of the same aims as a patent waiver without disincentivising research.
A G7 report on progress in efforts to improve health in developing countries will be published on Thursday (3), and British health secreatary Matt Hancock said he would agree with G7 counterparts on a system to share data on any early warning signs of the next pandemic.
"Globally we are only as strong as the weakest link in the health security chain. No one is safe until everyone is safe," Hancock said in a statement ahead of the summit.
US global vaccine distribution plan
Meanwhile, US Secretary of State Antony Blinken said that Biden could announce as early as Thursday (3) details of Washington's plan for distributing 80 million doses of coronavirus vaccine globally.
"I want you to know as well that in a few short days ... possibly as early as tomorrow, the president is going to announce in more detail the plan that he's put together to push out 80 million vaccines around the world," said Blinken at a gathering at the U.S. Embassy in Costa Rica.
Blinken reiterated that the US distribution plan would be coordinated with the COVAX vaccine sharing facility and based on need "without any political strings attached."
The Biden administration has been under pressure to share vaccines to help curb worsening outbreaks from India to Brazil, where health experts fear new, more contagious coronavirus variants could undermine the effectiveness of available shots.
This summer, Niall Moorjani returns to the Edinburgh Festival Fringe with Kanpur: 1857, an explosive new play that fuses biting satire, history and heartfelt storytelling. Written, co-directed and performed by Moorjani, alongside fellow actor and collaborator Jonathan Oldfield, the show dives into the bloody uprising against British colonial rule in 1857 India, focusing on the brutal events in Kanpur.
At its centre is an Indian rebel, played by Moorjani, strapped to a cannon and forced to recount a version of events under the watchful eye of a British officer.
Known for work that intertwines mythology, identity and activism, Moorjani is a neurodiverse, Scottish-Indian theatre-maker based in Edinburgh and founder of Suitcase Storytelling Company. Together with Oldfield, they present a unique show with live music that carries emotional weight and contemporary relevance.
Eastern Eye caught up with Moorjani to talk about the power of theatre, creativity, history and their compelling new production, Kanpur: 1857.
What first connected you to creativity?
I have always just loved stories. It was a classic case of wanting to be a writer when I was small. My mum is a really creative human and wrote (though sadly never published) a fantasy book when I was a teenager, which I thought was the coolest thing. Then I discovered I loved acting and became obsessed with stand-up DVDs by Eddie Izzard and Dylan Moran. Those things inspired me so much. But at its core, I think it is a combination of a love for stories and my mum being so supportive and nurturing.
What inspired your play Kanpur: 1857?
The events of the play were the main inspiration. In 1857, hundreds of thousands of Indians in the north rose up to overthrow the British. Hindus and Muslims were united in the cause. Ultimately, they failed, and the British response was incredibly severe. It is a period of history I have always found fascinating, especially the way the British were horrified to receive the kind of violence they had been inflicting for decades. The play was also inspired by events in Gaza.
Tell us about that.
I found the parallels impossible to ignore – a violent (and morally complex) act of resistance against colonialism being met with vast collective punishment. The play is about 1857, but I am highly aware people will think of Gaza while watching it, and I want that.
Tell us about the play.
It is an explosive, satirical take on the Indian uprising of 1857, focusing specifically on the events in Kanpur. I play an Indian rebel who is strapped to a cannon and forced to tell their version of events by a British officer, played by Jonathan Oldfield. There is a trans love story, romance, jokes, drama, betrayal and devastating storytelling. All of this is set to live music by tabla master Sodhi. We have been super lucky to win the Charlie Hartill (global majority) award with Pleasance and cannot wait for people to see it.
Is there a key message you want to convey with the show?
That what the British did in India is still happening around the world today. Colonialism and colonial oppression did not end in 1857, nor in 1947 with Indian independence. These histories speak directly to our present, and we must learn from them.
Did you learn anything new while putting this play together?
Just how complex and messy the events at Kanpur were. And while I was not shocked, it is always fascinating to see how our sources from that time mostly come from the British – in this case, the victor masquerading as the victim. I could speak all day about it, so you will have to come and see the play.
An explosive new play that fuses biting satire, history and heartfelt storytellingPleasance
What was the biggest challenge of writing, co-directing and acting in this play?
