PROLIFIC Pakistani writer Awais Khan has earned widespread acclaim for his perfectly crafted novels, which blend compelling characters with gripping narratives and hard-hitting social issues.
The award-winning author’s works – In the Company of Strangers, No Honour, Someone Like Her, and his most recent book, In the Shadows of Love – demonstrate his exceptional storytelling abilities.
A graduate of the University of Western Ontario and Durham University, Khan studied creative writing at the Faber Academy in London and has since become an important literary voice.
Eastern Eye caught up with him to discuss his writing journey, latest novel, and upcoming projects. He also shared insights into his writing process and offered valuable advice for aspiring authors.
How do you reflect on your action packed writing journey?
Every victory has been hard-won. Social media might paint a glamorous picture, but the reality is that publishing is a tough industry where you have to fight to get noticed. Looking back, I am astonished that I stuck with it because there were times when it all seemed impossible.
Did you ever imagine becoming such a successful writer when you started?
When I first started, my only goal was to get published. Living in Pakistan, I had very little knowledge of the publishing world. I knew nothing about press features, reviews, celebrity book clubs, or bestseller lists. My sole focus was getting my work out there. So when I began receiving praise from the industry and readers, it came as a complete surprise.
You are a prolific author with a wide range of books, but which is closest to your heart?
That is like asking someone to pick their favourite child! I love all my books equally, but if I had to choose, it would be No Honour. I poured my heart and soul into that novel.
What first draws you to a story?
For many writers, it starts with the plot, but for me, it always begins with the character. The character comes first, and the story follows.
You are not afraid to tackle harsh truths in your writing. Would you describe yourself as a fearless writer?
If you are going to write about social issues, you must do them full justice. There is no point in writing half-baked stories. My work has often drawn criticism in Pakistan, but I do not let that affect me. If confronting uncomfortable truths means I have to be fearless, then so be it.
What draws you towards female protagonists in particular?
If you have lived in Pakistan, you will know that women face far greater challenges than men. It is a deeply patriarchal society where women’s issues are routinely ignored, and people go to great lengths to maintain the status quo. This has never sat well with me, so I use my platform to highlight these social issues. Writing from a female perspective allows me to do that effectively. However, I do not take this responsibility lightly – I always conduct thorough research when writing from a female viewpoint.
Tell us about your most recent book.
In the Shadows of Love is a sequel to my debut novel, In the Company of Strangers, but it can also be read as a standalone. It presents Pakistan in a way rarely seen before, but at its core, it is a story about a decades-long marriage and how a single secret can change everything. The novel follows Mona and Bilal and is a perfect pick for book clubs.
What can we expect next from you?
I am currently working on a book very close to my heart, which I have dubbed my magnum opus. Tentatively titled TheWomen, it tells the story of two women whose lives intertwine under extraordinary circumstances. I have also written a thriller, Her Sister’s Secret, which I am currently editing.
Tell us about your writing process.
Many writers wait for inspiration, but I do not. I work to deadlines – if my publisher has not set one, I create one myself. Trust me, deadlines are the best cure for writer’s block. I also prefer writing in loud cafés; somehow, the background noise helps me think clearly. I have also discovered the importance of planning – I always carry a notebook where I jot down chapter outlines.
What key advice would you give aspiring authors?
My advice is simple – never give up. The publishing industry is highly subjective; what works for one person may not work for another. Keep going and keep submitting. There is an agent and publisher out there for you.
You faced a lot of rejections in the beginning. What kept you going?
Yes, I was rejected by over 60 literary agents before I was finally signed by Annette Crossland in February 2017. The one thing that kept me going was my belief in my work. While I may not have written a great novel at the time, I knew I had written a good one. I was convinced that there was a market for it.
What makes a great novel?
A great novel is one that is impossible to put down. It does not have to be a thriller to be unputdownable – take The Secret History by Donna Tartt, for example.
Who is your literary hero?
There are many writers I admire, but if I had to choose one, it would be Leo Tolstoy. Anna Karenina is one of the best novels I have ever read, with its insight into human nature and timeless storytelling.
