If ever there was a persona perfectly in tune with his songs, it must be Bappi Lahiri, the man who introduced disco to Hindi films, his young-at-heart, popular music as unmindful of disapproving purists as he may have been of those who raised eyebrows at his gold chains and dark glasses.
The singer-composer, who was just 69 when he died in a Mumbai hospital on Tuesday night, embodied an irreverent pop cool all his own with both his appearance and songs, primarily through the 80s and 90s that saw hits such as “I'm a disco dancer”, “Koi yahaan naache naache” and “Jimmy Jimmy”. There were many others too – “Yaar bina chain kahan re”, “Kaliyon ka chaman”, “De de pyaar de”, “Jawaani jaaneman” and “Tamma Tamma” among some of them. The swagger in the many numbers inseparable from the singer and creator, whose career spanned five decades of melodies.
In what is a credit to the longevity of his music, Lahiri's songs are some of the most repurposed or remixed in Bollywood, being used in Anurag Kashyap's Gangs of Wasseypur: Part 1, for instance, as well as in the gay romance Shubh Mangal Zyada Saavdhan.
If Mithun Chakraborty was the star of the 80s, Lahiri was the voice behind him, and the music behind his dancing steps. The two memorably collaborated on Disco Dancer, Prem Pratigya, Wardat, Suraksha, Guru, Kasam Paida Karne Wale Ki, and Commando.
Indian Bollywood playback singer Asha Bhosle (L) and music composer and singer Bappi Lahiri (R) attended the 10th Newsmakers Achievers Awards ceremony in Mumbai on May 1, 2019 (Photo credit: SUJIT JAISWAL/AFP via Getty Images)
Lahiri, who introduced the disco era to Bollywood, also ventured into politics when he joined the BJP in 2014. He is survived by his wife Chitrani and two children - daughter Reema, also a singer, and son Bappa Lahir, a composer. He tried to make a bid in electoral politics when he contested the Srerampur Lok Sabha seat in West Bengal but lost to Kalyan Banerjee of the All India Trinamool Congress. It was but a chapter in a life devoted to music for the most part.
Born Alokesh Lahiri in Jalpaiguri, West Bengal, into a family of musicians, Lahiri's inclination towards music started at the early age of three when he started learning the tabla. His parents Paresh and Bansari Lahiri were both well-known musicians and singers, much like their son later on in life.
Kishore Kumar, who sang "Pag Ghunghroo" and "Chalte Chalte" for him, was his maternal uncle. Lahiri pioneered synthesised disco music in Indian cinema through the 70s to the 90s and continued to give hits in the 2000s too with the hits "Bambai Nagariya" from Taxi No 9211, and "Ooh La La" from The Dirty Picture (2011), both directed by Milan Luthria. More than anything else, it was his personality which was like a pop icon, said Luthria.
"He was the only composer who took on the Big Threes in the 70s and 80s -- Laxmikant-Pyarelal, RD Burman, and Kalyanji-Anandji. In the 1990s, there was Anu Malik, but Bappi da held his own," Luthria told PTI.
Lahiri, who created several classics for Amitabh Bachchan, also lent his voice to Abhishek Bachchan in AR Rahman's composition "Ek Lo Ek Muft" from Mani Ratnam's Guru (2007).
He also was one of the singers who crooned "Tune Maari Entriyaan" from 2014's Gunday as filmmakers wanted to hark back to the music of the 80s and who better than Lahiri to recreate the era that he ruled.
While the shiny moniker of 'Disco King' weighed heavy over his music, he proved his versatility with softer numbers, including in "Chalte Chalte" and ghazals "Kisi Nazar Ko Tera Intezaar Aaj Bhi Hai" and "Aawaz Di Hai" from Aitbaar.
He also looked westwards to increase his musical reach. Lahiri dubbed in Hindi for singing icon Elton John for the 2017 spy comedy Kingsman: The Golden Circle and for Jemaine Clement in the 2016 animated film Moana. He also composed and sang "Shona" (Gold), the Hindi version of "Shiny".
When portions of "Kaliyon Ka Chaman" were included in the 2002 song "Addictive" by American singer Truth Hurts, copyright holders Saregama India, Ltd. sued Interscope Records and its parent company, Universal Music Group for more than USD 500 million. A Los Angeles federal judge subsequently barred further sales of the CD unless and until Lahiri was listed on the song's credits.
In 2017, his classic song “Jhoom Jhoom” was featured in the Hindi promotional clip of Marvel Studio's Guardians of the Galaxy Vol. 2.
Bappi Lahiri attends the live concert celebrating 50 years of Bollywood play back singer Amit Kumars musical career, in Mumbai on December 9, 2015. AFP PHOTO / AFP / STR (Photo credit: STR/AFP via Getty Images)
Lahiri also gave music to films in Bengali, Telugu, Tamil, Kannada, and Gujarati. He began his career with the 1972 film Daadu. His first Hindi film as a composer was Nanha Shikari in 1973. It was the 1975 Hindi film Zakhmee that got him noticed with songs such as "Aao Tumhe Chand Pe Le Jayen" and the Holi song "Zakhmee dilon ka badla chukane". The film brought him to Chalte Chalte, Surakshaa, and others as his disco beats became popular among the youth, earning him the title of Disco King in India.
