The versatile performer spoke to Eastern Eye on the sets of his latest short film, Aajao, at a gurdwara in Leamington Spa
By Mita MistryMar 01, 2024
A DISTINGUISHED career on stage, television and cinema has enabled Bhasker Patel to play a wide variety of roles. This has ranged from being a series regular in the iconic soap, Emmerdale, to working with big Hollywood names.
Despite achieving so much, including breaking ground for British Asian actors, the 67-year-old isn’t ready to rest on his laurels and continues to take on new challenges, including acting in short films directed by new talent.
Eastern Eye recently visited the versatile performer on the sets of his latest short film, Aajao, at a gurdwara in Leamington Spa. The acclaimed actor brightened up a cold day with his warm personality, as he spoke about his journey, short films, significant creative inspiration and the secret behind a great performance.
How do you reflect on your journey as an actor?
I think now, being in the business for many years, the parts are getting better. Interestingly, when I started out, the parts were mostly cameos and not so interesting. So, I think now I’m choosing the parts I would love to play. In that sense, the journey is getting even better.
You have played a wide variety of roles, but which has been closest to your heart?
I would say that film roles are sort of closer to my heart. In 1987, I did a film (Drachenfutter) in Germany and played the lead part. It was a black and white movie that went all over the world. Also, working with (the late) Robin Williams in a movie (Being Human) was great. Recently, I worked with Oliver Stone and played a very good part in a film. So, I think I find feature film roles more interesting.
How does acting in film and TV compare to performing on stage?
For film and TV, the characterisation is very concise, very short. On stage, you can elaborate your character – I think that’s how I can best put it. Film and TV characters may have a limitation, but they are challenging and very interesting to play. But having done theatre, I must admit that it really helps you to play those characters in films and on TV, however complex.
Patel with Mita Mistry
What did you like about this short film, Aajao, that you are working on?
Short films are very interesting. Once you read the script, it grabs you and this one grabbed me because it’s about loss.
The son lost his father and didn’t attend his funeral. And now, a year down the line, he wants to revisit what he lost.
Tell us about your character in this short film?
I play Gurjit, a very devotional Sikh man. He lost touch with his son and then he left the world. Now, his son is trying to find the father, who he never got to say goodbye to. The film and characters are very relatable.
How do you approach a character such as this?
Usually, when you read a script, there is something from your past, maybe your childhood, that informs you. Something from your own self actually comes to light. I always try to imagine how I, or me as a person playing that part, would react. So, you have to dig deep and find the truth.
What do you like most about acting in short films?
Short films actually test a writer, director, actor and the entire creative team involved. If you haven’t mastered your craft, then short films become difficult and challenging. I think then you have to really work hard at it. They are a good place to learn also. Short films are brilliant to do, but if you can’t tell a story that way, then forget about being in the business.
Patel shooting for the short film 'Aajao'
What, according to you, is the secret of a great performance?
You have to find a truth in your character and the script. Then you have to go and play it in a simple way. The simpler, the better, because then it can carry the weight [of the character]. So, yes, I think finding the truth in your character and in the situation you play is really the key.
Do you have a dream role you would love to play?
Now that I’m 67, I would like to play the kind of lead parts playing myself, rather than somebody else. And also, someone from my ethnicity and background – from an Asian background, whether that person is Hindu, Muslim or Sikh. I don’t think we see such roles or lead parts being played by a lot of Asian actors.
What inspires you as an actor?
I love my profession because it’s always different. You work with different people and tell diverse tales. It’s never the same and I think that really inspires me.
It’s a tough job being in the media and the arts, as we all know, whether you are an actor, writer or creative. With acting, I just love it because not a day is the same as the previous one.
Canadian comedian and writer Nathan Fielder has long been known for his unconventional television work. Gaining recognition through Nathan for You, Fielder built a reputation for creating boundary-pushing, satirical content that blurred the lines between reality and performance. One of the most talked-about episodes involved a frozen yoghurt flavour that deliberately tasted unpleasant, while The Rehearsal, another of his projects, explored the complexities of human behaviour by meticulously recreating real-life scenarios to prepare people for difficult conversations or events.