What inspires you as a writer?
Inspiration is everywhere. It can be found in something as simple as a gathering of friends and family. Every situation we observe has a story behind it, and as a writer, it is my job to imagine what that story might be.
EASTERN EYE is supporting this year’s Jaipur Literature Festival (JLF) at the British Library next Friday (13) to Sunday (15) as its media partner.
“We are happy to do so as we aim to be ‘the voice of British Asians’, as we say on our masthead,” said Shailesh Solanki, executive editor of the newspaper.
JLF also seeks to attract all sections of the community in the UK.
Many of the speakers in this year’s event have featured in Eastern Eye in recent years.
For example, Sheela Banerjee won Eastern Eye’s Arts, Culture & Theatre Award (ACTA) in the non-fiction category last year for What’s in a Name: Friendship, Identity and History in Multicultural Britain.
Vaseem Khan, the first Asian chairman of the Crime Writers’ Association in 70 years, won an ACTA in the fiction category in 2018 for The Strange Disappearance of a Bollywood Star.
The BBC’s Reeta Chakrabarti was named best presenter in ACTA this year. She was also shortlisted in the fiction category for her debut novel featuring schizophrenia, Finding Belle.
In the newly introduced category for crime fiction, the winner was Ram Murali, author of Death in the Air, which has been described as “a love letter to Agatha Christie”.
Eastern Eye has also written about Sushma Jansari, who has curated the British Museum’s new exhibition, Ancient India: Living traditions.
Among the headline speakers this year is Banu Mushtaq, whose book Heart Lamp, translated from Kannada by Deepa Bhasthi, is the first short-story collection to win the International Booker Prize.
Ram Murali
Hanif Kureishi will be discussing his book, Shattered: “After a devastating fall in Rome, Hanif Kureishi was left immobile. From his hospital bed, he began to dictate powerful reflections on illness, identity, love, and writing. Shattered is the result: an odyssey of survival.”
JLF 2025 is bringing together some established authors from India, such as the MP Shashi Tharoor. His latest book, Our Living Constitution, “offers a masterful analysis of India’s constitutional framework, highlighting how it transcends political rhetoric to reflect the nation’s core ideals”, according to the festival organisers.
Although Tharoor belongs to the opposition Congress party in the Lok Sabha, India’s lower house of parliament, he expressed strong support for Narendra Modi’s Operation Sindoor military action against Pakistan. He was picked to lead one of seven Indian government delegations explaining New Delhi’s foreign policy in countries around the world, including Panama, Guyana, Colombia, Brazil and the US.
Other authors from India include William Dalrymple, whose Eastern Eye lecture on The Golden Road: How Ancient India Transformed the World at the Bhavan in London last October was attended by nearly 250 people.
His son, Sam Dalrymple, will be speaking at JLF on his book, Shattered Lands: Five Partitions and the Making of Modern Asia. This was shortlisted for an ACTA this year in the history category.
JLF describes his book as “a sweeping narrative of how the once-unified Indian empire splintered into 12 modern nations. Drawing on rare archives, untranslated memoirs, and interviews across multiple languages, Dalrymple excavates five key partitions that reshaped the political, cultural, and emotional geography of the region. From boardroom deals and battlefield lines to personal stories of loss, resistance, and reinvention, the session reflects on how borders are drawn and the human cost they carry.”
His father, William, one of the founding directors of the festival, said: ”At JLF London at the British Library, we bring together some of the finest minds from across the world to explore the great questions of our time – from the rise of AI to the legacies of empire, from the pleasures of food and art to the complexities of geopolitics.
“This year’s edition reflects the festival’s commitment to rich, nuanced discourse, bridging cultures and offering a truly global literary experience.”
Namita Gokhale, a festival co-director – she will be talking about the re-publication of her novel, Paro, which came out in 1984 – commented: “At this volatile moment of change and transformation, we seek to make sense of our fractured world, and to explore and understand it through our shared stories.”