Trying to hold the historical detail in my head, while also making sure the piece worked as theatre, was really tough. Fortunately, Jonathan Oldfield was amazing at helping us check in constantly on clarity without compromising on historical rigour. I expected the creative process to be harder, but it was surprisingly organic. Strangely, we often got stuck on small details – like how period-accurate the British officer’s coat should be, or what the opening projector slides should say. Naturally, self-directing is difficult, but co-directing with Jonathan really helped. As did the whole team.
What is your own favourite moment in the play? I love the big laughs. It is a tough subject, but I am really pleased with how much comedy there is. Those moments bring levity, nuance and hopefully help the heavier parts land more powerfully.
How do you feel being part of this year’s Edinburgh Fringe?
Great. I feel so lucky that we won the Charlie Hartill award. I have done the Fringe so many times on a shoestring, and this has really been a game changer. I feel privileged. The Fringe has its problems, but I absolutely love it, and in real terms, I owe my creative career to it. I love that I have been going for so long. I have a little community I only see during the festival – it is a privilege to be part of that, alongside so many amazing artists.
Why do you love theatre as a medium?
It can and should be anything. It invites us to sit down for a few hours, and then rewards us with something that can be genuinely life-changing. I especially love Fringe theatre – bonkers ideas pulled off in just an hour on tiny budgets by small, immensely talented teams. That is inspiring and exciting.
Why should we all come and watch your play at the Edinburgh Fringe?
Rebellion, cannons, trans love stories and genuinely great satire of the British empire – why should you not?
Kanpur: 1857 is running throughout the Edinburgh Fringe at 15:40, July 30 to August 24, 2025, at Pleasance Courtyard (Beneath). Tickets: www.pleasance.co.uk
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Djokovic (L) and Alcaraz embrace during practice prior to The Championships Wimbledon 2025 at All England Lawn Tennis and Croquet Club on June 26.
CARLOS ALCARAZ will look to win his third consecutive Wimbledon title this year, reinforcing his position as the leading player on all surfaces. Jannik Sinner, who lost to Alcaraz in a closely fought French Open final, heads to London hoping to reverse the result.
Seven-time Wimbledon champion Novak Djokovic will also be in contention. At 38, this could be his best chance to win a record 25th Grand Slam title. Djokovic lost the last two Wimbledon finals to Alcaraz and will aim to reclaim the trophy at the All England Club.
With Andy Murray retiring, Jack Draper takes on the responsibility of leading British hopes. Other players in the mix include Alexander Zverev and Taylor Fritz, both chasing their first Grand Slam title and looking to break the recent dominance of Alcaraz and Sinner.
Alcaraz aims to join elite group with hat-trick
Alcaraz won the longest French Open final in the Open Era, maintaining his hold on the title. Between him and Sinner, they have won seven of the last eight majors. If Alcaraz wins this month, he will become only the fifth man in the Open Era to claim three straight Wimbledon titles. He would join Bjorn Borg, Pete Sampras, Roger Federer, and Djokovic.
Transitioning from clay to grass is often difficult, but Alcaraz has adapted well. He described the shift as "enjoyment and suffering" in equal measure.
"It's a bit of everything," Alcaraz said. He improved his win-loss record on grass to 29-3 after winning the Queen’s Club title.
"Ultimately it's a surface we don't play many matches on each year, and you have to learn from every experience on it, from every match you play.
"Every player is different with a different style on grass. You have to keep learning and getting to know yourself ... even when the numbers are in your favour."
Sinner still adapting to grass
Although Sinner has achieved more success than Alcaraz on hard courts, his grass record remains mixed. He exited early at Halle after losing to Alexander Bublik and now heads to Wimbledon with limited preparation. Last year, he reached the semi-finals at Wimbledon.
Sinner, who served a three-month ban earlier this year for doping violations, said he needed rest before the Championships begin Monday.
"I gave it my all after the Roland Garros defeat, it wasn't easy. Despite everything, I'm happy enough," Sinner said. He had three championship points in the five-set French Open final loss to Alcaraz.
"I played two matches before Wimbledon, if there had been more, it would have been better. Now I've got to boost myself both mentally and physically, that takes a little time."
