Two killed in Bangladesh as fighting rages on Myanmar border: Police
Parts of Myanmar near the Bangladesh border have seen frequent clashes since November, when the rebel Arakan Army fighters ended a ceasefire
By Shajil KumarFeb 06, 2024
At least two people were killed in Bangladesh Monday after mortar shells fired from Myanmar during clashes there landed across the border, as terrified residents reported heavy fighting and medics treated several with gunshot wounds.
Parts of Myanmar near the 270-kilometre (167-mile) border with Bangladesh have seen frequent clashes since November, when rebel Arakan Army (AA) fighters ended a ceasefire that had largely held since a 2021 coup.
Bangladeshi villagers living close to the border said they were fearful of the fighting, with aid agency Doctors Without Borders (MSF) saying they had treated 17 people wounded in the clashes on Sunday following fighting at the Bangladesh-Myanmar border.
"All the patients had gunshot wounds", MSF said Monday. "Two were in life-threatening condition, and five were seriously injured." Local police chief Abdul Mannan said a Bangladeshi woman, named as 48-year-old Hosne Ara, and an unnamed ethnic Rohingya man had been killed Monday afternoon.
"They were sitting in the kitchen... when a mortar hit the place," Ara's daughter-in-law said. "She was serving lunch to the Rohingya man who was hired by the family for farm work when they were hit."
With conditions deteriorating, the United Nations Security Council was to hold a closed-door meeting Monday (5) regarding Myanmar.
Nine countries including three permanent Security Council members -- Britain, France and the United States -- issued a joint statement expressing concern about the "dire" situation in Myanmar, notably 18 million people in need of humanitarian assistance and 2.6 million displaced from their homes.
Britain's UN mission said its envoy will tell the council the countries "strongly condemn the ongoing violence harming civilians, including the military's continued use of indiscriminate air strikes."
Bangladeshi villagers living close to the border said fighting broke out across the frontier last week, with many sending their children away to relatives to escape the conflict. "We are living in fear," said Abdus Shukkur, 75, from Tumbru Bazaar, a Bangladeshi border village. "It's not our war, but they are attacking our homes and people."
Hasina Banu, 50, returned to her home in Tumbru early Monday after four days, only to be caught in fresh clashes. She reported seeing helicopter gunships firing nearby. "I didn't eat anything since last night," Banu said. "We are in constant fear for our life."
Bangladesh Home Minister Asaduzzaman Khan said Sunday that border police officers from neighbouring Myanmar's Rakhine state had "entered our territory for self-protection" ahead of advancing AA fighters.
A spokesman of the Border Guard Bangladesh, the country's frontier forces, told AFP Monday (5) that "at least 95 border officers of Myanmar have crossed the border and taken shelter in Bangladeshi border posts".
A Myanmar junta spokesman could not be reached for comment on the clashes. Myanmar's rebel Three Brotherhood Alliance, of which the AA is a member, said late Sunday that AA fighters were battling Myanmar border guard forces near Bangladesh.
They reported nearly 60 members of the Myanmar security forces had "sneaked into Bangladesh through the border and escaped with weapons".
In October, an alliance including AA insurgents and other ethnic minority fighters launched a joint offensive across northern Myanmar, seizing vital trade hubs on the Chinese border.
Last month, the alliance announced a China-mediated ceasefire, but it does not apply to areas near the Bangladeshi and Indian border, where fighting continues.
Bangladesh is already home to around one million Rohingya refugees, driven out of Myanmar in a military crackdown in 2017.
Britain and eight other countries said in their statement that conditions have "further deteriorated" in Rakhine state, and called for "the voluntary, safe, dignified, and sustainable return of Rohingya refugees and internally displaced persons."
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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