The éminence grise behind JLF is Sanjoy K Roy, managing director of Teamwork Arts, which describes itself as “a highly versatile production company with roots in the performing arts, social action and the corporate world”.
Sanjoy K Roy
He said: “We celebrate the power of literary thought to foster meaningful conversations and build bridges between cultures through our sessions at JLF London. The 12th edition of JLF London hosts diverse themes ranging from history and artificial intelligence to culture and geopolitics, food and art.”
Incidentally, Roy will be speaking to Bafta-winning playwright David Hare, celebrated as “the finest living British dramatist”.
Hare will provide “a peek into his remarkable career that has redefined contemporary theatre. Renowned for iconic works such as Skylight, Plenty and Racing Demon, Hare’s plays explore the intricacies of politics, power, and human relationships with unflinching honesty and wit. His innovative storytelling, blending sharp dialogue with profound moral inquiry, has left an indelible mark on stage and screen.”
Support for the festival was expressed by Jamie Andrews, the British Library’s director of public engagement: “The British Library looks after one of the world’s most significant south Asian collections, and international collaboration is at the heart of our mission as a library.”
The British Library had a message for Asians in the UK and typically Eastern Eye readers:
“We are the national library of the UK and we are here for everyone. Our shelves hold over 170 million items – a living collection that gets bigger every day. Although our roots extend back centuries, we aim to collect everything published in the UK today, tomorrow and far into the future.
“Our trusted experts care for this collection and open it up for everyone to spark new discoveries, ideas and to help people do incredible things.
Sheela Banerjee’s award-winning book
“We have millions of books, and much more besides. Our London and Yorkshire sites hold collections ranging from newspapers and maps to sound recordings, patents, academic journals, as well as a copy of every UK domain website and blog.
“Our public spaces provide a place to research, to meet friends, to start up a new business or simply to get inspired by visiting our galleries and events. We work with partners and libraries across the UK and the world to make sure that as many people as possible have the chance to use and explore our collections, events and expertise. And we’re always open online, along with more and more of our digitised collection.”
After this year’s London Book Fair, Eastern Eye reported that the British Library republishes crime novels, which first came out decades ago.
This year, Shobaa De is likely to prove a big draw at JLF, which says that the celebrity writer and columnist “is unapologetically bold, fiercely candid, and never afraid to stir the pot. Her popular column, Politically Incorrect, and her bestseller novels like Socialite Evenings and the more recent Insatiable, have won her global acclaim. She has spent decades challenging conventions with her sharp wit and candid observations. Her upcoming book, The Sensualist, is a provocative look at passion, power, and the private lives of modern Indians. In an unfiltered conversation with Yasser Usman, De talks about writing, relationships, and the art of being unapologetically herself.”
Dr Deborah Swallow, an expert on Indian art, will take part in a session on “libraries, museums and archives”, and Asma Khan, founder of the restaurant Darjeeling Express, will talk about food.
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THIS year’s Khushwant Singh Literary Festival, which aims to promote harmonious relations between the people of India and Pakistan, is going ahead in the UK despite the recent conflict between the two countries.
It will take place at the School of Oriental and African Studies (SOAS) in London next Saturday (31) from 11am to 6pm, and at Somerville College, Oxford, on June 3, from 4pm to 7pm.
The theme of the festival, which brings together writers from India and Pakistan, is Humanity Across Borders.
Devika Rege
Rahul Singh set up the festival in memory of his late father, Sikh journalist and scholar Khushwant Singh, who was born in a part of Punjab that went to Pakistan after Partition, and subsequently always tried to promote cordial relations between the two nations.
Rahul told Eastern Eye (a media partner): “The Khushwant Singh Literary Festival, inspired by the late writer Khushwant Singh, has aimed to promote good relations between the nations of the Indian subcontinent ever since it began in London seven years ago.
“This year, following the brief conflict between India and Pakistan, there were questions about whether it would go ahead. But with the theme Humanity Beyond Borders, our aim remains unchanged – to foster more people-to-people contact and strengthen the shared bonds of humanity and freedom.”