Fielder’s work often revolves around themes of performance in everyday life, the blending of public and private personas, and the anxiety surrounding authenticity. His limited media presence and rare interviews add to the intrigue, leaving audiences unsure whether he is playing a version of himself or deliberately maintaining a fictional persona.
The Curse and a shift to fictional storytelling
In 2023, Fielder made a significant shift in his career by co-creating and starring in The Curse, a limited series that further explored his interests through scripted drama. Co-created with filmmaker Benny Safdie, the show also stars Academy Award-winner Emma Stone. This marked a departure from Fielder’s earlier, semi-documentary style work and introduced him into the realm of fictional narrative television.
The Curse follows a married couple, played by Fielder and Stone, who are producing a home improvement reality show while also trying to start a family. Their personal and professional lives take a dark turn after an unsettling encounter with a young child who places a curse on them. The story examines themes such as performative activism, media manipulation, and the illusion of kindness, set against the backdrop of a seemingly well-intentioned couple who struggle with their own moral contradictions.
Nolan’s high praise for the series
Acclaimed director Christopher Nolan expressed his admiration for The Curse in an interview, describing it as a rare and groundbreaking piece of television. “It’s an incredible show, and it’s unlike anything I’ve ever seen on television before,” Nolan said. “There are so few shows that come along that have genuinely no precedence. You’re going back to things like Twin Peaks, or The Prisoner, or Dennis Potter’s The Singing Detective… you’re in an amazing space, and I can’t wait to catch up with the climax.”
Nolan’s comments place The Curse among some of the most influential and surreal television dramas of the past, underlining its unconventional storytelling and emotional impact.
Critical reception and cultural relevance
The Curse has received praise for its sharp commentary on social media, authenticity, and the performance of morality in the public eye. The show’s unsettling tone and layered narrative structure have sparked discussions around the ethics of entertainment and the lines between fiction and reality.
- YouTubeYouTube/ Rotten Tomatoes TV
Emma Stone’s participation in the project aligns with her previous roles in unconventional films, particularly her collaborations with director Yorgos Lanthimos. Her performance, alongside Fielder’s restrained and often ambiguous portrayal, has been noted for adding depth to the show’s central themes.
A bold entry into prestige television
With The Curse, Nathan Fielder has successfully transitioned into the world of prestige television drama, maintaining the thematic interests that defined his earlier work while exploring them in a new, scripted format. The show’s ability to provoke discussion, confuse genre expectations, and attract praise from figures like Christopher Nolan marks it as a standout series in today’s media landscape.
Whether audiences view it as satire, drama, or something in between, The Curse demonstrates Fielder’s continued commitment to challenging conventional storytelling, and his growing influence in both comedy and drama alike.
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Prabhas brings back romance and humour in The Raja Saab teaser
After years of playing intense and brooding characters, Prabhas seems to be in his element again with The Raja Saab, a horror comedy directed by Maruthi. The teaser, released on 16 June, gives fans a refreshing look at the actor in a light-hearted, funny role, a rare shift from his recent string of larger-than-life action heroes. With visuals full of humour, horror, and romance, the teaser is already gaining attention not just for the plot but also for its theatrical rollout and unexpected nod to Shah Rukh Khan.
A haunted haveli, SRK-style romance, and spooky laughs
The teaser opens with a quirky love story, as Prabhas’s character openly declares his love for Nidhhi Agerwal in typical Bollywood style, even likening it to Shah Rukh Khan’s legendary on-screen charm. But the story soon shifts to a spooky, ghost-filled haveli, an elaborate set spanning 41,256 sq ft, which the makers claim is India’s largest horror backdrop. The teaser combines eerie folklore visuals, comedy, and a touch of madness, offering glimpses of other lead actors Malavika Mohanan and Riddhi Kumar. Sanjay Dutt’s surprise appearance adds to the intrigue. The haunted house isn’t just a gimmick, the filmmakers say they wanted the space to “feel haunted,” not just look scary.