Disco may have gone out of style in the later years of Bollywood music but the singer, in an interview with PTI in 2019, said he was grateful to have voiced for some of the biggest stars of their era. "I feel so proud to have had this journey and to have worked with all the extremely talented people in the industry. Simply put, my life is Dilip Kumar to Ranveer Singh. From Dharm Adhikari to Gunday, I've done it all,” he told PTI.
Ed Sheeran’s latest single, Sapphire, is out now, and it marks a new chapter in his musical journey. With the Indian rhythms, rich storytelling, and unexpected star power, Sapphire is a big cross-cultural leap for the British singer-songwriter.
A musical journey through India with Arijit and SRK in the spotlight
Bringing together the soulful voice of Arijit Singh, choreography by Bollywood icon Farah Khan, and a surprise appearance by Shah Rukh Khan, the song celebrates global connection. Recorded during Sheeran’s visit to India earlier this year, Sapphire captures the spirit of collaboration and joy. From a sitar-laced melody to Arijit's vocals, the track has the feel of a summer anthem rooted in shared sounds and stories.
Shah Rukh Khan makes a special appearance in the Sapphire music video
The music video, directed by Liam Pethick, traces Sheeran’s journey across India, starting on a rooftop at sunrise and winding through beaches, bustling markets, and backlot film sets. There is even a stop at A.R. Rahman’s music school, where he jams with young musicians. One standout moment was a studio session with Arijit and a bike ride around his hometown.
In his own words, Ed says, " Sapphire was the first track that really gave me direction for the album. I finished it in Goa with some amazing Indian musicians. Getting Arijit on board was the missing puzzle piece. We even recorded a Punjabi version that drops soon; it’s one of my favourites on the record."
Ed Sheeran and Arijit Singh in India
New album Play coming this September and live shows sell out instantly
Sapphire is part of Sheeran’s upcoming album Play, releasing on 12 September 2025. After closing the Mathematics era, this album sees him experimenting with sounds from India and Iran.
In other exciting news, Sheeran’s homecoming gigs in Ipswich, his first UK headline shows since 2023, sold out immediately. Taking place at Portman Road Stadium in July, the three-night run will feature guests like Tori Kelly, James Blunt, and Busted. A portion of ticket sales will go to The Live Trust, a new fund aimed at supporting grassroots music professionals.
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Badshah reacts to backlash over controversial Dua Lipa comment
Rapper Badshah found himself in hot water after a social media post about global pop sensation Dua Lipa. What started as a simple tweet, her name with a heart emoji, quickly spiralled into chaos when a fan asked if they were collaborating. Badshah's response? "I'd rather make babies with her bro."
Badshah's viral response to the comment under his tweet Twitter Screengrab
The backlash was instant. Critics called the remark objectifying and disrespectful, forcing Badshah to clarify. Trying to douse the fire, he later posted, "I think one of the most beautiful compliments you can give a woman you really admire is to wish for her to mother your children. Meri soch nahi, tumhari soch saamne aayi hai." But the clarification didn't sit well with many, who criticised him for doubling down rather than acknowledging the issue. "Since when did that qualify as a compliment?" one user wrote, while others called it tone-deaf and entitled.
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Honey Singh joins the fray with a sarcastic jab
As the debate raged on, Badshah's longtime rival, Honey Singh, couldn't resist chiming in. Reacting to the rapper's explanation on Instagram, Singh dropped a sarcastic "Genius 😂👏👏," clearly mocking the justification. Fans caught the dig immediately, with some laughing at the not-so-subtle jab between the two, who've had a rocky relationship for years.
Badshah had previously expressed a desire to end their feud, but Singh's latest comment suggests the tension isn't fading anytime soon. Meanwhile, the rapper continues to make headlines, whether for his dramatic weight loss, rumoured romance with Tara Sutaria, or this latest controversy. One thing's clear: Badshah knows how to stay in the spotlight, but not always for the right reasons.
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Anurag Kashyap reacts sharply to Ted Sarandos’ remarks on Sacred Games
Anurag Kashyap is known for being outspoken, and this weekend he made headlines again, this time taking aim at Netflix’s top boss Ted Sarandos. The filmmaker lashed out after Sarandos questioned the streaming platform’s early approach in India, particularly their decision to kick things off with Kashyap’s gritty crime drama Sacred Games in 2018.
During an interview on Nikhil Kamath’s podcast People by WTF, Sarandos said he may have chosen a more “populist” route if he could go back, admitting the series was perhaps too novel for the Indian market at the time. The comments didn’t sit well with Kashyap, who fired back on social media, calling Sarandos “the definition of dumb” and sarcastically suggesting the platform should’ve launched with traditional “saas-bahu” content instead.