The festival organisers used the word “strangers” – it was recently used by the British prime minister, Sir Keir Starmer, in his anti-immigration speech (“we risk becoming an island of strangers”) – to define KSLF’s aims: “Let’s gather, not as strangers, but as seekers of a common good.”
They added: “From authors and journalists to filmmakers, poets, and activists, these outstanding speakers come not just to speak, but to listen, to connect, and to foster dialogue across differences.”
One author attending from Pakistan is Shueyb Gandapur, whose book, Coming Back: the Odyssey of a Pakistani through India, is receiving renewed attention because of the recent conflict. He managed to get an Indian visa in 2017 and recorded his impressions during a 16-day stay (during which he reported to a police station “10 times”).
His book avoids political commentary, focusing instead on moments of human connection and cultural echoes that defy national divides.
In New Delhi’s bustling Paranthe Wali Gali, a waiter greeted him with a strangely familiar tone: “It’s been a long time since you came by.”
Tariq Ali
Gandapur had never been there before. “It was my first time,” the author said. “But the welcome felt like I was coming back to a place I’d once known.”
As he travelled through Agra, Jaipur and Varanasi, Gandapur began to notice traces of a shared past, with old shops and streets bearing names familiar in present-day Pakistan. In the Indian capital, he found schools named after Dera Ismail Khan, his hometown.
His literary enthusiasm led him to the graves of Urdu writers Mirza Ghalib and Qurratulain Hyder.
“I wanted to see how Urdu lives on in India and what Indians think of our poets and writers,” he said.
Imtiaz Dharker
While Coming Back is framed as a personal narrative, it also reads as an invitation to look past borders and bureaucracy and notice what endures, according to his publishers, Kantara Press.
Gandapur said he hoped to return to India one day, with Lucknow, Hyderabad and Mumbai on his list.
“There’s so much still to explore,” he said. “To really understand the culture we share, one journey isn’t enough.”
Gandapur and the Indian author, Devika Rege, whose debut novel, Quarterlife, has received favourable reviews, will discuss “politics, privilege and purpose”.
Other Pakistani authors include Faiqa Mansab, an adjunct professor of English at Pakistan College of Law who is coming from Lahore to talk about her new novel, The Sufi Storyteller; and Muhammad Ali Bandial, a contributing author to Home #it’s complicated.
The latter has been edited by Saba Karim Khan, who is from Karachi, but now lives in Abu Dhabi. She, too, is coming to talk about Home #it’s complicated. The latter “changes the story of Pakistan, and features a mix of storytellers: doctors, screenwriters, journalists, filmmakers, scientists, intelligence personnel, entrepreneurs, home-makers, and authors. We hear about the strife: hunger, normalisation of violence, hypocrisies, privilege and judgmental tendencies. And also from the backstage: stories of love and wounded attachments, courage and quiet desperation, the pursuit of purpose and the skills essential to survive.”
Keshava Guha
In London, Tariq Ali will be in conversation with Farrukh Dhondy, and the launch of the Poetry Archive: A Tapestry of South Asian Verse will feature Imtiaz Dharker, Rishi Dastidar and Seni Seneviratne.
Others taking part in the festival include Francesca Kau (author of The Book of Days); architect and landscape historian Iqtedar Alam; historian Ramachandra Guha’s son, Keshava Guha, author of The Tiger’s Share; (the great grandson of Edwin Lutyens) Lord Matt Ridley, author of Birds, Sex and Beauty: The extraordinary implications of Charles Darwin’s strangest idea;historian Radha Kapuria; Zilka Joseph, author of Sweet Malida:Memories of a Bene Israel Woman; and Sunetra Gupta, Professor of Theoretical Epidemiology at Oxford.
Entry is free, but those who wish to attend should register on Eventbrite. Visit www.eventbrite.co.uk/e/khushwant-singh-literary-fe...for London, and separately for Oxford: www.eventbrite. co.uk/e/khushwant-singh-literary-festivaloxford-2025-tickets-1316955923619
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“This book was born from the belief that no story is ever small,” she said
Banu Mushtaq has made literary history by becoming the first Kannada writer to win the International Booker Prize. The 2025 award was given for her short story collection Heart Lamp, a collaboration with translator Deepa Bhasthi, who rendered the work into English. The pair will share the £50,000 prize, which was presented at a ceremony at London’s Tate Modern on 20 May.