Director Maruthi, known for youth-centric comedies like Bhale Bhale Magadivoy, calls this film a “genre-defying journey,” bringing together fantasy, romance, and horror. Prabhas appears in dual looks and delivers a hilarious one-liner toward the end: “Amma Durgamma Thalli... Kaapaadammaa,” adding to the film’s desi horror-comedy vibe.
Fan frenzy, leaked teaser, and December release date
The teaser wasn’t just launched online, it was also screened on IMAX screens in Hyderabad, drawing massive crowds. Fans celebrated with dances and even performed a milk bath ritual on a Prabhas cut-out. However, excitement spilled over early when visuals from the teaser leaked online. The makers issued strict warnings on social media, threatening to suspend accounts sharing pirated content and urging fans to respect the film’s release.
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Originally slated for an April release, The Raja Saab is now confirmed to hit theatres on 5 December. With horror, comedy, action, romance, and Prabhas in a never-before-seen avatar, this film could offer a refreshing break from the usual big-budget spectacles.
Popular actor Shivam Khajuria has showcased his impressive talent in top TV serials such as Molkki, Mann Sundar and Yeh Rishta Kya Kehlata Hai.
He is currently displaying that range in the hugely popular drama Anupamaa, earning wide acclaim. Away from the small screen, the television star is also a passionate cinema lover. He shared his all-time favourite films with Eastern Eye.
Rockstar: This musical struck a chord with me like few others ever have. Ranbir Kapoor’s portrayal of Jordan was raw, flawed and deeply human. The emotional intensity, combined with AR Rahman’s soul-stirring music, made the film unforgettable. It was not just a love story – it was a journey through pain, passion and transformation. Despite its imperfections, it revealed a side of Bollywood I had never seen – bold, poetic and heartbreakingly real.
Rockstar
A Few Good Men: This acclaimed courtroom drama was a game-changer for me. The performances by Tom Cruise, Jack Nicholson and Demi Moore were outstanding. The moral complexity and intensity of the trial – and the way justice was questioned – left a deep impact. It even made me briefly consider a career in law. A classic example of storytelling done right.
James Bond movies: The James Bond series was a big part of my childhood. I was fascinated by Bond’s style, intelligence and smooth confidence. From sleek cars and high-tech gadgets to exotic locations, each film was an escape into a thrilling world of espionage. That iconic introduction – “Bond, James Bond” – never got old. These films made me fall in love with cinematic flair and unforgettable characters.
Final Destination movies: This is one of the few horror franchises that genuinely creeped me out while keeping me hooked. The way fate played out in twisted, unpredictable ways was both terrifying and clever. Each death scene was creatively executed, and I constantly wondered what bizarre turn would come next. These were not just horror films – they were suspenseful, imaginative, and a chilling reminder that we cannot always outrun destiny.
Se7en: This haunting crime thriller is one of those films that stays with you long after the credits roll. The gritty visuals and slow-building tension led to a shocking climax that left me speechless. Brad Pitt and Morgan Freeman delivered exceptional performances. It explored the darkest sides of human nature in a way that was disturbing, powerful and unforgettable.
A still from a James Bond film
Gangs of Wasseypur: This film redefined Indian cinema for me. It was gritty, raw and unapologetically honest. A crime saga set against the backdrop of coal mafia rivalries, it felt more real than fictional. Anurag Kashyap’s bold direction and layered storytelling, combined with stellar performances, made it unforgettable. It was not just a film – it was an experience.
Border: This iconic army drama was my first real dive into war cinema, and it moved me deeply. It depicted not only the battlefield action but also the emotional struggles of soldiers and their families. The music, camaraderie and heartbreaking losses captured the true essence of patriotism and sacrifice. It made me appreciate the strength of those who serve the country.
