Actor Benedict Cumberbatch says it is important to go beyond the “thrills and spills” of the superhero genre and shine a light on real-life concerns like mental health, something that his upcoming film Doctor Strange in the Multiverse of Madnessdelves into beautifully.
The Marvel Cinematic Universe (MCU) is known for dealing with issues beneath the facade of superhero persona, like the Disney+ series Loki and Moon Knight touched upon various aspects of mental health.
On the film side, Avengers: Infinity War depicted the impact of depression on Thor while Shang-Chi and the Legend of the Ten Rings showed how grief informs a character's development. When asked why it was essential to depict these aspects in a superhero's personality, Cumberbatch said the idea is to humanise the characters for the audiences. “Yes, is the very short answer to your brilliant analysis… (there are) subjects and issues that are tackled beyond thrills and spills of a temporary piece of superhero entertainment,” the 45-year-old actor told PTI in a virtual roundtable interview.
“I think you have to do that. You have to humanise, not just the people, but the situations. Otherwise, you're not speaking to the audience, you're just acting in a vacuum,” he said.
Part two of Marvel Studios' Doctor Strange (2016) marks the 45-year-old star's fifth appearance as Dr Stephen Strange aka Sorcerer Supreme in the Marvel Cinematic Universe. The actor, whose character in the first part of the hit movie series was seen struggling to cope with a career-altering accident as a surgeon before he finds enlightenment, said fans will get to learn how trauma moulded Dr Strange and continues to inform his journey as a sorcerer.
“I like the idea that we can go ever deeper into understanding a character, not just with the backstory, but with an ability to stress test these people and make them learn and see how rigid or not they are, and hopefully, in the case of ‘Strange', they're capable of change. They're capable of still learning, which I think is one of the appealing aspects of his character,” he said.
Cumberbatch said his character is out on a limb this time as different worlds spill into his present reality. Doctor Strange in the Multiverse of Madness will see Dr Strange trying to contain the aftermath of the multiverse-fracturing spell, which he cast in the 2021 hit film Spider-Man: No Way Home, causing villains from across the multiverse to invade the central Marvel Cinematic Universe timeline.
The Emmy and BAFTA winner said fans will have to watch the movie to know how these issues are tackled this time. “Mental health is certainly a part of this story. Obsession and addiction are also part of this story. And the need to control, the idea of destiny being something that you can shape on your own, rather than working with others, that needs to sort of open up and be secure and not be afraid of doing that… It's definitely a journey of self that he goes on in the film,” he said.
Responding to a query during the roundtable interaction if during his growing up years he had thought of getting into acting, London-born Cumberbatch said he never thought he would reach this far.
The actor, who has received a star on the Hollywood Walk of Fame and was recently nominated for the best actor Oscar for The Power of the Dog, said he feels overwhelmed in a pleasant way and slightly embarrassed at times while talking about the work he has done over the last 20 years.
“I just wanted to work regularly enough to earn a living and enjoy, make friends, and have a social life… I never thought it would reach this sort of height. I had ambitions to be good at my job, but I didn't know that it would result in this kind of moment, all these moments, this career and I'm enjoying it and I don't look back much,” he said.
Cumberbatch has won numerous accolades for his performance in films such as Van Gogh: Painted With Words, 12 Years a Slave, The Imitation Game, and The Power of the Dog. He is also a popular face on the television courtesy shows such as Sherlock and Patrick Melrose.
Directed by Sam Raimi, Doctor Strange in the Multiverse of Madness also stars Chiwetel Ejiofor, Benedict Wong, Xochitl Gomez, Michael Stuhlbarg, and Rachel McAdams. The film releases in theatres across India in English, Hindi, Tamil, Telugu, Kannada, and Malayalam on Friday.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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