Published by Penguin Random House India, Heart Lamp is a collection of twelve short stories written between 1990 and 2023. It explores the lives of women in southern India, particularly in Karnataka, portraying their struggles and strength within patriarchal communities. The stories are grounded in regional oral storytelling traditions and have been praised for their wit, vividness and emotional depth.
Chair of the judging panel, Max Porter, called the book “a radical translation which ruffles language, to create new textures in a plurality of Englishes,” adding that the result is “genuinely new for English readers.”
Mushtaq, who is also known for her work as a lawyer and activist, reflected on the significance of the award during her acceptance speech. “This book was born from the belief that no story is ever small,” she said. “In a world that often tries to divide us, literature remains one of the lost sacred spaces where we can live inside each other's minds, if only for a few pages.”
Bhasthi’s translation has been praised for preserving the multilingual and musical essence of the original Kannada text. She chose to retain Kannada, Urdu and Arabic words in the English version, aiming to reflect the region’s everyday speech patterns. Speaking at a recent event at Champaca Bookstore in Bengaluru, she said, “None of us speaks ‘proper English’ in Karnataka… I wanted Indian readers to hear the deliberate Kannada hum behind it.”
In an earlier interview with The New Indian Express, Mushtaq addressed the personal dimensions of her writing. “I was asked to write about my contexts, and so I did. But at the same time, I didn’t want to be confined within the identity of the ‘Muslim woman’,” she said.
Heart Lamp is the first short story collection to win the International Booker Prize and only the second Indian title overall, following Geetanjali Shree’s Tomb of Sand, which won in 2022.
Fiammetta Rocco, Administrator of the prize, described the book as “a testament to the enduring fight for women's rights, translated with sympathy and ingenuity,” encouraging readers of all backgrounds to engage with its themes.
The 2025 shortlist featured works translated from Danish, French, Japanese and Italian. Each shortlisted book received £5,000, divided between the author and translator.
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Deepa Paul explores non-monogamy, commitment and romance in her new book
It began as a 1,200-words essay, sort of a frequently asked questions (FAQ) explainer of being in an open marriage, before culminating in a bidding war involving multiple major publishing houses.
Her new book 'Ask Me How It Works'Instagram/ storiesbydeepa
Deepa Paul’s Ask Me How It Works does what it says on the tin. It’s her story of being in a committed marriage with her husband of 17 years, while the couple also date other people, with each other’s knowledge.
However, seven or eight years ago, no one was interested in publishing it, said Paul. When a writing coach suggested it was more than an essay, she wrote the draft and that led to a publishing deal.
“It’s basically almost unchanged from where I began. There was no grand vision. It was – what have I experienced, what have I learned from it, and what can I share?” Paul said.
She recalled a writing habit “to process my own experiences and to understand what’s going on in my life”.
Paul added, “Initially I started writing mainly for myself. There was a point at which I was receiving so many questions from men who I was open with on dating apps, and I remember thinking as a joke, almost like, ‘What if I could just send them something that would make my life easier.’”
“In the beginning it was called Ask Me How It Works:frequently asked questions about my open marriage. And this essay just got longer and longer.”
Paul, a half-Indian, half-Filipina writer, lives with her husband, Marcus, in Amsterdam, having moved there from Manila, where they both grew up. The couple have a young daughter, and Paul also has a boyfriend of five years in the city.
She was polyamorous at the time of writing the book, but said she is currently not dating anyone else.
Each chapter in her book dwells on the many questions raised by Paul’s curious dates – from how it started to the rules the couple follow, feelings, love and therapy.
“It’s always been about self discovery,” Paul said. “My preferred method of growth is to put myself in new situations and see how I adapt.
“It sounds very chaotic and maybe stressful for a lot of people, but I value adaptability and flexibility and being able to find out about myself through the mirror of relationships.
