Indian stand-up star Biswa Kalyan Rath returns with new show
Comedian talks about comedy, his new show Hinglish & Engdi, being rebellious, his inspirations, and the British habit he has embraced.
Biswa Kalyan Rath
By Asjad NazirOct 24, 2024
EXPLOSIVE Indian talent Biswa Kalyan Rath returns to London’s Soho Theatre with his incendiary brand of stand-up comedy, packed with joke-fuelled bombs.
The confrontational comic from Mumbai delves into topics such as the English language, love, marriage, work, family dynamics, and cross-border curiosity.
Thousands have already experienced his latest show, adding to an impressive journey that has taken him from YouTube stardom to streaming success and performances at sold-out, packed venues around the world.
Eastern Eye caught up with the popular comedian, who has over 465,000 Instagram followers, to talk about comedy, his new show Hinglish & Engdi, being rebellious, his inspirations, and the British habit he has embraced.
What do you love most about stand-up comedy?
Stand-up feels like dining at my favourite restaurant with friends – except here, I get paid. It is my way of venting about life’s absurdities, one joke at a time. The applause is also good to hear.
How does it feel to be back at Soho Theatre with your new show?
I have said this before: Soho Theatre is one of the best venues in the world. It feels like home whenever I perform in London. I look forward to a cosy couple of weeks.
Tell us about your new show, Hinglish & Engdi.
This show has been the most fun I have ever had making a special. It has something for everyone – whether it is my experience with the English language, house hunting in a metro like Mumbai, or navigating government offices.
What inspired the title?
The title is a mix of my bit about South Bombay’s elite and their hip lingo, combined with the search for something amusing.
How does this show compare to your previous stand-up specials?
While I stick to my core style of observational and rant comedy, this show provides deeper insights into my life and experiences over the past few years.
Would you describe yourself as a rebellious comedian?
Rebellious? Me? Absolutely not. I am a staunch defender of the status quo. I love tradition, respect authority, and hate change. I am basically the opposite of a rebel – unless, of course, you consider poking fun at daily life and challenging societal norms rebellious. In that case, I am the most rebellious person you will ever meet.
You have performed a lot in the UK, including at the Edinburgh Fringe. Have you picked up any British habits?
Yes – I have started enjoying queuing. Cheers to that.
Has the UK influenced or inspired your comedy?
Constantly. There are many comedians here to learn from. I have been inspired by people like Stewart Lee, Ricky Gervais, Hugh Laurie, and Stephen Fry.
Has your sense of humour ever gotten you out of trouble?
No. My comedy is strictly reserved for the stage.
How do you usually feel before going on stage?
I feel excited, confident, and energised, ready to give a great performance, connect with the audience, and enjoy every moment onstage.
Is there a message you hope to convey?
If you are trying to navigate life, marriage, and government offices, you cannot really miss this show.
Biswa Kalyan Rath: Hinglish & Engdi at Soho Theatre, 21 Dean Street, London W1D 3NE from Monday, November 4, to Saturday, November 16. www. sohotheatre.com
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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