The Sixth Sense: This psychological thriller completely blew my mind. The storytelling, the atmosphere and that unforgettable twist at the end were pure cinematic brilliance. I still remember the chill I felt during the final reveal. It was not just a thriller – it was a psychological deep dive that changed the way I watch films. A masterclass in suspense and detail.
Interstellar
3 Idiots: Every Indian student relates to this film in some way. It was humorous, emotional and thought-provoking. It challenged the rigid education system and encouraged viewers to pursue passion over pressure. Aamir Khan’s performance stood out, but the entire cast brought warmth and relatability to the story. It made me laugh, cry and reflect – more than just entertainment, it was a life lesson.
Interstellar: This is more than a science fiction film – it is an emotional journey through time, space and human connection. The way it combines complex scientific concepts with deeply personal storytelling is extraordinary. The visuals are breath-taking, the soundtrack is unforgettable, and the exploration of time as a dimension is mind-bending. It made me think, dream and feel. For me, it comes close to being a perfect film.
Instagram: @khajuriashivam24
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Jungkook under fire for wearing Make Tokyo Great Again cap at BTS concert rehearsal
BTS star Jungkook has issued a public apology after sparking backlash for wearing a cap with the phrase “Make Tokyo Great Again” during a rehearsal for J-Hope’s concert. The phrase, seen as politically loaded, upset many fans in South Korea, with some calling it offensive and thoughtless.
The singer, who recently completed his mandatory military service, said he was unaware of the slogan’s sensitive background and admitted that he should have been more cautious.
Jungkook of K-pop supergroup BTS at an outdoor sporting facility in Yeoncheon Getty Images
Slogan draws backlash over political and cultural sensitivity
Jungkook was seen in an all-black outfit and the now-controversial cap during rehearsals for the Hope on the Stage concert on Friday in Goyang. The slogan on the cap, “Make Tokyo Great Again,” echoed political phrases linked to Japanese nationalism and was previously used by Tokyo Governor Koike Yuriko. Some South Korean fans were quick to point out that the phrase has been associated with anti-Korean sentiments and accused the singer of being “careless.”
The similarity to Donald Trump’s “Make America Great Again” also added fuel to the fire, as netizens debated the political undertones and the potential implications of a global star wearing such a phrase publicly. Social media lit up with disappointment, with many questioning how Jungkook could overlook such a sensitive issue, especially given the historical tensions between South Korea and Japan.
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Jungkook responds: “No excuse for my carelessness”
The 27-year-old singer responded quickly to the criticism through a heartfelt message on Weverse. “I sincerely apologise for the disappointment and inconvenience caused by the hat I wore during rehearsals. I didn’t realise the historical and political context behind the phrase,” he wrote. “There’s no excuse. I was careless. I’ll make sure to be more thoughtful from now on.”
He also confirmed that the cap was discarded immediately and acknowledged that he had hurt many of his fans unintentionally. The apology was met with mixed reactions. While some appreciated his honesty, others felt the damage had already been done.
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This incident comes just days after Jungkook completed his 18-month military service alongside Jimin. The Hope on the Stage concert marked his return to the spotlight, with all seven BTS members reuniting on stage, drawing cheers from fans. Jungkook had recently released Never Let Go, a song dedicated to fans during BTS’s 11th anniversary.
With a voice that echoes both the glamour and grit of a bygone era, British singer Aisha Khan is set to take centre stage at London’s legendary Ronnie Scott’s Jazz Club on June 29.
Performing with her acclaimed band The Rajahs, Khan will present a rich cocktail of 1940s and 1950s American roots music, jazz and rhythm and blues – blending timeless classics with her own original songs. Known for her evocative vocals, magnetic stage presence and deep reverence for the great female vocalists of the past, Khan promises a night filled with toe-tapping rhythm and heartfelt emotion.
Ahead of the show, she spoke to Eastern Eye about her lifelong love affair with vintage sounds, the power of live performance, and her inspirations and musical heroes.
What first connected you to music?
