Gayathri Kallukaran is a Junior Journalist with Eastern Eye. She has a Master’s degree in Journalism and Mass Communication from St. Paul’s College, Bengaluru, and brings over five years of experience in content creation, including two years in digital journalism. She covers stories across culture, lifestyle, travel, health, and technology, with a creative yet fact-driven approach to reporting. Known for her sensitivity towards human interest narratives, Gayathri’s storytelling often aims to inform, inspire, and empower. Her journey began as a layout designer and reporter for her college’s daily newsletter, where she also contributed short films and editorial features. Since then, she has worked with platforms like FWD Media, Pepper Content, and Petrons.com, where several of her interviews and features have gained spotlight recognition. Fluent in English, Malayalam, Tamil, and Hindi, she writes in English and Malayalam, continuing to explore inclusive, people-focused storytelling in the digital space.
Banksy’s ‘Piranhas’ artwork, painted on a police sentry box, is being stored ahead of display at London Museum.
The piece was originally one of nine works that appeared across London in August 2024.
It will form part of the museum’s new Smithfield site, opening in 2026.
The City of London Corporation donated the artwork as part of its £222m museum relocation project.
Banksy’s police box artwork in storage
A Banksy artwork known as Piranhas has been placed in storage ahead of its future display at the London Museum’s new Smithfield site, scheduled to open in 2026. The piece features spray-painted piranha fish covering the windows of a police sentry box, giving the illusion of an aquarium.
From Ludgate Hill to Guildhall Yard
The police box, which had stood at Ludgate Hill since the 1990s, was swiftly removed by the City of London Corporation after Banksy confirmed authorship. It was initially displayed at Guildhall Yard, where visitors could view it from behind safety barriers. The Corporation has since voted to donate the piece to the London Museum.
Museum’s first contemporary street art
London Museum’s Head of Curatorial, Glyn Davies, said:
“With the arrival of Banksy’s Piranhas, our collection now spans from Roman graffiti to our first piece of contemporary street art. This work by one of the world’s most iconic artists now belongs to Londoners, and will keep making waves when it goes on show next year in the Museum’s new Smithfield home.”
Formerly known as the Museum of London, the institution closed its London Wall site in December 2022 as part of its relocation. It rebranded as the London Museum in July 2024, with £222m allocated by the City of London Corporation to support the move. The project is expected to attract two million visitors annually and create more than 1,500 jobs.
Part of Banksy’s animal-themed series
Piranhas was one of nine animal-themed works Banksy created across London in August 2024. The series also featured a rhino on a car, two elephants with interlocked trunks, monkeys swinging from a bridge, a howling wolf on a satellite dish, and a goat painted on a wall. Some of the artworks were later vandalised, removed, or covered up.
Preserving street art for the public
Chris Hayward, policy chairman of the City of London Corporation, said:
“Banksy stopped Londoners in their tracks when this piece appeared in the Square Mile – and now, we’re making it available to millions. By securing it for London Museum, we’re not only protecting a unique slice of the City’s story, but also adding an artwork that will become one of the museum’s star attractions.”
Stephen Fry is playing Lady Bracknell. Yes, that is correct.
It completely sold out at the National Theatre.
Olly Alexander and Nathan Stewart-Jarrett are the two young men lying about their names.
It is directed by Max Webster, the man behind the Life of Pi play.
You can see it at the Noël Coward Theatre until 10th January.
The highly anticipated production of The Importance of Being Earnest returns with Shobna Gulati joining Nathan Stewart-Jarrett and a bold Max Webster vision that previously sold out at the National Theatre.
Shobna Gulati takes a prominent turn as Miss Prism in the West End transfer of The Importance of Being Earnest, joining a cast that also features Olly Alexander and Stephen Fry. The production, directed by Max Webster, has moved from the National Theatre to the Noël Coward Theatre in London after selling out its initial run, and much of the chatter since the transfer has centred on the casting choices, not least Fry’s decision to play Lady Bracknell.
Stephen Fry delivers a commanding performance as Lady Bracknell in the West End transfer Marc Brenner
What is the deal with Stephen Fry playing Lady Bracknell?
Look, it is genius casting. The role is usually played by a formidable older woman, but Fry completely owns it. He has the height, the voice, and the sheer presence. You truly believe he could silence a room just by walking into it. That famous "A handbag?" line? With him, it is not a shriek. It is slower, deeper, and somehow much more devastating. It is the kind of performance people will definitely remember.
Stephen Fry takes on Lady Bracknell in the West End run of 'The Importance of Being Earnest'Marc Brenner
Who else is in this production?
He is not up there by himself. Olly Alexander from Years & Years is playing Algernon, bringing a truly playful charm to the part. Nathan Stewart-Jarrett is Jack, the character with the fake country brother. The supporting cast is rock solid. Hugh Dennis is the Reverend Chasuble, and Shobna Gulati is a wonderfully flustered Miss Prism. It is a proper ensemble; there are no weak links.
Jessica Whitehurst and Kitty Hawthorne in West End transfer of The Importance of Being EarnestMarc Brenner
How do I actually get tickets to see it?
Right, pay attention. The production is at the Noël Coward Theatre and the run ends on 10 January 2026. That is not very far away. Tickets start at £25 (around ₹2,990). Given its history of selling out, you would be smart not to wait around. Check the theatre's official website.
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