“I believe that an encounter with somebody – whether it’s for one night or for months or years or a lifetime – can mirror back to you things about yourself that you’ve never saw before.”
Paul was raised in the Philippines (the country is predominantly Catholic and divorce is banned), but when she moved to the Netherlands, realised there were opportunities to explore relationships outside her marriage. Over the course of more than a dozen chapters, she charts her journey as she and her husband seek encounters outside their marriage. Both are certain, however, that they want to be in the marriage and are committed to raising a family together.
Paul explained how her idea of marriage has transformed over time.
“What I learned from my parents, seeing their picture of love and commitment, was that we would build a life together, that we had shared goals and we would achieve them together,” she said.
“A family was definitely part of it. It felt like a big adventure we could go on together. Me moving to Singapore to be with him, (it) felt like I was giving a lot, but it also felt adventurous. Then moving to Amsterdam was another adventure. I saw marriage as a series of adventures for which I had found a partner.
“Now, I would say that’s changed in the sense that there’s much less ‘adventuring’. It’s more realistic that we are building a life together. We have shared goals, and those evolve over time.
“But now I believe our commitment is much more fluid and flexible, because it accommodates the versions of ourselves we can become as life changes. Motherhood was a big change, migration was a massive change, cancer was a huge change (Paul was diagnosed last year, underwent treatment and is now cancer-free).
“So, now we get to check in with each other and say, ‘okay, what does commitment look like for us, for the people we are now? It’s a lot more familiar, but it’s also flexible.”
Life in Amsterdam could not be more in contrast to Manila. In fact, in one of the final chapters, Paul explains what the book is about to her pre-teen daughter and waits tentatively for her response.
Her reaction? Paul and Marcus are not the only ones in their daughter’s class to have an open marriage.
“Welcome to Amsterdam!” she writes. “If I stayed in Manila, I don’t think I would have ever realised that non-monogamy is an option. I came to Amsterdam and I was almost shocked at how accepted it is – that it is an option available for us as a relationship style.”
Paul explores the many facets of relationships – established, committed or casual – as she and Marcus ‘open up’ their marriage. Having dating rules, establishing boundaries, testing them, adapting, building trust, maintaining faith in each other, therapy, co-parenting, pursuing careers and Covid lockdowns – Ask Me How It Works answers all the questions readers could possibly be curious about.
She said the effort was worth it. “I find working on relationships fulfilling. I think I’m a relationship nerd. I love talking about attachment styles and I believe the greatest fulfilment I derive from life is from relationships. It’s not from possessions or experiences. I love figuring out relationships – how somebody wants to be loved, what makes them feel special, feel safe.
“And then, when I realised I can also give that to them, I found myself expanding. I thought, ‘Oh, I didn’t think I could love this way, I didn’t think I could care for someone in this specific manner.’ And, somehow, I managed to keep track of all of them.”
Paul added, “I’m also very into the idea of experiencing pleasure in different ways, and I learned so much about my desires, but also my body. I have a really good relationship with my body – through the mirror of other people, and I do love that I have an identity.
“I’m encouraged and allowed to build an identity for myself that doesn’t revolve around being a wife and a mother. I can be 100 per cent a good wife and mother, but also be 100 per cent myself.
“And it’s not a trade-off. So, for me, that’s worth the extra effort, of what people think is so tiring.”
Although Paul is not dating anyone else apart from her boyfriend, she has seen a shift in the approach to monogamous and non-monogamous relationships, saying that while the latter are more accepted now, it’s not yet mainstream.
She has also observed how women in some conservative societies feel about desire. “In terms of attraction and desire, we’re taught that it’s a very destructive force, but it is also a force of great power – it can make people look and feel and come alive and be really present in their senses,” Paul said.
“I take a lot of inspiration, for example, from Audre Lorde’s essay The uses of erotic where she says, ‘once you’ve tapped into something that really gives you joy and aliveness, it’s like you can’t turn it off.’ It feeds so much into our lives and women are sort of stopped from doing that.”
