Ahir’s interesting career has seen him go from founding the award-winning act Geet The Mega Band to carving out a solo career
By Eastern EyeMar 15, 2024
BRITISH Asian music veteran Atma Ahir has been lighting up the bhangra scene ever since the early 1990s.
His interesting career has seen him go from founding the award-winning act Geet The Mega Band to carving out a solo career. The singer recently released his catchy Punjabi track, Morni, written by Somal Mouliwala and set to music by Harbans Azaad.
Eastern Eye got him to reflect on his musical journey and select 10 memorable moments. He said: “Music has been an important part of my life and has gifted me so many beautiful memories, so it’s difficult to select just 10. Here are the ones that come to mind, but there are many more.”
Childhood: During my childhood in India, I was more interested in playing with friends than studying, so I failed fourth grade twice. I was a naughty child who used to steal sugarcane, melons and mangoes from other people’s farms. Thankfully, everyone loved me, as I was also very kind and loving. It was my passion for performing and singing that ultimately set me on the right track. That started me on my wonderful career in music.
First break: In the early years, I used to sing at home and at college with friends, but I never took it seriously. I was more interested in acting. To get my equity card (for acting), I needed work, which I got through performing session work with other bands. That’s when I took up singing and was approached by the late Balwinder Safri. He had seen me singing and helped launch my career with the band, Geet Sangeet. After that, I formed Geet The Mega Band. (I also got an equity card, which enabled me to do walk-on parts in TV shows such as The Bill, Casualty and Boon).
Winning the Asian contest in 1988: Winning the Asian song contest with Geet The Mega Band at The Dome in Birmingham was such a great platform. That was a great beginning for me and the band; it gave us so much confidence. The stepping stone into the music industry provided by Muhammad Ayyub ji of (record label) Oriental Star Agencies was special because they were the pioneers of south Asian music overseas.
Awesome album: After two years of hard work, we recorded our first album as a band, No Problem. It was released by Oriental Star Agencies and became a massive hit. It was number one on the UK as well as international charts for many weeks. I still remember when it crossed 25,000 in sales and earned us a gold disc. This was at a time when there were no social media platforms to promote it. Wordof-mouth publicity turned it into a hit.
Further awards: Winning a best newcomer award as a band in 1991-1992 at the Asian Pop awards organised by Amarjit Sidhu at The Dome in Birmingham was special. It provided such a great platform for new bands and solo artists to display their talent. I was proud to be part of that. As a new band, it gave us great exposure and led us towards performing at packed venues around the country.
Live performances: Being on stage has always been the biggest thrill and there have been many memorable performances. After No Problem became a huge hit, we toured India and performed live in Mumbai for the film industry. A performance in Agra and another at the internationally renowned Womad Festival are also memorable. There were many other stage shows and wedding performances that generated so much joy.
With Hans Raj Hans
Hans Raj Hans: This career has enabled me to meet so many musical greats, but one that stands out is Hans Raj Hans. Becoming a student of the legendary singer not only helped me improve my singing skills, but also taught me so much about music and enabled me to understand myself better. I remember travelling to India every six months to receive music lessons from ustadji.
T-Series: Today T-Series is perhaps the biggest Asian record label in the world. Working with them was everyone’s dream in the early years.
Travelling to India and signing up with such a big label was special. Releasing my two albums, Dil MangLai and Vanjara, along with filming a music video in Mumbai was a great achievement and a moment of pride.
Morni: My latest EP has taken nearly three years to complete and includes the song, Morni. My father had passed away due to the coronavirus when I first started on these tracks, so I put the record on hold. I finally went back to the studio and completed the songs, as that is what my father would have wanted. I released Morni on my own label, Heer Records, and it has received a positive response.
People: Finally, the greatest musical moments have come from those who have appreciated my music. From those who came to watch our band perform live in the early days, to anyone who has listened to my songs, I am truly grateful to every well-wisher. As artists, we make music for the people and if they are happy, then so are we.
Romesh admits he’s aware of possible overexposure but says he chooses work based on gut feeling and quality.
He makes his West End debut opposite Sheridan Smith in Alan Ayckbourn’s Woman in Mind.
The play runs at the Duke of York’s Theatre from 9 December to 28 February, then in Sunderland and Glasgow in March.
Romesh will play Bill, the doctor who links Susan’s real and imagined worlds.
He balances television, radio, and stage work by turning down offers he doesn’t think he can do well.
Romesh Ranganathan says he knows the word “overexposure” follows him around and he’s decided it’s a risk worth taking. The comedian, who is making his West End debut, told the BBC he deliberately turns down roles at times but will say yes when a job feels right, putting “overexposure” and the play’s pull, plus the chance to work with Sheridan Smith, at the centre of his decision. This new stage turn comes as Romesh juggles television presenting, radio, and touring stand-up, and it is also his first proper stage role since primary school.
Romesh Ranganathan makes his first West End appearance in Woman in Mind alongside Sheridan Smith Getty Images
What does Romesh mean by overexposure?
He’s not talking theory. He’s talking experience. Romesh openly acknowledges people tell him “you’re on everything,” a phrase he quotes, not hides from. His defence, though, is practical. He asks whether the project is something he’d watch, whether he can do it justice, and yes, whether there’s a fee. That’s his filter. Plain as that.
Romesh portrays Bill the doctor linking Susan’s real and imagined worlds on stage Getty Images
Why take the West End risk with Sheridan Smith?
Because the role felt right. Romesh will play Bill, the doctor connecting Susan’s two worlds, in Alan Ayckbourn’s Woman in Mind. Sheridan Smith leads as Susan, and Romesh says working opposite her is “exciting and intimidating.” He’s honest about nerves; that’s part of the point. He wants the challenge, even if it raises his profile further.
The production runs at the Duke of York’s Theatre in London from 9 December until 28 February, followed by dates at Sunderland Empire and a run at Theatre Royal, Glasgow, in March 2026 (Glasgow 10–14 March; Sunderland 4–7 March). The revival is directed by Michael Longhurst and keeps close to Ayckbourn’s original while offering a fresh staging.
How Romesh is balancing television, radio, and theatre
Romesh fronts shows including Parents Evening and hosts a BBC Radio 2 slot, plus podcasts and tours. He’s selective, he says. He’ll keep doing varied work, including television, radio, and stage, but only when he feels it’s the right fit. If the public tires of him? He joked he might go and work in a café. For now, he’s stepping on stage.
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