Gentlemen's Singles - Projected Quarter-finals by Seeding
(1) Sinner vs (7) Musetti (4) Draper vs (6) Djokovic
(5) Fritz vs (3) Zverev (8) Rune vs (2) Alcaraz #Wimbledon — Wimbledon (@Wimbledon) June 27, 2025
Djokovic hopes to bounce back
Novak Djokovic heads into Wimbledon after reaching the French Open semi-final in a year that has otherwise not lived up to his usual standards. He has not played any warm-up events on grass but remains a strong contender.
Djokovic is aiming to match Roger Federer’s eight Wimbledon titles and surpass Margaret Court’s record of 24 Grand Slams.
"I'm going to do everything possible to get myself ready," Djokovic said after losing to Sinner in Paris.
"My best chances maybe to win another Grand Slam are Wimbledon, or a faster hard court, maybe Australia."
Zverev, Fritz and others look to challenge
World number three Alexander Zverev is also in the hunt, still chasing a maiden Grand Slam after three final losses. Taylor Fritz enters the tournament with momentum from winning in Stuttgart.
Others to watch include Daniil Medvedev, who finished runner-up in Halle, and Bublik, who defeated him there. Bublik’s unconventional playing style could pose a challenge for some top players over the next two weeks.
(With inputs from agencies)
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The UK has agreed to move the aircraft to the Maintenance Repair and Overhaul (MRO) facility at the airport.
UK AVIATION engineers are arriving in Thiruvananthapuram to carry out repairs on an F-35B Lightning jet belonging to the Royal Navy, which has remained grounded after an emergency landing 12 days ago.
The jet is part of the HMS Prince of Wales Carrier Strike Group of the UK's Royal Navy. It made the emergency landing at Thiruvananthapuram airport on June 14. The aircraft, valued at over USD 110 million, is among the most advanced fighter jets in the world.
According to a spokesperson for the British High Commission, the aircraft is currently awaiting repairs at the Thiruvananthapuram international airport after it developed an engineering issue.
The UK has agreed to move the aircraft to the Maintenance Repair and Overhaul (MRO) facility at the airport.
"The aircraft will be moved to the hangar once UK engineering teams arrive with specialist equipment, thereby ensuring there is minimal disruption to scheduled maintenance of other aircraft," the spokesperson said.
The F-35B is the only fifth generation fighter jet with short takeoff and vertical landing capabilities, which allows it to operate from smaller decks, austere bases and ships.
The official said the aircraft would return to active service once the repairs and safety checks are completed.
"Ground teams continue to work closely with Indian authorities to ensure safety and security precautions are observed. We thank the Indian authorities and Thiruvananthapuram international airport for their continued support."
The aircraft was unable to return to HMS Prince of Wales due to adverse weather conditions.
Engineers from HMS Prince of Wales had assessed the aircraft after the emergency landing and determined that support from UK-based engineering teams was required.
The Indian Air Force had said a few days after the incident that it was providing all necessary support for the "rectification and subsequent return" of the aircraft.
Earlier this month, the HMS Prince of Wales Carrier Strike Group conducted military exercises with the Indian Navy.
In British service, the F-35B is referred to as the 'Lightning'. It is the short takeoff and vertical landing (STOVL) variant of the fighter jet, designed for use from short-field bases and air-capable ships.
(With inputs from PTI)
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Prada acknowledges Indian influence behind its Spring Summer 2026 men’s footwear
• Prada confirms Indian roots behind 2026 ‘leather sandals’ after controversy • Indian artisans and officials accused the brand of cultural appropriation • The footwear resembles traditional Kolhapuri chappals with GI status • Prada says designs are still in development and open to dialogue with India
Italian fashion label Prada has officially acknowledged that its Spring/Summer 2026 menswear collection includes footwear inspired by India’s traditional Kolhapuri chappals. The statement came after mounting criticism from Indian artisans and industry leaders, who claimed the brand showcased the design at Milan Fashion Week without recognising its origins.
Prada confirms Kolhapuri chappals inspired its 2026 Milan collectionInstagram/prada
Prada responds to Kolhapuri chappal row
In a letter addressed to Lalit Gandhi, President of the Maharashtra Chamber of Commerce, Industry and Agriculture (MACCIA), Prada’s CSR head Lorenzo Bertelli confirmed the sandals were influenced by Indian craftsmanship. The fashion house admitted that the open-toe leather sandals presented on the Milan runway drew from the centuries-old Kolhapuri style, traditionally made by artisans in Maharashtra and Karnataka.