She added, “But then, when we are at our most fully expressed and alive and just enjoying the deliciousness of life, who immediately benefits? Family and society, as well.”
Paul revealed she considered writing the book under a pseudonym.
However, she said, “If I cannot stand by my choices, my ups and my downs and my mistakes, and I can’t put my name and my face on it, then shame still has power over me.
“For me, it’s a powerful exercise to say, ‘Yeah, I did all of this and I made these mistakes, I cleaned them up, and I somehow turned them into a life that I love, with all the people I love along with me for the ride.
“If I had kept hiding that, I would not really have been freed,” she said.
“Regardless of whether you are monogamous or non-monogamous, people are messy.
“Life is unpredictable, emotions are messy. So we just do the best we can with the tools we have.”
Ask Me How It Works: Love in an Open Marriage by Deepa Paul, published by Viking, is out now
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The book explores the power of community, teamwork, and belonging
With the release of Pia’s Pet Club: Puppy Problem on 8 May, award-winning author Serena Patel brings young readers a heartwarming new series that combines humour, friendship, and cultural representation. Known for her Anisha, Accidental Detective books, Patel spoke to us about her inspiration, the writing process, and why visibility in children's literature matters.
From PowerPoint slides to pet chaos
The origins of Pia’s Pet Club are rooted in a familiar family negotiation. Patel recalls, “My son was trying to persuade us to get a bigger pet. He made PowerPoint slides, showed us TV programmes, did all his research. Eventually we gave in—and now we have two ragdoll cats.”
That experience inspired Pia, a young girl desperate for a pet of her own. When her parents say no, Pia sets out to prove she’s responsible by helping her friend Hari train his unruly puppy, Luna. Predictably, chaos follows—and so does the idea of forming a pet club.
One of Patel’s favourite scenes to write involved a spectacularly failed attempt to train Luna. “It was really fun to write. The kids think it’ll be easy, but the dog has other ideas,” she laughs.
A heroine with heart and flaws
Pia is Patel’s latest strong-willed lead character. “She doesn’t always get it right, but she’s trying her best,” she says. “She’s flawed and real, just like any child.”
Patel, who grew up in a South Asian household, shares that she never saw herself in books as a child. “I never came across South Asian characters in funny stories. Seeing yourself in a book gives you a sense of belonging—it’s validating,” she explains. Pia’s cultural background is woven naturally into the narrative, from home-cooked meals to family dynamics and familiar words.
A visual world, brought to life
The illustrations in Pia’s Pet Club are by Emma McCann, who has worked with Patel for several years. “Emma’s brilliant. It’s like she has a camera inside my brain,” Patel says. “She adds humour and detail that isn’t even in the text. It’s a real collaboration.”
Set in the communal garden of an apartment block, the book explores the power of community, teamwork, and belonging. Patel describes it as a departure from the mystery genre that defined her previous work. “This one feels more like a warm sitcom—funny, but full of heart.”
The first book took nearly three years to develop, from idea to finished manuscript. “There were moments I doubted myself, but I wanted to make it the best it could be,” she admits.
What's next for Pia?
The series is already expanding. The second book, The Secret Kitten, is due in January 2026, and the third, Guinea Pig Showtime, will follow in July 2026. Readers can expect more mishaps and humour as Pia and her friends take on new pet-related challenges, including a pet talent show.
From page to screen?
With Anisha, Accidental Detective in development for television by BBC Studios Kids & Family—featuring Emmy-winning actress Archie Panjabi as executive producer—it’s no surprise that Patel has considered a screen future for Pia as well.
“It’s the dream,” she says. “The setting, the characters, the themes—they’d all work brilliantly on screen.”
Ahead of the launch, Patel is preparing for a number of school visits and events. “It’s a new series. You never know how it’ll be received,” she says. “But the early feedback has been great.”
For readers young and old, Pia’s Pet Club offers a story of determination, friendship, and cultural pride. “Books are powerful. They stay with us,” Patel says. “And if Pia makes just one child feel seen or brings a smile to their face, then I’ve done my job.”