Kashyap takes aim at Netflix’s shift to mass-market content
Kashyap’s reference wasn’t just casual; it came at a time when Netflix India has partnered with Balaji Telefilms, led by Ektaa Kapoor, best known for her highly successful daily soaps like Kyunki Saas Bhi Kabhi Bahu Thi. The filmmaker’s post read: “He should have started with Saas Bahu… he would have done well. Which he is doing now. I always knew tech guys are dumb when it comes to storytelling, but @tedsarandos is the definition of dumb is what I didn’t know.”
The post sparked debate online, with even singer-actor Lisa Mishra chiming in to support Kashyap, saying that everything on OTT today is “derivative… specifically of Sacred Games.”
Kapoor, without naming Kashyap, responded via Instagram by accusing unnamed artists of being classist. She defended soap operas, claiming they gave a voice to Indian women and were even studied by international researchers. Her post ended with a call for inclusivity and “graciousness.”
Ekta Kapoor's story Instagram screengrab/ektakapoor
A clash of content ideologies in India’s OTT landscape
Sacred Games, co-directed by Kashyap and Vikramaditya Motwane and starring Saif Ali Khan and Nawazuddin Siddiqui, was a landmark moment for Indian streaming content. Though it didn’t continue past two seasons, it opened doors for darker, more experimental storytelling in Indian OTT.
Sarandos’ comments appear to suggest that while Sacred Games earned critical acclaim, it may not have been the right commercial launchpad for Netflix in India. Kashyap, however, sees the platform’s current pivot toward formula-driven programming as a step backward.
Ted Sarandos talks about Sacred Games for Netflix IndiaGetty Images
This very public disagreement brings to light a bigger conversation in the entertainment industry, between art that challenges and content that simply sells.
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Fans react as Billie and Nat’s long-rumoured romance takes centre stage
Billie Eilish appears to have confirmed her latest romance in the most cinematic way possible, with a champagne-fuelled kiss on a sunny balcony in Venice. The singer was spotted with actor and musician Nat Wolff, and the intimate moment has fans convinced that the long-rumoured pair are now officially a couple.
In photos circulating online, the Chihiro singer and Wolff are seen locking lips while casually dressed in matching grey T-shirts, enjoying champagne and sunshine in one of the world’s most romantic cities.
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A long-rumoured connection comes into focus
While this is the first clear public display from the duo, Eilish and Wolff’s bond goes back a while. They worked together on her music video Chihiro, which she directed. Around the same time, Nat and his brother Alex opened for her during the North American leg of her Hit Me Hard and Soft tour in 2024.
Fans first started speculating about their closeness earlier this year when the two were seen leaving the iHeart Music Awards together and later on a night out in New York City. Although both had previously described their friendship as platonic, there seemed to be more under the surface.
Fans react as Billie and Nat’s long-rumoured romance takes centre stageGetty Images
In past interviews, Wolff described their connection as one of shared understanding, particularly around living with Tourette syndrome, a condition both have spoken about. “It’s rare to find people you don’t have to explain yourself to,” Wolff once shared, adding that he and Eilish could just “be” around each other.
Keeping it private until now
Eilish has openly said she regrets how much she’s shared about her personal life in the past. In an interview, she stated she wanted to keep her dating life and sexuality out of the spotlight going forward.
A kiss in Italy sparks fresh buzz around Billie Eilish’s love lifeGetty Images
“I wish no one knew anything about my dating life,” she said. “And I’m never talking about who I’m dating ever again.”
Still, their recent public outing in Venice may signal a quiet shift in that. Whether or not they’ll speak out, the photos seem to say plenty.
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The cast of Maybe Happy Ending celebrates their big night at the Tony Awards
South Korea just scored a historic milestone at the Tony Awards, with the musical Maybe Happy Ending bagging six trophies, including Best Musical and Best Lead Actor. The show, centred on two ageing helper robots living on the edge of Seoul, left the awards night buzzing. Korean entertainment, long a force in film, television, and music, is now making serious inroads into Western theatre too.
From Seoul to Broadway: A story born in two languages
Maybe Happy Ending wasn’t always destined for the bright lights of Broadway. It first opened in a small Seoul theatre in 2016, a result of a local arts foundation’s programme. Co-created by South Korean lyricist Hue Park and American composer Will Aronson, the story explores loneliness, connection, and memory through the eyes of obsolete robots. Written in both Korean and English, the piece has been reimagined several times since its debut.
Darren Criss, known to many as a Glee star, played Oliver and took home his first Tony for the role. His co-star Helen J Shen portrayed Claire, the other robot. Together, they brought the emotional weight to a futuristic love story that’s more human than it sounds.
While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.
A cultural shift, decades in the making
With this win, South Korea joins the rare club of nations with major victories across all four major American entertainment awards, including the Oscars, Emmys, Grammys, and now Tonys. From Parasite to Squid Game, and now Maybe Happy Ending, Korean creators are no longer breaking into the global scene, they’re leading it.
The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.
As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.