Kolhapuri chappals have been crafted for centuries and received GI tag in 2019 iStock
The controversy erupted after Prada described the footwear simply as “leather sandals” in its show notes, omitting any reference to India. This led to accusations of cultural appropriation and disregard for artisans' rights. BJP MP Dhananjay Mahadik also led a group of Kolhapuri chappal makers to meet Maharashtra Chief Minister Devendra Fadnavis, urging government action to protect their Geographical Indication (GI) status.
No production yet, says Prada, as India seeks fair credit
Prada clarified that the sandals shown were part of an early-stage design process and have not been confirmed for mass production. “None of the pieces are finalised or approved for commercial use,” Bertelli wrote.
MACCIA, in its communication, called for proper acknowledgement and possible collaboration or compensation for Indian artisans. The organisation stressed that Kolhapuri chappals are not just heritage products but also vital to the livelihoods of thousands of families.
In response, Bertelli assured Prada’s commitment to ethical design, cultural respect, and further engagement with Indian artisan communities. He also welcomed the opportunity for open dialogue on potential partnerships.
The Kolhapuri chappal, awarded GI status in 2019, is a symbol of regional identity and craftsmanship. As global fashion continues to borrow from traditional cultures, this case may set the tone for how brands address ownership, recognition, and respect.
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Shefali Jariwala dies at 42 after cardiac arrest in Mumbai hospital
Actor and model Shefali Jariwala passed away late Friday night in Mumbai at the age of 42.
She was rushed to Bellevue Multispeciality Hospital after a cardiac arrest but was declared dead on arrival.
The Kaanta Laga star was married to actor Parag Tyagi, who was seen grieving outside the hospital.
Mumbai Police and forensic teams are investigating, with an official cause of death yet to be confirmed.
Actor and television personality Shefali Jariwala, who rose to fame with the early 2000s music video Kaanta Laga, has died following a sudden cardiac arrest. The 42-year-old was declared dead at Bellevue Hospital in Mumbai late on Friday night, 28 June. Her husband, actor Parag Tyagi, reportedly rushed her to the hospital around midnight with the help of close friends.
Despite immediate medical attention, doctors could not revive her. A hospital source confirmed she was “dead on arrival” at 11:27 pm. Her death has left friends, fans, and colleagues in shock, as many described her as healthy, cheerful, and actively working.
Shefali Jariwala dies at 42 after cardiac arrest, industry mourns Kaanta Laga starInstagram/shefalijariwala
Tributes pour in for Shefali Jariwala from friends and co-stars
Condolences have flooded social media since the news broke. Actors Dipshikkha Nagpal, Karishma Tanna, and Arjun Bijlani remembered Shefali as a “beautiful soul” and a “vibrant, kind person”. Television personalities including Aarti Singh, Munmun Dutta, and Kushal Tandon expressed disbelief, while fellow Bigg Boss contestants like Madhurima Tuli and Monalisa shared emotional messages.
— (@)
Comedian Sunil Pal and actor Ashish Vidyarthi also recalled fond memories of working with her. The Cine & TV Artistes’ Association (CINTAA) issued a public tribute, acknowledging her impact on Indian entertainment. Her husband Parag Tyagi was seen outside the hospital and later at their residence, visibly heartbroken and carrying a framed photo of Shefali.
From IT graduate to household name: a brief look at her journey
Born in Mumbai in 1982, Shefali Jariwala held a degree in Information Technology before stepping into showbiz at 20. Her appearance in Kaanta Laga made her a pop culture phenomenon. She later appeared in films like Mujhse Shaadi Karogi, Kannada hit Hudugaru, and several music videos.
Shefali Jariwala was married to actor Parag Tyagi,Instagram/shefalijariwala
In 2019, she re-entered the limelight with Bigg Boss 13, earning praise for her calm yet assertive presence. Off-screen, she was candid about her health struggles, including epilepsy and anxiety, and had once spoken about her wish to adopt a daughter.
The police are awaiting autopsy results as investigations continue.