There was not just one thing. As a little girl, I was always singing and had no idea why – I just could not help it. I did not come from a musical family. My mum had a couple of Bollywood LPs with Mohammed Rafi and Lata Mangeshkar, and my dad listened to Andy Williams and The Carpenters in the car. Apart from that, there was not much music at home. I watched Top of the Pops as a teenager, but I fell in love with Elvis Presley when I was 13 – that is where my passion for vintage music began.
How would you describe your brand of music? Mostly, I perform authentic 1940s and 1950s American music – blues, rhythm and blues, and rock and roll. I sing cover versions, but I also write a lot of original songs in the same style. I have also been developing a new Americana/country project, so the music keeps coming.
What does live performance mean to you? At its best, it means pure connection with the audience – almost a transcendental experience. It does not always happen like that, but subconsciously, I think that is what I am always striving for. I go on stage with songs I love and musicians who are great and always have my back. With that secure foundation, I try to see where the music can take me, and I bring the audience along with me. I love being close to the audience and drawing them into the live experience. It can bring so much energy and joy.
How much are you looking forward to performing at the iconic Ronnie Scott’s Jazz Club? We performed our first sell-out show upstairs there last year, but this is our first gig in the main room downstairs. I cannot express what an honour and privilege it is to appear at such a legendary venue. To think we will be on the same stage as so many iconic performers – from Ella Fitzgerald to Miles Davis – is mind-blowing.
What can we expect from the show? We will perform some of our most loved original songs, as well as several from our latest album Seven Shades of Blue, released this spring. We also have the honour of introducing Haylen, an incredible artist from Paris, as our special guest. There will be a lot of toe-tapping and happy vibes.
What do you hope people will take away from your performance – musically or emotionally? I hope they leave with a range of emotions. I want them to feel moved, but also to walk out feeling joyous and uplifted.
What do you most love about the jazz and rhythm and blues of the 1940s and 1950s? There are so many things I love about the music of that era. The musicianship, the danceability – how you just cannot help but move to it. I love the lyrics, the humour and the storytelling. When I was younger, I learned a lot of jazz standards and loved them. But it was only after living life – experiencing love, loss and heartbreak, having children, going through disappointment and great happiness – that I truly connected with those songs. Many of them now bring tears to my eyes, or even ecstasy when I sing or hear them. These are songs that truly stand the test of time.
Do you remember the first time you heard a song from that era that truly moved you? It was when I began listening to jazz in my teens. I idolised Sarah Vaughan and her craft. Then, as I discovered more popular music from the 1940s and 1950s and started dancing, I began to feel it not only emotionally but physically too.
Aisha Khan
Who is your own music hero from that bygone era? Sarah Vaughan, definitely. I also loved Billie Holiday.
If you could duet with any artist from the 1940s or 1950s, who would it be? It would have to be one of the great rhythm and blues vocalists – Wynonie Harris, Louis Jordan or Joe Turner. That would be so much fun.
Which classic songs do you most enjoy performing live? I love rhythm and blues by the many powerful female vocalists of that era – songs like Voodoo Voodoo by LaVern Baker, They Call Me Big Mama by Big Mama Thornton, or Pretty Good Love by Big Maybelle.
What inspires you as an artist? A life lived. Everything I have experienced – from having children to feminism. People, places, books – you never know where inspiration will come from. I also love collaborating with other musicians and singers; you never know what kind of magic might be created.
Why do you love music? The same reason I breathe. It is part of all of us – from the rhythms in nature to the cadence of the languages we learn as children. It can tell great stories and express deep emotions. It has the power to change lives – to comfort those in pain and bring joy to those open to it. I believe it is one of the purest art forms and forms of self-expression. I feel incredibly fortunate to have done this for so many years, and I hope to continue for the rest of my life.
Aisha Khan and The Rajahs at Ronnie Scott’s, 47 Frith Street, London W1D 4HT on Sunday, June 29. www.ronniescotts.co.uk