Gayathri Kallukaran is a Junior Journalist with Eastern Eye. She has a Master’s degree in Journalism and Mass Communication from St. Paul’s College, Bengaluru, and brings over five years of experience in content creation, including two years in digital journalism. She covers stories across culture, lifestyle, travel, health, and technology, with a creative yet fact-driven approach to reporting. Known for her sensitivity towards human interest narratives, Gayathri’s storytelling often aims to inform, inspire, and empower. Her journey began as a layout designer and reporter for her college’s daily newsletter, where she also contributed short films and editorial features. Since then, she has worked with platforms like FWD Media, Pepper Content, and Petrons.com, where several of her interviews and features have gained spotlight recognition. Fluent in English, Malayalam, Tamil, and Hindi, she writes in English and Malayalam, continuing to explore inclusive, people-focused storytelling in the digital space.
Beyoncé is set to return to London as part of her Cowboy Carter tour, performing six dates at the Tottenham Hotspur Stadium. The 43-year-old superstar will kick off her London shows on Thursday, with further performances scheduled for 7, 10, 12, 14, and 16 June.
The tour, supporting her eighth studio album Cowboy Carter, began in April in Inglewood, California, and follows her 2023 Renaissance World Tour, which also included five nights at the same London venue. Most recently, she performed five shows in East Rutherford, New Jersey, before heading to the UK.
Beyoncé’s current tour setlist features a mix of her classic hits such as Love On Top, If I Were A Boy, and Single Ladies (Put A Ring On It), alongside new tracks from Cowboy Carter. These include Texas Hold ’Em, 16 Carriages, and II Most Wanted, marking a move into country music. She has also included covers of Blackbird by The Beatles and Dolly Parton’s Jolene.
There has been no support act on the tour so far, and doors for the London shows are expected to open at 5pm.
Following her UK performances, Beyoncé will continue the European leg of her tour with three shows in Paris at the Stade De France, before returning to the US for the final dates.
The Cowboy Carter tour follows a significant Grammy win for the artist earlier this year. At the 67th Grammy Awards in February, Beyoncé secured her first Album of the Year award for Cowboy Carter. She also took home Best Country Album and Best Country Duo/Group Performance for II Most Wanted, a collaboration with Miley Cyrus.
Her win marked a breakthrough, having previously missed out on the top album honour with I Am... Sasha Fierce (2008), Beyoncé (2013), Lemonade (2016), and Renaissance (2022). During her acceptance speech, she dedicated the award to Linda Martell, the first Black woman to perform at the Grand Ole Opry, who features on the album.
With a total of 35 Grammy Awards, Beyoncé remains the most decorated artist in the history of the ceremony. In March, King Charles III described her as “exceptional” during an episode of his radio programme The King’s Music Room.
Beyoncé rose to fame in the 1990s with Destiny’s Child and has since achieved six UK number one singles and five UK number one albums. She married rapper Jay-Z in 2008, and the couple have three children: Blue Ivy, Rumi, and Sir.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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